1050:
suffered a disease which rendered her invalid. She lay each day on a wooden palette, and was nursed by two women. According to her legend, eight days before her death at the age of fifteen, Fina had a vision of Pope
Gregory who told her that death was near. On the day of her death, 12 March 1253, the bells of San Gimignano rang spontaneously, and large pale mauve flowers grew around her palette. As her nurse laid out her body, her hand moved, touching the nurse and healing her of paralysis that she had suffered as the result of many hours of supporting Fina's head. On the day of her funeral, a blind choir boy had his sight restored by touching her feet. It is said that mauve flowers bloom in San Gimignano every year on the anniversary of her death.
1020:
887:
631:
1034:
802:
1136:
1194:
474:
310:
816:
901:
619:
534:
836:, beginning at the 4th bay, below the picture of the Presentation at the Temple, and reading left to right, with eight scenes. The scenes have been skilfully juxtaposed so that narrative elements may be compared or contrasted. Within the fourth bay is shown the Presentation of the Temple, Jesus sitting among the Doctors of the Temple of Jerusalem as a twelve-year-old, and Jesus before his crucifixion, enthroned, crowned with thorns and mocked.
29:
340:
period, with his date of activity given as 1239, but in fact his contribution may have been little more than the design of the central ocular window. Beneath this window is a slot which marks the place of a window which lit the chancel of the earlier church, and may be the most visible sign of the church's reorientation in the 12th century rebuilding, although this is not entirely agreed upon by scholars.
271:(San Gimignano) in the presence of Pope Eugenius III and 14 prelates. The event is commemorated in a plaque on the facade. The power and authority of the city of San Gimignano continued to grow, until it was able to win autonomy from Volterra. The church owned land and enjoyed numerous privileges that were endorsed by papal bulls and decrees. It was elevated to collegiate status 20 September 1471.
1341:
996:, one of the foremost Sienese painters of the 14th century. The central section shows the figure of Christ as Judge, accompanied by the Virgin Mary and St John, with the Apostles. On the right wall is the image of Paradise, in a ruined state. On the left side Hell is represented, along with various depictions of the gruesome torments to be suffered by those who commit and of the
1353:
1849:
717:. This hypothesis received no support and little comment for fifty years. In 1976 discussion of Bacci's attribution was revived, with Moran suggesting that there had been a mis-transcription of "Bartolo" as "Barna", with the name "Bartolo" referring to Bartolo di Fredi, painter of the Old Testament cycle.
1167:
in 1465. The work was commissioned by the people of San
Gimignano as the result of a vow that they made to honour the saint, whose intervention was believed to have brought relief from an outbreak of plague in 1464. The painting shows the figure of Christ and the Virgin Mary in Glory, while below, St
375:
by date and decoration, the profiles of the ribs are semi-circular in the
Romanesque manner. The clerestory has small windows, inserted when the nave was vaulted, along with lancet windows in the north aisle, the aisle windows were subsequently blocked for the painting of the fresco cycle, making the
347:
of square plan, with a single arched opening in each face. The campanile may be that of the earlier church, as it appears to mark the extent of the original western facade, or it may have been one of the city's many tower houses, pressed into service of the church. To the south side of the church is
1049:
This chapel off the right aisle, which has been described as "one of the jewels of
Renaissance architecture, painting and sculpture", is dedicated to a young girl, Serafina, known as "Fina" and regarded locally as a saint. Fina, a child renowned for her piety, was orphaned at an early age, and then
484:
The wall of the left aisle had six decorated bays, of which the paintings of the first bay are in poor condition and those of the sixth have been damaged and in part destroyed by the insertion of the pipe organ. The remaining paintings, with the exception of a repainted panel in the sixth bay, are
339:
at the end of the nave and a smaller one giving light to each aisle. The facade, which is stone, was raised higher in brick in 1340, when the ribbed vaulting was constructed, and the two smaller ocular windows set in. Matteo di
Brunisend is generally credited as the main architect of the medieval
740:
The scenes within the New
Testament cycle are organised into four separate narratives, and do not follow a clear left-to-right pattern as do those of the left aisle. As with the left aisle, they are divided into three registers, the upper being the lunettes between the vaults.
330:
style. The facade, which has little ornament, is approached from the square by a wide staircase and has a door into each of the side aisles, but no central portal. The doorways are surmounted by stone lintels with recessed arches above them, unusual in incorporating the stone
736:
in the Town Hall of San
Gimignano, in imitation of that done by Simone Martini at the Town Hall of Siena. The New Testament cycle of the right aisle appears to pre-date the Old Testament cycle and is generally accepted to date from c.1335-1345.
262:
The first church on the site was begun in the 10th century. During the early 12th century the importance of San
Gimignano, and its principal church, grew steadily, owing to the town's location on the pilgrimage route to Rome, the
704:
states that they are the work of "Barna of Siena" and relates that Barna fell to his death from the scaffolding. The name "Barna" in relation to paintings at the
Collegiate Church of San Gimignano appears to have originated in
61:
317:
The
Collegiate Church stands on the west side of Piazza del Duomo, so named although the church has never been the seat of a bishop. The church has an east-facing facade, and chancel to the west, as at
1904:
274:
During the 13th, 14th and 15th centuries, the church was enriched by the addition of frescos and sculpture. The western end of the building (liturgical east) was altered and extended by
120:
1909:
1218:
stands the font, which was removed from the church and placed in this position in 1632. It is hexagonal, with a sculptured relief on the side, that to the front being the
1889:
423:
decoration, the greater part of which dates from the 14th century, and represents the work of painters of the Sienese school, influenced by the Byzantine traditions of
489:, and, according to an inscription, were completed around 1356. The paintings are in three registers and proceed from left to right chronologically in each register.
1261:
and two kneeling angels with candlesticks, the work of Benedetto Maiano, created at the same time as the altarpiece and tabernacle in the Chapel of Santa Fina, 1475.
286:, and during the subsequent restoration in 1951 the triapsidal eastern end of the earlier church was discovered lying beneath the nave of the present church.
1899:
44:
1264:
The crucifix of the chancel is by the Florentine sculptor, Giovanni Antonio Noferi, 1754. Noferi also designed the marble pavement of the chancel.
1019:
1073:, with the various miracles including the two healings and an angel rings the bells in the background. The vault and spandrels were decorated by
630:
1894:
1802:
886:
1179:. He fulfilled two other important commissions in San Gimignano. Both were at the Church of Sant' Agostino, a fresco cycle of the life of
992:
This scene is painted in fresco on the inner wall of the facade and the adjoining walls of the nave. The work was completed in 1393 by
416:
dotted with gold stars, and the vaulting ribs are emphasised with bands of geometric decoration predominantly in red, white and gold.
1821:
1783:
1301:
1097:
The chapel was built in 1477 and modified in the 17th century. The side lunettes have frescoes by Niccolo di Lapi representing the
1033:
544:
The second register has ten remaining scenes, with two at the furthest right having been lost with the insertion of the organ.
1853:
1598:
1244:
stand towards the end of the nave. They were created around 1421 and later decorated with polychrome by Martino di Martolomeo.
713:. In 1927 the archivist Peleo Bacci made the suggestion that Barna had never existed and that the paintings are the work of
293:, the beatified Bishop of Modena and patron saint of the town, whose feast day is celebrated on 31 January. On 8 May 1300
1331:
367:
capitals. The chancel is a simple rectangle with a single arched window at the terminal end. The roofs throughout are of
254:
of the "Historic Centre of San Gimignano", with its frescoes being described by UNESCO as "works of outstanding beauty".
428:
113:
1193:
1135:
801:
1314:
773:
473:
251:
1776:
Medieval Churches of the Val d'Elsa. The territories of the Via Francigena between Siena and San Gimignano, Empoli
1472:
968:
contained four scenes (destroyed in the 15th century) of post-crucifixion events which are thought to have been:
1168:
Sebastian, standing on a Classical plinth and bristling with arrows, suffers martyrdom and is crowned by angels.
779:
1109:
856:
327:
309:
920:, continues beneath the Entry into Jerusalem, and is read from right to left in eight scenes over four bays.
1258:
1204:
In the Baptistery Loggia to the south of the church are several small frescoes of saints, and a major work,
862:
391:
368:
360:
323:
56:
700:
The six decorated bays of the right aisle, with scenes of the New Testament, pose a problem of authorship.
815:
319:
1443:
1180:
1119:
1086:
978:
832:
592:
583:
399:
394:
architectural details of the church's interior are emphasised by the decorative use of colour, with the
68:
1864:
900:
872:
The people welcome Jesus to Jerusalem (the final two scenes are a single event spread over two frames)
618:
1251:
1241:
1062:
958:
867:
231:
1739:
Benozzo Gozzoli's Frescoes of the Life of Saint Augustine in San Gimignano: Their Meaning in Context
343:
To the north side of the church, in the corner of the transept and chancel, stands a severely plain
1224:, with the two adjoining panels containing kneeling angels. It is the work of the Sienese sculptor
1211:
1099:
1074:
1058:
725:
573:
437:
372:
298:
224:
167:
533:
1345:
1176:
1054:
957:
Bay five, beneath the lunette of the Slaughter of the Innocents, has a single large scene of the
275:
1250:, an early 14th-century fresco in a lunette of the right nave arcade, thought to be the work of
1183:
executed 1464-65, and another St Sebastian, showing the townsfolk sheltering beneath his cloak.
749:
The upper register shows the Birth of Christ. The series reads from right to left, in six bays.
348:
the Loggia of the Baptistry, a 14th-century arcaded cloister with stout octagonal columns and a
1817:
1798:
1779:
1306:
1297:
1225:
1009:
997:
993:
965:
917:
785:
760:
498:
407:
385:
279:
239:
208:
160:
1220:
1172:
1078:
844:
706:
538:
486:
364:
247:
720:
The attribution of the New Testament cycle to Lippo Memmi, perhaps assisted by his brother
537:
Pharaoh and his soldiers are drowned crossing the Red Sea, from the Old Testament cycle by
359:, with central nave and an aisle on either side, divided by arcades of seven semi-circular
1772:
Chiese medievali della Valdelsa. I territori della via Francigena tra Siena e S. Gimignano
1602:
1476:
1164:
458:
294:
278:
between 1466 and 1468, with the work including vestries, the Chapel of Conception and the
235:
728:, is now generally agreed. Lippo Memmi was influenced by his more famous brother-in-law,
1587:
1124:
1114:
1104:
729:
701:
450:
290:
268:
267:. The present church on this site was consecrated on 21 November 1148 and dedicated to
264:
212:
205:
172:
73:
49:
28:
1883:
767:
558:
551:
446:
442:
216:
98:
1595:
497:
The upper register occupies the lunettes beneath the vault and depicts the story of
1377:
1357:
1206:
1159:
754:
521:
454:
412:
283:
80:
1458:
Gazetteer, physicist, historian of the Grand Duchy of Tuscany, Florence, 1833-1846
925:
721:
714:
673:
667:
567:
356:
349:
336:
243:
1340:
1142:
by Benozzo Gozzoli (1465) honours the saint who was invoked in times of plague.
624:
Two scenes from the story of Job. The Devil bargains with God over Job's faith.
1200:, by Sebastiano Mainardi is located in the Baptistry Loggia beside the church.
135:
122:
1321:
and translated by Richard Aldington. New York: Duell, Sloan and Pearce, Inc.
344:
1469:
1848:
1294:
Der Freskenzyklus des Neuen Testaments in der Collegiata von San Gimignano
1210:, previously attributed to Ghirlandaio but now believed to be the work of
395:
297:
came to San Gimignano as the Ambassador of the Guelph League in Tuscany.
1082:
657:
579:
548:
The Expulsion of Adam and Eve from the Garden of Eden (very incomplete)
462:
220:
102:
1874:
1402:
733:
432:
424:
420:
403:
332:
227:
636:
The Devil has the men and herds of Job slaughtered. Bartolo di Fredi
1859:
1192:
1134:
1057:, and has architectural details and a finely carved altarpiece by
663:
472:
308:
106:
16:
Medieval/Renaissance church with important architecture & art
1631:
Is the name Barna an incorrect transcription of the name Bartolo
1592:
Le Vite delle più eccellenti pittori, scultori, ed architettori
1053:
A chapel dedicated to St Fina was built off the right aisle by
419:
The church is most famous for its largely intact scheme of
688:
Job, plagued by boils, is visited by friends. (incomplete)
650:
Joseph makes his identity known to his family (incomplete)
517:
God commands Adam and Eve not to touch the forbidden fruit
1061:. The side walls of the chapel were painted in fresco by
1741:, Artibus et Historiae, Vol. 7, No. 13 (1986), pp. 35-53
1228:
and was commissioned by the Wool-workers Guild in 1379.
930:
Judas agrees to betray Jesus for thirty pieces of silver
1313:, with illustrations by Netta Aldington and sonnets of
1495:
893:
Judas receives thirty pieces of silver to betray Jesus
1905:
13th-century Roman Catholic church buildings in Italy
1793:
von der Haegen, Anne Mueller; Strasser, Ruth (2001).
1329:
1277:
Le carte del monastero di S.Maria in Firenze (Badia)
647:
Joseph, has his brothers arrested (very incomplete)
186:
178:
166:
156:
151:
112:
94:
89:
79:
67:
62:
Archdiocese of Siena-Colle di Val d'Elsa-Montalcino
55:
43:
38:
21:
840:Jesus among the Doctors of the Temple of Jerusalem
223:in central Italy. It contains important cycles of
1814:Silencing Scientists and Scholars in Other Fields
301:preached from the pulpit of this church in 1497.
1257:The main altar of the church has a large marble
852:The Wedding at Cana of Galilee (damaged in WWII)
909:all from the New Testament cycle by Lippo Memmi
371:which date from the mid 14th century. Although
182:10th century, present church early 12th century
1026:Pope Gregory announces the death of Santa Fina
643:In the lower register, there are ten scenes.
410:. The vault compartments are all painted with
355:Internally, the building is in the shape of a
326:with the exception of the two chapels in the
8:
1171:Benozzo Gozzoli received his training under
566:Noah and his family giving thanks after the
322:. The architecture is 12th and 13th century
1910:Buildings and structures completed in 1148
1248:Pope Gregory predicts the death of St Fina
1153:On the rear wall of the nave, beneath the
363:arches resting on columns with simplified
27:
18:
1512:
1491:
1489:
1487:
1485:
1425:
682:The house of Job falls, killing his sons.
598:Joseph is put into a well by his brothers
1890:Roman Catholic churches in San Gimignano
1875:UNESCO: Historic Centre of San Gimignano
1753:
1725:
1708:
1696:
1675:
1663:
1613:
1611:
1575:
1548:
1529:
1238:The Annunciate angel and the Virgin Mary
1232:Works by Jacopo della Quercia and others
830:The middle register shows scenes of the
532:
1721:
1719:
1717:
1692:
1690:
1688:
1686:
1684:
1571:
1569:
1567:
1565:
1563:
1561:
1559:
1557:
1508:
1506:
1504:
1421:
1419:
1417:
1415:
1413:
1411:
1369:
1336:
1067:Santa Fina's visitation by Pope Gregory
933:Jesus prays in the Garden of Gethsemane
822:Jesus calls Lazarus forth from the tomb
656:The army of Pharaoh are drowned in the
69:Ecclesiastical or organizational status
1833:San Gimignano: Town of the Fine Towers
1749:
1747:
1659:
1544:
1542:
1540:
1538:
1525:
1523:
1521:
1438:
1436:
1434:
1288:. Milan-Rome: Bestetti&Tumminelli.
1107:celebration mass. The vault shows the
1657:
1655:
1653:
1651:
1649:
1647:
1645:
1643:
1641:
1639:
1617:
402:being of alternately black and white
7:
1496:von der Haegen & Strasser (2001)
1065:around 1475, showing, on the walls,
964:Bay six, beneath the lunette of the
948:Jesus carrying the cross to Calvary
945:Jesus crowned with thorns and mocked
660:. (this scene occupies two sections)
653:Moses changes the rod into a serpent
465:, as well as several smaller works.
461:, and the stories of a local saint,
1120:Virgin of the Immaculate Conception
732:. Lippo Memmi also painted a large
679:The men and herds of Job are killed
289:The church possesses the relics of
1900:Romanesque architecture in Tuscany
808:Jesus enters Jerusalem on a donkey
14:
589:Abraham and Lot go separate ways.
198:Collegiata di Santa Maria Assunta
22:Collegiata di Santa Maria Assunta
1847:
1778:] (in Italian). dell'Acero.
1403:Historic Centre of San Gimignano
1351:
1339:
1286:Architettura romanica in Toscana
1240:, two figures carved in wood by
1032:
1018:
916:The lower register, showing the
899:
885:
814:
800:
629:
617:
604:Story of Joseph in Egypt (lost)
282:. The church was damaged during
1795:Art & Architecture: Tuscany
1214:and dated to 1482. In front of
601:Story of Joseph in Egypt (lost)
406:, creating stripes, as seen at
42:
1252:Nicolo di Segna di Bonaventura
763:and adoration of the shepherds
586:from the land of the Chaldeans
1:
1275:Schiapparelli, Luigi (1913).
1140:The Martyrdom of St Sebastian
557:Noah and his family building
1895:Collegiate churches in Italy
1378:"Basilica S. Maria Assunta"
313:Interior, Collegiate Church
1926:
1831:Vantaggi, Rosella (1979).
1633:, Sansoni, Florence (1976)
1311:A Wreath for San Gemignano
1007:
774:Presentation at the Temple
435:. The frescoes comprise a
383:
252:UNESCO World Heritage Site
1160:Martyrdom of St Sebastian
1040:The Funeral of Santa Fina
780:Massacre of the Innocents
505:Creation of the Firmament
26:
1605:", (accessed 11-09-2012)
1470:Cummune di San Gimignano
1315:Folgóre da San Gimignano
1117:. The altarpiece is the
1110:Coronation of the Virgin
1093:Chapel of the Conception
563:Animals entering the Ark
1865:Audioguide for the dome
1479:, (accessed 02-09-2012)
1405:, (accessed 05-09-2012)
939:Jesus at the Praetorium
863:Resurrection of Lazarus
136:43.467889°N 11.042722°E
1867:, (activate with code
1812:Moran, Gordon (1998).
1201:
1143:
975:The Descent into Limbo
942:The Scourging of Jesus
868:Jesus enters Jerusalem
541:
511:Adam names the animals
481:
314:
250:. It falls within the
202:Duomo di San Gimignano
114:Geographic coordinates
33:View of the Collegiata
1854:Duomo (San Gimignano)
1447:(accessed 02-09-2012)
1319:The Garland of Months
1284:Salmi, Mario (1927).
1196:
1181:St Augustine of Hippo
1175:while working on the
1138:
1127:, late 16th century.
1087:Doctors of the Church
766:The adoration of the
672:The devil is sent to
536:
476:
384:Further information:
335:. There is a central
312:
230:by artists including
1856:at Wikimedia Commons
1242:Jacopo della Quercia
1077:and have figures of
1071:Santa Fina's Funeral
1063:Domenico Ghirlandaio
1042:Domenico Ghirlandaio
1004:Chapel of Santa Fina
849:The Calling of Peter
478:The Creation of Adam
376:interior very dark.
369:quadripartite vaults
232:Domenico Ghirlandaio
141:43.467889; 11.042722
1212:Sebastiano Mainardi
1157:is a fresco of the
1100:Birth of the Virgin
1075:Sebastiano Mainardi
1059:Benedetto da Maiano
726:Memmo di Filippucci
696:New Testament cycle
574:Drunkenness of Noah
480:by Bartolo di Fredi
469:Old Testament cycle
320:St Peter's Basilica
299:Girolamo Savonarola
132: /
1770:Anonymous (1996).
1601:2012-11-09 at the
1498:, pp. 438–441
1475:2012-05-11 at the
1456:Emanuele Repetti,
1307:Aldington, Richard
1202:
1144:
1055:Giuliano da Maiano
988:The Last Judgement
542:
482:
315:
276:Giuliano da Maiano
1852:Media related to
1804:978-3-8290-2652-9
1279:. Rome: Loescher.
1226:Giovanni di Cecco
1221:Baptism of Christ
1010:Santa Fina Chapel
998:Seven Deadly Sins
994:Taddeo di Bartolo
966:Flight into Egypt
953:Bays five and six
936:The Kiss of Judas
918:Passion of Christ
786:Flight into Egypt
578:The departure of
554:(very incomplete)
429:Early Renaissance
408:Orvieto Cathedral
386:Santa Fina Chapel
280:Chapel of St Fina
240:Taddeo di Bartolo
209:collegiate church
194:
193:
1917:
1860:Official website
1851:
1836:
1827:
1808:
1789:
1757:
1751:
1742:
1737:Diane Cole Ahl,
1735:
1729:
1723:
1712:
1706:
1700:
1699:, pp. 41–49
1694:
1679:
1678:, pp. 30–32
1673:
1667:
1666:, pp. 34–40
1661:
1634:
1627:
1621:
1620:, pp. 79–81
1615:
1606:
1585:
1579:
1578:, pp. 19–29
1573:
1552:
1546:
1533:
1527:
1516:
1513:Anonymous (1996)
1510:
1499:
1493:
1480:
1467:
1461:
1454:
1448:
1440:
1429:
1426:Anonymous (1996)
1423:
1406:
1399:
1393:
1392:
1390:
1388:
1374:
1356:
1355:
1354:
1344:
1343:
1335:
1289:
1280:
1216:The Annunciation
1207:The Annunciation
1198:The Annunciation
1188:The Annunciation
1173:Lorenzo Ghiberti
1036:
1022:
979:The Resurrection
903:
889:
845:Baptism of Jesus
818:
804:
707:Lorenzo Ghiberti
685:Job prays to God
633:
621:
539:Bartolo di Fredi
487:Bartolo di Fredi
453:, as well as an
438:Poor Man's Bible
431:developments of
248:Bartolo di Fredi
147:
146:
144:
143:
142:
137:
133:
130:
129:
128:
125:
81:Year consecrated
31:
19:
1925:
1924:
1920:
1919:
1918:
1916:
1915:
1914:
1880:
1879:
1844:
1839:
1830:
1824:
1811:
1805:
1792:
1786:
1769:
1765:
1760:
1754:Vantaggi (1979)
1752:
1745:
1736:
1732:
1726:Vantaggi (1979)
1724:
1715:
1709:Vantaggi (1979)
1707:
1703:
1697:Vantaggi (1979)
1695:
1682:
1676:Vantaggi (1979)
1674:
1670:
1664:Vantaggi (1979)
1662:
1637:
1628:
1624:
1616:
1609:
1603:Wayback Machine
1586:
1582:
1576:Vantaggi (1979)
1574:
1555:
1549:Vantaggi (1979)
1547:
1536:
1530:Vantaggi (1979)
1528:
1519:
1511:
1502:
1494:
1483:
1477:Wayback Machine
1468:
1464:
1455:
1451:
1441:
1432:
1424:
1409:
1400:
1396:
1386:
1384:
1376:
1375:
1371:
1367:
1362:
1352:
1350:
1338:
1330:
1328:
1283:
1274:
1271:
1269:Further reading
1234:
1191:
1177:Baptistry doors
1165:Benozzo Gozzoli
1151:
1133:
1095:
1047:
1046:
1045:
1044:
1043:
1037:
1029:
1028:
1023:
1012:
1006:
990:
955:
914:
913:
912:
911:
910:
907:The Last Supper
904:
896:
895:
890:
879:
857:Transfiguration
828:
827:
826:
825:
824:
819:
811:
810:
805:
794:
747:
698:
641:
640:
639:
638:
637:
634:
626:
625:
622:
611:
552:Cain kills Abel
531:
514:Creation of Eve
508:Creation of Man
495:
471:
459:Saint Sebastian
388:
382:
365:Corinthianesque
307:
295:Dante Alighieri
260:
236:Benozzo Gozzoli
140:
138:
134:
131:
126:
123:
121:
119:
118:
34:
17:
12:
11:
5:
1923:
1921:
1913:
1912:
1907:
1902:
1897:
1892:
1882:
1881:
1878:
1877:
1872:
1862:
1857:
1843:
1842:External links
1840:
1838:
1837:
1828:
1822:
1809:
1803:
1790:
1784:
1766:
1764:
1761:
1759:
1758:
1743:
1730:
1713:
1701:
1680:
1668:
1635:
1629:Gordon Moran,
1622:
1607:
1596:Barna of Siena
1588:Giorgio Vasari
1580:
1553:
1534:
1517:
1500:
1481:
1462:
1449:
1430:
1407:
1394:
1368:
1366:
1363:
1361:
1360:
1348:
1327:
1324:
1323:
1322:
1304:
1292:Franz Hofmann
1290:
1281:
1270:
1267:
1266:
1265:
1262:
1255:
1245:
1233:
1230:
1190:
1185:
1155:Last Judgement
1150:
1145:
1132:
1131:Other artworks
1129:
1125:Ludovico Cardi
1115:Pietro Dandini
1105:St Philip Neri
1094:
1091:
1038:
1031:
1030:
1024:
1017:
1016:
1015:
1014:
1013:
1008:Main article:
1005:
1002:
989:
986:
985:
984:
981:
976:
973:
972:The Deposition
954:
951:
950:
949:
946:
943:
940:
937:
934:
931:
928:
905:
898:
897:
891:
884:
883:
882:
881:
880:
878:
875:
874:
873:
870:
865:
859:
853:
850:
847:
841:
833:Life of Christ
820:
813:
812:
806:
799:
798:
797:
796:
795:
793:
790:
789:
788:
782:
776:
770:
764:
757:
746:
743:
730:Simone Martini
722:Federico Memmi
702:Giorgio Vasari
697:
694:
693:
692:
689:
686:
683:
680:
677:
670:
661:
654:
651:
648:
635:
628:
627:
623:
616:
615:
614:
613:
612:
610:
607:
606:
605:
602:
599:
596:
590:
587:
576:
570:
564:
561:
555:
549:
530:
527:
526:
525:
518:
515:
512:
509:
506:
494:
491:
470:
467:
451:Last Judgement
381:
378:
306:
303:
291:St. Geminianus
269:St. Geminianus
265:Via Francigena
259:
256:
213:minor basilica
206:Roman Catholic
192:
191:
188:
184:
183:
180:
179:Groundbreaking
176:
175:
170:
164:
163:
158:
154:
153:
149:
148:
116:
110:
109:
96:
92:
91:
87:
86:
83:
77:
76:
74:Minor basilica
71:
65:
64:
59:
53:
52:
50:Roman Catholic
47:
41:
40:
36:
35:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1922:
1911:
1908:
1906:
1903:
1901:
1898:
1896:
1893:
1891:
1888:
1887:
1885:
1876:
1873:
1870:
1866:
1863:
1861:
1858:
1855:
1850:
1846:
1845:
1841:
1834:
1829:
1825:
1823:1-56750-343-8
1819:
1815:
1810:
1806:
1800:
1796:
1791:
1787:
1785:88-86975-08-2
1781:
1777:
1773:
1768:
1767:
1762:
1755:
1750:
1748:
1744:
1740:
1734:
1731:
1727:
1722:
1720:
1718:
1714:
1710:
1705:
1702:
1698:
1693:
1691:
1689:
1687:
1685:
1681:
1677:
1672:
1669:
1665:
1660:
1658:
1656:
1654:
1652:
1650:
1648:
1646:
1644:
1642:
1640:
1636:
1632:
1626:
1623:
1619:
1614:
1612:
1608:
1604:
1600:
1597:
1593:
1589:
1584:
1581:
1577:
1572:
1570:
1568:
1566:
1564:
1562:
1560:
1558:
1554:
1550:
1545:
1543:
1541:
1539:
1535:
1531:
1526:
1524:
1522:
1518:
1514:
1509:
1507:
1505:
1501:
1497:
1492:
1490:
1488:
1486:
1482:
1478:
1474:
1471:
1466:
1463:
1459:
1453:
1450:
1446:
1445:
1444:San Gimignano
1439:
1437:
1435:
1431:
1427:
1422:
1420:
1418:
1416:
1414:
1412:
1408:
1404:
1398:
1395:
1383:
1382:GCatholic.org
1379:
1373:
1370:
1364:
1359:
1349:
1347:
1342:
1337:
1333:
1325:
1320:
1316:
1312:
1308:
1305:
1303:
1302:3-89235-065-5
1299:
1296:München 1996
1295:
1291:
1287:
1282:
1278:
1273:
1272:
1268:
1263:
1260:
1256:
1253:
1249:
1246:
1243:
1239:
1236:
1235:
1231:
1229:
1227:
1223:
1222:
1217:
1213:
1209:
1208:
1199:
1195:
1189:
1186:
1184:
1182:
1178:
1174:
1169:
1166:
1162:
1161:
1156:
1149:
1146:
1141:
1137:
1130:
1128:
1126:
1122:
1121:
1116:
1112:
1111:
1106:
1102:
1101:
1092:
1090:
1088:
1084:
1080:
1076:
1072:
1068:
1064:
1060:
1056:
1051:
1041:
1035:
1027:
1021:
1011:
1003:
1001:
999:
995:
987:
982:
980:
977:
974:
971:
970:
969:
967:
962:
960:
952:
947:
944:
941:
938:
935:
932:
929:
927:
923:
922:
921:
919:
908:
902:
894:
888:
876:
871:
869:
866:
864:
860:
858:
854:
851:
848:
846:
842:
839:
838:
837:
835:
834:
823:
817:
809:
803:
791:
787:
783:
781:
777:
775:
771:
769:
765:
762:
758:
756:
752:
751:
750:
744:
742:
738:
735:
731:
727:
723:
718:
716:
712:
708:
703:
695:
690:
687:
684:
681:
678:
675:
671:
669:
665:
662:
659:
655:
652:
649:
646:
645:
644:
632:
620:
608:
603:
600:
597:
594:
591:
588:
585:
581:
577:
575:
571:
569:
565:
562:
560:
556:
553:
550:
547:
546:
545:
540:
535:
528:
523:
519:
516:
513:
510:
507:
504:
503:
502:
500:
492:
490:
488:
479:
475:
468:
466:
464:
460:
456:
452:
448:
447:New Testament
444:
443:Old Testament
440:
439:
434:
430:
426:
422:
417:
415:
414:
409:
405:
401:
397:
393:
387:
379:
377:
374:
370:
366:
362:
358:
353:
351:
346:
341:
338:
337:ocular window
334:
329:
325:
321:
311:
304:
302:
300:
296:
292:
287:
285:
281:
277:
272:
270:
266:
257:
255:
253:
249:
245:
241:
237:
233:
229:
226:
222:
218:
217:San Gimignano
214:
210:
207:
203:
199:
189:
185:
181:
177:
174:
171:
169:
165:
162:
159:
155:
150:
145:
117:
115:
111:
108:
104:
100:
99:San Gimignano
97:
93:
88:
84:
82:
78:
75:
72:
70:
66:
63:
60:
58:
54:
51:
48:
46:
37:
30:
25:
20:
1868:
1835:. Plurigraf.
1832:
1813:
1797:. Könemann.
1794:
1775:
1771:
1763:Bibliography
1756:, p. 51
1738:
1733:
1728:, p. 33
1711:, p. 28
1704:
1671:
1630:
1625:
1618:Moran (1998)
1591:
1583:
1551:, p. 16
1532:, p. 53
1515:, p. 88
1465:
1457:
1452:
1442:
1428:, p. 86
1397:
1385:. Retrieved
1381:
1372:
1318:
1310:
1293:
1285:
1276:
1247:
1237:
1219:
1215:
1205:
1203:
1197:
1187:
1170:
1158:
1154:
1152:
1148:St Sebastian
1147:
1139:
1118:
1108:
1098:
1096:
1070:
1066:
1052:
1048:
1039:
1025:
991:
963:
956:
915:
906:
892:
831:
829:
821:
807:
792:Middle level
755:Annunciation
748:
739:
719:
711:Commentaries
710:
699:
691:(Lost scene)
642:
543:
529:Middle level
522:Original Sin
496:
485:the work of
483:
477:
455:Annunciation
436:
418:
413:lapis lazuli
411:
398:of the nave
389:
354:
342:
316:
305:Architecture
288:
284:World War II
273:
261:
201:
197:
195:
152:Architecture
127:11°02′33.8″E
124:43°28′04.4″N
1594:, Part I, "
1346:Catholicism
1163:painted by
1113:painted by
1079:Evangelists
959:Crucifixion
926:Last Supper
877:Lower level
745:Upper level
724:and father
715:Lippo Memmi
668:Mount Sinai
609:Lower level
568:Great Flood
493:Upper level
449:cycle, and
357:Latin Cross
350:groin vault
328:Renaissance
244:Lippo Memmi
225:Renaissance
139: /
45:Affiliation
1884:Categories
1365:References
392:Romanesque
380:Decoration
361:Romanesque
324:Romanesque
173:Romanesque
1816:. Ablex.
983:Pentecost
396:voussoirs
345:campanile
187:Completed
1599:Archived
1473:Archived
1401:UNESCO:
1326:See also
1309:(1945).
1259:ciborium
1083:Prophets
761:Nativity
595:'s dream
499:Creation
427:and the
228:frescoes
95:Location
90:Location
57:District
39:Religion
1332:Portals
1317:titled
658:Red Sea
580:Abraham
559:the Ark
463:St Fina
445:cycle,
400:arcades
258:History
221:Tuscany
103:Tuscany
1820:
1801:
1782:
1387:2 June
1300:
734:Maesta
676:by God
593:Joseph
524:(lost)
433:Giotto
425:Duccio
421:fresco
404:marble
373:Gothic
333:Gabbro
161:Church
1869:WUWUL
1774:[
1358:Italy
664:Moses
219:, in
204:is a
168:Style
107:Italy
1818:ISBN
1799:ISBN
1780:ISBN
1389:2012
1298:ISBN
1103:and
1085:and
1069:and
924:The
861:The
855:The
843:The
784:The
778:The
772:The
768:Magi
759:The
753:The
582:and
572:The
520:The
457:, a
390:The
246:and
211:and
196:The
190:1468
157:Type
85:1148
1123:by
709:'s
674:Job
666:on
584:Lot
441:of
215:in
200:or
1886::
1746:^
1716:^
1683:^
1638:^
1610:^
1590:,
1556:^
1537:^
1520:^
1503:^
1484:^
1433:^
1410:^
1380:.
1089:.
1081:,
1000:.
961:.
501:.
352:.
242:,
238:,
234:,
105:,
101:,
1871:)
1826:.
1807:.
1788:.
1460:.
1391:.
1334::
1254:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
