38:. Drawing on their experience with the magazine, in 1984 Collins & Milazzo began working together as curators to transform the group show into a critical statement. Collins & Milazzo brought to prominence a new generation of artists in the 1980s. It was their exhibitions and writings that originally fashioned the theoretical context for a new kind of
205:
Contemporary Arts Center, Cincinnati, Ohio, March 31 - May 6, 1989; Richard F. Brush Art
Gallery, St. Lawrence University, Canton, New York, October 12 - November 15, 1989; Santa Fe Community College Art Gallery & Museum, Gainesville, Florida, February 4 - March 18, 1990; Mendel Art Gallery & Museum, Saskatoon, Saskatchewan, Canada, July 1990.
204:
I.C.I. Exhibition: University Art
Gallery, The University of North Texas, Denton, Texas, August 29 - September 30, 1988; J.B. Speed Art Museum, Louisville, Kentucky, November 7, 1988 - January 2, 1989; Alberta College Gallery of Art, Calgary, Alberta, Canada, February 9 - March 9, 1989; The
935:"Hybrid neutral : modes of abstraction and the social / Collins & Milazzo, guest curators ; essays by Tricia Collins and Richard Milazzo, and by Gary Indiana"
549:
501:
731:
1074:
421:"Center for Curatorial Studies, Bard College Receives Donation of the Papers of Influential Curator Tricia Collins | Bard College Public Relations"
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662:
94:
Still Life With
Transaction II: Former Objects, New Moral Arrangements, and the History of Surfaces.
1156:
997:
979:
712:
643:
39:
277:
Regione
Autonoma della Valle d’Aosta, Chiesa di San Lorenzo, Aosta, Italy, May 29 - June 28, 1992.
854:
82:
Still Life With
Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces.
688:
Art at the End of the Social: Exhibition at the
Rooseum, Malmö, Sweden, July 29-October 2, 1988
1022:
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980:""The New Poverty II" Meyers/Bloom Gallery 12/3/1988-1/8/1989, 1988 | CCS Bard Archives"
582:
24:
1241:
223:
Stux
Gallery, in cooperation with Leo Castelli, New York, February 3 - March 4, 1989.
713:""Modern Sleep" American Fine Arts, Co. 10/17-11/16/1986, 1986 | CCS Bard Archives"
217:
Meyers/Bloom
Gallery, Santa Monica, California, December 3, 1988 - January 8, 1989.
90:
Florida State
University Gallery & Museum, Tall., Fla., Aug. 31-Sept. 30, 1984.
54:. It was through this context that the work of many of the artists associated with
998:""Pre/Pop Post/Appropriation" Stux Gallery 2/3-3/4/1989, 1989 | CCS Bard Archives"
1175:
663:"FAMILIAR IDEAS IN THREE NEW EXHIBITS : COMMODITY-CULTURE ART RIDES AGAIN"
1224:"Who's Afraid of Duchamp, Minimalism, and Passport Photography? | Exhibition"
934:
88:
Natural Genre: From the
Neutral Subject to the Hypothesis of World Objects.
271:
New Era Building, sponsored by Leo Castelli, New York, October 3–28, 1991.
84:
International With Monument Gallery, New York, March 28 - April 21, 1984.
568:
It's All True: Imagining New York's East Village Art Scene of the 1980s
389:
It's all true: Imagining New York's East Village art scene of the 1980s
47:
391:, University of Maryland, College Park, Dissertations Publishing, 1999
126:
Tibor De Nagy Gallery, New York, December 7, 1985 - January 4, 1986.
1157:""Who Framed Modern Art or the Quantitative Life of Roger Rabbit""
644:""Spiritual America" CEPA 5/3-6/15/1986, 1986 | CCS Bard Archives"
402:"The New Museum "Ungovernables" - a Cheat Sheet - artnet Magazine"
235:
Massimo Audiello Gallery, New York, January 6 - February 17, 1990.
241:
Tony Shafrazi Gallery, New York, September 15 - October 27, 1990.
162:
Massimo Audiello Gallery, New York, February 13 - March 15, 1987.
156:
American Fine Arts Co., New York, October 17 - November 16, 1986.
120:
Daniel Newburg Gallery, New York, September 11 - October 5, 1985.
917:"Jeff Koons: Shiny on the Outside, Hollow on the Inside, Part 2"
251:
Who Framed Modern Art or the Quantitative Life of Roger Rabbit.
108:
C.A.S.H./Newhouse Gallery, New York, March 15 - April 14, 1985.
281:
Who’s Afraid of Duchamp, Minimalism, and Passport Photography?
253:
Sidney Janis Gallery, New York, January 10 - February 16, 1991
229:
John Gibson Gallery, New York, October 14 - November 11, 1989.
265:
Claudio Botello Gallery, Turin, Italy, May 9 - June 15, 1991.
211:
Massimo Audiello Gallery, New York, September - October 1988.
186:
Scott Hanson Gallery, New York, January 6 - February 9, 1988.
180:
John Gibson Gallery, New York, October 10 - November 7, 1987.
144:
Margo Leavin Gallery, Los Angeles, July 12 - August 23, 1986.
1091:"The Last Decade: American Artists of the '80s | Exhibition"
102:
White Columns, New York, December 4, 1984 - January 5, 1985.
476:
Indiana, Gary (2018-11-13). "The Collins-Milazzo effect".
502:"Specific Object : Tricia Collins / Richard Milazzo"
34:
From 1982 to 1984 the pair founded, edited and published
519:
517:
515:
247:
Antoine Candau, Paris, September 26 - December 31, 1990.
233:
The Last Laugh: Irony, Humor, Self-Mockery and Derision.
259:
Fay Gold Gallery, Atlanta, Georgia, March - April 1991.
132:
Diane Brown Gallery, New York, March 8 - April 2, 1986.
31:, mainly in New York in the mid-1980s to early 1990s.
192:
Diane Brown Gallery, New York, May 24 - June 18, 1988.
23:
were a series of art exhibitions curated by the team
554:. Fine Arts Gallery, Florida State University. 1984.
202:
Hybrid Neutral: Modes of Abstraction and the Social.
114:
Postmasters Gallery, New York, May 3 - June 2, 1985.
1018:
Art After Appropriation: Essays on Art in the 1990s
882:"Review/Art; Group-Show Survey: Downtown Galleries"
760:
Vile Days: The Village Voice Art Columns, 1985–1988
526:
Art After Appropriation: Essays on Art in the 1990s
478:
Vile Days: The Village Voice Art Columns, 1985–1988
616:Christian, Abraham David; Gallwitz, Klaus (2003).
343:
341:
339:
337:
324:"ART; Now on View, New Work by Freelance Curators"
174:Galerie Albrecht, Munich, June 4 - July 18, 1987.
198:The Rooseum, Malmö, Sweden, July - October 1988.
239:The Last Decade: American Artists of the ’80s.
150:S.L. Simpson Gallery, Toronto, September 1986.
680:
678:
676:
283:Annina Nosei Gallery, New York, October 1992.
76:Civilization and the Landscape of Discontent.
8:
955:Gallery Going: Four Seasons in the Art World
846:Art: 'Media Post Media,' A Show of 19 Women
441:, University of Chicago Press, 2003, p. 116
168:Lia Rumma Gallery, Naples, May - July 1987.
78:Gallery Nature Morte, New York, March 1984.
685:Collins, Tricia; Milazzo, Richard (1988).
70:Selected Collins & Milazzo exhibitions
36:Effects : Magazine for New Art Theory
816:Milazzo, Richard; Bleckner, Ross (2007).
619:Abraham David Christian: Bronzeskulpturen
571:. University of Maryland at College Park.
471:
469:
467:
465:
1076:Contemporanea International Art Magazine
1044:Contemporanea International Art Magazine
452:"Allan McCollum | Collins & Milazzo"
96:Galerie Jurka, Amsterdam, November 1984.
58:(or what the critics reductively called
293:
862:
852:
730:Oliva, Achille Bonito (12 June 2000).
1015:Welchman, John C. (11 January 2013).
904:. Artnews Associates. September 1991.
257:Outside America: Going into the 90’s.
138:CEPA, Buffalo, May 3 - June 15, 1986.
7:
1177:Outside America: Going Into the 90's
915:Milazzo, Richard (1 February 2015).
822:. Distributed Art Pub Incorporated.
317:
315:
1129:. F-R Publishing Corporation. 1990.
733:Los manifiestos del arte posmoderno
322:Alexander, Max (19 February 1989).
209:Primary Forms, Mediated Structures.
130:Time After Time (A Sculpture Show).
42:that argued simultaneously against
757:Indiana, Gary (13 November 2018).
16:Series of American art exhibitions
14:
661:Muchnic, Suzanne (26 July 1986).
348:Pearlman, Alison (15 June 2003).
245:All Quiet on the Western Front? .
21:Collins & Milazzo exhibitions
1079:. Contemporanea, Limited. 1990.
1047:. Contemporanea, Limited. 1990.
880:Smith, Roberta (18 June 1988).
354:. University of Chicago Press.
819:The Paintings of Ross Bleckner
736:(in Spanish). Ediciones AKAL.
66:) was first brought together.
1:
958:. Harcourt Brace Jovanovich.
196:Art at the End of the Social.
439:Unpackaging Art of the 1980s
351:Unpackaging Art of the 1980s
605:(in French). Artdata. 1987.
221:Pre-Pop Post-Appropriation.
1264:
1113:. Artscribe Limited. 1991.
763:. MIT Press. p. 388.
524:Welchman, John C. (2013).
480:. MIT Press. p. 109.
378:, Henk Slager, 1997, p. 69
528:. Routledge. p. 31.
387:Kirwin, Elizabeth Seton,
376:The Photographic Paradigm
1174:Collins, Tricia (1991).
419:Relations, Bard Public.
1248:Visual arts exhibitions
1110:Artscribe International
939:Smithsonian Institution
802:Artscribe International
302:"Collins & Milazzo"
52:The Pictures Generation
50:Picture Theory work of
1196:. M/E/A/N/I/N/G. 1992.
622:(in German). Kehrer.
565:Kirwin, Liza (1999).
1161:ccsarchives.bard.edu
1002:ccsarchives.bard.edu
984:ccsarchives.bard.edu
789:. Peter Licht. 1987.
717:ccsarchives.bard.edu
648:ccsarchives.bard.edu
374:Annette W. Balkema,
275:Theoretically Yours.
1212:(in Italian). 1992.
1180:. Fay Gold Gallery.
215:The New Poverty II.
172:The Ironic Sublime.
160:The Antique Future.
40:Post-conceptual art
1145:(in French). 1991.
1063:. G. Politi. 1991.
952:Perl, Jed (1991).
886:The New York Times
805:. Artscribe. 1987.
506:specificobject.com
328:The New York Times
136:Spiritual America.
118:Persona Non Grata.
1028:978-1-136-80136-5
965:978-0-15-134260-0
829:978-2-930487-01-4
770:978-1-63590-037-8
743:978-84-460-1110-1
698:978-0-945295-03-7
667:Los Angeles Times
629:978-3-933257-30-7
583:"The New Capital"
535:978-1-136-80136-5
487:978-1-63590-037-8
456:allanmccollum.net
437:Alison Pearlman,
361:978-0-226-65145-3
184:Media Post Media.
124:Cult and Decorum.
56:Neo-Conceptualism
44:Neo-Expressionism
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691:. Rooseum.
112:Paravision.
106:Final Love.
288:References
263:A New Low.
190:Off White.
148:Ultrasurd.
1142:Art press
1060:Flash Art
865:ignored (
855:cite book
602:Parachute
1242:Category
1228:ArtFacts
1095:ArtFacts
46:and the
1209:Taxiart
901:ARTnews
64:Neo Geo
48:Neo-pop
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356:ISBN
62:and
27:and
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