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137:, painted in 1913, is one of the first artworks to emerge from the representational tradition of Western European painting entirely, shedding references to well known forms, conventions of material representation and all narrative allusions. The watercolor is the first extant entry in Wassily Kandinsky's parallel series of abstract "Compositions" and "Improvisations" that began to emerge during his
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Kandinsky's work from the second decade of the 20th century displays a fair degree of progressive continuity away from the representational traditions of
Western European art and towards pure abstraction. His first abstract watercolor appears to be his first purely abstract work. It was thought to
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be the first purely "abstract painting" as abstract painting later came to be understood (as a culturally significant form, as opposed to "mere ornamentation" created as a decorative element within architecture, written works etc.).
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Kandinsky's preliminary study was his first abstract watercolor.
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Untitled (Study for
Composition VII, Première abstraction)
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Untitled (Study for
Composition VII, Première abstraction)
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Untitled (Study for
Composition VII, Première abstraction)
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255:Cain, Abigail (31 March 2017).
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371:Landscape with Red Spots
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398:(1911–1913)
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205:References
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265:Artsy.net
225:9 August
193:See also
165:work of
163:abstract
159:Futurism
92:, 1913,
70:Location
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145:Context
104:, Paris
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427:Upward
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