Wassily Kandinsky - Knowledge (XXG)

3817: 496: 710: 932: 461: 998: 878: 1258: 1199: 624: 681: 774: 1833: 1347: 947: 514:(1903), which shows a small cloaked figure on a speeding horse rushing through a rocky meadow. The rider's cloak is medium blue, which casts a darker-blue shadow. In the foreground are more amorphous blue shadows, the counterparts of the fall trees in the background. The blue rider in the painting is prominent (but not clearly defined), and the horse has an unnatural gait (which Kandinsky must have known) . This intentional disjunction, allowing viewers to participate in the creation of the artwork, became an increasingly conscious technique used by Kandinsky in subsequent years; it culminated in the abstract works of the 1911–1914 period. In 1239: 981: 1423: 1157:(1925) of several main forms: a vertical yellow rectangle, an inclined red cross and a large dark blue circle; a multitude of straight (or sinuous) black lines, circular arcs, monochromatic circles and scattered, coloured checker-boards contribute to its delicate complexity. This simple visual identification of forms and the main coloured masses present on the canvas is only a first approach to the inner reality of the work, whose appreciation necessitates deeper observation—not only of forms and colours involved in the painting but their relationship, their absolute and relative positions on the canvas and their harmony. 962: 643: 662: 1385: 1366: 917: 1584: 1292: 1457: 1218: 1404: 1013: 1660: 567: 1277: 605: 1030: 1127:) in 1926. His examinations of the effects of forces on straight lines, leading to the contrasting tones of curved and angled lines, coincided with the research of Gestalt psychologists, whose work was also discussed at the Bauhaus. Geometrical elements took on increasing importance in both his teaching and painting—particularly the circle, half-circle, the angle, straight lines and curves. This period was intensely productive. This freedom is characterised in his works by the treatment of planes rich in colours and gradations—as in 1049: 63: 898: 1762: 1930:. In 2020, a committee established by the Dutch minister of culture found fault with the behaviour of the Restitution Committee, causing a scandal where two of its members, including its chairman, resigned. Later that year, a court in Amsterdam ruled that the Stedelijk Museum could retain the painting from the Jewish Lewenstein collection despite the Nazi theft. However, in August 2021, the Amsterdam City Council decided to return the painting to the Lewenstein family. 555:(1908–1909) was painted at this time, demonstrating his trend toward abstraction. A mountain of blue is flanked by two broad trees, one yellow and one red. A procession, with three riders and several others, crosses at the bottom. The faces, clothing, and saddles of the riders are each a single color, and neither they nor the walking figures display any real detail. The flat planes and the contours also are indicative of Fauvist influence. The broad use of color in 586: 1098: 1143: 3871: 7539: 1688:) only to move towards abstractionism as he explored spirituality in art. His object-free paintings display spiritual abstraction suggested by sounds and emotions through a unity of sensation. Driven by the Christian faith and the inner necessity of an artist, his paintings have the ambiguity of the form rendered in a variety of colours as well as resistance against conventional aesthetic values of the art world. 1647:. From nearly six months of study and preparation, he had intended the work to evoke a flood, baptism, destruction, and rebirth simultaneously. After outlining the work on a mural-sized wood panel, he became blocked and could not go on. Münter told him that he was trapped in his intellect and not reaching the true subject of the picture. She suggested he simply repeat the word 3836: 357:, he relates that the houses and churches were decorated with such shimmering colours that upon entering them, he felt that he was moving into a painting. This experience, as well as his study of the region's folk art (particularly the use of bright colours on a dark background), were reflected in much of his early work. 476:

well as a painter. The number of his existing paintings increased at the beginning of the 20th century; much remains of the landscapes and towns he painted, using broad swaths of colour and recognisable forms. For the most part, however, Kandinsky's paintings did not feature any human figures; an exception is

484:(1907) depicts a man on horseback, holding a woman as they ride past a Russian town with luminous walls across a blue river. The horse is muted while the leaves in the trees, the town, and the reflections in the river glisten with spots of colour and brightness. This work demonstrates the influence of 3285:

The city of Amsterdam purchased the Kandinsky works that were stolen by the Germans at auction in October 1940, just six months after the occupation began. De Volkskrant expects to reconsider the issue of returning the painting after Friday's government decision. Before the Nazi robbery, the painting

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Kandinsky's analyses on forms and colours result not from simple, arbitrary idea-associations but from the painter's inner experience. He spent years creating abstract/sensorially rich paintings, working with form and colour, tirelessly observing his own paintings (along with those of other artists)

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But eventually, Kandinsky went further, rejecting pictorial representation with more synesthetic swirling hurricanes of colours and shapes, eliminating traditional references to depth and laying out bare and abstracted glyphs; however, what remained consistent was his spiritual pursuit of expressive

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with pastel tones cover a large maroon mass which seems to float in the upper-left corner of the canvas. In Kandinsky's work, some characteristics are obvious, while certain touches are more discreet and veiled; they reveal themselves only progressively to those who deepen their connection with his

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Wassily Kandinsky's art has a confluence of music and spirituality. With his appreciation for music of his times and kinesthetic disposition, Kandinsky's artworks have a marked style of expressionism in his early years. But he embraced all types of artistic styles of his times and his predecessors

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forms with supple, non-geometric outlines appear in his paintings—forms which suggest microscopic organisms but express the artist's inner life. Kandinsky used original colour compositions, evoking Slavic popular art. He also occasionally mixed sand with paint to give a granular, rustic texture to

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illustrates Kandinsky's inclination toward an art in which colour is presented independently of form, and in which each color is given equal attention. The composition is more planar; the painting is divided into four sections: the sky, the red tree, the yellow tree, and the blue mountain with the

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to join him at his summer painting classes just south of Munich in the Alps. She accepted the offer and their relationship became more personal than professional. Art school, usually considered difficult, was easy for Kandinsky. It was during this time that he began to emerge as an art theorist as

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That it was a haystack the catalogue informed me. I could not recognise it. This non-recognition was painful to me. I considered that the painter had no right to paint indistinctly. I dully felt that the object of the painting was missing. And I noticed with surprise and confusion that the picture

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A few years later, he first likened painting to composing music in the manner for which he would become noted, writing "Colour is the keyboard, the eyes are the harmony, the soul is the piano with many strings. The artist is the hand which plays, touching one key or another, to cause vibrations in

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and the treatise "On the Spiritual in Art" (which was released in 1910) were both a defence and promotion of abstract art and an affirmation that all forms of art were equally capable of reaching a level of spirituality. He believed that colour could be used in a painting as something autonomous,

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nature; it does not try to represent the exterior world, but expresses the inner feelings of the soul in an immediate way. Kandinsky sometimes used musical terms to identify his works; he called his most spontaneous paintings "improvisations" and described more elaborate works as "compositions."

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Kandinsky's paintings from this period are large, expressive coloured masses evaluated independently from forms and lines; these serve no longer to delimit them, but overlap freely to form paintings of extraordinary force. Music was important to the birth of abstract art since it is abstract by

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illustrates his synesthetic concept of a universal correspondence of forms, colors and musical sounds. In 1928, the stage production premiered at a theater in Dessau. In 2015, the original designs of the stage elements were animated with modern video technology and synchronized with the music

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The sun melts all of Moscow down to a single spot that, like a mad tuba, starts all of the heart and all of the soul vibrating. But no, this uniformity of red is not the most beautiful hour. It is only the final chord of a symphony that takes every colour to the zenith of life that, like the

342:. Kandinsky learned from a variety of sources while in Moscow. He studied many fields while in school, including law and economics. Later in life, he would recall being fascinated and stimulated by colour as a child. His fascination with colour symbolism and psychology continued as he grew. 1564:

today (and understood only by the few) is common knowledge tomorrow. The modern artist–prophet stands alone at the apex of the pyramid, making new discoveries and ushering in tomorrow's reality. Kandinsky was aware of recent scientific developments and the advances of modern artists who had

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Emotional harmony is another salient feature in the later works of Kandinsky. With diverse dimensions and bright hues balanced through a careful juxtaposition of proportion and colours, he substantiated the universality of shapes in his artworks thus paving the way for further abstraction.

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From 1918 to 1921, Kandinsky was involved in the cultural politics of Russia and collaborated in art education and museum reform. He painted little during this period, but devoted his time to artistic teaching with a program based on form and colour analysis; he also helped organize the

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In 1916, he met Nina Nikolaevna Andreevskaya (1899–1980), whom he married on 11 February 1917 when she was 17 or 18 and he was 50 years old. At the end of 1917, they had a son, Wsevolod, or Lodya as he was called in the family. Lodya died in June 1920 and there were no more children.

1549:, Russian folktales and the common mythological experiences of death and rebirth. Never attempting to picture any one of these stories as a narrative, he used their veiled imagery as symbols of the archetypes of death–rebirth and destruction–creation he felt were imminent in the pre- 1560:(see below), Kandinsky felt that an authentic artist creating art from "an internal necessity" inhabits the tip of an upward-moving pyramid. This progressing pyramid is penetrating and proceeding into the future. What was odd or inconceivable yesterday is commonplace today; what is 2524: 1123:; he also conducted painting classes and a workshop in which he augmented his colour theory with new elements of form psychology. The development of his works on forms study, particularly on points and line forms, led to the publication of his second theoretical book ( 318:" and helped establish the Museum of the Culture of Painting. However, by then, "his spiritual outlook... was foreign to the argumentative materialism of Soviet society" and opportunities beckoned in Germany, to which he returned in 1920. There, he taught at the 3172: 736:(Munich New Artists' Association), becoming its president in 1909. However, the group could not integrate the radical approach of Kandinsky (and others) with conventional artistic concepts and the group dissolved in late 1911. Kandinsky then formed a new group, 1824:

He returned to Moscow in 1914 when the first World War broke out. The relationship between Kandinsky and Münter worsened due to mutual tensions and disappointments over his lack of commitment to marriage. Their relationship formally ended in 1916 in Stockholm.

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to join him at his summer painting classes just south of Munich in the Alps. She accepted the offer and their relationship became more personal than professional. In 1911, the German expressionist painter was one of several artists joining Kandinsky in his

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in Moscow (of which he was its first director). His spiritual, expressionistic view of art was ultimately rejected by the radical members of the institute as too individualistic and bourgeois. In 1921, Kandinsky was invited to go to Germany to attend the

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This period corresponds to a synthesis of Kandinsky's previous work in which he used all elements, enriching them. In 1936 and 1939, he painted his final two major compositions, the type of elaborate canvases he had not produced for many years.

518:, Kandinsky shows the rider more as a series of colours than in specific detail. This painting is not exceptional in that regard when compared with contemporary painters, but it shows the direction Kandinsky would take only a few years later. 1613:

on a brassy trumpet; black is the colour of closure, and the end of things; and that combinations of colours produce vibrational frequencies, akin to chords played on a piano. In 1871 the young Kandinsky learned to play the piano and cello.

380:, fervor of spirit and spiritual desire "inner necessity"; it was a central aspect of his art. Some art historians suggest that Kandinsky's passion for abstract art began when one day, coming back home, he found one of his own paintings 495: 1866:

in Switzerland since 1960 and was sold to a European collector by the Volkart Foundation, the charitable arm of the Swiss commodities trading firm Volkart Brothers. Before this sale, the artist's last record was set in 1990 when

438:. Theosophical theory postulates that creation is a geometrical progression, beginning with a single point. The creative aspect of the form is expressed by a descending series of circles, triangles, and squares. Kandinsky's book 1695:

can be further defined and divided into three categories over the course of his art career: Impressions (representational element), Improvisations (spontaneous emotional reaction) and Compositions (ultimate works of art).

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Kandinsky also developed a theory of geometric figures and their relationships, claiming (for example) that the circle is the most peaceful shape and represents the human soul. These theories are explained in

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and noting their effects on his sense of colour. This subjective experience is something that anyone can do—not scientific/objective observations, but inner/subjective ones, referred to by French philosopher

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Kandinsky and Münter became engaged in the summer of 1903 while he was still married to Anja and travelled extensively through Europe, Russia and North Africa until 1908. He separated from Anja in 1911.

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Kandinsky made more studies for this composition than for any other – over thirty drawings, watercolours and sketches. However, according to Gabriele Münter, the final version was painted in just three

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After the Russian Revolution, he had opportunities in Germany, to which he returned in 1920. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933.

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As Kandinsky started moving away from his early inspiration from Impressionism, his paintings became more vibrant, pictographic and expressive with more sharp shapes and clear linear qualities.

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has highly contrasted, powerful diagonals whose central form gives the impression of an embryo in the womb. Small squares of colours and coloured bands stand out against the black background of

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and the couple happily entertained colleagues there. The property is still known as Russenhaus and she would later use the basement to hide many works (by Kandinsky and others) from the

1384: 7656: 642: 1365: 1525:, Kandinsky created paintings in the years immediately preceding World War I showing a coming cataclysm which would alter individual and social reality. Having a devout belief in 7666: 1651:("deluge" or "flood") and focus on its sound rather than its meaning. Repeating this word like a mantra, Kandinsky painted and completed the monumental work in a three-day span. 661: 7601: 961: 326:

closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in

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Kandinsky's creation of abstract work followed a long period of development and maturation of intense thought based on his artistic experiences. He called this devotion to

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originally purchased the painting directly from the artist in 1936, but it was not exhibited after 1949; it was then sold at auction to a private collector in 1964 by the

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was owned by Hedwig Loewenstein-Feigerman, who inherited it from her husband, the Jewish art collector, Emmanuel Albert Lowenstein, who had owned the painting since 1923.

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In 2017, Robert Colin Lewenstein, Francesca Manuela Davis and Elsa Hannchen Guidotti filed suit against Bayerische Landesbank (BLB) for the restitution of Kandinsky's

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He then moved to France with his wife, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art.

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4 December] 1866 – 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of

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and later paintings are primarily concerned with evoking a spiritual resonance in viewer and artist. As in his painting of the apocalypse by water (

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is also apparent in these early works. Colours are used to express Kandinsky's experience of subject matter, not to describe objective nature.

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Kandinsky was born in Moscow, the son of Lidia Ticheeva and Vasily Silvestrovich Kandinsky, a tea merchant. One of his great-grandmothers was

7686: 7155: 3560: 3483: 2720: 2559: 2368: 2290: 2237: 2981: 2773: 3991: 3078: 987: 836:. Kandinsky had received some notice earlier in Britain, however; in 1910, he participated in the Allied Artists' Exhibition (organised by 773: 1012: 897: 405:; this, to him, had a powerful sense of colour almost independent of the objects themselves. Later, he would write about this experience: 384:

in his studio and he stared at it for a while before realizing it was his own work, suggesting to him the potential power of abstraction.

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Watercolours by Kandinsky at the Guggenheim Museum: a selection from the Solomon R. Guggenheim Museum and the Hilla von Rebay Foundation

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Spencer Frederick Gore, "The Allied Artists' Exhibition at the Royal Albert Hall (London)", in "The Art News," 4 August 1910, p.254.

2165: 2071: 1862:, a 1909 view of a man wielding a broadsword in a rainbow-hued village, for $ 23 million. The painting had been on loan to the 1832: 1394: 480:(1904), in which Kandinsky recreates a highly colourful (and fanciful) view of peasants and nobles in front of the walls of a town. 6309: 3298: 3168: 604: 3935: 1605:

indicate, Kandinsky also expressed the communion between artist and viewer as being available to both the senses and the mind (

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From 1906 to 1908, Kandinsky travelled across Europe. In 1909, Münter bought a summerhouse in the small Bavarian town of

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Kandinsky often used black in his paintings to heighten the impact of brightly coloured forms while his forms were often

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Sadleir's interest in Kandinsky also led to Kandinsky's first works entering a British art collection; Sadleir's father,

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These ideas had an almost-immediate international impact, particularly in the English-speaking world. As early as 1912,

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not only gripped me, but impressed itself ineradicably on my memory. Painting took on a fairy-tale power and splendour.

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which, he felt, pushed the limits of music and melody beyond standard lyricism. He was also spiritually influenced by

299:(today Tartu, Estonia). Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. 153: 2434:

Michael Sadleir, Review of Uber da Geistige an der Kunst by Wassily Kandinsky, in "The Art News," 9 March 1912, p.45.

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Lindsay, Kenneth and Peter Vergo. "Introduction". Kandinsky: Complete Writings on Art. New York: Da Capo Press, 1994.

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in 1913 following a visit by father and son to meet Kandinsky in Munich that year. These works were displayed in

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From 1906 to 1908, Kandinsky spent a great deal of time travelling across Europe (he was an associate of the

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In 1896, at the age of 30, Kandinsky gave up a promising career teaching law and economics to enroll in the

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work. He intended his forms (which he subtly harmonised and placed) to resonate with the observer's soul.

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The Life of Vasilii Kandinsky in Russian Art: A Study of "On the Spiritual in Art" by Wassily Kandinsky

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Lindsay, Kenneth; Vergo, Peter (1994). Kandinsky: Complete Writings on Art. New York: Da Capo Press.

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See Michael Paraskos, "English Expressionism," MRes Thesis, University of Leeds, Leeds 1997, p103f

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After graduating in 1892, Kandinsky married his cousin, Anja Chimiakina, and became a lecturer in

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Writing that "music is the ultimate teacher", Kandinsky embarked upon the first seven of his ten

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Kandinsky taught the basic design class for beginners and the course on advanced theory at the

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Tom Steele, "Alfred Orage and the Leeds Arts Club 1893–1923" (Mitcham, Orage Press, 2009) 218f

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of the stage production of "Pictures at an Exhibition" by Kandinsky in 1928 in Dessau, 2015.

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stems perhaps more from his theoretical works than from his paintings. He helped found the

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artistic periods. For complete detailed references in French, see the original version at

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and signed the "Founding Proclamation of the Union of Progressive International Artists".

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He died in Neuilly-sur-Seine on 13 December 1944, three days prior to his 78th birthday.

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according to the preparatory notes of Kandinsky and the director's script of Felix Klee.

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in 1914 ended these plans and sent Kandinsky back to Russia via Switzerland and Sweden.

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In addition to painting, Kandinsky was an art theorist; his influence on the history of

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Note: Several sections of this article have been translated from its French version:

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and the perception of a coming New Age, a common theme among Kandinsky's first seven

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Living in an apartment in Paris, Kandinsky created his work in a living-room studio.

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fortissimo of a great orchestra, is both compelled and allowed by Moscow to ring out.

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Interest in Kandinsky grew quickly when Sadleir published an English translation of

717:, oil on canvas, 66.2 cm × 82 cm (26.1 in × 32.3 in), 7269: 7107: 7000: 6972: 6907: 6875: 6847: 6812: 6805: 6798: 6763: 6729: 6645: 6603: 6461: 6450: 6440: 6187: 6159: 6097: 6090: 6076: 6048: 6020: 5985: 5978: 5950: 5936: 5922: 5901: 5810: 5768: 5761: 5601: 5573: 5524: 5510: 5384: 5349: 5244: 5230: 5167: 5094: 4987: 4945: 4743: 4568: 4249: 4244: 4204: 3572: 1904: 1724: 1677: 1664: 1538: 837: 827: 755: 747: 540: 508:

Perhaps the most important of his paintings from the first decade of the 1900s was

396: 377: 272: 255: 174: 5489: 1868: 2155: 310:. He returned to Moscow in 1914 after the outbreak of World War I. Following the 7481: 7362: 7221: 7212: 7028: 6951: 5999: 5964: 5880: 5873: 5615: 5517: 5405: 5335: 5272: 5149: 5015: 4875: 4833: 4785: 4722: 4701: 4694: 4666: 4582: 4525: 4365: 3079:"Monet Sells for $ 81.4 M., a New Record, at $ 246.3 M. Christie's Imp-Mod Sale" 2208: 1711: 1673: 1606: 1550: 1467:. According to Kandinsky, this is the most complex piece he ever painted (1913). 1315: 1136: 907: 832: 785: 767: 729: 690: 633: 576: 485: 346: 276: 3808: 2697:

Susan B. Hirschfeld, Solomon R. Guggenheim Museum, Hilla von Rebay Foundation,

2285:. translated by Michael T. H. Sadler (2004). Kessinger Publishing. p. 32. 7411: 6965: 6736: 6659: 6638: 6526: 6194: 6180: 5929: 5915: 5852: 5775: 5664: 5531: 5468: 5328: 5158: 4959: 4917: 4854: 4511: 4188: 3874: 3751: 2799:"Discover the Famous Works of Wassily Kandinsky, the Artist Who Painted Music" 2646: 1768:, 1920, 110.3 cm × 91.8 cm (43.4 in × 36.1 in), 1681: 1518: 1503: 1336: 1188:

in 1925. Following a Nazi smear campaign, the Bauhaus left Dessau in 1932 for

751: 31: 3326:"Amsterdam to Restitute Kandinsky Painting to Heirs After Years-Long Dispute" 2798: 2602: 2319: 488:

in the way the depth of field is collapsed into a flat, luminescent surface.

7460: 7418: 7283: 6993: 6083: 5838: 5705: 5426: 5377: 5342: 4903: 4330: 4239: 2774:"How Music Motivated Artists from Matisse to Kandinsky to Reinvent Painting" 1499: 1301: 1169: 292: 3433: 2681:, Twentieth Century masters series, Random House Incorporated, 1987, p. 7, 3400:. (New York: MFA Publications and London: Tate Publishing, 2001). 192pp. 2212: 5307: 5174: 4543: 4532: 4493: 4477: 4463: 4354: 3830: 3194: 3006: 2931:"Wassily Kandinsky – Articles – Biomorphic themes from "Parisian period"" 1055:(1919) by Kandinsky, exhibited at the 19th State Exhibition, Moscow, 1920 2891: 2327: 1565:

contributed to radically new ways of seeing and experiencing the world.

766:) and held two exhibits. More of each were planned, but the outbreak of 7059: 6104: 5566: 5181: 4470: 4454: 4440: 3520:(New York: The Jewish Museum, and London: Scala Publishers Ltd, 2003). 3083: 2875: 2499: 1120: 1078: 526: 489: 446:(1926) echoed this theosophical tenet. Illustrations by John Varley in 350: 319: 39: 1836:"Portrait de Nina Kandinsky" by German photographer Hugo Erfurth, 1927 4388: 1954: 1189: 1185: 1147: 1082: 323: 280: 3920: 3893: 3826: 3396:

Wassily Kandinsky, M. T. Sadler (Translator), Adrian Glew (Editor).

3245:"Dutch Court Rules Against Jewish Heirs on Claim for Kandinsky Work" 3143:"Son of El Lissitzky files for return of another war loot Kandinsky" 4138: 3914: 1486:

While studies, sketches, and improvisations exist (particularly of

1831: 1818: 1760: 1658: 1582: 1534: 1455: 1141: 1096: 1047: 864: 772: 708: 494: 459: 314:, Kandinsky "became an insider in the cultural administration of 4861: 4395: 3625:

Julian Lloyd Webber. "Seeing red, looking blue, feeling green",

3032:

Hoberg, Annegret (2005). "The Life and Work of Gabriel Münter".

2741: 4303: 4142: 3924: 796:

apart from the visual description of an object or other form.

399:. He was particularly taken with the impressionistic style of 3701:(éd. Albin Michel, les grands maîtres de l'art contemporain) 2592:, Continuum, 2009, p. 38–45 (The disclosure of pictoriality). 2306:

Ashmore, Jerome (1962). "The Theoretical Side of Kandinsky".

4299: 815:

in 1914. Extracts from the book were published that year in

3351:"Case 1:17-cv-01600 Document 1 Filed 03/03/17 Page 1 of 23" 2063: 2031: 364:

Kandinsky was also the uncle of Russian-French philosopher

3299:"Amsterdam to restore disputed Kandinsky to Jewish family" 1131:(1925), where Kandinsky illustrates his distance from the 2051: 2039: 2025: 2019: 859:, acquired several wood-prints and the abstract painting 525:

symbolist group of Moscow) until he settled in the small

420:

Kandinsky was similarly influenced during this period by

3917:– 500 paintings, 60+ photos, biography, quotes, articles 3760:. The Getty Research Institute, Los Angeles, California. 3492:. (Newtonville, MA.: Oriental Research Partners, 1984). 2737:"Kandinsky: The Path to Abstraction, room guide, room 6" 1625:

Kandinsky's legendary stage design for a performance of

302:

In 1896, Kandinsky settled in Munich, studying first at

3593:. (New York: Harry N Abrams Inc, 1997). (Illustrated). 3476:

Wassily Kandinsky 1866–1944: The Journey to Abstraction

2361:

Wassily Kandinsky, 1866–1944: A Revolution in Painting

1860:

Studie für Improvisation 8 (Study for Improvisation 8)

3532:

Wassily Kandinsky 1866–1944: A Revolution in Painting

3147:

The Art Newspaper – International art news and events

2715:. Germany: h.f.ullmann publishing GmbH. p. 262. 2229:

Wassily Kandinsky 1866–1944: a Revolution in Painting

2096: 2072: 2060: 2057: 2054: 2042: 2036: 2022: 1875:(1914) for $ 20.9 million. On 16 November 2016, 3369:"Heirs Claim Kandinsky Painting Was Looted by Nazis" 3037:

Gabriele Münter: The Search for Expression 1906–1917

2048: 2028: 2016: 1806:) group, which ended with the onset of World War I. 7197: 7038: 6906: 6746: 6502: 6491: 6298:

A Sunday Afternoon on the Island of La Grande Jatte

6288: 6114: 5674: 5157: 5148: 5025: 4809: 4551: 4542: 4337: 4197: 4176: 4085: 4066: 3967: 3863: 3636:

Kandinsky in Munich: The Formative Jugendstil Years

3270:""Recovery is more than just returning an object."" 2045: 2013: 1639:In another episode with Münter during the Bavarian 322:school of art and architecture from 1922 until the 248: 237: 180: 166: 146: 138: 128: 120: 101: 78: 53: 3782:Kandinsky's Introspective Path to Abstract Reality 3732:Kandinsky. Œuvres de Vassily Kandinsky (1866–1944) 1168:), which was a group that was formed in 1923 with 867:, either in the university or the premises of the 2403:. Baden-Baden: Woldemar Klein Verlag. p. 12. 2107:[vɐˈsʲilʲɪjvɐˈsʲilʲjɪvʲɪtɕkɐnʲˈdʲinskʲɪj] 1922:filed a claim for the restitution of Kandinsky's 3788:"2021 French stamps featuring Kandinsky's works" 3488:John E. Bowlt and Rose-Carol Washton Long, eds. 19:"Kandinsky" redirects here. For other uses, see 7657:Burials at Neuilly-sur-Seine community cemetery 3638:(Princeton: Princeton University Press, 1979). 1903:In July 2001, Jen Lissitzky, the son of artist 1758:is developed from a more formal point of view. 1058: 407: 3551:Sabine Flach. "Through the Looking Glass", in 3422:. or: Lightning Source Inc Publ. (Paperback). 3410:Wassily Kandinsky, M. T. Sadler (Translator). 3104: 3102: 1734:Published in Munich in 1911, Kandinsky's text 1529:, Kandinsky drew upon the biblical stories of 465:Munich-Schwabing with the Church of St. Ursula 330:in 1944, three days before his 78th birthday. 4315: 4154: 3936: 2661:"The Bauhaus Group: Six Masters of Modernism" 2084: 1498:and were then destroyed (along with works by 1494:. They were displayed in the state-sponsored 1114:International Congress of Progressive Artists 8: 7667:Emigrants from the Russian Empire to Germany 7230: 7219: 4420: 4409: 4363: 4352: 3516:Esther da Costa Meyer, Fred Wasserman, eds. 3001: 2999: 2997: 2995: 1727:as "absolute subjectivity" or the "absolute 1146:House of Paul Klee and Wassily Kandinsky in 1004:Color Study: Squares with Concentric Circles 391:where his teachers would eventually include 279:. Born in Moscow, he spent his childhood in 16:Russian painter and art theorist (1866–1944) 7602:Emigrants from the Russian Empire to France 4491: 2226:Düchting, Hajo; Kandinsky, Wassily (2000). 1714:approaches to bring surrealism in his art. 1093:Back in Germany and the Bauhaus (1922–1933) 6499: 5154: 4548: 4322: 4308: 4300: 4161: 4147: 4139: 3943: 3929: 3921: 3911:, Kandinsky's compositions with commentary 3569:. (New York: Harry N. Abrams, Inc., 1958). 3506:. (New York: Museum of Modern Art, 2002). 61: 50: 3518:Schoenberg, Kandinsky, and the Blue Rider 3061:Christie's Sells Monet for $ 43.8 Million 3007:"WASSILY KANDINSKY (1866–1944) Biography" 1791:In the summer of 1902, Kandinsky invited 1153:The two-metre-wide (6 ft 7 in) 471:In the summer of 1902, Kandinsky invited 2260:McMullen, Roy Donald (20 January 2024). 1907:, filed a restitution claim against the 1663:"Portrait de Kandinsky" by photographer 434:(1831–1891), the best-known exponent of 7642:Russian Orthodox Christians from Russia 3414:. Dover Publ. (Paperback). 80 pp. 2154:Lindsay, Kenneth; Vergo, Peter (1994). 2146: 1998: 1342: 1194: 873: 562: 7652:Watercolorists from the Russian Empire 4093:Aleksey Ivanovich Kandinsky (grandson) 3860: 2825:"Vasily Kandinsky Replaces the Object" 2647:"Kandinsky: Master of the Mystic Arts" 2342:"What drove Kandinsky to abstraction?" 1911:in Basel, Switzerland for Kandinsky's 1447:List of paintings by Wassily Kandinsky 345:In 1889, at age 23, he was part of an 7156:Six Characters in Search of an Author 2749:from the original on 26 February 2013 2105: 1676:(sinuous organic forms), Fauvism and 349:research group that travelled to the 7: 3905:, Wassily Kandinsky at ArtCyclopedia 3777:Art Detective Podcast, 19 April 2017 3367:Buffenstein, Alyssa (6 March 2017). 1915:. A settlement was reached in 2002. 1601:essays and theorising with composer 778:Improvisation 27 (Garden of Love II) 7647:Printmakers from the Russian Empire 7582:Academy of Fine Arts, Munich alumni 3818:Works by or about Wassily Kandinsky 3758:Wassily Kandinsky papers, 1911–1940 3659:(Presses Universitaires de France) 3608:(Munich: Museum Villa Stuck, 2006). 3455:Kandinsky, Complete Writings on Art 3436:. Verlag R. Piper & Co., Munich 2876:"The Theoretical Side of Kandinsky" 2529:modernistarchitecture.wordpress.com 2386:Kandinsky: Complete Writings on Art 2205:Books and Writers (kirjasto.sci.fi) 2157:Kandinsky: Complete Writings on Art 1742:) defines three types of painting: 1139:movements influential at the time. 746:) with like-minded artists such as 6358:Nude Descending a Staircase, No. 2 3577:Seeing the Invisible: On Kandinsky 3324:Villa, Angelica (30 August 2021). 2969:Seeing the invisible, on Kandinsky 2956:Seeing the invisible, on Kandinsky 2590:Seeing the invisible, on Kandinsky 2388:. G.K. Hall & Co. p. 363. 784:, New York. Exhibited at the 1913 306:'s private school and then at the 14: 7672:20th-century Russian male artists 3877:Improvisation 28 (second version) 3843:"Concerning the Spiritual in Art" 3109:Pobric, Pac (15 September 2016). 1440: 1395:Kunstsammlung Nordrhein-Westfalen 762:. The group released an almanac ( 7692:20th-century French male artists 7632:Painters from the Russian Empire 7538: 7537: 4103:Neue Künstlervereinigung München 3869: 3834: 3567:Wassily Kandinsky: Life and Work 3443:. Dover Publications, New York. 3169:"Kandinsky painting row settled" 2009: 1643:years, Kandinsky was working on 1421: 1402: 1383: 1364: 1345: 1290: 1275: 1256: 1237: 1216: 1197: 1028: 1011: 996: 979: 960: 945: 930: 915: 896: 876: 734:Neue Künstlervereinigung München 679: 660: 641: 622: 603: 584: 565: 452:(1901) influenced him visually. 254: 203: 7597:Immigrants to the German Empire 3657:Voir l'invisible. Sur Kandinsky 3615:(Paris: Pierre Terrail, 1992). 3412:Concerning the Spiritual in Art 3398:Concerning the Spiritual in Art 2282:Concerning the Spiritual in Art 2098:Vasiliy Vasil'yevich Kandinskiy 1740:Concerning the spiritual in art 1579:Artistic and spiritual theorist 1558:Concerning the Spiritual in Art 1543:four horsemen of the Apocalypse 1523:Concerning the Spiritual in Art 533:. In 1908, he bought a copy of 440:Concerning the Spiritual in Art 224: 199: 7627:Russian Expressionist painters 7617:Moscow State University alumni 7607:Naturalized citizens of France 7305:Grosvenor School of Modern Art 7298:Fourth dimension in literature 4016:Improvisation No. 30 (Cannons) 3555:(London: Koenig Books, 2012). 3059:Kelly Crow (7 November 2012), 2905:Kandinsky, W. (October 2008). 2211:Public Library. Archived from 1736:Über das Geistige in der Kunst 988:Landscape with Red Spots, No 2 715:Landscape with Factory Chimney 265:Wassily Wassilyevich Kandinsky 83:Wassily Wassilyevich Kandinsky 1: 7682:French Expressionist painters 7677:20th-century Russian painters 7592:Academic staff of the Bauhaus 4113:Institute of Artistic Culture 3171:. 3 July 2002. Archived from 2628:"Lost Art: Wassily Kandinsky" 2086:Василий Васильевич Кандинский 1441:Kandinsky's conception of art 1357:Museum Boijmans Van Beuningen 1112:In May 1922, he attended the 1074:Institute of Artistic Culture 830:'s weekly cultural newspaper 699:Blue Rider Period (1911–1914) 596:Museum Boijmans Van Beuningen 68: 28:Eastern Slavic naming customs 7687:20th-century French painters 3847:Guggenheim Internet Archives 3613:Kandinsky and the Blue Rider 2958:, Continuum, 2009, pp. 5–11. 2907:The Art of Spiritual Harmony 2772:Arn, Jackson (30 May 2019). 2603:"Wassily Kandinsky – Quotes" 2384:Lindsay, Kenneth C. (1982). 1893:Solomon R. Guggenheim Museum 1433:Musée national d'art moderne 1414:Solomon R. Guggenheim Museum 1376:Musée national d'art moderne 1268:Solomon R. Guggenheim Museum 1106:Musée National d'Art Moderne 1044:Return to Russia (1914–1921) 861:Fragment for Composition VII 719:Solomon R. Guggenheim Museum 653:Solomon R. Guggenheim Museum 214:Nina Nikolaevna Andreevskaya 133:Academy of Fine Arts, Munich 7398:List of avant-garde artists 6382:The Cabinet of Dr. Caligari 4289:Der Blaue Reiter (painting) 4032:Auf Weiss II (Sur blanc II) 3833:(public domain audiobooks) 2986:mediation.centrepompidou.fr 2399:Kandinsky, Wassily (1955). 2279:Kandinsky, Wassily (1911). 2160:. New York: Da Capo Press. 2123:Theoretical writings on art 2097: 1718:Theoretical writings on art 1506:and other modern artists). 1310:Great Synthesis (1934–1944) 1209:National Gallery of Denmark 353:region north of Moscow. In 67:Kandinsky by Adolf Elnain, 7708: 7256:Classical Hollywood cinema 3827:Works by Wassily Kandinsky 3809:Works by Wassily Kandinsky 3734:(Centre Georges Pompidou) 2711:Fiedler, Jeannine (2013). 1444: 1249:Philadelphia Museum of Art 1085:by its founder, architect 953:Landscape With Two Poplars 782:Metropolitan Museum of Art 702: 687:Murnau, train & castle 545:Charles Webster Leadbeater 283:, where he graduated from 26:In this name that follows 25: 21:Kandinsky (disambiguation) 18: 7519: 6334:Les Demoiselles d'Avignon 4273: 4098:Gabriele Münter (partner) 3958: 3868: 2971:, Continuum, 2009, p. 27. 2462:First Abstract Watercolor 2085: 1632:Pictures at an Exhibition 1496:Degenerate Art exhibition 1036:Painting with a Red Stain 923:Study for Improvisation V 885:First Abstract Watercolor 871:, between 1913 and 1923. 713:Wassily Kandinsky, 1910, 547:. In 1909, he joined the 253: 90:4 December] 1866 60: 5119:The Master and Margarita 3992:Landscape with Red Spots 3712:Kandinsky. Rétrospective 3035:Exhibition catalogue for 2935:www.wassilykandinsky.net 2874:Ashmore, Jerome (1962). 2607:www.wassilykandinsky.net 1537:and the whale, Christ's 7405:List of modernist poets 7291:Fourth dimension in art 6474:Meshes of the Afternoon 3611:Annette and Luc Vezin. 3441:Point and Line to Plane 2554:. Taschen. p. 68. 2550:Düchting, Hajo (2013). 2494:Duchting, Hajo (2007). 2478:Mit Dem Schwarzen Boden 2363:. Taschen. p. 94. 2359:Düchting, Hajo (2000). 1976:List of Russian artists 1966:Kandinsky and Theosophy 1684:(mystery) and Bauhaus ( 1620:Point and Line to Plane 1125:Point and Line to Plane 968:Mit Dem Schwarzen Boden 813:On the Spiritual in Art 801:On the Spiritual in Art 444:Point and Line to Plane 267:(16 December [ 7489:Second Viennese School 7231: 7220: 5131:The Sound and the Fury 5035:In Search of Lost Time 4492: 4421: 4410: 4364: 4353: 4118:Bibliothèque Kandinsky 4024:Ein Zentrum (A Centre) 3888:Paintings by Kandinsky 3683:Jéléna Hahl-Fontaine. 3553:Intellectual Birdhouse 3504:Kandinsky Compositions 3474:Ulrike Becks-Malorny. 2665:Columbia College Today 1950:Bibliothèque Kandinsky 1879:auctioned Kandinsky's 1864:Kunstmuseum Winterthur 1858:auctioned Kandinsky's 1837: 1772: 1668: 1641:abstract expressionist 1591: 1468: 1331:as star fragments (or 1180:at the instigation of 1150: 1109: 1069: 1056: 846:Spencer Frederick Gore 793:The Blue Rider Almanac 788: 764:The Blue Rider Almanac 721: 505: 468: 418: 86:16 December [ 7468:Reactionary modernism 7391:List of art movements 4265:Marianne von Werefkin 3687:(Marc Vokar éditeur) 3502:Magdalena Dabrowski. 3469:References in English 2576:"Kleine Welten, 1922" 2531:. Ross Lawrence Wolfe 1889:Solomon R. Guggenheim 1835: 1764: 1729:phenomenological life 1662: 1586: 1527:Orthodox Christianity 1511:Christian eschatology 1459: 1452:The artist as prophet 1353:Brown with supplement 1160:Kandinsky was one of 1145: 1100: 1051: 776: 712: 579:, Kunstarealm, Munich 498: 463: 287:. He enrolled at the 124:Russian, later French 7312:Hanshinkan Modernism 7168:The Threepenny Opera 7084:Pelléas et Mélisande 4235:Alexej von Jawlensky 3915:Wassilykandinsky.net 3898:Museum of Modern Art 3803:Writing by Kandinsky 3714:(Foundation Maeght) 3697:François le Targat. 3650:References in French 3604:Margarita Tupitsyn. 2677:François Le Targat, 2523:van Doesburg, Theo. 2215:on 26 February 2015. 2135:fr:Vassily Kandinsky 1924:Painting with Houses 1913:Improvisation No. 10 1786:University of Moscow 1680:(shocking colours), 1461:Composition VII 1178:Alexej von Jawlensky 807:in the London-based 672:Von der Heydt Museum 592:Sunday (Old Russian) 549:Theosophical Society 340:Princess Gantimurova 308:Academy of Fine Arts 297:University of Dorpat 289:University of Moscow 202: 1892; 7622:Artists from Moscow 7370:International Style 7120:Afternoon of a Faun 6406:Battleship Potemkin 6310:Mont Sainte-Victoir 4215:Heinrich Campendonk 3765:Yellow – Red – Blue 3628:The Daily Telegraph 3579:(Continuum, 2009). 3534:. (Taschen, 2000). 3453:Wassily Kandinsky. 3439:Wassily Kandinsky. 3432:Wassily Kandinsky. 3123:on 12 February 2017 3065:Wall Street Journal 2982:"Vassily Kandinsky" 2645:Rabinovich, Yakov. 2262:"Wassily Kandinsky" 2201:"Wassily Kandinsky" 2131:The great synthesis 1981:Russian avant-garde 1770:Ohara Museum of Art 1335:), while enigmatic 1245:Circles in a Circle 1155:Yellow – red – blue 1129:Yellow – red – blue 817:Percy Wyndham Lewis 630:Couple on Horseback 482:Couple on Horseback 382:hanging upside down 316:Anatoly Lunacharsky 7662:Artists from Odesa 7249:Buddhist modernism 7206:American modernism 7132:The Rite of Spring 5107:The Sun Also Rises 5083:The Magic Mountain 4230:Natalia Goncharova 3589:Thomas M. Messer. 3548:. (Prestel, 2008). 3391:Books by Kandinsky 3087:. 17 November 2016 2894:– via JSTOR. 2829:Lapham's Quarterly 2805:. 13 December 2020 2199:Liukkonen, Petri. 1909:Beyeler Foundation 1838: 1773: 1669: 1592: 1547:book of Revelation 1469: 1151: 1110: 1057: 789: 722: 506: 478:Sunday, Old Russia 469: 312:Russian Revolution 7637:Gantimurov family 7577:Abstract painters 7562:Wassily Kandinsky 7549: 7548: 7277:Experimental film 7193: 7192: 7180:Waiting for Godot 6487: 6486: 5144: 5143: 5047:The Metamorphosis 4297: 4296: 4260:Arnold Schoenberg 4184:Wassily Kandinsky 4136: 4135: 3961:List of paintings 3952:Wassily Kandinsky 3903:Artcyclopedia.com 3894:Wassily Kandinsky 3885: 3884: 3813:Project Gutenberg 3673:(éd. Flammarion) 3606:Against Kandinsky 3561:978-3-86335-118-2 3546:Wassily Kandinsky 3484:978-3-8228-3564-7 3478:(Taschen, 2007). 3457:. Da Capo Press. 3175:on 2 October 2002 3116:The Art Newspaper 2854:philosophynow.org 2722:978-3-8480-0275-7 2561:978-3-8365-3146-7 2370:978-3-8365-3146-7 2292:978-1-4191-1377-2 2239:978-3-8228-5982-7 2095: 1960:Theory of Colours 1920:Lewenstein family 1691:His signature or 1603:Arnold Schoenberg 1465:Tretyakov Gallery 1429:Circle and Square 1066:Wassily Kandinsky 842:Royal Albert Hall 557:The Blue Mountain 553:The Blue Mountain 415:Wassily Kandinsky 355:Looks on the Past 328:Neuilly-sur-Seine 285:Odessa Art School 262: 261: 113:Neuilly-sur-Seine 55:Wassily Kandinsky 7699: 7541: 7540: 7512: 7510:Vulgar modernism 7505: 7503:Underground film 7498: 7491: 7484: 7477: 7470: 7463: 7456: 7449: 7442: 7435: 7428: 7421: 7414: 7407: 7400: 7393: 7386: 7379: 7372: 7365: 7356: 7349: 7342: 7335: 7328: 7326:Hippie modernism 7321: 7314: 7307: 7300: 7293: 7286: 7279: 7272: 7265: 7258: 7251: 7244: 7242:Bloomsbury Group 7237: 7236: 7226: 7225: 7215: 7208: 7186: 7185: 7174: 7173: 7162: 7161: 7150: 7149: 7138: 7137: 7126: 7125: 7114: 7113: 7102: 7101: 7090: 7089: 7078: 7077: 7066: 7065: 7054: 7053: 7031: 7024: 7017: 7010: 7003: 6996: 6989: 6982: 6975: 6968: 6961: 6954: 6947: 6940: 6933: 6926: 6919: 6899: 6892: 6885: 6878: 6871: 6864: 6857: 6850: 6843: 6836: 6829: 6822: 6815: 6808: 6801: 6794: 6787: 6780: 6773: 6766: 6759: 6739: 6732: 6725: 6718: 6711: 6704: 6697: 6690: 6683: 6676: 6669: 6662: 6655: 6648: 6641: 6634: 6627: 6620: 6613: 6606: 6599: 6592: 6585: 6578: 6571: 6564: 6557: 6550: 6543: 6536: 6529: 6522: 6515: 6500: 6480: 6479: 6468: 6467: 6456: 6455: 6446: 6445: 6436: 6435: 6430:Un Chien Andalou 6424: 6423: 6412: 6411: 6400: 6399: 6394:Ballet Mécanique 6388: 6387: 6376: 6375: 6364: 6363: 6352: 6351: 6340: 6339: 6328: 6327: 6322:The Starry Night 6316: 6315: 6304: 6303: 6281: 6274: 6267: 6260: 6253: 6246: 6239: 6232: 6225: 6218: 6211: 6204: 6197: 6190: 6183: 6176: 6169: 6162: 6155: 6148: 6141: 6134: 6127: 6107: 6100: 6093: 6086: 6079: 6072: 6065: 6058: 6051: 6044: 6037: 6030: 6023: 6016: 6009: 6002: 5995: 5988: 5981: 5974: 5967: 5960: 5953: 5946: 5939: 5932: 5925: 5918: 5911: 5904: 5897: 5890: 5883: 5876: 5869: 5862: 5855: 5848: 5841: 5834: 5827: 5820: 5813: 5806: 5799: 5792: 5785: 5778: 5771: 5764: 5757: 5750: 5743: 5736: 5729: 5722: 5715: 5708: 5701: 5694: 5687: 5667: 5660: 5653: 5651:Toulouse-Lautrec 5646: 5639: 5632: 5625: 5618: 5611: 5604: 5597: 5590: 5583: 5576: 5569: 5562: 5555: 5548: 5541: 5534: 5527: 5520: 5513: 5506: 5499: 5492: 5485: 5478: 5471: 5464: 5457: 5450: 5443: 5436: 5429: 5422: 5415: 5408: 5401: 5394: 5387: 5380: 5373: 5366: 5359: 5352: 5345: 5338: 5331: 5324: 5317: 5310: 5303: 5296: 5289: 5282: 5275: 5268: 5261: 5254: 5247: 5240: 5233: 5226: 5219: 5212: 5205: 5198: 5191: 5184: 5177: 5170: 5155: 5137: 5136: 5125: 5124: 5113: 5112: 5101: 5100: 5089: 5088: 5077: 5076: 5065: 5064: 5053: 5052: 5041: 5040: 5018: 5011: 5004: 4997: 4990: 4983: 4976: 4969: 4962: 4955: 4948: 4941: 4934: 4927: 4920: 4913: 4906: 4899: 4892: 4885: 4878: 4871: 4864: 4857: 4850: 4843: 4836: 4829: 4822: 4802: 4795: 4788: 4781: 4774: 4767: 4760: 4753: 4746: 4739: 4732: 4725: 4718: 4711: 4704: 4697: 4690: 4683: 4676: 4669: 4662: 4655: 4648: 4641: 4634: 4627: 4620: 4613: 4606: 4599: 4592: 4585: 4578: 4571: 4564: 4549: 4535: 4528: 4521: 4514: 4507: 4498: 4497: 4487: 4480: 4473: 4466: 4457: 4450: 4443: 4434: 4427: 4426: 4416: 4415: 4412:Der Blaue Reiter 4405: 4398: 4391: 4384: 4377: 4370: 4369: 4359: 4358: 4348: 4324: 4317: 4310: 4301: 4225:Lyonel Feininger 4170:Der Blaue Reiter 4163: 4156: 4149: 4140: 4108:Der Blaue Reiter 4075:The Yellow Sound 3945: 3938: 3931: 3922: 3873: 3872: 3861: 3857: 3855: 3853: 3838: 3837: 3822:Internet Archive 3798: 3796: 3794: 3671:Kandinsky et moi 3669:Nina Kandinsky. 3591:Vasily Kandinsky 3384: 3383: 3381: 3379: 3364: 3358: 3357: 3355: 3347: 3341: 3340: 3338: 3336: 3321: 3315: 3314: 3312: 3310: 3305:. 27 August 2021 3295: 3289: 3288: 3282: 3280: 3266: 3260: 3259: 3257: 3255: 3241: 3235: 3234: 3232: 3230: 3216: 3210: 3209: 3207: 3205: 3191: 3185: 3184: 3182: 3180: 3165: 3159: 3158: 3156: 3154: 3149:. 31 August 2001 3139: 3133: 3132: 3130: 3128: 3119:. Archived from 3106: 3097: 3096: 3094: 3092: 3075: 3069: 3057: 3051: 3050: 3029: 3023: 3022: 3020: 3018: 3013:. Montreal. 2022 3003: 2990: 2989: 2978: 2972: 2965: 2959: 2952: 2946: 2945: 2943: 2941: 2927: 2921: 2920: 2902: 2896: 2895: 2871: 2865: 2864: 2862: 2860: 2846: 2840: 2839: 2837: 2835: 2821: 2815: 2814: 2812: 2810: 2795: 2789: 2788: 2786: 2784: 2769: 2763: 2762: 2756: 2754: 2745:. 13 June 2012. 2733: 2727: 2726: 2708: 2702: 2695: 2689: 2675: 2669: 2668: 2657: 2651: 2650: 2642: 2636: 2635: 2624: 2618: 2617: 2615: 2613: 2599: 2593: 2586: 2580: 2579: 2572: 2566: 2565: 2547: 2541: 2540: 2538: 2536: 2520: 2514: 2513: 2491: 2485: 2475: 2469: 2459: 2453: 2450: 2444: 2441: 2435: 2432: 2426: 2423: 2417: 2411: 2405: 2404: 2396: 2390: 2389: 2381: 2375: 2374: 2356: 2350: 2349: 2338: 2332: 2331: 2303: 2297: 2296: 2276: 2270: 2269: 2257: 2251: 2250: 2248: 2246: 2223: 2217: 2216: 2196: 2190: 2187: 2181: 2178: 2172: 2171: 2151: 2110: 2109: 2104: 2100: 2090: 2088: 2087: 2079: 2075: 2070: 2069: 2066: 2065: 2062: 2059: 2056: 2053: 2050: 2047: 2044: 2041: 2038: 2034: 2033: 2030: 2027: 2024: 2021: 2018: 2015: 2008: 2003: 1928:Stedelijk Museum 1881:Rigide et courbé 1803:Der Blaue Reiter 1693:individual style 1597:Der Blaue Reiter 1556:As he stated in 1425: 1406: 1387: 1368: 1349: 1294: 1279: 1260: 1241: 1220: 1201: 1174:Lyonel Feininger 1067: 1032: 1015: 1000: 983: 964: 949: 934: 919: 900: 880: 803:was reviewed by 743:Der Blaue Reiter 705:Der Blaue Reiter 683: 668:Houses in Munich 664: 645: 626: 607: 588: 569: 432:Madame Blavatsky 416: 372:Artistic periods 366:Alexandre Kojève 258: 228: 226: 207: 205: 201: 160:Der Blaue Reiter 149: 108: 105:13 December 1944 73: 70: 65: 51: 7707: 7706: 7702: 7701: 7700: 7698: 7697: 7696: 7552: 7551: 7550: 7545: 7536: 7528: 7515: 7508: 7501: 7496:Structural film 7494: 7487: 7480: 7473: 7466: 7459: 7452: 7447:New Objectivity 7445: 7438: 7433:Neo-romanticism 7431: 7426:Neo-primitivism 7424: 7417: 7410: 7403: 7396: 7389: 7382: 7375: 7368: 7361: 7352: 7345: 7338: 7331: 7324: 7317: 7310: 7303: 7296: 7289: 7282: 7275: 7268: 7261: 7254: 7247: 7240: 7229: 7218: 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(Robert) 4923: 4916: 4909: 4902: 4895: 4888: 4881: 4874: 4867: 4860: 4853: 4846: 4839: 4832: 4825: 4818: 4805: 4798: 4791: 4784: 4777: 4770: 4763: 4756: 4749: 4742: 4735: 4728: 4721: 4714: 4707: 4700: 4693: 4686: 4679: 4672: 4665: 4658: 4651: 4644: 4637: 4630: 4623: 4616: 4609: 4602: 4595: 4588: 4581: 4574: 4567: 4560: 4538: 4531: 4524: 4517: 4510: 4503: 4490: 4483: 4476: 4469: 4462: 4453: 4446: 4439: 4430: 4419: 4408: 4401: 4394: 4387: 4380: 4373: 4362: 4351: 4344: 4333: 4328: 4298: 4293: 4269: 4255:Gabriele Münter 4220:Robert Delaunay 4193: 4172: 4167: 4137: 4132: 4123:Kandinsky Prize 4081: 4062: 4008:Composition VII 3984:Das Bunte Leben 3963: 3954: 3949: 3870: 3864:External videos 3851: 3849: 3841: 3835: 3792: 3790: 3786: 3748: 3652: 3565:Will Grohmann. 3544:Hajo Düchting. 3530:Hajo Düchting. 3471: 3393: 3388: 3387: 3377: 3375: 3366: 3365: 3361: 3353: 3349: 3348: 3344: 3334: 3332: 3323: 3322: 3318: 3308: 3306: 3297: 3296: 3292: 3278: 3276: 3268: 3267: 3263: 3253: 3251: 3243: 3242: 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665: 656: 646: 637: 627: 618: 608: 599: 589: 580: 570: 473:Gabriele Münter 458: 417: 414: 393:Franz von Stuck 374: 336: 242:Gabriele Münter 233: 230: 227: 1917) 222: 218: 215: 209: 206: 1911) 197: 193: 190: 189:Anja Chimiakina 147: 116: 110: 106: 97: 91: 85: 84: 74: 71: 56: 47: 24: 17: 12: 11: 5: 7705: 7703: 7695: 7694: 7689: 7684: 7679: 7674: 7669: 7664: 7659: 7654: 7649: 7644: 7639: 7634: 7629: 7624: 7619: 7614: 7612:Modern artists 7609: 7604: 7599: 7594: 7589: 7584: 7579: 7574: 7569: 7564: 7554: 7553: 7547: 7546: 7529: 7521: 7520: 7517: 7516: 7514: 7513: 7506: 7499: 7492: 7485: 7478: 7471: 7464: 7457: 7454:Poetic realism 7450: 7443: 7436: 7429: 7422: 7415: 7408: 7401: 7394: 7387: 7384:Late modernity 7380: 7377:Late modernism 7373: 7366: 7359: 7358: 7357: 7350: 7343: 7329: 7322: 7319:High modernism 7315: 7308: 7301: 7294: 7287: 7280: 7273: 7266: 7263:Degenerate art 7259: 7252: 7245: 7238: 7233:Ballets Russes 7227: 7216: 7209: 7201: 7199: 7195: 7194: 7191: 7190: 7188: 7187: 7175: 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6017: 6010: 6003: 5996: 5989: 5986:Ray (Satyajit) 5982: 5979:Ray (Nicholas) 5975: 5968: 5961: 5954: 5947: 5940: 5933: 5926: 5919: 5912: 5905: 5898: 5891: 5884: 5877: 5870: 5863: 5856: 5849: 5842: 5835: 5828: 5821: 5814: 5807: 5800: 5793: 5786: 5779: 5772: 5765: 5758: 5751: 5744: 5737: 5730: 5723: 5716: 5709: 5702: 5695: 5688: 5680: 5678: 5672: 5671: 5669: 5668: 5661: 5654: 5647: 5640: 5633: 5626: 5619: 5612: 5605: 5598: 5591: 5584: 5577: 5570: 5563: 5556: 5549: 5542: 5535: 5528: 5521: 5514: 5507: 5500: 5493: 5486: 5479: 5472: 5465: 5458: 5451: 5444: 5437: 5430: 5423: 5416: 5409: 5402: 5395: 5388: 5381: 5374: 5367: 5360: 5353: 5346: 5339: 5332: 5325: 5318: 5311: 5304: 5297: 5290: 5283: 5276: 5269: 5262: 5255: 5248: 5241: 5234: 5227: 5220: 5213: 5206: 5199: 5192: 5185: 5178: 5171: 5163: 5161: 5152: 5146: 5145: 5142: 5141: 5139: 5138: 5126: 5114: 5102: 5090: 5078: 5071:The Waste Land 5066: 5054: 5042: 5029: 5027: 5023: 5022: 5020: 5019: 5012: 5005: 4998: 4991: 4984: 4977: 4970: 4963: 4956: 4949: 4942: 4935: 4928: 4921: 4914: 4907: 4900: 4893: 4886: 4879: 4872: 4865: 4858: 4851: 4844: 4837: 4830: 4823: 4815: 4813: 4807: 4806: 4804: 4803: 4796: 4789: 4782: 4775: 4768: 4761: 4754: 4747: 4740: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4684: 4677: 4670: 4663: 4656: 4649: 4642: 4635: 4628: 4621: 4614: 4607: 4600: 4593: 4586: 4579: 4572: 4565: 4557: 4555: 4546: 4540: 4539: 4537: 4536: 4529: 4522: 4515: 4508: 4501: 4500: 4499: 4481: 4474: 4467: 4460: 4459: 4458: 4444: 4437: 4436: 4435: 4428: 4417: 4399: 4392: 4385: 4382:Constructivism 4378: 4371: 4360: 4349: 4341: 4339: 4335: 4334: 4329: 4327: 4326: 4319: 4312: 4304: 4295: 4294: 4292: 4291: 4286: 4281: 4274: 4271: 4270: 4268: 4267: 4262: 4257: 4252: 4247: 4242: 4237: 4232: 4227: 4222: 4217: 4212: 4207: 4201: 4199: 4195: 4194: 4192: 4191: 4186: 4180: 4178: 4174: 4173: 4168: 4166: 4165: 4158: 4151: 4143: 4134: 4133: 4131: 4130: 4125: 4120: 4115: 4110: 4105: 4100: 4095: 4089: 4087: 4083: 4082: 4080: 4079: 4070: 4068: 4064: 4063: 4061: 4060: 4052: 4044: 4040:Three Elements 4036: 4028: 4020: 4012: 4004: 4000:Composition VI 3996: 3988: 3980: 3976:The Blue Rider 3971: 3969: 3965: 3964: 3959: 3956: 3955: 3950: 3948: 3947: 3940: 3933: 3925: 3919: 3918: 3912: 3906: 3900: 3890: 3889: 3883: 3882: 3881:, Smarthistory 3866: 3865: 3859: 3858: 3839: 3824: 3815: 3805: 3804: 3800: 3799: 3784: 3779: 3769:Janina Ramirez 3763:Discussion of 3761: 3755: 3747: 3746:External links 3744: 3743: 3742: 3729: 3709: 3695: 3681: 3667: 3655:Michel Henry. 3651: 3648: 3647: 3646: 3632: 3623: 3609: 3602: 3587: 3570: 3563: 3549: 3542: 3528: 3514: 3500: 3486: 3470: 3467: 3466: 3465: 3451: 3437: 3430: 3408: 3392: 3389: 3386: 3385: 3359: 3342: 3316: 3290: 3261: 3236: 3211: 3186: 3160: 3134: 3098: 3070: 3052: 3045: 3024: 2991: 2973: 2967:Michel Henry, 2960: 2954:Michel Henry, 2947: 2922: 2915: 2909:. Read Books. 2897: 2866: 2841: 2816: 2790: 2764: 2728: 2721: 2703: 2690: 2670: 2652: 2637: 2619: 2594: 2588:Michel Henry, 2581: 2567: 2560: 2542: 2515: 2509:978-3836531467 2508: 2486: 2470: 2454: 2445: 2436: 2427: 2418: 2414:Sixten Ringbom 2406: 2391: 2376: 2369: 2351: 2333: 2314:(3): 175–185. 2298: 2291: 2271: 2252: 2238: 2218: 2191: 2182: 2173: 2166: 2145: 2144: 2142: 2139: 2118: 2115: 2112: 2111: 1997: 1996: 1994: 1991: 1989: 1988: 1983: 1978: 1973: 1968: 1963: 1952: 1946: 1944: 1941: 1900: 1897: 1885:Rigid and bent 1851: 1848: 1777: 1774: 1748:improvisations 1719: 1716: 1686:constructivism 1656: 1653: 1645:Composition VI 1588:Composition VI 1580: 1577: 1573:Composition VI 1569:Composition IV 1509:Fascinated by 1488:Composition II 1453: 1450: 1445:Main article: 1442: 1439: 1438: 1437: 1427: 1420: 1418: 1408: 1401: 1399: 1389: 1382: 1380: 1372:Composition IX 1370: 1363: 1361: 1351: 1344: 1325:Composition IX 1311: 1308: 1307: 1306: 1298:Inner Alliance 1296: 1289: 1287: 1281: 1274: 1272: 1262: 1255: 1253: 1251:, Philadelphia 1243: 1236: 1234: 1222: 1215: 1213: 1205:Small worlds I 1203: 1196: 1162:Die Blaue Vier 1133:constructivism 1094: 1091: 1087:Walter Gropius 1063: 1045: 1042: 1041: 1040: 1034: 1027: 1025: 1017: 1010: 1008: 1002: 995: 993: 985: 978: 976: 966: 959: 957: 951: 944: 942: 936: 929: 927: 921: 914: 912: 902: 895: 893: 882: 875: 857:Michael Sadler 840:) at London's 819:'s periodical 738:The Blue Rider 700: 697: 696: 695: 685: 678: 676: 666: 659: 657: 647: 640: 638: 628: 621: 619: 609: 602: 600: 590: 583: 581: 571: 564: 560:three riders. 516:The Blue Rider 511:The Blue Rider 501:The Blue Rider 457: 454: 422:Richard Wagner 412: 389:Munich Academy 373: 370: 335: 332: 260: 259: 251: 250: 246: 245: 239: 235: 234: 232: 231: 220: 216: 213: 212: 210: 195: 191: 188: 187: 184: 182: 178: 177: 168: 164: 163: 150: 144: 143: 140: 139:Known for 136: 135: 130: 126: 125: 122: 118: 117: 111: 109:(aged 77) 103: 99: 98: 95:Russian Empire 92: 82: 80: 76: 75: 66: 58: 57: 54: 15: 13: 10: 9: 6: 4: 3: 2: 7704: 7693: 7690: 7688: 7685: 7683: 7680: 7678: 7675: 7673: 7670: 7668: 7665: 7663: 7660: 7658: 7655: 7653: 7650: 7648: 7645: 7643: 7640: 7638: 7635: 7633: 7630: 7628: 7625: 7623: 7620: 7618: 7615: 7613: 7610: 7608: 7605: 7603: 7600: 7598: 7595: 7593: 7590: 7588: 7587:Art educators 7585: 7583: 7580: 7578: 7575: 7573: 7570: 7568: 7565: 7563: 7560: 7559: 7557: 7544: 7534: 7533: 7532:Postmodernism 7527: 7526: 7518: 7511: 7507: 7504: 7500: 7497: 7493: 7490: 7486: 7483: 7479: 7476: 7475:Metamodernism 7472: 7469: 7465: 7462: 7458: 7455: 7451: 7448: 7444: 7441: 7440:New Hollywood 7437: 7434: 7430: 7427: 7423: 7420: 7416: 7413: 7409: 7406: 7402: 7399: 7395: 7392: 7388: 7385: 7381: 7378: 7374: 7371: 7367: 7364: 7360: 7355: 7351: 7348: 7344: 7341: 7337: 7336: 7334: 7333:Impressionism 7330: 7327: 7323: 7320: 7316: 7313: 7309: 7306: 7302: 7299: 7295: 7292: 7288: 7285: 7281: 7278: 7274: 7271: 7267: 7264: 7260: 7257: 7253: 7250: 7246: 7243: 7239: 7235: 7234: 7228: 7224: 7223: 7217: 7214: 7210: 7207: 7203: 7202: 7200: 7196: 7182: 7181: 7176: 7170: 7169: 7164: 7158: 7157: 7152: 7146: 7145: 7140: 7134: 7133: 7128: 7122: 7121: 7116: 7110: 7109: 7104: 7098: 7097: 7092: 7086: 7085: 7080: 7074: 7073: 7068: 7062: 7061: 7056: 7050: 7049: 7044: 7043: 7041: 7037: 7030: 7026: 7023: 7019: 7016: 7012: 7009: 7005: 7002: 6998: 6995: 6991: 6988: 6984: 6981: 6977: 6974: 6970: 6967: 6963: 6960: 6956: 6953: 6949: 6946: 6942: 6939: 6935: 6932: 6928: 6925: 6921: 6918: 6914: 6913: 6911: 6909: 6905: 6898: 6894: 6891: 6887: 6884: 6880: 6877: 6873: 6870: 6866: 6863: 6859: 6856: 6852: 6849: 6845: 6842: 6838: 6835: 6831: 6828: 6824: 6821: 6817: 6814: 6810: 6807: 6803: 6800: 6796: 6793: 6789: 6786: 6782: 6779: 6775: 6772: 6768: 6765: 6761: 6758: 6754: 6753: 6751: 6749: 6745: 6738: 6734: 6731: 6727: 6724: 6720: 6717: 6713: 6710: 6706: 6703: 6699: 6696: 6692: 6689: 6685: 6682: 6678: 6675: 6671: 6668: 6664: 6661: 6657: 6654: 6650: 6647: 6643: 6640: 6636: 6633: 6629: 6626: 6622: 6619: 6615: 6612: 6608: 6605: 6601: 6598: 6594: 6591: 6587: 6584: 6580: 6577: 6573: 6570: 6566: 6563: 6559: 6556: 6552: 6549: 6545: 6542: 6538: 6535: 6531: 6528: 6524: 6521: 6517: 6514: 6510: 6509: 6507: 6505: 6501: 6498: 6496: 6490: 6476: 6475: 6470: 6464: 6463: 6458: 6452: 6448: 6442: 6438: 6432: 6431: 6426: 6420: 6419: 6414: 6408: 6407: 6402: 6396: 6395: 6390: 6384: 6383: 6378: 6372: 6371: 6366: 6360: 6359: 6354: 6348: 6347: 6342: 6336: 6335: 6330: 6324: 6323: 6318: 6312: 6311: 6306: 6300: 6299: 6294: 6293: 6291: 6287: 6280: 6276: 6273: 6269: 6266: 6262: 6259: 6255: 6252: 6248: 6245: 6241: 6238: 6234: 6231: 6227: 6224: 6220: 6217: 6213: 6210: 6206: 6203: 6199: 6196: 6192: 6189: 6185: 6182: 6178: 6175: 6171: 6168: 6167:Hundertwasser 6164: 6161: 6157: 6154: 6150: 6147: 6143: 6140: 6136: 6133: 6129: 6126: 6122: 6121: 6119: 6117: 6113: 6106: 6102: 6099: 6095: 6092: 6088: 6085: 6081: 6078: 6074: 6071: 6067: 6064: 6060: 6057: 6053: 6050: 6046: 6043: 6039: 6036: 6032: 6029: 6025: 6022: 6018: 6015: 6011: 6008: 6004: 6001: 5997: 5994: 5990: 5987: 5983: 5980: 5976: 5973: 5969: 5966: 5962: 5959: 5955: 5952: 5948: 5945: 5941: 5938: 5934: 5931: 5927: 5924: 5920: 5917: 5913: 5910: 5906: 5903: 5899: 5896: 5892: 5889: 5885: 5882: 5878: 5875: 5871: 5868: 5864: 5861: 5857: 5854: 5850: 5847: 5843: 5840: 5836: 5833: 5829: 5826: 5822: 5819: 5815: 5812: 5808: 5805: 5801: 5798: 5794: 5791: 5787: 5784: 5780: 5777: 5773: 5770: 5766: 5763: 5759: 5756: 5752: 5749: 5745: 5742: 5738: 5735: 5731: 5728: 5724: 5721: 5717: 5714: 5710: 5707: 5703: 5700: 5696: 5693: 5689: 5686: 5682: 5681: 5679: 5677: 5673: 5666: 5662: 5659: 5655: 5652: 5648: 5645: 5641: 5638: 5634: 5631: 5627: 5624: 5620: 5617: 5613: 5610: 5606: 5603: 5599: 5596: 5592: 5589: 5585: 5582: 5578: 5575: 5571: 5568: 5564: 5561: 5557: 5554: 5550: 5547: 5543: 5540: 5536: 5533: 5529: 5526: 5522: 5519: 5515: 5512: 5508: 5505: 5501: 5498: 5494: 5491: 5487: 5484: 5480: 5477: 5473: 5470: 5466: 5463: 5459: 5456: 5452: 5449: 5445: 5442: 5438: 5435: 5431: 5428: 5424: 5421: 5417: 5414: 5410: 5407: 5403: 5400: 5396: 5393: 5389: 5386: 5382: 5379: 5375: 5372: 5368: 5365: 5361: 5358: 5354: 5351: 5347: 5344: 5340: 5337: 5333: 5330: 5326: 5323: 5319: 5316: 5312: 5309: 5305: 5302: 5298: 5295: 5291: 5288: 5284: 5281: 5277: 5274: 5270: 5267: 5263: 5260: 5256: 5253: 5249: 5246: 5242: 5239: 5235: 5232: 5228: 5225: 5221: 5218: 5214: 5211: 5207: 5204: 5200: 5197: 5193: 5190: 5186: 5183: 5179: 5176: 5172: 5169: 5165: 5164: 5162: 5160: 5156: 5153: 5151: 5147: 5133: 5132: 5127: 5121: 5120: 5115: 5109: 5108: 5103: 5097: 5096: 5091: 5085: 5084: 5079: 5073: 5072: 5067: 5061: 5060: 5055: 5049: 5048: 5043: 5037: 5036: 5031: 5030: 5028: 5024: 5017: 5013: 5010: 5006: 5003: 4999: 4996: 4992: 4989: 4985: 4982: 4978: 4975: 4971: 4968: 4964: 4961: 4957: 4954: 4950: 4947: 4943: 4940: 4936: 4933: 4929: 4926: 4922: 4919: 4915: 4912: 4908: 4905: 4901: 4898: 4894: 4891: 4887: 4884: 4880: 4877: 4873: 4870: 4866: 4863: 4859: 4856: 4852: 4849: 4845: 4842: 4838: 4835: 4831: 4828: 4824: 4821: 4817: 4816: 4814: 4812: 4808: 4801: 4797: 4794: 4790: 4787: 4783: 4780: 4776: 4773: 4769: 4766: 4762: 4759: 4755: 4752: 4748: 4745: 4741: 4738: 4734: 4731: 4727: 4724: 4720: 4717: 4713: 4710: 4706: 4703: 4699: 4696: 4692: 4689: 4685: 4682: 4678: 4675: 4671: 4668: 4664: 4661: 4657: 4654: 4650: 4647: 4643: 4640: 4636: 4633: 4629: 4626: 4622: 4619: 4615: 4612: 4608: 4605: 4601: 4598: 4594: 4591: 4587: 4584: 4580: 4577: 4573: 4570: 4566: 4563: 4559: 4558: 4556: 4554: 4550: 4547: 4545: 4544:Literary arts 4541: 4534: 4530: 4527: 4523: 4520: 4516: 4513: 4509: 4506: 4502: 4496: 4495: 4489: 4488: 4486: 4485:Neoplasticism 4482: 4479: 4475: 4472: 4468: 4465: 4461: 4456: 4452: 4451: 4449: 4448:Functionalism 4445: 4442: 4438: 4433: 4429: 4425: 4424: 4418: 4414: 4413: 4407: 4406: 4404: 4403:Expressionism 4400: 4397: 4393: 4390: 4386: 4383: 4379: 4376: 4375:Ashcan School 4372: 4368: 4367: 4361: 4357: 4356: 4350: 4347: 4343: 4342: 4340: 4336: 4332: 4325: 4320: 4318: 4313: 4311: 4306: 4305: 4302: 4290: 4287: 4285: 4284:Expressionism 4282: 4280: 4276: 4275: 4272: 4266: 4263: 4261: 4258: 4256: 4253: 4251: 4248: 4246: 4243: 4241: 4238: 4236: 4233: 4231: 4228: 4226: 4223: 4221: 4218: 4216: 4213: 4211: 4210:David Burliuk 4208: 4206: 4203: 4202: 4200: 4196: 4190: 4187: 4185: 4182: 4181: 4179: 4175: 4171: 4164: 4159: 4157: 4152: 4150: 4145: 4144: 4141: 4129: 4128:Wassily Chair 4126: 4124: 4121: 4119: 4116: 4114: 4111: 4109: 4106: 4104: 4101: 4099: 4096: 4094: 4091: 4090: 4088: 4084: 4077: 4076: 4072: 4071: 4069: 4065: 4058: 4057: 4056:Composition X 4053: 4050: 4049: 4045: 4042: 4041: 4037: 4034: 4033: 4029: 4026: 4025: 4021: 4018: 4017: 4013: 4010: 4009: 4005: 4002: 4001: 3997: 3994: 3993: 3989: 3986: 3985: 3981: 3978: 3977: 3973: 3972: 3970: 3966: 3962: 3957: 3953: 3946: 3941: 3939: 3934: 3932: 3927: 3926: 3923: 3916: 3913: 3910: 3907: 3904: 3901: 3899: 3895: 3892: 3891: 3887: 3886: 3880: 3878: 3867: 3862: 3848: 3844: 3840: 3832: 3828: 3825: 3823: 3819: 3816: 3814: 3810: 3807: 3806: 3802: 3801: 3789: 3785: 3783: 3780: 3778: 3774: 3770: 3766: 3762: 3759: 3756: 3753: 3750: 3749: 3745: 3741: 3740:2-85850-262-5 3737: 3733: 3730: 3728: 3727:2-900923-27-1 3724: 3721: 3720:2-900923-26-3 3717: 3713: 3710: 3708: 3707:2-226-02830-7 3704: 3700: 3696: 3694: 3693:2-87012-006-0 3690: 3686: 3682: 3680: 3679:2-08-064013-5 3676: 3672: 3668: 3666: 3665:2-13-053887-8 3662: 3658: 3654: 3653: 3649: 3645: 3644:0-691-03934-8 3641: 3637: 3633: 3630: 3629: 3624: 3622: 3621:2-87939-043-5 3618: 3614: 3610: 3607: 3603: 3600: 3599:0-8109-1228-7 3596: 3592: 3588: 3586: 3585:1-84706-447-7 3582: 3578: 3574: 3571: 3568: 3564: 3562: 3558: 3554: 3550: 3547: 3543: 3541: 3540:3-8228-5982-6 3537: 3533: 3529: 3527: 3526:1-85759-312-X 3523: 3519: 3515: 3513: 3512:0-87070-405-2 3509: 3505: 3501: 3499: 3498:0-89250-131-6 3495: 3491: 3487: 3485: 3481: 3477: 3473: 3472: 3468: 3464: 3463:0-306-80570-7 3460: 3456: 3452: 3450: 3449:0-486-23808-3 3446: 3442: 3438: 3435: 3431: 3429: 3428:1-4191-1377-1 3425: 3421: 3420:0-486-23411-8 3417: 3413: 3409: 3407: 3406:0-87846-702-5 3403: 3399: 3395: 3394: 3390: 3374: 3370: 3363: 3360: 3352: 3346: 3343: 3331: 3327: 3320: 3317: 3304: 3300: 3294: 3291: 3287: 3275: 3274:lootedart.com 3271: 3265: 3262: 3250: 3249:lootedart.com 3246: 3240: 3237: 3225: 3221: 3215: 3212: 3200: 3199:lootedart.com 3196: 3190: 3187: 3174: 3170: 3164: 3161: 3148: 3144: 3138: 3135: 3122: 3118: 3117: 3112: 3105: 3103: 3099: 3086: 3085: 3080: 3074: 3071: 3067: 3066: 3062: 3056: 3053: 3048: 3046:1-903470-29-3 3042: 3038: 3034: 3028: 3025: 3012: 3008: 3002: 3000: 2998: 2996: 2992: 2987: 2983: 2977: 2974: 2970: 2964: 2961: 2957: 2951: 2948: 2936: 2932: 2926: 2923: 2918: 2916:9781443755474 2912: 2908: 2901: 2898: 2893: 2889: 2886:(3): 175–85. 2885: 2881: 2877: 2870: 2867: 2855: 2851: 2845: 2842: 2830: 2826: 2820: 2817: 2804: 2803:My Modern Met 2800: 2794: 2791: 2779: 2775: 2768: 2765: 2761: 2748: 2744: 2743: 2738: 2732: 2729: 2724: 2718: 2714: 2707: 2704: 2700: 2694: 2691: 2688: 2684: 2680: 2674: 2671: 2666: 2662: 2656: 2653: 2648: 2641: 2638: 2633: 2629: 2623: 2620: 2608: 2604: 2598: 2595: 2591: 2585: 2582: 2577: 2571: 2568: 2563: 2557: 2553: 2546: 2543: 2530: 2526: 2519: 2516: 2511: 2505: 2502:. p. 7. 2501: 2497: 2490: 2487: 2483: 2479: 2474: 2471: 2467: 2463: 2458: 2455: 2449: 2446: 2440: 2437: 2431: 2428: 2422: 2419: 2415: 2410: 2407: 2402: 2395: 2392: 2387: 2380: 2377: 2372: 2366: 2362: 2355: 2352: 2347: 2343: 2337: 2334: 2329: 2325: 2321: 2317: 2313: 2309: 2302: 2299: 2294: 2288: 2284: 2283: 2275: 2272: 2267: 2263: 2256: 2253: 2241: 2235: 2231: 2230: 2222: 2219: 2214: 2210: 2206: 2202: 2195: 2192: 2186: 2183: 2177: 2174: 2169: 2167:9780306805707 2163: 2159: 2158: 2150: 2147: 2140: 2138: 2136: 2132: 2128: 2124: 2116: 2108: 2099: 2093: 2082: 2081: 2068: 2002: 1999: 1992: 1987: 1986:Wassily Chair 1984: 1982: 1979: 1977: 1974: 1972: 1969: 1967: 1964: 1962: 1961: 1956: 1953: 1951: 1948: 1947: 1942: 1940: 1939: 1937: 1931: 1929: 1925: 1921: 1918:In 2013, the 1916: 1914: 1910: 1906: 1898: 1896: 1894: 1890: 1886: 1882: 1878: 1874: 1870: 1865: 1861: 1857: 1849: 1847: 1844: 1841: 1834: 1830: 1826: 1822: 1820: 1816: 1811: 1807: 1805: 1804: 1799: 1794: 1789: 1787: 1783: 1782:Jurisprudence 1776:Personal life 1775: 1771: 1767: 1763: 1759: 1757: 1753: 1749: 1745: 1741: 1737: 1732: 1730: 1726: 1717: 1715: 1713: 1708: 1704: 1700: 1697: 1694: 1689: 1687: 1683: 1679: 1675: 1666: 1661: 1654: 1652: 1650: 1646: 1642: 1637: 1634: 1633: 1628: 1623: 1621: 1615: 1612: 1608: 1604: 1600: 1598: 1589: 1585: 1578: 1576: 1574: 1570: 1566: 1563: 1559: 1554: 1552: 1548: 1544: 1540: 1536: 1532: 1528: 1524: 1520: 1516: 1512: 1507: 1505: 1501: 1497: 1493: 1489: 1484: 1482: 1481:Composition I 1478: 1474: 1466: 1462: 1458: 1451: 1448: 1434: 1430: 1424: 1419: 1415: 1411: 1405: 1400: 1396: 1392: 1391:Composition X 1386: 1381: 1377: 1373: 1367: 1362: 1358: 1354: 1348: 1343: 1341: 1338: 1334: 1330: 1329:Composition X 1326: 1320: 1317: 1309: 1303: 1299: 1293: 1288: 1284: 1278: 1273: 1269: 1265: 1259: 1254: 1250: 1246: 1240: 1235: 1231: 1227: 1226: 1219: 1214: 1210: 1206: 1200: 1195: 1193: 1191: 1187: 1183: 1182:Galka Scheyer 1179: 1175: 1171: 1167: 1166:The Blue Four 1163: 1158: 1156: 1149: 1144: 1140: 1138: 1134: 1130: 1126: 1122: 1117: 1115: 1107: 1103: 1099: 1092: 1090: 1088: 1084: 1080: 1075: 1062: 1054: 1050: 1043: 1037: 1031: 1026: 1022: 1021: 1020:Composition 6 1014: 1009: 1005: 999: 994: 990: 989: 982: 977: 973: 969: 963: 958: 954: 948: 943: 939: 933: 928: 924: 918: 913: 909: 905: 899: 894: 890: 887:, 1910–1913, 886: 879: 874: 872: 870: 866: 862: 858: 853: 851: 847: 843: 839: 835: 834: 829: 825: 823: 818: 814: 810: 806: 802: 797: 794: 787: 783: 779: 775: 771: 769: 765: 761: 757: 753: 749: 745: 744: 739: 735: 731: 726: 720: 716: 711: 706: 698: 692: 688: 682: 677: 673: 669: 663: 658: 654: 650: 649:Blue Mountain 644: 639: 635: 631: 625: 620: 616: 612: 606: 601: 597: 593: 587: 582: 578: 574: 568: 563: 561: 558: 554: 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Taschen. 2209:Kuusankoski 2207:. 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