199:, Isle of Man. He continued to compose while within the camp although he was soon released, along with the other internees who did not pose a threat to the British. Unfit for active service, he worked as a train conductor during the war, while continuing his composition and performance work. He married his wife Margaret Lawson, an English music critic, in 1942, and they had a son, John Reizenstein. They lived at 34, Hollycroft Avenue, London NW3. That year he gave the first public performance of his Piano Concerto No 1 with the
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divided his work into three periods: the first (1936–1945) emphasising motivic development, rhythmic energy and fugal counterpoint; the second (1947–1959) introducing more elegiac and expressive material; and the third (1960–1968) a late style more genial and relaxed, with freer thematic development
346:(CPO 555245-2, 2019), the Cello Concerto, played by Raphael Wallfisch, and the Violin Sonata, op 20, played by Louisa Stonehill and Nicholas Burns (Lyrita SRCD.360, 2017). He recorded some of his own works, including the Piano Sonata, for the Lyrita record label in 1958.
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and transformation. In the first period are the early Piano
Concerto and Piano Sonata No 1. In the second are the Scherzo, Op. 21, the Piano Quintet, the 12 Preludes and Fugues and the Second Piano Concerto. The late period includes the three solo string sonatas, the
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British composer and concert pianist. He left
Germany for sanctuary in Britain in 1934 and went on to have his teaching and performing career there. As a composer, he successfully blended the equally strong but very different influences of his primary teachers,
245:, Reizenstein rejected the serial procedures followed by many of his contemporaries and adopted a tonal, expressive style influenced by Vaughan Williams and the English lyrical tradition, tempered with the objectivity and contrapuntal complexity of Hindemith.
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263:, performed at the BBC Proms on 30 August 1957) and concertos (such as the two Piano Concertos, the late Concerto for String Orchestra, a Violin Concerto and a Cello Concerto). A symphony remained unfinished at his death.
309:(1950–51) represented, according to John Weissmann, "the complete maturity of recently assimilated musical idiom...this cantata places him at a single stroke in the English choral tradition". He also wrote two operas,
184:, Op. 12, composed two years later for Max Rostal. Its South American rhythms (in the finale) were inspired by an extended tour which he took to Chile and Argentina in 1937, undertaken with another legendary violinist,
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Mann's libretto consisted of "ridiculously juxtaposed excerpts from more than forty operas, which delighted both
Reizenstein and the audience". Daniel Snowman called it "an insane collage of opera plots and themes".
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115:. Reizenstein remained a lifelong friend of Cooke and kept his Piano Concerto (1940) in his repertoire. He was awarded the Bechstein Prize for piano playing in 1932, graduating a year later.
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whom he taught piano and also composition. His academic credentials in composition were finally officially recognised when in 1966 he was appointed visiting professor of composition at
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Reizenstein published his first piece, the Suite for Piano, Op. 6, in 1936. He gained more attention with the "virtuosic and flamboyant"
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Franz
Reizenstein's parents were the well-known physician Dr. Albert Reizenstein (1871–1925) and his wife Lina Kohn (b. 1880), both of
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During the 1930s
Reizenstein performed as a pianist, making his first public appearance in the UK in April 1935 at the
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and his final work, the
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288:'s as the most noteworthy of this century's piano quintets." The Violin Sonata (1945) was dedicated to
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and counted many professionals, scientists, bankers, and musically inclined people among its members.
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from Nazi Europe to do so between 1933 and 1945. Once in
England, he furthered his studies under
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342:(Lyrita SRCD.2342, 2014), the Piano Concerto No 2 and Serenade in F with Oliver Triendl and the
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and piano works are particularly highly regarded, the best known of these is the Piano
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1931 - Theme, Variations & Fugue for clarinet & string quartet (rev. 1960)
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he formed the
Reizenstein Trio, and he also performed with two émigré violinists,
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for six months, where there were also special concerts given of his works.
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of the style of a major classical composer. The composers parodied are
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Through his mother's Kohn family, Reizenstein was related to the writer
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List of compositions with dates and links to albums at Orel
Foundation
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He composed a number of orchestral works including overtures (such as
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Cultural
Heritage and Prisoners of War: Creativity Behind Barbed Wire
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Commercially available recordings include the piano music played by
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In 1958 he became a professor (of piano, not composition) at the
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Composers at the Piano - Bowen and Reizenstein, Lyrita Ream 2105
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1954 - Prologue, Variations and Finale for violin and orchestra
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In 1934 he emigrated to England at the age of 23 to escape the
1090:, CD reissue, liner notes, EMI Records No. CMS 7633022, 1989
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1938 - Prologue, Variations and Finale for violin and piano
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at home. Eventually he was sent to study composition under
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Jewish emigrants from Nazi Germany to the United Kingdom
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1939 - Partita for flute (or treble recorder) and piano
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People interned in the Isle of Man during World War II
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Prom 36, 30 August 1957, BBC Proms performance archive
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1968 - Sonatina in B flat major for clarinet and piano
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of the 1930s), for solo piano, each variation being a
319:(1952), and composed lavish orchestral scores for the
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Weissmann, John. 'The Music of Franz Reizenstein' in
43:(7 June 1911 – 15 October 1968) was a
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1936 - Cello Concerto (revised 1948, premiere 1951)
401:At the 1958 Hoffnung Festival he contributed (with
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589:1949 - Trio in A major for flute, oboe & piano
960:A Musical Gazetteer of Great Britain and Ireland
1130:Variations on 'The Lambeth Walk' for Solo Piano
630:1938 - Three Concert Pieces for oboe and piano
614:1937 - Three Concert Pieces for oboe and piano
502:1953 - Serenade in F major for small orchestra
274:in D major, Op. 23 (1949) of which the critic
103:. Hindemith's composition class also included
598:1963 - Trio for flute, clarinet & bassoon
366:is that the orchestra believes it is playing
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919:Simon Wynberg, "Franz Reizenstein biography"
643:1945 - Violin Sonata in G sharp major, op 20
407:Let's Fake an Opera or The Tales of Hoffnung
669:1966 - Concert Fantasy for viola and piano
560:Five Sonnets of Elizabeth Barrett Browning
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611:1936 - Three Pieces for violin and piano
329:(1959) and the cult British horror film
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517:1961 - Piano Concerto No.2 in F major
485:1941 - Piano Concerto No.1 in G major
390:"). The soloist at the premiere was
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1293:Alumni of the Royal College of Music
888:Michael Haas, "The Emigré Composers"
627:1938 - Sonatina for oboe & piano
520:1967 - Concerto for String Orchestra
1358:20th-century British male musicians
832:Cole, Hugo. 'Franz Reizenstein' in
733:1955 - Twelve Preludes & Fugues
715:1945 - Piano Sonata No.1 in B major
592:1951 - Serenade in F major for wind
284:in July 1975: It "stands alongside
1064:Reviewed at MusicWeb International
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1025:Reviewed at MusicWeb International
1001:Issue 1259, 30 November 1947, p 24
666:1963 - Duo for oboe & clarinet
368:Tchaikovsky's First Piano Concerto
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1248:British male film score composers
972:Gordon, David and Gordon, Peter.
934:Biography, Royal College of Music
595:1957 - Piano Trio in One Movement
508:1954 - Violin Concerto in G major
216:Royal Manchester College of Music
1323:Pupils of Ralph Vaughan Williams
1223:20th-century classical composers
1189:Franz Reizenstein online archive
122:, one of the first of nearly 70
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1328:20th-century classical pianists
1258:German male classical composers
854:Franz Reizenstein: Solo Sonatas
182:Prologue, Variations and Finale
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649:1947 - Cello Sonata in A major
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1363:20th-century British pianists
1132:Nimbus Music Publishing, 2018
804:The Curse of the Mummy's Tomb
675:1968 - Sonata for solo violin
201:London Philharmonic Orchestra
101:Berliner Hochschule fĂĽr Musik
1243:British film score composers
1238:British male opera composers
678:1968 - Sonata for solo cello
672:1967 - Sonata for solo viola
413:Also popular was his set of
354:Reizenstein contributed the
241:Like fellow émigré composer
27:British composer (1911–1968)
1268:German film score composers
1228:British classical composers
1194:Franz Reizenstein biography
1104:(Garden Press, 1988), p 156
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974:Musical Visitors to Britain
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1343:British classical pianists
1273:Jewish classical composers
1253:German classical composers
1088:Hoffnung's Music Festivals
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465:Orchestral and Concertante
254:Elizabeth Browning Sonnets
68:, Germany. The family was
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1278:Jewish classical pianists
755:The House that Jack Built
718:1947 - Scherzo in A major
41:Franz Theodor Reizenstein
1318:Pupils of Paul Hindemith
1298:Musicians from Nuremberg
976:(Routledge, 2005), p 212
1233:British opera composers
75:Reizenstein grew up in
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1052:MusicWeb International
700:1937 - Suite for piano
344:NĂĽrnberger Symphoniker
212:Royal Academy of Music
136:Royal College of Music
134:for conducting at the
128:Ralph Vaughan Williams
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1171:Wellcome Foundation.
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656:for cello & piano
640:for cello & piano
161:. With the violinist
79:and was considered a
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663:for violin and piano
661:Fantasia Concertante
586:1949 - Piano Quintet
372:Grieg Piano Concerto
130:for composition and
902:, 30 May 1938, p 12
875:(1947), pp. 201-202
723:Scherzo Fantastique
646:1946 - Viola Sonata
621:for cello and piano
577:1933 - Wind Quintet
574:1931 - Cello Sonata
532:Men Against the Sea
525:Choral and Operatic
482:1940 - Ballet Suite
388:Roll Out the Barrel
311:Men Against the Sea
167:Christopher Bunting
1116:The Hitler Emigrés
834:Grove Music Online
490:Cyrano de Bergerac
350:Hoffnung Festivals
261:Cyrano de Bergerac
231:Catherine Yronwode
214:and (in 1964) the
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1114:Snowman, Daniel.
871:Palmer, Russell.
796:Circus of Horrors
706:1940 - Intermezzo
513:Concerto Popolare
364:Concerto Popolare
356:Concerto Popolare
332:Circus of Horrors
224:Boston University
144:Felix Weingartner
36:Franz Reizenstein
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710:
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637:
618:
603:Instrumental
602:
601:
565:
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538:
531:
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523:
512:
496:
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476:
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422:popular song
414:
412:
406:
403:William Mann
400:
398:, declined.
396:Eileen Joyce
381:
375:
363:
355:
353:
340:Martin Jones
337:
330:
324:
323:horror film
314:
310:
306:
305:The cantata
304:
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286:Shostakovich
279:
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193:World War II
190:
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117:
113:Arnold Cooke
74:
63:
40:
39:
29:
1313:1968 deaths
1308:1911 births
748:Film Scores
729:Musical Box
313:(1949) and
290:Maria Lidka
163:Maria Lidka
159:Carl Flesch
45:German-born
1217:Categories
812:References
686:Solo Piano
555:, oratorio
546:Anna Kraus
492:, overture
316:Anna Kraus
281:Gramophone
171:Max Rostal
109:Oskar Sala
900:The Times
852:Notes to
780:The Mummy
638:Cantilene
541:, cantata
477:Capriccio
438:Beethoven
326:The Mummy
278:wrote in
249:Hugo Cole
77:Nuremberg
66:Nuremberg
50:Hindemith
446:Schubert
335:(1960).
243:Hans Gál
801:1964 -
793:1960 -
785:1959 -
777:1959 -
771:1959 -
765:1955 -
761:The Sea
759:1953 -
753:1953 -
739:1965 -
727:1952 -
721:1950 -
709:1945 -
694:1934 -
652:1947 -
636:1942 -
617:1937 -
566:Chamber
558:1959 -
553:Genesis
551:1958 -
548:, opera
544:1952 -
537:1950 -
534:, opera
530:1949 -
511:1956 -
495:1951 -
488:1951 -
475:1938 -
272:Quintet
268:chamber
197:Douglas
99:at the
741:Zodiac
711:Legend
659:1956 -
450:Wagner
442:Mozart
430:Chopin
426:parody
380:, the
321:Hammer
70:Jewish
1173:Jessy
773:Jessy
654:Elegy
619:Elegy
454:Liszt
434:Verdi
237:Music
148:Basel
120:Nazis
1208:IMDb
452:and
266:The
173:and
111:and
60:Life
52:and
1206:at
420:(a
146:in
1219::
1042:^
926:^
907:^
880:^
862:^
841:^
820:^
456:.
448:,
444:,
440:,
436:,
432:,
405:)
233:.
207:.
188:.
177:.
150:.
107:,
56:.
20:)
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