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189:. He made an important contribution to the development of modern art by elevating the image of the industrial worker, docker and miner to an icon of modernity. His work is a reflection of the industrial, social and political developments of his day and represents a compassionate and committed view of man and the world.
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in 1851 caused him to doubt the ability of sculpture to adequate represent the contemporary social and artistic issues that were of concern to him. He therefore gave up sculpture in favour of painting which he practised almost exclusively for the next thirty years.
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In 1939, the Musée
Constantin-Meunier dedicated to his work was opened in the last house in which Meunier lived and worked, in
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which had taken place the year before
Meunier's birth. Meunier's father committed suicide when he was just four years old.
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Pierre
Baudson. "Meunier, Constantin." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 March 2016
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P. & V. Berko, "Dictionary of
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Mapping the
Practice and Profession of Sculpture in Britain and Ireland 1851-1951
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1023:. Vol. 18 (11th ed.). Cambridge University Press. p. 315.
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Constantin
Meunier was born in the traditionally working-class area of
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also holds a number of important works by
Meunier, as does Brussels'
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Retrospective reveals the
Flemish inspirations of Constantin Meunier
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This article incorporates text from a publication now in the
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About 1880 Meunier was commissioned to illustrate those parts of
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in
Brussels in September 1845. He studied under the sculptor
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Les trésors du Temple: le Musée belge de la Franc-maçonnerie
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which referred to miners and factory-workers, and produced
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International
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Royal Museum of the Armed Forces and Military History
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monument, in collaboration with the French sculptor
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He began studying sculpture at the age of 14 at the
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267:Meunier's first exhibit was a plaster sketch,
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289:Divine Service at the Monastery of La Trappe
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937:. Belgium, Leuven University Press. p. 28.
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364:The Tobacco Factory at Seville
283:(1863), in collaboration with
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291:(1871) and episodes of the
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606:The Return of the Miners
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803:7 December 2021 at the
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506:Grand Orient of Belgium
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419:Charles van der Stappen
316:Smithery at Cockerill's
232:Charles-Auguste Fraikin
64:more precise citations.
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501:Les Amis Philanthropes
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411:Puddler at the Furnace
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174:French pronunciation:
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1340:Brussels City Museum
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1212:Centre for Fine Arts
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304:Camille Lemonnier's
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896:Glasgow University
807:at M-Museum Leuven
740:Museum collections
442:Monument to Labour
427:Monument to Labour
395:The Old Mine-Horse
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1470:Hôtel Hannon
1465:Horta Museum
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960:the original
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1627:1905 deaths
1622:1831 births
1570:Wittockiana
1550:Train World
1510:La Fonderie
1207:Planetarium
371:The Puddler
269:The Garland
70:August 2009
62:introducing
1616:Categories
1545:Toy Museum
1450:Coudenberg
1445:Clockarium
943:9058674886
783:References
641:Sculptures
472:, and the
456:, and the
431:Émile Zola
125:1831-04-12
45:references
1440:Cinematek
1395:Autoworld
777:(Meunier)
653:The sower
524:Paintings
496:freemason
478:Maternity
470:The Miner
466:The Smith
462:The Sower
403:The Glebe
399:The Mower
390:Ecce Homo
242:painting
199:Etterbeek
154:, Belgium
135:, Belgium
133:Etterbeek
841:Archived
801:Archived
768:See also
750:Brussels
474:Ancestor
450:The Mine
446:Industry
429:and the
421:(1893),
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397:(1891),
393:(1891),
381:Firedamp
379:(1886),
330:(1884).
322:(1882),
279:(1860),
203:Brussels
187:sculptor
1052:at the
1008::
991:Sources
966:9 April
775:Saemann
746:Ixelles
513:Ixelles
504:of the
458:Harbour
454:Harvest
352:Seville
262:Ophelia
183:painter
152:Ixelles
58:improve
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760:. The
712:Autumn
362:, and
326:, and
253:Career
113:, 1885
47:, but
1565:Wiels
968:2013
939:ISBN
908:2013
685:1899
440:The
185:and
141:Died
119:Born
1017:".
350:at
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