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50:. These could consist of the same or a variety of instruments. Consort music enjoyed considerable popularity at court and in the households of the wealthy in the
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The earliest documented example of the
English word 'consort' in a musical sense is in George Gascoigne’s
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74:(1576). Only from the mid-17th century has there been a clear distinction made between a
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In modern times, a number of ensembles have adopted the term "consort" in their names:
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43, no. 2 (April 1957): 220–32 (citation on pp. 228–29); S. Sadie and Alison Latham,
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383:, 2nd revised edition (London and New York: Routledge, 2002), p. 133.
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Four and Twenty
Fiddlers: The Violin at the English Court, 1540–1690
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366:(Cambridge University Press, 1990), p. 136; P. Holman.
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16/17th-century
English phrase for a musical ensemble
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Major forms of music composed for consorts included
46:during the 16th and 17th centuries to indicate an
381:Chamber Music: A Research and Information Guide
341:The New Grove Dictionary of Music and Musicians
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436:Collection of viol consort videos (YouTube)
428:The English Viol Consort in the Tudor Era
174:. Later 17th-century composers included
370:(Oxford University Press, 1996), p. 275.
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126:Composers of consort music during the
58:era, consort music was absorbed into
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354:"When Is a Concerto Not a Concerto?"
170:was a principal composer during the
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34:The Smithsonian Consort of Viols
455:Instrumental early music groups
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400:http://www.roseconsort.co.uk/
234:Early Music Consort of London
339:Warwick Edwards, "Consort",
76:‘whole’, or ‘closed’ consort
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299:Southern Consort of Voices
422:Video of consort of viols
364:The Cambridge Music Guide
356:(Subscription Access),
274:The Paul Winter Consort
214:B-Five Recorder Consort
118:, and fantasia suites.
82:played together) and a
72:The Princelye Pleasures
434:2008 Viol Extravaganza
409:Rose Consort of Viols.
224:The Consort of Musicke
40:consort of instruments
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359:The Musical Quarterly
289:Rose Consort of Viols
209:The Baltimore Consort
66:Definitions and forms
48:instrumental ensemble
42:was a phrase used in
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450:Early music consorts
264:The Newberry Consort
104:settings (including
259:Locke Brass Consort
219:Catacoustic Consort
180:Christopher Simpson
150:composers included
405:2010-05-28 at the
249:The King's Consort
164:Alfonso Ferrabosco
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352:David D. Boyden,
309:The Tudor Consort
254:Leonhardt-Consort
16:(Redirected from
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426:Robins, Brian. "
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304:Taverner Consort
294:Sherwood Consort
284:Ricercar Consort
279:Quadriga Consort
244:The Harp Consort
204:Armonico Consort
146:. The principal
136:Anthony Holborne
86:‘broken’ consort
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269:Orlando Consort
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128:Elizabethan era
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122:Major composers
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18:Consort (music)
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239:Gaia Consort
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176:John Jenkins
172:Caroline era
148:Jacobean era
144:William Byrd
132:John Dowland
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114:, dances or
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84:‘mixed’, or
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152:Thomas Lupo
444:Categories
112:variations
107:In nomines
98:fantasias
403:Archived
316:See also
130:include
56:Baroque
44:England
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162:, and
142:, and
328:Notes
116:ayres
80:viols
385:ISBN
186:and
91:lute
110:),
93:).
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38:A
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20:)
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