Knowledge (XXG)

Conversations with Other Women

Source 📝

1400: 453:) of about the same age, and offers her a glass of champagne. As conversation ensues, they begin to flirt. Witty small talk about such topics as the wedding party and their own past relationships gradually reveals to the viewing film audience that they are not strangers, but in fact were previously husband and wife. A series of flashback scenes shows much younger versions of the two of them together at the start of their relationship. 63: 22: 165: 1023:. Due to the short shooting schedule and lack of control of the sound stage, the soles of the actors' bare feet became soiled while shooting on the hotel room set. Shots captured included views of the actors' dirty feet as they got into and out of a clean bed, which would be unlikely in a carpeted hotel room, an error that was not caught by the 1186:
At a panel on acting at the Telluride Film Festival, the actors spoke of the challenge of working in a two-camera system. Unlike traditionally shot and cut films, the actors knew that all moments of a take could end up on screen and thus 'acted through' every take. The actors were constantly 'in the
958:
Though an editor was initially hired to cut the movie, he quit after putting together an initial assembly, citing difficulties editing the dual-frame split screen presentation in which the movie is presented. The director, who had never cut a film before, elected to learn and use the editing software
1072:
complement the tone of other sequences in the film. The song "J'en connais" accompanies the opening title cards and the juxtaposed narrative images, and then recurs in the final scene through the end credits. The song "Le plus beau du quartier" plays over the scene in which the woman asks the man to
464:
The two reminisce and reassess their feelings for each other. He appears to have ambiguous feelings about the direction of his life, while she seems more adjusted to her life choices. The emotional fulfillment the two experienced in their youth has the appearance of causing them to reflect on their
1182:
innovation in split screen is the juxtaposition of shot and reverse shot of two actors in the same take, captured with two cameras, for the entire movie. The film represents a new kind of viewing experience that enlists the audience as a perceptual editor. The filmmakers allow the viewer to choose
1006:
supervisor found takes which included empty sections of the ballroom. Taking several high resolution stills from those takes, he created three background plates. During a day of additional photography, both the supporting characters who would appear in the foreground and pairs of dancers who would
962:
The final shot in the movie was the only one captured with a single camera. Eckhart and Bonham Carter were filmed in the back of one taxi on set. In post production, the shot was digitally divided in two; digital movement was added for each car and two separate background plates were composited to
1194:
split screen sometimes shows flashbacks of the recent or distant past juxtaposed with the present; moments imagined or hoped by the characters juxtaposed with present reality; present experience fractured into more than one emotion for a given line or action, showing an actor performing the same
1035:
the bottom of the actors' feet to delineate the parts of the frame that needed to be replaced. Since shooting replacement soles against greenscreen in the precise size and angles necessary to fill the rotoscoped sections would be cost prohibitive, the digital compositor searched the Internet for
542:
version was released in the United States on January 9, 2007 by Arts Alliance America. A single frame, full screen DVD version, created for 4x3 broadcast television release, was subsequently released on October 9, 2007. The single frame cut only retains three split-screen sequences: the opening
1198:
Film critic David Thomson found fault with "Conversations with Other Women"' use of split screen, contending that the device detracted from the movie's focus; if Canosa and Zevin had "excise the last remaining split-screen stuff, they’d have a film with a kind of modest, forlorn greatness."
248: 456:
Despite both having significant others (22-year-old Sarah the dancer and Geoffrey the cardiologist, respectively, both absent), the couple go upstairs to her hotel room together. However, their decision to sleep together is one which is clearly complex and fraught with
468:
She must catch a transatlantic flight home to London in the morning, so the two leave the hotel in the early morning. As they return to their separate lives, each speculates with their cab driver on the future and the difficulty of being happy.
974:
Kwesi Collision solicited bids from VFX houses, he received an initial estimated VFX budget of over $ 1 million, followed by a $ 400,000 "low budget" estimate. Collision decided to execute all of the effects himself, spending four months using
867:
For the sex scene, the director asked the actors to stay in the bed while the crew quickly changed camera positions to get all of the coverage. The entire scene, including 10 camera setups and a complex dolly shot, was completed in 45 minutes.
1187:
moment'. The resulting film presents the actors' work in the way musicians play in a duet, with action, dialogue and reaction running on both sides of the frame in real time. The movie presents two remarkable achievements in screen acting.
1172:. Another common use of the technique is to show two separate but converging spaces (such as contrasting shots of predator and prey) to create tension or suspense. The filmmaker most associated with the latter use is 1183:
how they watch the film, following either character or both simultaneously. Seeing both characters act and react in real time lets the audience follow the emotional experience of the characters without interruption.
1015:
supervisor then composited up to a dozen elements to create shots which appear to contain the bride, her bridesmaids and the young man and young woman characters in the midst of a ballroom full of dancing couples.
1157:
The most common function of split screen is to show simultaneous actions in different places. The classic, and simplest, example of this is showing two sides of a phone conversation, as in the 1959 film
681:, the film has a rating of 74%, based on 62 reviews, with an average rating of 6.5/10. The site's critical consensus reads, "Its occasional use of split screen may feel gimmicky at times, but 1190:
The shot/reverse shot function of split screen comprises most of the running time of the film, but the filmmakers also use split screen for other spatial, temporal and emotional effects.
1475: 1411: 1027:
on set. During post production, the director/editor discovered that five shots included in the final edit would include dirty soles. In order to address the problem, the
527:
Released on August 11, 2006 in the United States by Fabrication Films, the film played in fourteen cities, garnering modest theatrical box office and critical acclaim.
80: 35: 1320: 1435: 1480: 461:
for each of them. Again with flashbacks, a series of vignettes juxtaposes their earlier selves against the older, perhaps wiser, couple in the hotel room.
1450: 1226: 514: 1138:. The term "split screen" was coined to describe the many uses of the technique in films of the 1960s. More recent uses of split screen include 1455: 1257: 1465: 1460: 1002:, the director requested 50 extras. When only seven extras showed up on the ballroom shoot days, an alternate solution became necessary. The 127: 1289: 770: 175: 99: 186: 1440: 506: 41: 106: 726: 490: 222: 204: 146: 49: 520:
The film's international theatrical premiere was on June 7, 2006 in France. Released by distributor MK2 Diffusion under the title
113: 1445: 946:
building, which has been used almost exclusively as a film location since the notorious Los Angeles newspaper, once owned by
84: 886:
The hotel room, the interior of the elevator and the interior of the cab(s) in the final shot were shot on a sound stage in
1405: 95: 1470: 1195:
moment in different ways; and present and near future actions juxtaposed to accelerate the narrative in temporal overlap.
1312: 942: 1073:
help her undress. The song "L'excessive" serves as accompaniment to the transition from the hotel room to the roof.
73: 818: 797: 510: 1128:" to describe his three-camera, three-projector technique for both widening and dividing the screen in his 1927 860:
To facilitate the split screen presentation of the film, two cameras (one on each actor) were used throughout
1134: 1064: 947: 921: 898: 887: 871:
To facilitate a sense of realism, both actors provided elements of their own costumes. Eckhart wore his own
498: 486: 120: 1367: 1216: 689:, the film holds a score of 62 out of 100, based on 20 reviews, indicating "generally favorable reviews". 999: 861: 854: 639: 179:
that states a Knowledge (XXG) editor's personal feelings or presents an original argument about a topic.
927: 765: 742: 450: 430: 297: 1094: 1430: 1247: 1109: 976: 1390: 1378: 1279: 247: 1160: 502: 524:, the film played theatrically for five months to both box office success and critical acclaim. 1351: 1024: 458: 990:
shots of the supporting characters in a ballroom full of dancers were actually created using
433:. The film won Best Actress for Bonham Carter at the 2005 Tokyo International Film Festival. 1078: 1037: 980: 559: 1415: 1384: 1373: 1252: 1221: 1144: 813: 678: 536: 422: 271: 1399: 893:
The hotel ballroom scenes were shot in the ballroom of the Park Plaza Hotel, adjacent to
1089:
The scenes in the wedding reception are accompanied by "wedding band" music composed by
1173: 1150: 1028: 1020: 1012: 1003: 991: 967: 909: 894: 563: 1424: 995: 971: 442: 426: 305: 301: 465:
current lives in comparison to the choices and options they had while much younger.
1090: 915: 876: 785: 414: 337: 319: 309: 1044:
websites. Thus the replacement feet in those five shots are "pornographic feet".
1169: 1139: 1129: 1069: 1041: 1032: 1008: 903: 792: 663: 607: 418: 281: 261: 62: 1395: 1284: 1125: 1121: 1113: 1083: 1056: 998:
asked the director the minimum number of extras needed for these shots during
686: 603: 446: 1165: 611: 575: 567: 1362: 1356: 643: 627: 615: 595: 579: 551: 1345: 853:
Eckhart and Bonham Carter shot 82 pages of dialogue in only 12 days of
836: 635: 631: 599: 494: 1036:
replacement feet photographs. He discovered that the best and highest
1047:
A single-frame 4:3 version of the movie was produced for television.
987: 872: 685:
is a bold, inventive drama carried by its two charismatic leads." On
659: 655: 651: 647: 619: 591: 583: 571: 547: 513:, Rio de Janeiro International Film Festival, Hamburg Film Festival, 1076:
The sex scene is played to the song "Ripchord" from the 2004 album
879:
underwear as part of his costume, while Bonham Carter wore her own
933: 880: 623: 587: 555: 1313:"Thomson: The Futile Necessity of Revisiting an Old Love Affair" 441:
At a wedding reception in New York, a man in his late thirties (
539: 158: 56: 15: 176:
personal reflection, personal essay, or argumentative essay
1059:, music plays for almost 40 percent of the running time. 970:
shots, all of which are designed to be "invisible". When
543:
titles, the sex scene, and the closing taxicab sequence.
182: 1120:, a one-reel thriller. The visionary French director 485:, Canosa's directorial debut, premiered at the 2005 398: 390: 380: 345: 333: 325: 315: 293: 277: 267: 257: 240: 87:. Unsourced material may be challenged and removed. 963:create the illusion of different taxi interiors. 1007:appear in the middle ground were shot against a 8: 1476:English-language romantic comedy-drama films 1108:comes in a long tradition of experiments in 1019:A potential continuity error was fixed with 901:. Other films shot at that location include 497:Valladolid International Film Festival, the 677:received positive reviews from critics. On 50:Learn how and when to remove these messages 1398: 1055:Although the film contains no traditional 546:International DVD releases include MK2 in 246: 237: 1116:employed the technique in the short film 517:, and the Muestra Internacional de Cine. 223:Learn how and when to remove this message 205:Learn how and when to remove this message 147:Learn how and when to remove this message 696: 1409: :: rogerebert.com :: Reviews 1217:"Conversations with Other Women (2006)" 1208: 839:Valladolid International Film Festival 489:. The film subsequently played at the 1260:from the original on October 28, 2016 515:São Paulo International Film Festival 7: 1436:American romantic comedy-drama films 771:Evening Standard British Film Awards 85:adding citations to reliable sources 1292:from the original on March 10, 2016 1082:by the Los Angeles-based rock band 507:Seattle International Film Festival 1481:English-language independent films 14: 983:to complete the necessary shots. 727:Tokyo International Film Festival 598:, Paradiso Home Entertainment in 491:Tokyo International Film Festival 31:This article has multiple issues. 1451:2005 romantic comedy-drama films 1323:from the original on 1 June 2012 1280:"Conversations with Other Women" 1248:"Conversations With Other Women" 1062:Three songs from the 2003 album 163: 96:"Conversations with Other Women" 61: 20: 1229:from the original on 2009-02-12 72:needs additional citations for 39:or discuss these issues on the 1407:Conversations with Other Women 1391:Conversations with Other Women 1380:Conversations with Other Women 1369:Conversations with Other Women 1358:Conversations with Other Women 1347:Conversations with Other Women 1311:Thomson, David (30 May 2012). 1106:Conversations with Other Women 959:himself, and acted as editor. 683:Conversations With Other Women 675:Conversations with Other Women 410:Conversations with Other Women 362: (Telluride Film Festival) 241:Conversations with Other Women 1: 1456:Films produced by Ram Bergman 940:Many scenes were shot in the 809: 1466:2000s English-language films 1461:2005 directorial debut films 522:Conversations avec une Femme 943:Los Angeles Herald-Examiner 810:Best First Screenplay Award 354:September 2, 2005 1497: 1441:American independent films 783:Producers Award (also for 535:The original split-screen 819:Independent Spirit Awards 798:Independent Spirit Awards 730: 725: 511:Los Angeles Film Festival 365:August 11, 2006 252:Theatrical release poster 245: 626:, Prooptiki Bulgaria in 610:, Cathay-Keris Films in 1040:images of feet were on 950:, closed down in 1989. 948:William Randolph Hearst 899:Los Angeles, California 888:Culver City, California 499:US Comedy Arts Festival 487:Telluride Film Festival 1446:2005 independent films 1148:and the Fox TV series 966:The film contains 117 578:, Filmes Unimundos in 185:by rewriting it in an 1000:principal photography 862:principal photography 855:principal photography 662:, and With Cinema in 640:Serbia and Montenegro 1471:2000s American films 766:Helena Bonham Carter 743:Helena Bonham Carter 431:Helena Bonham Carter 373: (United States) 298:Helena Bonham Carter 81:improve this article 977:Adobe After Effects 650:, Shapira Films in 622:, NoShame Films in 618:, Atlantic Film in 582:, D Productions in 473:Release information 415:romantic drama film 1414:2012-03-02 at the 720:Special Jury Prize 670:Critical reception 586:, Civite Films in 503:South by Southwest 478:Theatrical release 235:2005 American film 187:encyclopedic style 174:is written like a 1065:Quelqu'un m'a dit 1025:script supervisor 846: 845: 709:Festival/Ceremony 658:, VideoFilmes in 574:, Dendy Films in 459:emotional baggage 406: 405: 233: 232: 225: 215: 214: 207: 157: 156: 149: 131: 54: 1488: 1402: 1333: 1332: 1330: 1328: 1317:The New Republic 1308: 1302: 1301: 1299: 1297: 1276: 1270: 1269: 1267: 1265: 1244: 1238: 1237: 1235: 1234: 1213: 1079:More Adventurous 752:Tokyo Grand Prix 697: 560:Revelation Films 372: 370: 361: 359: 250: 238: 228: 221: 210: 203: 199: 196: 190: 167: 166: 159: 152: 145: 141: 138: 132: 130: 89: 65: 57: 46: 24: 23: 16: 1496: 1495: 1491: 1490: 1489: 1487: 1486: 1485: 1421: 1420: 1416:Wayback Machine 1385:Rotten Tomatoes 1374:Box Office Mojo 1342: 1337: 1336: 1326: 1324: 1310: 1309: 1305: 1295: 1293: 1278: 1277: 1273: 1263: 1261: 1253:Rotten Tomatoes 1246: 1245: 1241: 1232: 1230: 1222:Box Office Mojo 1215: 1214: 1210: 1205: 1124:used the term " 1103: 1053: 986:Three apparent 956: 954:Post-production 922:The Fisher King 851: 814:Gabrielle Zevin 695: 679:Rotten Tomatoes 672: 646:, Prooptiki in 533: 505:Film Festival, 480: 475: 445:) approaches a 439: 423:Gabrielle Zevin 383: 376: 368: 366: 357: 355: 348: 340: 308: 304: 300: 289:Kwesi Collisson 288: 286: 284: 272:Gabrielle Zevin 253: 236: 229: 218: 217: 216: 211: 200: 194: 191: 183:help improve it 180: 168: 164: 153: 142: 136: 133: 90: 88: 78: 66: 25: 21: 12: 11: 5: 1494: 1492: 1484: 1483: 1478: 1473: 1468: 1463: 1458: 1453: 1448: 1443: 1438: 1433: 1423: 1422: 1419: 1418: 1403: 1387: 1376: 1365: 1354: 1341: 1340:External links 1338: 1335: 1334: 1303: 1271: 1239: 1207: 1206: 1204: 1201: 1192:Conversations' 1180:Conversations' 1174:Brian De Palma 1102: 1099: 1095:Jeff Eden Fair 1052: 1049: 1029:visual effects 1021:visual effects 1013:visual effects 1004:visual effects 992:visual effects 968:visual effects 955: 952: 897:near downtown 895:MacArthur Park 850: 847: 844: 843: 840: 834: 832: 829: 825: 824: 821: 816: 811: 808: 804: 803: 800: 795: 790: 781: 777: 776: 773: 768: 763: 760: 756: 755: 753: 750: 746: 745: 740: 737: 733: 732: 729: 724: 721: 718: 714: 713: 710: 707: 704: 701: 694: 691: 671: 668: 564:United Kingdom 532: 529: 479: 476: 474: 471: 438: 435: 404: 403: 400: 396: 395: 392: 388: 387: 384: 381: 378: 377: 375: 374: 363: 351: 349: 346: 343: 342: 341:Jeff Eden Fair 335: 331: 330: 327: 323: 322: 317: 316:Cinematography 313: 312: 295: 291: 290: 285:Bill McCutchen 279: 275: 274: 269: 265: 264: 259: 255: 254: 251: 243: 242: 234: 231: 230: 213: 212: 171: 169: 162: 155: 154: 69: 67: 60: 55: 29: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 1493: 1482: 1479: 1477: 1474: 1472: 1469: 1467: 1464: 1462: 1459: 1457: 1454: 1452: 1449: 1447: 1444: 1442: 1439: 1437: 1434: 1432: 1429: 1428: 1426: 1417: 1413: 1410: 1408: 1404: 1401: 1397: 1393: 1392: 1388: 1386: 1382: 1381: 1377: 1375: 1371: 1370: 1366: 1364: 1360: 1359: 1355: 1353: 1349: 1348: 1344: 1343: 1339: 1322: 1318: 1314: 1307: 1304: 1291: 1287: 1286: 1281: 1275: 1272: 1259: 1255: 1254: 1249: 1243: 1240: 1228: 1224: 1223: 1218: 1212: 1209: 1202: 1200: 1196: 1193: 1188: 1184: 1181: 1177: 1175: 1171: 1167: 1163: 1162: 1155: 1153: 1152: 1147: 1146: 1141: 1137: 1136: 1131: 1127: 1123: 1119: 1115: 1111: 1107: 1100: 1098: 1096: 1092: 1087: 1085: 1081: 1080: 1074: 1071: 1067: 1066: 1060: 1058: 1050: 1048: 1045: 1043: 1039: 1034: 1030: 1026: 1022: 1017: 1014: 1010: 1005: 1001: 997: 996:line producer 993: 989: 984: 982: 978: 973: 969: 964: 960: 953: 951: 949: 945: 944: 938: 936: 935: 930: 929: 928:Wild at Heart 924: 923: 918: 917: 912: 911: 906: 905: 900: 896: 891: 889: 884: 882: 878: 874: 869: 865: 863: 858: 856: 848: 841: 838: 835: 833: 830: 827: 826: 822: 820: 817: 815: 812: 806: 805: 801: 799: 796: 794: 791: 788: 787: 782: 779: 778: 774: 772: 769: 767: 764: 761: 758: 757: 754: 751: 748: 747: 744: 741: 738: 735: 734: 728: 722: 719: 716: 715: 711: 708: 705: 702: 699: 698: 692: 690: 688: 684: 680: 676: 669: 667: 665: 661: 657: 654:, Solopan in 653: 649: 645: 641: 637: 633: 629: 625: 621: 617: 613: 609: 605: 601: 597: 593: 589: 585: 581: 577: 573: 569: 565: 561: 557: 553: 549: 544: 541: 538: 530: 528: 525: 523: 518: 516: 512: 508: 504: 500: 496: 492: 488: 484: 483:Conversations 477: 472: 470: 466: 462: 460: 454: 452: 451:Bonham Carter 448: 444: 436: 434: 432: 428: 427:Aaron Eckhart 424: 421:, written by 420: 416: 412: 411: 401: 397: 394:United States 393: 389: 385: 379: 364: 353: 352: 350: 347:Release dates 344: 339: 336: 332: 328: 324: 321: 318: 314: 311: 307: 306:Nora Zehetner 303: 302:Aaron Eckhart 299: 296: 292: 283: 280: 276: 273: 270: 266: 263: 260: 256: 249: 244: 239: 227: 224: 209: 206: 198: 188: 184: 178: 177: 172:This article 170: 161: 160: 151: 148: 140: 129: 126: 122: 119: 115: 112: 108: 105: 101: 98: –  97: 93: 92:Find sources: 86: 82: 76: 75: 70:This article 68: 64: 59: 58: 53: 51: 44: 43: 38: 37: 32: 27: 18: 17: 1406: 1389: 1379: 1368: 1357: 1346: 1325:. Retrieved 1316: 1306: 1294:. Retrieved 1283: 1274: 1262:. Retrieved 1251: 1242: 1231:. Retrieved 1220: 1211: 1197: 1191: 1189: 1185: 1179: 1178: 1159: 1156: 1149: 1143: 1142:' 2000 film 1133: 1117: 1110:split screen 1105: 1104: 1101:Split screen 1091:Starr Parodi 1088: 1077: 1075: 1063: 1061: 1054: 1046: 1018: 985: 965: 961: 957: 941: 939: 932: 926: 920: 914: 908: 902: 892: 885: 877:Calvin Klein 870: 866: 859: 852: 831:Golden Spike 784: 762:Best Actress 739:Best Actress 682: 674: 673: 594:, J-Bics in 590:, Global in 545: 534: 526: 521: 519: 482: 481: 467: 463: 455: 440: 417:directed by 409: 408: 407: 382:Running time 338:Starr Parodi 320:Steve Yedlin 310:Olivia Wilde 287:Kerry Barden 219: 201: 192: 173: 143: 134: 124: 117: 110: 103: 91: 79:Please help 74:verification 71: 47: 40: 34: 33:Please help 30: 1170:Rock Hudson 1161:Pillow Talk 1140:Mike Figgis 1070:Carla Bruni 1042:foot fetish 1031:supervisor 1009:greenscreen 994:. When the 904:Barton Fink 793:Ram Bergman 723:Hans Canosa 664:South Korea 608:Netherlands 531:DVD release 425:, starring 419:Hans Canosa 329:Hans Canosa 282:Ram Bergman 278:Produced by 262:Hans Canosa 258:Directed by 195:August 2021 1431:2005 films 1425:Categories 1396:Metacritic 1296:October 6, 1285:Metacritic 1264:October 6, 1233:2009-03-04 1203:References 1126:Polyvision 1122:Abel Gance 1114:Lois Weber 1112:. In 1913 1084:Rilo Kiley 1051:Soundtrack 1038:resolution 1033:rotoscoped 849:Production 687:Metacritic 604:Luxembourg 447:bridesmaid 413:is a 2005 399:Box office 386:84 minutes 369:2006-08-11 358:2005-09-02 268:Written by 107:newspapers 36:improve it 1166:Doris Day 1164:starring 875:suit and 828:Nominated 807:Nominated 780:Nominated 749:Nominated 706:Recipient 612:Singapore 576:Australia 568:TVA Films 402:$ 973,525 326:Edited by 137:June 2018 42:talk page 1412:Archived 1363:AllMovie 1321:Archived 1290:Archived 1258:Archived 1227:Archived 1145:Timecode 1135:Napoléon 1118:Suspense 972:producer 644:Slovenia 628:Bulgaria 616:Malaysia 606:and the 596:Thailand 580:Portugal 552:Shochiku 537:Region 1 334:Music by 294:Starring 910:Chaplin 883:shoes. 837:Seminci 636:Romania 632:Croatia 600:Belgium 562:in the 495:Seminci 443:Eckhart 391:Country 367: ( 356: ( 181:Please 121:scholar 1327:30 May 1132:epic, 1130:silent 1011:. The 988:B-roll 873:Armani 700:Result 693:Awards 660:Brazil 656:Poland 652:Israel 648:Greece 620:Sweden 592:Russia 584:Turkey 572:Canada 548:France 123:  116:  109:  102:  94:  1057:score 981:Shake 934:Bugsy 916:Nixon 881:Prada 842:2005 823:2006 802:2005 786:Brick 775:2007 731:2005 712:Year 703:Award 624:Italy 588:Spain 556:Japan 128:JSTOR 114:books 1352:IMDb 1329:2012 1298:2016 1266:2016 1168:and 1093:and 979:and 931:and 642:and 614:and 437:Plot 429:and 100:news 1394:at 1383:at 1372:at 1361:at 1350:at 1068:by 759:Won 736:Won 717:Won 570:in 554:in 540:DVD 83:by 1427:: 1319:. 1315:. 1288:. 1282:. 1256:. 1250:. 1225:. 1219:. 1176:. 1154:. 1151:24 1097:. 1086:. 937:. 925:, 919:, 913:, 907:, 890:. 864:. 857:. 666:. 638:, 634:, 630:, 602:, 566:, 558:, 550:, 509:, 501:, 493:, 45:. 1331:. 1300:. 1268:. 1236:. 789:) 449:( 371:) 360:) 226:) 220:( 208:) 202:( 197:) 193:( 189:. 150:) 144:( 139:) 135:( 125:· 118:· 111:· 104:· 77:. 52:) 48:(

Index

improve it
talk page
Learn how and when to remove these messages

verification
improve this article
adding citations to reliable sources
"Conversations with Other Women"
news
newspapers
books
scholar
JSTOR
Learn how and when to remove this message
personal reflection, personal essay, or argumentative essay
help improve it
encyclopedic style
Learn how and when to remove this message
Learn how and when to remove this message

Hans Canosa
Gabrielle Zevin
Ram Bergman
Helena Bonham Carter
Aaron Eckhart
Nora Zehetner
Olivia Wilde
Steve Yedlin
Starr Parodi
romantic drama film

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.