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Cosme de Acuña

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In 1807, the Spanish Embassy in Rome reported that he had arrived there in a "state of madness". They were attempting to find a place for him to live, in a priest's house, when he disappeared. In 1814 his wife, Francisca Reggio, living in extreme poverty, asked King
182:, the General Director, who was known for his authoritarianism. Aguirre, who complained of feeling "imprisoned", quit his position and left Acuña with a double work load. Overwhelmed, he wrote a letter of complaint to 254: 204:, who he attacked with a stick. As a result, he was dismissed from the Academia and sentenced to two years of exile from Madrid. His pleas to return were futile, so he crossed the Spanish border to settle in 370: 212:, the Secretary of State, describing a "nervous illness" that had been plaguing him since his eye troubles. He also asked for permission to go to Paris and measure some famous statues. 193:
was appointed Director of Painting at the Academia in 1795, Acuña was promoted to the position that he had vacated. A year later, at his request, he was appointed to serve as a
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He returned to Madrid in 1791. Shortly after, he was entrusted with the supervision of students from San Carlos who had been sent to complete their studies in Spain. When
223: 142: 153: 149:. In 1785, he presented a painting of Abraham and Isaac, as part of his application to be named an "Academician of Merit". This was unanimously approved. 32: 282: 302: 111: 145:. In 1781, he won second prize in a painting competition where the contestants were required to create an allegory of the birth of the 90: 186:, Secretary of the Academia in Madrid. In 1790, he requsted permission to return to Spain, going so far as to threaten suicide. 62: 365: 47: 220:
for help. She had heard that he was in London, always upset and denying that he was Spanish. Nothing more is known of him.
69: 165: 340: 76: 360: 321: 297: 58: 307: 201: 156:, whose family portraits he had recently painted, suggested that he accept a position at the newly created 217: 172: 157: 355: 177: 83: 278: 190: 115: 200:
In 1806, at a meeting of the Academia's board, he became engaged in a heated argument with
197:. In 1799, he was forced to request a leave of absence due to a "flux of the eyes". 349: 194: 130: 255:"Cosme de Acuña y la influencia de la escuela madrileña de finales del siglo XVIII" 209: 183: 126: 21: 161: 39: 335: 205: 146: 15: 259:
Boletín de la Real Academia de Bellas Artes de San Fernando
129:- after 1814, place unknown) was a Spanish painter in the 43: 314:
Galería biográfica de artistas españoles del siglo xix
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Real Academia de Bellas Artes de San Fernando alumni
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Allegory on the Birth of the Infante Carlos Eusebio
168:, who had also been chosen for a position there. 325:, Vol.1, Rogelio Álvarez (Ed.), (1977), pg.64 143:Real Academia de Bellas Artes de San Fernando 8: 48:introducing citations to additional sources 164:(Mexico). He decided to go, accompanied by 222: 208:. From there, he wrote a long letter to 110: 38:Relevant discussion may be found on the 237: 7: 171:Acuña and Aguirre both clashed with 269: 267: 249: 247: 245: 243: 241: 300:by Herbert González Zymla, In the 14: 334: 319:"Acuña Troncoso, Cosme", in the 31:relies largely or entirely on a 20: 303:Diccionario biográfico español 1: 118:on Their Way to the Sacrifice 277:, Siglo XXI Editores, 1988, 261:, #73, (1991), pgs.135-178. 387: 312:Manuel Ossorio y Bernard, 308:Real Academia de Historia 123:Cosme de Acuña y Troncoso 316:, Moreno y Rojas, (1883) 298:Biography and references 202:Mariano Salvador Maella 166:Ginés Andrés de Aguirre 322:Enciclopedia de México 228: 158:Academia de San Carlos 119: 366:Academy of San Carlos 343:at Wikimedia Commons 226: 114: 253:José Manuel Arnaiz, 173:Jerónimo Antonio Gil 44:improve this article 152:The following year 229: 141:He studied at the 120: 339:Media related to 283:978-96-8231-440-7 191:Francisco de Goya 116:Abraham and Isaac 109: 108: 94: 378: 361:Spanish painters 338: 285: 273:Genaro Estrada, 271: 262: 251: 181: 104: 101: 95: 93: 59:"Cosme de Acuña" 52: 24: 16: 386: 385: 381: 380: 379: 377: 376: 375: 346: 345: 332: 294: 292:Further reading 289: 288: 275:Obras completas 272: 265: 252: 239: 234: 175: 139: 105: 99: 96: 53: 51: 37: 25: 12: 11: 5: 384: 382: 374: 373: 368: 363: 358: 348: 347: 341:Cosme de Acuña 331: 330:External links 328: 327: 326: 317: 310: 293: 290: 287: 286: 263: 236: 235: 233: 230: 154:José de Gálvez 138: 135: 125:(c.1758/1760, 107: 106: 100:September 2024 42:. Please help 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 383: 372: 369: 367: 364: 362: 359: 357: 354: 353: 351: 344: 342: 337: 329: 324: 323: 318: 315: 311: 309: 305: 304: 299: 296: 295: 291: 284: 280: 276: 270: 268: 264: 260: 256: 250: 248: 246: 244: 242: 238: 231: 225: 221: 219: 218:Ferdinand VII 213: 211: 207: 203: 198: 196: 195:court painter 192: 187: 185: 179: 174: 169: 167: 163: 159: 155: 150: 148: 144: 136: 134: 132: 128: 124: 117: 113: 103: 92: 89: 85: 82: 78: 75: 71: 68: 64: 61: –  60: 56: 55:Find sources: 49: 45: 41: 35: 34: 33:single source 29:This article 27: 23: 18: 17: 356:1750s births 333: 320: 313: 301: 274: 258: 214: 210:Manuel Godoy 199: 188: 184:Antonio Ponz 170: 151: 140: 131:Neoclassical 122: 121: 97: 87: 80: 73: 66: 54: 30: 176: [ 350:Categories 232:References 70:newspapers 162:New Spain 137:Biography 127:La Coruña 40:talk page 206:Bayonne 147:Infante 133:style. 84:scholar 306:@ the 281:  86:  79:  72:  65:  57:  180:] 91:JSTOR 77:books 279:ISBN 257:In: 63:news 160:in 46:by 352:: 266:^ 240:^ 178:es 102:) 98:( 88:· 81:· 74:· 67:· 50:. 36:.

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Abraham and Isaac
La Coruña
Neoclassical
Real Academia de Bellas Artes de San Fernando
Infante
José de Gálvez
Academia de San Carlos
New Spain
Ginés Andrés de Aguirre
Jerónimo Antonio Gil
es
Antonio Ponz
Francisco de Goya
court painter
Mariano Salvador Maella
Bayonne
Manuel Godoy
Ferdinand VII

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