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Ginés Andrés de Aguirre

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17: 132: 279: 75:", has been preserved at the Academia. After pleading extreme poverty, he was given a pension that allowed him to continue his studies in Madrid, on condition that he follow the same curriculum being taught in Rome. His teacher, whose workshops he attended during the day, was 228: 124:, secretary of the Academia in Madrid, complaining that he felt "imprisoned". He may given up his academic positions, according to a letter by Acuña that made a similar complaint. Gil also wrote a letter, to King 318: 61: 262: 82:
He became a supernumerary member of the Academia in 1764. He was named an "Academician of Merit" in 1770, the same year he began working for the
16: 283: 257: 323: 213: 120:, the director general there; a person known for his quick temper and authoritarian attitudes. This led him to write a letter to 76: 154:
His activities during his last four years are unknown. For a time, his associates believed that he had returned to Spain.
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In 1758, he entered a competition for a scholarship to Rome, but came in third. The painting he presented, "
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in 1739. Where he received his initial artistic training is unknown, but he enrolled at the newly created
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in 1752. During his time there, he failed to obtain any of the numerous prizes awarded by the Academia.
115: 303: 298: 128:, complaining about his teachers' poor performance, and singling out Aguirre for special criticism. 170:
Manuel Jorge Aragoneses, "A propósito de unas pinturas extraviadas de Ginés Andrés de Aguirre", In:
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Jesús López Ortega: "Ginés Andrés de Aguirre (1727-1800). Un pintor entre España y América", in
253: 209: 102: 87: 68: 266: 292: 229:"Cosme de Acuña y la influencia de la escuela madrileña de finales del siglo XVIII" 131: 121: 41: 145: 45: 109:
in Mexico. Shortly after arriving, however, he had a serious argument with
278: 57: 37: 44:) was a Spanish Painter. Most of his works are urban or pastoral 233:
Boletín de la Real Academia de Bellas Artes de San Fernando
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Boletín de la Real Academia de Bellas Artes de San Fernando
79:. This left his evenings free for classes at the Academia. 86:. During the following years, his style was influenced by 319:
Real Academia de Bellas Artes de San Fernando alumni
62:Real Academia de Bellas Artes de San Fernando 8: 130: 105:were named to official positions at the 15: 192:, Vols.122-123 (2020-2021), pgs.119-224 163: 98:; helping to restore royal portraits. 94:, In 1785, he acted as an assistant to 7: 223: 221: 200: 198: 184: 182: 180: 265:in the online encyclopedia of the 14: 277: 208:, University of Seville, 2006, 206:El retrato en México, 1781-1867 1: 252:, Siglo XXI Editores, 1988, 204:Immaculata Rodríguez Moya, 324:Spanish emigrants to Mexico 235:, #73, (1991), pgs.135-178. 340: 77:Antonio González Velázquez 284:Ginés Andrés de Aguirre 138:Receives the Tribute of 96:Mariano Salvador Maella 34:Ginés Andrés de Aguirre 151: 107:Academia de San Carlos 84:Royal Tapestry Factory 30: 286:at Wikimedia Commons 134: 19: 227:José Manuel Arnaiz, 111:Jerónimo Antonio Gil 56:His family moved to 141:Muhammad Al-Bayyasi 92:Anton Raphael Mengs 73:Alfonso the Battler 152: 36:(21 October 1727, 31: 27:Fountain of Cybele 282:Media related to 258:978-96-8231-440-7 88:Corrado Giaquinto 331: 309:Spanish painters 281: 248:Genaro Estrada, 236: 225: 216: 202: 193: 186: 175: 174:, #19, pgs.79-84 168: 149: 119: 101:In 1786, he and 40:- 18 July 1800, 22:Puerta de Alcalá 339: 338: 334: 333: 332: 330: 329: 328: 289: 288: 275: 267:Museo del Prado 250:Obras completas 245: 243:Further reading 240: 239: 226: 219: 203: 196: 187: 178: 169: 165: 160: 143: 139: 113: 54: 25: 24:, seen from the 12: 11: 5: 337: 335: 327: 326: 321: 316: 314:Genre painters 311: 306: 301: 291: 290: 274: 273:External links 271: 270: 269: 260: 244: 241: 238: 237: 217: 194: 176: 162: 161: 159: 156: 103:Cosme de Acuña 53: 50: 13: 10: 9: 6: 4: 3: 2: 336: 325: 322: 320: 317: 315: 312: 310: 307: 305: 302: 300: 297: 296: 294: 287: 285: 280: 272: 268: 264: 261: 259: 255: 251: 247: 246: 242: 234: 230: 224: 222: 218: 215: 214:84-0008-464-0 211: 207: 201: 199: 195: 191: 185: 183: 181: 177: 173: 167: 164: 157: 155: 147: 142: 137: 136:Ferdinand III 133: 129: 127: 123: 117: 112: 108: 104: 99: 97: 93: 89: 85: 80: 78: 74: 70: 69:Pedro Ansúrez 65: 63: 59: 51: 49: 47: 43: 39: 35: 28: 23: 18: 276: 249: 232: 205: 189: 171: 166: 153: 122:Antonio Ponz 100: 81: 66: 55: 33: 32: 304:1800 deaths 299:1727 births 144: [ 114: [ 42:Mexico City 293:Categories 158:References 126:Charles IV 263:Biography 172:Murgetana 52:Biography 48:scenes. 71:before 256:  212:  150:(1760) 58:Madrid 29:(1785) 148:] 118:] 46:genre 38:Yecla 254:ISBN 231:In: 210:ISBN 90:and 20:The 295:: 220:^ 197:^ 179:^ 146:es 116:es

Index


Puerta de Alcalá
Fountain of Cybele
Yecla
Mexico City
genre
Madrid
Real Academia de Bellas Artes de San Fernando
Pedro Ansúrez
Alfonso the Battler
Antonio González Velázquez
Royal Tapestry Factory
Corrado Giaquinto
Anton Raphael Mengs
Mariano Salvador Maella
Cosme de Acuña
Academia de San Carlos
Jerónimo Antonio Gil
es
Antonio Ponz
Charles IV

Ferdinand III
Muhammad Al-Bayyasi
es




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