491:, another Futurian, took on the task of finding free material for Wollheim to fill the first two issues. Two of the Futurians (Lowndes and Pohl) were already working as editors of recently launched sf magazines, and there were many other paying markets for science fiction at that time, but the Futurians were so prolific that Wollheim was able to obtain much of his material from them. Wollheim also published some of his own stories in the two magazines. Kornbluth provided Wollheim with more stories than anyone else, using several aliases, including "Cecil Corwin", "S.D. Gottesman", and "Kenneth Falconer". Other Futurians who contributed material included Blish, Lowndes,
440:
113:, was irate at the idea of a magazine that might "siphon readership from magazines that paid", and thought that authors who contributed should be blacklisted. Kornbluth was the most prolific contributor, under several pseudonyms; one of his stories, "Thirteen O'Clock", published under the pseudonym "Cecil Corwin", was very successful, and helped to make his reputation in the field. The magazines ceased publication in late 1941, but Wollheim was able to find a publisher for one further issue of
519:
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33:
515:; Knight describes it as "a delightful screwball fantasy", and adds that it made Kornbluth's reputation. Other stories from later issues that have been well-received include "The Long Wall", by Lowndes; "The City in the Sofa", "What Sorghum Says", "The Golden Road", and "The Words of Guru", all by Kornbluth; "The Real Thrill" by Blish; and "The Goblins Will Get You", by Michel.
578:, was not concerned by Albing's policy. Campbell felt that any story that an author was willing to give away would be so poor that the new magazines would not be competitive. Although Campbell was correct that the magazine was unable to compete with paying magazines, Wollheim managed to produce, in Damon Knight's words, "a rather surprising level of quality".
548:—a competing science fiction magazine—and discovered that Tremaine was irate at the idea of a magazine that might "siphon readership from magazines that paid" by taking stories without paying the authors. Tremaine felt that any author who contributed a story to these magazines should be blacklisted. Asimov acknowledged that a story of his would be appearing in
612:; Dold was at one time regarded as one of the most important sf artists, but this was the last work he did in the science fiction field. The cover has been described by sf historian Mark Rich as "excellent ... accurately illustrates a scene" from "Interference", a story by Kornbluth published under the pseudonym "Walter C. Davies".
604:, an established artist. Morey's cover was undistinguished; Damon Knight commented later that the door to the airlock in the picture evidently did not fit, and that at $ 15 Morey was overpaid. Wollheim also obtained free art from Roy Hunt, an artist based in Denver. The cover for the July 1941 issue of
565:
Wollheim reluctantly agreed to a payment of $ 5, commenting that it was an effective word rate of $ 2.50 per word, since he was paying only for the use of Asimov's name. Wollheim later commented that because of the payment he could sue Asimov for royalties whenever the latter's name appeared in print.
132:, but the story was ruined by a misprint in a crucial word in the first sentence. Keller was an established writer in the field, but Wollheim was aware that Keller occasionally donated material to fanzines, and was able to obtain a story from him. The quality of the artwork was variable; it included
564:
the sequence of events is given slightly differently, with Asimov asking
Wollheim for payment, or else for the story to be published under a pseudonym, before the story was published. This was requested on the grounds that "even though the story might be worth nothing, my name was worth something".
304:
It was a father and son, the son in his twenties, and the father in his fifties; they were operating out of a desk in the corner of an advertising office, and what they had was credit from one of the news companies , Kable or one of those outfits, and they said, 'We don't have any capital, but if you
430:
listed the payment rate as half a cent per word. This was a low rate, but it would have been on a par with many other magazines of the era, had
Wollheim been able to achieve it. In the event he was able to start paying small amounts to his authors after the first couple of issues; Kornbluth was
305:
can put the magazine together for nothing, we can go up to fifteen bucks for art, and we can do it. If the magazine succeeds, then we'll be able to pay you a regular salary after the third issue.' My attitude was that at least I'd be getting the experience, and something was better than nothing.
457:
was presented by
Wollheim as if it were two separate magazines bound together; the first half of the magazine was titled "Stirring Science-Fiction", and the second half "Stirring Fantasy-Fiction". An editorial and letters section, titled "The Vortex", separated the two. Wollheim described his
596:, later to become a popular artist in the field. Bok was enthusiastic enough about Kornbluth's "Thirteen O'Clock" to produce more interior drawings than Wollheim had room for in that issue; they were eventually used to advertise the magazine in later issues. For the February 1941 issue of
756:
The story was about indestructible aliens, who referred to humans as "Brittle People", by way of comparison with themselves. The printers dropped a tray of type and reconstructed the text from memory, and the rebuilt text changed the only occurrence of "Brittle People" to "Little
766:
Asimov described the letter from
Wollheim with the $ 5 payment as "needlessly nasty". He later commented to Damon Knight that he might have just given Wollheim the $ 5 back in cash after receiving the check, but that the option never occurred to him at the
396:
Wollheim sent a letter out to his contacts in science fiction fandom, announcing the new magazines. Originally the plan had been to publish a single monthly title, but this was changed by the publisher to two alternating bimonthly magazines, to be called
507:
with an unfortunate printer's error in the first sentence of the story that rendered the plot incomprehensible. Knight would later become a member of the
Futurians, but he was still living in Oregon at the time the story appeared in print.
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409:. Wollheim had announced a planned newsstand date of 15 December 1940, but according to Damon Knight's later recollection the magazine appeared in January 1941. The two titles alternated months until the July 1941 issue of
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on the newsstands. He wrote to the publishers, Albing
Publications, to see if they were interested in adding a science fiction title to their list, and he was invited to their office. Wollheim later recalled the meeting:
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503:; the stories, often collaborations between two or more of the Futurians, were published under a variety of pseudonyms. Damon Knight's first story, "Resilience", appeared in the February 1941 issue of
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for Albing, also with no budget for fiction, though Damon Knight's recollection is that she wrote most of the content herself and probably would not have done so without at least some payment.
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isn't really one magazine but two. A sort of
Siamese twin embracing within its covers for the first time in publishing history a science fiction magazine and a weird-fantasy magazine".
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also was numbered in volumes of three issues, but reached volume 2 number 1 with its last issue. Initially the two magazines appeared on an alternating bimonthly schedule, with
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on the cover), after which the magazines were cancelled. Some months later
Wollheim was able to find another publisher, Manhattan Fiction Publications, and a fourth issue of
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was titled "Cosmic
Science-Fiction" on the cover for the second and third issues, though it remained "Cosmic Stories" on the masthead. The publisher for all issues of
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83:
and launched by the same publisher, appearing in alternate months. Wollheim had no budget at all for fiction, so he solicited stories from his friends among the
277:(sf) had been published in the United States before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of
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appeared, dated March 1942. Wartime constraints prevented the new publisher from continuing, and there were no more issues of either title.
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589:. Keller occasionally gave material to fan magazines, and Wollheim would have been aware of this when he began looking for free stories.
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was pulp format and 128 pages long for the first three issues, and switched to large pulp format with 68 pages for the last issue.
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As well as stories from the
Futurians, Wollheim was able to obtain some material from established names in the field, including
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he recalls that after hearing Tremaine's comments he requested a token payment of $ 5 from Wollheim; in Asimov's autobiography
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paid for several of his later stories for the two magazines, though the rates were well below half a cent per word.
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was published by Manhattan Fiction Publications of New York. Both magazines were priced at 15 cents throughout.
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656:'s first issue the following month; after three issues each there was a long delay before a final issue of
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was 130 pages for the first two issues, and 116 pages for the last issue; all were in pulp format.
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511:"Thirteen O'Clock", by Kornbluth, is generally regarded as the best story in the first issue of
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295:, an active science fiction fan and aspiring editor and writer, noticed a new magazine titled
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The Time Machines: The Story of the Science-Fiction Pulp Magazines from the beginning to 1950
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128:. Knight's first published story, "Resilience", appeared in the February 1941 issue of
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contributed a story, but later insisted on payment after hearing that
1252:; Langford, David; Nicholls, Peter; Sleight, Graham (October 2011).
1228:; Langford, David; Nicholls, Peter; Sleight, Graham (October 2011).
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The explanatory "" was added by Damon Knight when he quoted this in
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Other well-known writers who appeared in the two magazines included
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31:
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In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954
1818:
Defunct science fiction magazines published in the United States
1183:
A Biographical Dictionary of Science Fiction and Fantasy Artists
1097:
Pohl, Frederik (2002). "Damon Knight". In Pohl, Frederik (ed.).
592:
Wollheim was fortunate in obtaining a good deal of artwork from
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in March 1942 before war restrictions forced it to close again.
1276:
1254:"Stirring Science Stories: The Encyclopedia of Science Fiction"
71:
that published a total of seven issues in 1941 and 1942. Both
1166:. Westport, Connecticut: Greenwood Press. pp. 679–681.
1143:. Westport, Connecticut: Greenwood Press. pp. 168–170.
1792:
History of US science fiction and fantasy magazines to 1950
632:
Donald A. Wollheim was the editor for all issues of both
712:, who by that time was married to Frederik Pohl, edited
672:
was Albing Publications of New York; the final issue of
107:, the editor of the competing science fiction magazine
572:, the editor of the leading science fiction magazine,
538:. After Wollheim acquired the story, Asimov met with
487:, were later to become very successful in the field.
1230:"Cosmic Stories: The Encyclopedia of Science Fiction"
1164:
Science Fiction, Fantasy, and Weird Fiction Magazines
1141:
Science Fiction, Fantasy, and Weird Fiction Magazines
405:. The first to appear was the February 1941 issue of
148:, who later became a well-known artist in the field.
1797:
George Kelley Paperback and Pulp Fiction Collection
1784:
1317:
1843:Science fiction magazines established in the 1940s
1060:
806:Edwards & Nicholls (1993), pp. 1066–1068.
741:, and Charles Hornig was paying the same rate at
302:
140:field, for the cover of the July 1941 issue of
1162:". In Tymn, Marshall B.; Ashley, Mike (eds.).
1139:". In Tymn, Marshall B.; Ashley, Mike (eds.).
1069:. New York: St. Martin's Press, Inc. pp.
652:'s first issue appearing in February 1941 and
144:, and several covers and interior drawings by
1288:
534:", which appeared in the March 1941 issue of
27:Two related US pulp science fiction magazines
8:
1295:
1281:
1273:
1185:. Westport, Connecticut: Greenwood Press.
1065:. In Clute, John; Nicholls, Peter (eds.).
1059:Edwards, Malcolm; Nicholls, Peter (1993).
390:Donald A. Wollheim was editor throughout.
267:Donald A. Wollheim was editor throughout.
1101:. New York: Macmillan. pp. 201–203.
1025:. Liverpool: Liverpool University Press.
308:
155:
1853:Magazines published in New York (state)
1480:Flash Gordon Strange Adventure Magazine
870:
868:
866:
864:
862:
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858:
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779:
693:
1747:Vargo Statten Science Fiction Magazine
644:had a single volume of three numbers;
297:Stirring Detective and Western Stories
1220:Internet Speculative Fiction Database
1211:Internet Speculative Fiction Database
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458:approach in the first issue, saying "
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1718:Two Complete Science-Adventure Books
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568:In contrast to Tremaine's attitude,
424:An announcement in the January 1941
1529:Miracle Science and Fantasy Stories
1067:The Encyclopedia of Science Fiction
729:was paying half a cent per word at
530:Isaac Asimov contributed a story, "
388:, showing volume and issue numbers.
265:, showing volume and issue numbers.
1256:. London: Gollancz. Archived from
1232:. London: Gollancz. Archived from
25:
1848:Magazines disestablished in 1942
1838:Magazines disestablished in 1941
1424:Dusty Ayres and His Battle Birds
1116:Rocklynne, Ross (October 1941).
1099:The SFWA Grand Masters: Volume 3
923:Ashley (2000), pp. 147, 158-159.
1158:Thompson, Raymond H. (1985b). "
1135:Thompson, Raymond H. (1985a). "
1697:Terence X. O'Leary's War Birds
874:Thompson (1985b), pp. 617–620.
797:Thompson (1985a), pp. 168–170.
668:and the first three issues of
600:, the $ 15 art budget went to
1:
1833:Magazines established in 1941
1354:A. Merritt's Fantasy Magazine
747:for most of his acquisitions.
467:Wollheim was a member of the
1606:Scientific Detective Monthly
1571:Out of This World Adventures
1118:"Science-Fiction Simplified"
999:Weinberg (1988), pp. 94–95.
981:Asimov (1979), pp. 284–285.
960:Ashley (2000), pp. 161–163.
628:; cover art by Elliott Dold
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1676:Tales of Magic and Mystery
1445:Famous Fantastic Mysteries
706:fan group of the same name
575:Astounding Science Fiction
383:
260:
1823:Fantasy fiction magazines
1599:Science Fiction Quarterly
1466:Fantastic Story Quarterly
1347:Amazing Stories Quarterly
1181:Weinberg, Robert (1988).
883:Rich (2010), pp. 106–108.
838:Knight (1977), pp. 60–63.
660:appeared in March 1942.
526:; cover art by Hannes Bok
69:science fiction magazines
1648:Stirring Science Stories
1216:Stirring Science Stories
1160:Stirring Science Stories
892:Rocklynne (1941), p. 28.
638:Stirring Science Stories
598:Stirring Science Stories
524:Stirring Science Stories
522:The April 1941 issue of
460:Stirring Science Stories
455:Stirring Science Stories
445:Stirring Science Stories
407:Stirring Science Stories
403:Stirring Science Stories
263:Stirring Science Stories
115:Stirring Science Stories
61:Stirring Science Stories
1711:Tops in Science Fiction
1494:G-8 and His Battle Aces
1438:Dynamic Science Stories
1431:Dynamic Science Fiction
1044:. New York: Doubleday.
932:Rich (2010), pp. 89–91.
914:Rich (2010), pp. 78–79.
624:The July 1941 issue of
413:(by that time retitled
136:'s last artwork in the
1515:Marvel Science Stories
1487:Future Science Fiction
1340:Amazing Stories Annual
1218:series listing at the
1209:series listing at the
1088:Knight, Damon (1977).
1040:Asimov, Isaac (1979).
944:Knight (1977), p. vii.
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527:
451:
435:Contents and reception
415:Cosmic Science-Fiction
307:
55:Cosmic Science-Fiction
44:
38:Cosmic Science-Fiction
36:The May 1941 issue of
1669:Super Science Stories
1092:. New York: John Day.
1021:Ashley, Mike (2000).
732:Super Science Stories
704:, his history of the
623:
616:Bibliographic details
521:
442:
35:
1592:Science-Fiction Plus
1452:Fantastic Adventures
969:Pohl (2002), p. 202.
489:Robert A. W. Lowndes
481:C. M. Kornbluth
384:All three issues of
97:C. M. Kornbluth
89:science fiction fans
1775:Wonder Story Annual
1361:Astonishing Stories
1008:Rich (2010), p. 96.
990:Rich (2010), p. 84.
850:Rich (2010), p. 74.
738:Astonishing Stories
561:In Memory Yet Green
443:The first issue of
261:All four issues of
152:Publication history
87:, a group of young
64:were two American
1368:Astounding Stories
714:Movie Love Stories
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587:Clark Ashton Smith
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293:Donald A. Wollheim
81:Donald A. Wollheim
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1761:The Witch's Tales
1641:Startling Stories
540:F. Orlin Tremaine
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105:F. Orlin Tremaine
16:(Redirected from
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1690:10 Story Fantasy
1557:Oriental Stories
1459:Fantastic Novels
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1260:on 11 June 2020
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1662:Strange Tales
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1090:The Futurians
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1613:The Scorpion
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1564:Other Worlds
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1389:Captain Zero
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1262:. Retrieved
1258:the original
1238:. Retrieved
1234:the original
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1130:(11): 25–30.
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610:Elliott Dold
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473:Isaac Asimov
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122:Damon Knight
119:
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101:Isaac Asimov
76:
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60:
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53:
48:
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37:
29:
1754:Weird Tales
1550:Operator #5
1543:The Octopus
1326:Ace Mystery
1250:Clute, John
1226:Clute, John
485:James Blish
134:Elliot Dold
93:James Blish
1812:Categories
1734:(Canadian)
1634:The Spider
1536:New Worlds
1522:Mind Magic
1410:Doc Savage
775:References
594:Hannes Bok
497:David Kyle
146:Hannes Bok
91:including
42:Hannes Bok
1318:Magazines
1071:1066–1071
602:Leo Morey
469:Futurians
449:Leo Morey
273:Although
85:Futurians
1264:23 April
1240:23 April
757:People".
678:Stirring
674:Stirring
670:Stirring
658:Stirring
650:Stirring
646:Stirring
513:Stirring
505:Stirring
419:Stirring
77:Stirring
1785:Related
1740:Unknown
1473:Fantasy
1308:fantasy
1015:Sources
608:was by
1189:
1170:
1147:
1105:
1077:
1048:
1029:
682:Cosmic
666:Cosmic
662:Cosmic
654:Cosmic
642:Cosmic
550:Cosmic
536:Cosmic
499:, and
483:, and
73:Cosmic
58:) and
1396:Comet
767:time.
688:Notes
545:Comet
352:1941
231:1942
199:1941
110:Comet
1306:and
1266:2016
1242:2016
1187:ISBN
1168:ISBN
1145:ISBN
1103:ISBN
1075:ISBN
1046:ISBN
1027:ISBN
735:and
636:and
585:and
401:and
347:Dec
283:, a
194:Dec
124:and
95:and
75:and
66:pulp
1128:XXI
640:.
369:1/3
364:1/2
359:1/1
344:Nov
341:Oct
338:Sep
335:Aug
332:Jul
329:Jun
326:May
323:Apr
320:Mar
317:Feb
314:Jan
238:2/1
214:1/3
209:1/2
204:1/1
191:Nov
188:Oct
185:Sep
182:Aug
179:Jul
176:Jun
173:May
170:Apr
167:Mar
164:Feb
161:Jan
99:.
1814::
1126:.
1120:.
1073:.
974:^
949:^
937:^
897:^
855:^
843:^
811:^
782:^
495:,
479:,
475:,
1296:e
1289:t
1282:v
1268:.
1244:.
1195:.
1176:.
1153:.
1111:.
1083:.
1054:.
1035:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
