280:(mentioned above). The New York 1792 edition followed a London edition published three years earlier. Both editions included 60 engravings. The copper plates used in London were not used in New York. Instead, American engravers made new plates. Most of the London engravings included names of artists, but these were omitted in American editions. Such omissions—in many books—went hand-in-hand with the development of Americanism, and may also have avoided copyright issues. Regarding the 60 illustrations, in 2023, a librarian identified most of the artists in the London edition, hence also the American. To summarize, it seems likely that Tiebout and other American engravers were instructed to show only their own names on their works.
607:
120:
240:
181:
646:
682:
485:
321:
46:
142:, Stauffer wrote, "This is probably the first really good portrait engraved by an American-born professional engraver." Stauffer correctly gives the date of this famous portrait as April, 1795. The date April, 1796, given elsewhere, is an error. In August, 1796, Tiebout returned to New York, and in that year the firm of Cornelius and Alexander Tiebout (not Andrew Tiebout, as found in some sources) published an engraving of a painting by West.
360:, were published serially in London, 1802-1820, and in several American cities as 41 volumes of text and 6 of plates, 1806-1820. Tiebout is one of 22 American engravers whose works appear in the first 5 plate-volumes. He engraved 77 of the signed plates. (In this case and others, Tiebout may have engraved some of the unsigned plates.)
309:
Typical of the reference to a
British Bible in the prefatory pages of Carey's Bibles is this phrase: "Printed from the last Oxford edition." However, searches at Oxford University Press, several British university library collections, and the British Library, found no British Bible with illustrations
176:
Tiebout was among the most active engravers in
Philadelphia during his residence there. During 1817-1824, he was a member of the banknote firm of Tanner, Kearney, and Tiebout, located at 10 Library Street, Philadelphia. The firm featured an invention by Henry J. Tanner (brother of engraver Benjamin
293:
published at least ten Bibles. Counts of illustrations in these Bibles show that the engraver with the greatest number of illustrations was
Tiebout. Other copperplate engravers (no doubt known personally to Tiebout through collaboration and competition) having more than 10 illustrations in Carey
164:
provides insights into the lives of his friends
Alexander and Cornelius Tiebout. For example, Anderson wrote on 17 October 1794 that he "Stopp't at A. Tiebout's shop and saw 3 engravings done by his brother Cornelius in England." An entry in February 1799 notes that Cornelius was courting Esther
172:
The year of
Tiebout's move from New York to Philadelphia is stated as 1799 in some accounts. It seems likely, however, that the move took place in 1800, as Tiebout sent, from New York, a letter to Mathew Carey, dated 17 December 1799. Genealogical records show that the Tiebouts' son Joseph was
131:. The frontispiece of this book was engraved, after English artist Conrad Martin Metz (1749-1827), by Tiebout. According to the caption, the engraving shows the 1st-century Jewish historian Josephus holding a book and writing, "inspired by Historic Muse holding Mirror of Truth in the clouds…".
100:
It seems likely that all published maps engraved by
Tiebout appeared before he moved from New York to Philadelphia in 1800. These include separate maps of southern states and northern states in 1789. In view of Tiebout's published engravings before 1790, along with other evidence, it is
101:
biographically notable that the year 1777—widely published as the year of
Tiebout's birth—is less acceptable than the estimate "1773?" given elsewhere. (Another source indicates that Tiebout was born in 1770. His siblings, for whom documentation exists, were born during 1754-1767.)
554:. Both novels, having already been published repeatedly in England and France, were published in Philadelphia by Mathew Carey. There appears to be no record of women who sat for these images, so that, here again, possibly Tiebout was not only the engraver, but also the artist.
586:, nephew of B. S. Barton, was published in three volumes. The 29 plates engraved by Tiebout receive special attention and praise in the prefatory pages of volume 1 for his use of a "new style of engraving" called the French method. Barton writes, "These plates are printed in
271:. However, as is true about many American copperplate engravers, most of Tiebout's engravings appeared in American editions of books previously published in London during the first three decades after the War for Independence. A selection of these follows.
68:
that includes a
Tiebout engraving also presents, on the contents page, an announcement about the engraving. The accompanying articles provide details of historic interest. Among the 47 subjects are the Federal Edifice in New York City (March, 1790; now
1063:, edited by Josephine Mirabella Elliott, Indianapolis Historical Society, Indianapolis, 1994, pages 368, 379, 404, 446, 473, 481, 493, 518, 519, 537, 543, 547, 551, 574, 582, 590, 591, 605, 607, 618, 633, 784, 787, 846, 907, 912, 723, and 962.
669:
was published in three volumes, in 1824, 1825, and 1828. The first two were published in
Philadelphia before both Say and Tiebout moved to New Harmony, Indiana, in 1826. The artists of the 54 plates in the three volumes were
328:
Of special interest among
Tiebout's biblical engravings is one depicting Joseph revealing himself to his brothers—very special because the actual copper plate for this engraving has survived. It can be admired online:
410:
This periodical, devoted to the interests of American and British inventors and scientists, was published in two separate series during 1812-1814. The principal engraver was Tiebout, who signed 50 of the engravings.
638:, this engraving "attracted much attention for being larger than the usual size, a mechanical contrivance of Tiebout's invention enabling the artist to execute most of the work without using the common graver." In
149:. However, there appears to be no mention of Tiebout in published works about Heath or Tiebout's six London-based engravings. Regarding Tiebout's craftsmanship, Donald O'Brien writes that young Tiebout's work in
678:, W. W. Wood, and H. B. Bridport. Six of the plates are unsigned. The engravers' signatures on the other plates are by Tiebout, G. Lang, and Longacre, and "Mr. C. Tiebout engraved nearly all of them."
184:
Possibly the Tiebouts and Says resided here at the same time, before it was named the Fauntleroy Home. (Tiebout was of Dutch ancestry, not English.) Courtesy of Indiana State Museum and Historic Sites
89:
was of great importance to Tiebout's early career. The publisher, T. and J. Swords, approved of Tiebout's "costly copperplate engravings", and they published a map by Tiebout in issues of the
702:. The first four parts of this book were published at the School Press (also known as Maclure's Press) in New Harmony. These plates show the signature "Mrs. Say" for the artist, referring to
346:
was published in London, 1798-1802. The earliest American edition, including 26 engraved illustrations by Tiebout, consists of 24 volumes, published in Philadelphia, 1802-1803.
23:. According to the Library of Congress and many followers, Tiebout was born about 1773. If so, his earliest known engraving was published while he was about fifteen years old.
560:
As early as 1803, Tiebout made engravings for a book that was published in America before it was published in England. That book and other publications include the following:
212:
in New Harmony, Cornelius Tiebout died on 24 February 1832 and was buried on the property of George Woods in a graveyard that no longer exists. According to a record in the
1076:, Windmill Publications, Mt. Vernon, Indiana, 1996, p. 151; also, family records for surnames Tiebout, Woods, and others, Workingmen's Institute, New Harmony, Indiana.
177:
Tanner), designed to prevent counterfeiting. Tiebout "is said to have made considerable money in his business, but he lost most of it in some disastrous speculation…"
626:, a Philadelphia magazine that was of great interest to engravers. Shown here is one of the ten, featuring a lion on the back of a horse, after British artist
169:. Cornelius and Esther were married on 20 April 1799. They named their first child Joseph Young Tiebout after Dr. Joseph Young, another of Esther's uncles.
1461:
893:
H. Guynes, "The Simon Wattles Kellogg Family of Robertson County, Texas", typescript in The Working Men's Institute, New Harmony, Indiana, undated, p. 2.
606:
188:
It has been widely published that Tiebout moved to Kentucky and died there. Instead, Tiebout, with daughter Caroline, 23, and son Henry, 5, arrived in
1456:
119:
310:
that match those by Tiebout in the Carey Bibles. This leaves open the remarkable possibility that Tiebout was the artist, as well as the engraver.
289:
Tiebout's three earliest Bible illustrations were published in 1792, with five more in 1796. During 1801-1816, the Philadelphia publishing magnate
820:
317:. Carey paid Tiebout $ 75.00 for this engraving, and less than $ 70 for each of the other biblical engravings itemized in Carey's account books
216:, Courthouse, dated 29 March 1832, Tiebout's son-in-law, Simon W. Kellogg, was administrator of Tiebout's estate, with Thomas Say as co-signer.
39:. He was apprenticed to New York silversmith John Burger (1747-1828). Tiebout and Burger's son published (probably in 1789) a songbook entitled
1446:
1426:
1416:
603:
A leading Philadelphia architect, Owen Biddle (1774-1806) wrote this book, first published in 1805. It includes 19 plates engraved by Tiebout.
478:
642:, the narrative accompanying this distinctive engraving is called "a specimen of a new style in the graphic art, invented by Mr. C. Tiebout."
229:
166:
374:
239:
134:
Late in 1793, Tiebout moved to London. According to Tiebout's daughter Caroline, Tiebout resided in the house of Pennsylvania-born artist
138:
during 1793-1796. In London, Tiebout engraved five portraits that were published in London. Referring to Tiebout's London portrait of
1451:
1441:
446:
706:, who hand-colored the plates. Possibly Tiebout's three engravings in Part IV, dated March, 1832, were his last signed engravings.
161:
1431:
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520:
385:. First American editions of both books were published by Mathew Carey in 1806. The plates were later published separately for
204:, a project which he had begun when both he and Say lived in Philadelphia. Tiebout was still engraving illustrations for Say's
800:, compiled and edited by C. J. Bradley and J. B. Coover, Detroit Studies in Music Bibliography, no. 58, Detroit, 1987, p. 195.
78:
1196:
344:
Historical Account of the Most Celebrated Voyages, Travels, and Discoveries from the time of Columbus to the present period
116:
and taught Colles's daughter Eliza how to do so, leading to recognition of Eliza as the earliest female American engraver.
1050:
William Maclure to Reuben Haines, 25 October 1826, Wyck Collection, American Philosophical Society, Box 19, Folder 239.
857:
New York Genealogical and Biographical Society Collections, Vol. 3: Baptisms, Reformed Dutch Church New York 1731-1800.
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528:
93:
for the years 1789-1793, 1795, and 1796. These directories and other Tiebout engravings can be viewed online from the
225:
209:
61:
1378:
Harry B. Weiss and Grace M. Ziegler, "Thomas Say, Early American Naturalist", Springfield, Illinois, 1931, p. 191.
964:, New Castle, Delaware, for The American Historical Print Collectors Society, Farmingdale, New York, 2008, p. 41.
488:
John Jay, "probably the first really good portrait engraved by an American-born professional engraver." (Stauffer)
157:, and that "a cursory examination divulges that Tiebout was a superior craftsman even before studying in London."
675:
145:
According to many accounts, the purpose of Tiebout's three years in London was to study stipple engraving under
821:
https://digitalcollections.nypl.org/search/index?keywords=Cornelius+Tiebout&sort=keyDate_st+asc#/?scroll=56
450:
180:
127:
Another boost for Tiebout's early career was the inclusion of 14 of his engravings in a major publication, the
123:
Frontispiece of Works of Josephus engraved by Cornelius Tiebout, 1792, Courtesy of American Antiquarian Society
722:
94:
1147:
417:
For use as frontispieces for biographies and other books, Tiebout engraved images of the following people:
295:
268:
146:
20:
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339:
213:
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45:
85:), and views of rivers, historic residences, and churches. The publication of these engravings in the
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74:
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109:
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538:
In 1809, two of Tiebout's engraved portraits appeared as frontispieces in best-selling novels:
192:, in October, 1826, and resided there until Tiebout's death. In New Harmony, Tiebout taught in
1148:"Cornelius Tiebout after Ibbetson, "The Death of Captain Walter Raleigh" (early 19th century)"
496:
454:
320:
248:
243:
Constitution capturing Guerrier, engraved by Cornelius Tiebout after Thomas Birch, War of 1812
77:)), Mount Aetna, (November, 1790, now Mount Gibello, in Sicily), West Point (March, 1791, now
64:, appears in the first issue of this magazine, dated the first day of 1790. Each issue of the
1099:"Cornelius Tiebout | A Perspective View of the City Hall in New York, Taken from Wall Street"
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233:
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36:
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303:
154:
977:(two volumes), Oak Knoll Press, American Antiquarian Society, 2014, v. 1, pp. 126-127.
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532:
512:
135:
630:. Another of the ten engravings shows a rustic cottage scene, after British artist
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671:
573:. The book was published in Philadelphia in 1803, and published in London in 1804.
516:
426:
357:
290:
260:
70:
1244:
Jenny Ruthven, University of Southampton, in Cornelius Tiebout Engravings: Part 5.
377:
wrote two widely influential books published in London and later in America: (1)
1391:
1270:
Now when the even was come (The Last Supper), Pennsylvania Academy of Fine Arts.
474:
466:
438:
324:
Joseph revealing himself to his brethren, from a Bible published by Mathew Carey
314:
224:
Tiebout's works are held in multiple American museum collections, including the
53:
Among young Tiebout's many engravings during 1790-1793 are 47 illustrations in
662:
500:
418:
256:
197:
1085:
Posey County Order Book Probate, Books C and D, Feb. 1828-May, 1834, p. 239.
1220:
833:
The New York Historical Society's Dictionary of Artists in America 1564-1860
1329:
Donald C. O'Brien, "The Engravers of Philadelphia's Port Folio Magazine",
1123:"Cornelius Tiebout, "Now, When the Even Was Come..." (early 19th century)"
1017:
Mantle Fielding's Dictionary of American Painters, Sculptors and Engravers
703:
508:
458:
139:
32:
495:
Tiebout engraved other portraits as individual prints: U. S. presidents
867:
Walter W. Ristow, "Eliza Colles, America's First Female Map Engraver",
610:
The Lion and Horse, engraved by Cornelius Tiebout, after George Stubbs
1318:
Prints and Printmaking: An introduction to the history and techniques
757:
Cornelius Tiebout Engravings: Part 1: Earliest Engravings (1788-1789)
356:
These 39 volumes of text and 6 volumes of engraved plates, edited by
986:
Pennsylvania Historical Society, Lea & Febiger Records, Box 16.
153:
is much better than that of the well-established American engraver
680:
644:
605:
483:
319:
238:
179:
118:
44:
1030:
The Ancestry and Posterity of Cornelius Henry Tiebout of Brooklyn
769:
The Ancestry and Posterity of Cornelius Henry Tiebout of Brooklyn
745:
783:, edited by H. F. Darling, Eggertsville, New York, 1964, p. 176.
208:
when he became too ill to continue. According to records in The
1019:, compiled and published by J. F. Carr, New York, 1965, p. 368.
847:, edited by H. F. Darling, Eggersville, New York, 1964, p. 176.
1280:
Mathew Carey Account Books, American Antiquarian Society; see
481:, Presiding Bishop of Episcopal Church of the United States.
698:
In New Harmony, Tiebout engraved 33 plates for Thomas Say's
590:, and are afterwards coloured by hand." This style, known a
620:
During 1809-1815, ten Tiebout engravings were published in
569:
Three of Tiebout's engravings are included in this book by
473:, English poet; John Stanford, American religious leader;
1367:
https://www.cornelius-tiebout-engravings.org/part_18.html
882:
The Whole Genuine and Complete Works of Flavius Josephus
796:: Another Piracy from Andrew Law?" in Richard S. Hill:
393:
by Mathew Carey, 1814. Tiebout signed 23 engravings in
379:
Astronomy Explained upon Sir Isaac Newton's Principles…
1221:"U.S. Frigate Constitution with Commander Isaac Hull"
975:
Alexander Anderson's New York City Diary 1793 to 1799
196:'s School of Industry and engraved illustrations for
112:, and possibly he engraved some of the maps in the
106:
Survey of the Roads of the United States of America
1307:, Philadelphia, vol. 1, 1821; v1, 1822; v.3, 1823.
1197:"Cornelius Tiebout's portrait of Thomas Jefferson"
746:Library of Congress Authorities: Cornelius Tiebout
594:, requires very considerable skill and artistry…"
383:Ferguson's Lectures on Select Subjects: Mechanics…
1032:, printed for private distribution, 1910, p. 30.
1028:Cornelius Henry Tiebout and Francis V. Morrell,
294:Bibles were Joseph H. Seymour, Benjamin Tanner,
104:Tiebout engraved the title page, dated 1789, of
1343:The Port Folio"", September, 1811, pp. 200-203.
1320:, University of California Press, 1996, p. 117.
771:, printed for private distribution, 1910, p. 3.
247:His best-known engravings include portraits of
81:), Plan of the City of Washington (June, 1792,
1173:"Cornelius Tiebout (1777?-1830) - Lord Newark"
389:by Abraham Small, Philadelphia, 1817, and for
8:
1152:PAFA - Pennsylvania Academy of the Fine Arts
1127:PAFA - Pennsylvania Academy of the Fine Arts
1059:William Maclure and Marie Duclos Fretageot,
962:Amos Doolittle, Engraver of the New Republic
165:Young, daughter of Isaac Young and niece of
1293:Cornelius Tiebout Engravings: Introduction.
884:, translated by G. Maynard, New York, 1792.
1259:, in Cornelius Tiebout Engravings: Part 4.
173:baptized on 4 March 1800 in Philadelphia.
1005:The Nashville Whig, and Tennessee Adviser
437:, abolitionist and former African slave;
1369:| Cornelius Tiebout Engravings, Part 18.
1257:List of Editions of the Holy Scriptures…
904:American Engravers upon Copper and Steel
714:
313:Among Tiebout's works is a view of the
835:, Yale University Press, 1957, p. 630.
831:George C. Groce and David H. Wallace,
767:C. H. Tiebout and Francis V. Morrell,
259:, as well as an engraving of the then-
1282:Cornelius Tiebout Engravings: Part 4.
1093:
1091:
810:Cornelius Tiebout Engravings: Part 2.
685:Fulgur pyruloides, from Thomas Say's
649:Monarch Butterfly, from Thomas Say's
230:Pennsylvania Academy of the Fine Arts
7:
1333:, New Series, no. 15, January, 2014.
548:Elizabeth; or, the Exiles of Siberia
477:, British founder of Methodism; and
73:), Columbia College (May, 1790, now
14:
1462:American people of French descent
727:British National Portrait Gallery
1457:American people of Dutch descent
421:, Scottish minister and writer;
599:The Young Carpenter's Assistant
558:Distinctly American Engravings.
1353:J. T. Scharf and T. Westcott,
1103:The Metropolitan Museum of Art
79:United States Military Academy
1:
1447:Artists from New York (state)
1427:19th-century American artists
1417:18th-century American artists
933:Stauffer, v. 1, pp. 271, 272.
406:Emporium of Arts and Sciences
62:Trinity Church, New York City
49:Trinity Church, New York City
19:(1773?-1832) was an American
1392:Cornelius Tiebout Engravings
1225:US National Portrait Gallery
942:Stauffer, v. 2, pp. 526-527.
915:Stauffer. v. 1, pp. 271-272.
457:, English/American actress;
453:, English/American actress;
31:Tiebout was born to a Dutch
951:Tiebout and Morrell, p. 30.
845:New York State Silversmiths
781:New York State Silversmiths
529:Charles Cotesworth Pinckney
129:Collected Works of Josephus
1478:
1255:Edmund Baily O'Callaghan,
995:Gross and Wallace, p. 619.
871:vol. 10 (1980), pp. 14-17.
449:, English/American actor;
445:, English/American actor;
226:Metropolitan Museum of Art
1452:Artists from Philadelphia
1442:American portrait artists
1061:Partnership for Posterity
1007:, front page, 9 May 1818.
924:Stauffer, v. 1, p. xxvii.
676:Charles-Alexandre Lesueur
302:(Kearny), John Boyd, and
58:; or, Literary Repository
902:David McNeely Stauffer,
451:Frances Brett Hodgkinson
1355:History of Philadelphia
1041:Stauffer, v. 2, p. 272.
636:History of Philadelphia
523:; and military leaders
236:in the United Kingdom.
210:Working Men's Institute
95:New York Public Library
91:New York City Directory
1432:19th-century engravers
1422:18th-century engravers
1305:Flora of North America
689:
653:
611:
578:Flora of North America
489:
325:
296:Peter Rushton Maverick
244:
234:Royal Collection Trust
185:
124:
50:
798:Tributes from Friends
684:
648:
609:
571:Benjamin Smith Barton
552:Sophie Ristaud Cottin
487:
463:William Fordyce Mavor
340:William Fordyce Mavor
323:
276:The Works of Josephus
242:
214:Posey County, Indiana
183:
122:
56:The New York Magazine
48:
1074:Posey County Burials
632:William Redmore Bigg
584:William P. C. Barton
461:, Jewish historian;
190:New Harmony, Indiana
35:family, probably in
21:copperplate engraver
1316:Anthony Griffiths,
1072:Darlene McConnell,
960:Donald C. O'Brien,
723:"Cornelius Tiebout"
700:American Conchology
694:American Conchology
687:American Conchology
672:Titian Ramsey Peale
667:American Entomology
658:American Entomology
651:American Entomology
465:, Scottish writer;
431:John Philpot Curran
206:American Conchology
202:American Entomology
75:Columbia University
60:. His engraving of
1437:American engravers
1390:Clark Kimberling,
880:Flavius Josephus,
690:
654:
612:
565:Elements of Botany
490:
423:Ann Eliza Bleecker
326:
261:New York City Hall
245:
186:
162:Alexander Anderson
125:
110:Christopher Colles
51:
1303:W. P. C. Barton,
973:Jane R. Pomeroy,
869:The Map Collector
497:George Washington
455:Charlotte Melmoth
429:, Scottish poet;
425:, American poet;
249:George Washington
232:, as well as the
87:New York Magazine
17:Cornelius Tiebout
1469:
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1376:
1370:
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1357:, v. 2, p. 1057.
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1331:Printing History
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540:Charlotte Temple
505:Thomas Jefferson
493:Other portraits.
469:, English poet;
459:Flavius Josephus
441:, English poet;
433:, Irish orator;
265:USS Constitution
253:Thomas Jefferson
83:Washington, D.C.
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1385:Further reading
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634:. According to
507:(3); governors
447:John Hodgkinson
435:Olaudah Equiano
300:Francis Kearney
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640:The Port Folio
623:The Port Folio
616:The Port Folio
544:Susanna Rowson
525:Thomas Truxton
521:George Clinton
471:Alexander Pope
415:Frontispieces.
375:James Ferguson
352:New Cyclopedia
304:Amos Doolittle
285:The Holy Bible
267:capturing the
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155:Amos Doolittle
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25:
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628:George Stubbs
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582:This book by
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513:Thomas McKean
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160:The diary of
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26:
24:
22:
18:
1412:1830s deaths
1407:1770s births
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1228:. Retrieved
1224:
1215:
1204:. Retrieved
1201:WHHA (en-US)
1200:
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1180:. Retrieved
1176:
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1156:. Retrieved
1154:. 2014-12-28
1151:
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1129:. 2014-12-28
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517:Simon Snyder
492:
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427:Robert Burns
414:
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358:Abraham Rees
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291:Mathew Carey
284:
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171:
167:Thomas Young
159:
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105:
103:
99:
90:
86:
71:Federal Hall
65:
54:
52:
40:
30:
16:
15:
592:à la poupée
475:John Wesley
467:John Milton
439:Thomas Gray
364:Ferguson's
315:Last Supper
147:James Heath
1401:Categories
1230:2023-06-25
1206:2023-06-25
1182:2023-06-25
1177:www.rct.uk
1158:2023-06-25
1133:2023-06-25
1108:2023-06-25
732:2023-06-25
710:References
663:Thomas Say
501:John Adams
443:John Henry
419:Hugh Blair
397:and 37 in
263:, and the
257:John Adams
228:, and the
198:Thomas Say
395:Astronomy
387:Astronomy
366:Astronomy
269:Guerriere
27:Biography
704:Lucy Say
509:John Jay
399:Lectures
391:Lectures
370:Lectures
333:Mavor's
151:Josephus
140:John Jay
66:Magazine
41:Amphion.
37:New York
33:Huguenot
794:Amphion
350:Rees's
335:Voyages
588:colour
531:, and
519:, and
503:, and
255:, and
114:Survey
550:, by
515:(2),
499:(4),
220:Works
546:and
381:and
368:and
665:'s
542:by
401:.
200:'s
108:by
1403::
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1199:.
1175:.
1150:.
1125:.
1101:.
1090:^
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306:.
298:,
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1233:.
1209:.
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1136:.
1111:.
735:.
696:.
660:.
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580:.
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408:.
372:.
354:.
337:.
287:.
278:.
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