37:
22:
332:
174:
Engebrechtsz. married
Elysbeth Pietersdr. in of around 1487. They had six children, including three sons, all of whom followed in their father's footsteps and became painters. Engebrechtsz. died somewhere between 11 February and 26 August 1527. There was some quarreling over his inheritance after his
145:. He also received commissions from the Leiden city government. Engebrechtsz. had a large, prolific workshop where he produced devotional art, together with his sons and other pupils. Through his sons, his later work became more and more influenced by
113:
Engebrechtsz. was the first painter in Leiden to whom work can be attributed with certainty. The first mention of
Engebrechtsz. in the archives was in 1482, when he sold some work to the Hieronymusdal priory (also known as Lopsen) in
261:
165:
Engebrechtsz. was born sometime between 1460 and 1465. He probably lived in Leiden uninterrupted from about 1497 until his death. Engebrechtsz. was a member of the local archer
118:, near Leiden. He may have been trained as a painter in this monastery as well, although it is also quite possible that he received training in
184:
419:
347:
231:
409:
171:(militia) from 1499 tot 1506 and the crossbow militia from 1515 to 1522. Around 1520 he served as captain of the crossbow militia.
273:
62:, and is considered the first important painter from that city. Engebrechtsz. taught a number of other Leiden painters, including
381:
414:
142:
102:
336:
90:
71:
375:
79:
75:
365:
312:
Cornelis
Engebrechtsz: L'école de peinture de Leyde et le romantisme Hollandais au début de la Renaissance
399:
359:
138:
134:
86:
44:
29:
404:
94:
352:
82:. Lucas van Leyden is considered his most important pupil, eclipsing Engebrechtsz. in popularity.
67:
154:
63:
36:
21:
141:. Both were made for the Mariënpoel convent in Leiden and are now in Leiden's city museum,
98:
393:
374:
358:
291:
Cornelis
Engebrechtsz., a documentary study of the man and his artistic environment
167:
115:
146:
343:
331:
130:
119:
150:
123:
157:). This Mannerist influence is clearly visible in the two triptychs.
59:
58:(c.1462–1527) was an early Dutch painter. He was born and died in
175:
death, indicating that he has amassed a considerable estate.
298:
26:
Christ’s second visit to the house of Mary and Martha
85:Work by Engebrechtsz. is in the collection of the
274:"Cornelis Engebrechtsz.", Grove Dictionary of Art
243:"Engelbrechtsz. (or Engebrechtsz., Cornelis)" in
257:
255:
253:
129:He painted primarily Biblical themes, like a
8:
293:, Gemeentelijke Archiefdienst (Leiden), 1975
35:
20:
224:
196:
319:The paintings of Cornelis Engebrechtsz
185:Dutch and Flemish Renaissance painting
353:Artcyclopedia: Cornelis Engebrechtsz.
348:Netherlands Institute for Art History
207:is an archaic Dutch abbreviation for
7:
14:
234:, J. Paul Getty Museum (archived)
149:, a popular style of painting in
41:Christ Taking Leave of his Mother
376:"Engelbrechtsen, Cornelis"
360:"Engelbrechtzen, Cornelis"
330:
247:, Oxford University Press, 2004
382:New International Encyclopedia
1:
420:Early Netherlandish painters
245:The Oxford Dictionary of Art
143:Stedelijk Museum De Lakenhal
70:and Engebrechtsz.' own sons
307:, G. Schade (Berlijn), 1899
105:in New York, among others.
16:Dutch painter (c.1462-1527)
436:
410:Dutch Renaissance painters
103:Metropolitan Museum of Art
321:, Garland, New York, 1977
300:, Van Gorcum, Assen, 1979
305:Die Leydener Malerschule
296:Jeremy Dupertuis Bangs,
289:Jeremy Dupertuis Bangs,
232:"Cornelis Engebrechtsz."
91:Kunsthistorisches Museum
80:Pieter Cornelisz. Kunst
56:Cornelis Engelbrechtsz.
366:Encyclopedia Americana
344:Cornelis Engebrechtsz.
337:Cornelis Engebrechtsz.
137:and a triptych of the
52:Cornelis Engebrechtsz.
48:
33:
339:at Wikimedia Commons
314:, Raoust, Lille, 1929
262:Rijksmuseum Amsterdam
135:Lamentation of Christ
87:Rijksmuseum Amsterdam
45:Rijksmuseum Amsterdam
39:
30:Rijksmuseum Amsterdam
24:
415:Painters from Leiden
97:in Los Angeles, the
95:J. Paul Getty Museum
317:Walter S. Gibson,
153:at that time (see
101:in Munich and the
68:Aertgen van Leyden
49:
34:
335:Media related to
191:Explanatory notes
155:Antwerp Mannerism
43:. Ca. 1515–1520.
28:. Ca. 1515–1520.
427:
386:
378:
370:
362:
334:
277:
271:
265:
259:
248:
241:
235:
229:
212:
201:
64:Lucas van Leyden
54:, also known as
435:
434:
430:
429:
428:
426:
425:
424:
390:
389:
373:
357:
328:
310:Émile Gavelle,
303:Franz DĂĽlberg,
286:
284:Further reading
281:
280:
272:
268:
260:
251:
242:
238:
230:
226:
221:
216:
215:
202:
198:
193:
181:
163:
111:
99:Alte Pinakothek
93:in Vienna, the
17:
12:
11:
5:
433:
431:
423:
422:
417:
412:
407:
402:
392:
391:
388:
387:
371:
355:
350:
327:
326:External links
324:
323:
322:
315:
308:
301:
294:
285:
282:
279:
278:
266:
249:
236:
223:
222:
220:
217:
214:
213:
195:
194:
192:
189:
188:
187:
180:
177:
162:
159:
110:
107:
15:
13:
10:
9:
6:
4:
3:
2:
432:
421:
418:
416:
413:
411:
408:
406:
403:
401:
398:
397:
395:
384:
383:
377:
372:
368:
367:
361:
356:
354:
351:
349:
345:
342:
341:
340:
338:
333:
325:
320:
316:
313:
309:
306:
302:
299:
295:
292:
288:
287:
283:
275:
270:
267:
263:
258:
256:
254:
250:
246:
240:
237:
233:
228:
225:
218:
210:
206:
200:
197:
190:
186:
183:
182:
178:
176:
172:
170:
169:
160:
158:
156:
152:
148:
144:
140:
136:
132:
127:
125:
121:
117:
108:
106:
104:
100:
96:
92:
88:
83:
81:
77:
73:
69:
65:
61:
57:
53:
46:
42:
38:
31:
27:
23:
19:
400:1460s births
380:
364:
329:
318:
311:
304:
297:
290:
269:
244:
239:
227:
208:
204:
199:
173:
166:
164:
128:
112:
84:
55:
51:
50:
40:
25:
18:
405:1527 deaths
139:Crucifixion
394:Categories
276:(archived)
264:(archived)
219:References
168:schutterij
116:Oegstgeest
147:Mannerism
179:See also
131:triptych
120:Brussels
72:Cornelis
385:. 1905.
369:. 1920.
346:at the
151:Antwerp
133:of the
124:Antwerp
211:"son".
109:Career
89:, the
78:, and
60:Leiden
76:Lucas
209:zoon
203:The
161:Life
122:and
396::
379:.
363:.
252:^
205:z.
126:.
74:,
66:,
47:.
32:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
