184:"Cornerstone Theater Company is a multi-ethnic, ensemble-based theater company. We commission and produce new plays, both original works and contemporary adaptations of classics, which combine the artistry of professional and community collaborators. By making theater with and for people of many ages, cultures and levels of theatrical experience, Cornerstone builds bridges between and within diverse communities in our home city of Los Angeles and nationwide."
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adaptations of classics, but they are informed by and attempt to address local concerns. These plays are often organized into "Cycles" which include several related communities. For example, Cornerstone's Faith Based cycles included plays created with members of the Jewish community, Catholics, Muslims, and so on.
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Cornerstone
Theater Company also operates the educational Cornerstone Institute, which offers theater artists hands-on training in community-based theater. Programs offered include a summer residency, a two-day intensive course, and a semester-long traveling program mentored by Cornerstone staffers.
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Typically, Cornerstone artists take up residence in the community they will be working with to develop a script for production. Using members of the community, Cornerstone creates a performance company, mixing the professional
Cornerstone ensemble with local talent. The resulting plays are often
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In 1992 the company decided to settle in a city that would allow them access to a wider variety of communities to collaborate with. Since then, the company has expanded its definition of "community". Initially only defined geographically, the company's collaborations have incorporated religious
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Another unique facet of
Cornerstone is the production of the "Bridge show", a production which links two or more communities together by combining their members into a new show that then performs in each of those communities.
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communities, workplace communities, and age-based communities. For the company's 10th anniversary in 1996, the "community" was defined as "people whose birth date is the same as that of the company".
312:. “We will be carefully considering what and where we want our next physical home to be—what makes sense for a unique organization like ours?” Garcés and Wanlass said in a statement.
328:. This musical adaptation of Shakespeare with a cast and crew of 50 from all 12 previous residency communities toured 10,000 miles, culminating Cornerstone's national touring phase.
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focused on reproductive rights in an era when technology makes new interventions and treatments possible. The
Justice Cycle will continue through 2009 with three more productions.
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This artistic strategy is specifically aimed at developing and serving new audiences, and yields a collaborative theater form that blends professional
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in 1986. The impulse behind the group, according to Carey, was to create theater for audiences that they otherwise would never come in contact with.
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While the company normally spends weeks to months preparing for performances, the idea of "rapid response theater" had been suggested since the
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with artists and actors who are in some way telling their own stories, or the stories of their community.
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At the end of the company's initial rural residencies, Cornerstone and its community partners produced
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Starting in the Spring of 2007, Cornerstone began a new cycle of plays concerning the topic of
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Under the
Influence: California's Intoxicating Spiritual and Cultural Impact on America p. 147
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from a privately held plot of land that had been used as a community garden.
244:. For the next five years they traveled to small towns in America, including
564:"Cornerstone Theater Company Presents "Ghost Town, a Love Letter to Venice""
538:"Julie Marie Myatt's 'Someday' examines the different avenues to parenthood"
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Gathering a group of theater artists they had worked with while students at
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concerned the presence of undocumented workers in
America, and 2008's
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In 2018, Cornerstone
Theater let go of its space in the downtown
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450:"Cornerstone Theater Company to Leave Los Angeles Home"
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356:"New work at Ford explores encounters between faiths"
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