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Cortile del Belvedere

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A series of six narrow terraces at the base was traversed by a monumental central stair leading to the wide middle terrace. The divided stair to the uppermost terrace, with flights running on either side against the retaining wall to a landing and returning towards the center, was another innovation
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The lowest, and largest level of the court was not planted. It was cobbled and paved with a saltire of stones laid corner to corner and had semi-permanent bleachers set against the Vatican walls to serve for outdoor entertainments, pageants and carousels such as the festive early-17th-century joust
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with the Villa Belvedere. Bramante's design is commemorated in a fresco at the Castel Sant'Angelo; he regularized the slope as a set of terraces, linked by rigorously symmetrical stairs on the central longitudinal axis, to create a sequence of formal spaces that was unparalleled in Europe, both in
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at the Villa Belvedere end of the court. This was set into a screening wall devised by Bramante to disguise the fact the villa facade was not parallel to the facing Vatican Palace facade at the other end. The entire perpectivised ensemble was designed to be best seen from
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came to the throne in 1503, he moved his growing collection of Roman sculpture here, to an enclosed courtyard within the Villa Belvedere itself. Soon after its discovery, Julius purchased the ancient sculpture of
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Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards.
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Architectural view of tiered arcades flanking an archway and courtyard, possibly a portion of the Cortile del Belvedere at the Vatican Palace in Rome; designed by Donato Bramante.
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and garden plans throughout Western Europe. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the
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at the end of the uppermost terrace, Ligorio added a third story, enclosing the central space with a vast half-dome to form the largest
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tomb or, as supposed in the Middle Ages, to mark the turning point for chariots in the hippodrome where many Christians were martyred.
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and brought it here by 1506. A short time later, the statue of Apollo became part of the collection, henceforth to be known as the
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for adoring crowds to see. Because of the pachyderm's glorious history he was buried in the Cortile del Belvedere.
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has exaggerated the vertical dimensions, but Bramante's sequence of monumental axially-planned stairs is visible.
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Hans Henrik Brummer, 1970. "The Statue Court in the Vatican Belvedere" (Stockholm: Almqvist & Wiksell)
251:. The wings have three storeys in the lower court and end in a single one enclosing the uppermost terrace. 1853: 1746: 1216: 771: 761: 180: 176: 661:
Matthias Winner, 1998. "Il Cortile delle Statue : Akten des Internationalen Kongresses zu Ehren von
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Shortly after, the court was home to the papal menagerie. It was on the lower part of the courtyard that
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Piana, Marco (2019). "Gods in the Garden: Visions of the Pagan Other in the Rome of Julius II".
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in a series of terraces connected by stairs, and was contained on its sides by narrow wings.
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from 1505 onward, its concept and details reverberated in courtyard design, formalized
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The court was incomplete when Bramante died in 1514. It was finished by
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was the first pleasure house to be built in Rome since Antiquity.
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Roberto Piperno, "Giardino e Casino Pontificio del Belvedere":
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The whole visual scenography culminated in the semicircular
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by Bramante. His long corridor-like wings that enclose the
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Giovanni Antonio Dosio's drawing, about Bramante's building
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The middle terrace was obliterated by the cross wing of
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Santa Maria della Pietà in Camposanto dei Teutonici
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to the highest terrace; it was an ancient fountain.
307:(pinecone) in front of the exhedra, gives the name 53: 23: 420:In 1990, a sculpture of two concentric spheres by 424:was placed in the middle of the upper courtyard. 619:(Vatican City: Biblioteca aspostolica vaticana) 16:Architectural work at the Vatican Palace in Rome 469:Journal of the Warburg and Courtauld Institutes 247:collections. One of the wings accommodated the 44:A carousel in the Cortile del Belvedere, 1565: 788:(original design, 1503, ground breaking, 1506) 901: 712: 398: 300: 119: 8: 215:, as did the heroic male torso known as the 650:, vol. 39, no. 2 (June), pp. 159–168. 323:in 1562–65. To the great open-headed 1796: 1705: 1612: 1453: 1074: 1065: 1061: 908: 894: 886: 719: 705: 697: 405:, a large bronze pinecone, mounted in the 235:its scale and in its architectural unity. 20: 1364:Santi Martino e Sebastiano degli Svizzeri 351:depicted in a painting in Museo di Roma, 230:Julius commissioned Bramante to link the 2039:Buildings and structures in Vatican City 520:This view exaggerated in the engraving ( 133:) was a major architectural work of the 455: 266:in the papal apartments of the palace. 71: 63: 800:(original project attributed, c. 1509) 444:Index of Vatican City-related articles 385:and the collection of sculptures that 67:Click on the map for a fullscreen view 52: 7: 792:Santa Maria della Consolazione, Todi 633:the Cortile as seen by Giuseppe Vasi 465:"The Belvedere as a Classical Villa" 548:. Penguin Books. pp. 143–144. 528:celebrating the marriage of one of 175:on the high ground overlooking old 164:Early history and Bramante's design 524:) made to commemorate the festive 14: 1645:Postage stamps and postal history 581:, Harper & Row, 1969. p. 117. 359:that the Italians referred to as 288:would parade his prized elephant 280:Exedra in the Cortile della Pigna 2019:Buildings and structures in Rome 1991: 1979: 1786:Philatelic and Numismatic Office 38: 758:(1492–1498) (cloister and apse) 756:Santa Maria delle Grazie, Milan 1174:Stufetta del cardinal Bibbiena 970:Vicar General for Vatican City 804:Basilica of San Magno, Legnano 299:This 1st-century Roman bronze 1: 1131:Monument to the Royal Stuarts 1027:Santo Stefano degli Ungheresi 742:Santa Maria presso San Satiro 678:Journal of Religion in Europe 642:(1957). " James S. Ackerman, 113:View of the courtyard at dusk 1425:Santo Stefano degli Abissini 463:Ackermann, James S. 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Index

A carousel in the Cortile del Belvedere, 1565: Étienne du Perac has exaggerated the vertical dimensions, but Bramante's sequence of monumental axially-planned stairs is visible.
Étienne du Perac
Rome
41°54′15″N 12°27′17″E / 41.90417°N 12.45472°E / 41.90417; 12.45472

High Renaissance
Vatican Palace
Rome
Donato Bramante
piazzas
Villa Belvedere
Innocent VIII
St Peter's Basilica
Antonio del Pollaiuolo
Castel Sant'Angelo
villa suburbana
Pope Julius II
Laocoön and His Sons
Apollo Belvedere
Belvedere Torso

Vatican Palace
Vatican Museums
Vatican Library
exedra
Raphael's Stanze

Pope Leo X
Hanno

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