505:“I was born into a household that both challenged and upheld gender archetypes. This simultaneity created a fluid identity in my creative perspective that has moved me to engage with a wide spectrum of narrative embodiments from the sexually untethered and universal to the absolutely feminine. I am human, I am Puerto Rican, I am a woman. Each of these breaks into a thousand fractals that create the prism through which my work comes into the world.” Cordova's more recent description of her work and process shows a coalescence and embracing of heritage and gender.
186:
66:
25:
355:
of her youth in San Juan, Córdova now aims to create figures of her "own pantheon" while trying to emulate a figure representative of and recognizable by her own culture. The sculptures are shown in a variety of poses, expressions, colors, textures, and sizes. Córdova has won many awards, exhibited
493:
artist – or a woman artist, or any type of artist, other than a compelling one – she does believe authenticity can come only from a deeply personal place." Her Afro-Caribbean heritage and her understanding of contemporary and historical influences have impacted her art form. Her knowledge of early
347:
Primarily working in clay, she focuses her work on expressive, emotional, and sometimes fantastical human figural sculptures. They are inspired by her heritage, gender, politics, and the complexities of human relationships with their surroundings. "Magic realism, the predominantly Latin
American
501:
The human figure is key to her work which has been described as "a compelling strain of magical realism ... laden with ideas of creation, crucifixion and difficult nature of existence." She works primarily with clay but has an interest in working with other mediums. Her moldings recreate various
457:
Córdova was on track to becoming an engineer when she realized that it wasn't for her. She switched to art school, where she could pursue her interest in ceramics. After graduating in 2002 she was selected to serve as a resident artist at
Penland School of Crafts. Córdova moved to
502:
human forms, often female. She has also recreated animal-like creatures. At the abstract level, her figures, represent the struggles in the world of today. Cordóva weaves the past with the present as she creates a place for the viewer to complete the narrative in her work.
416:
at Alfred
University. She was supervised by Wayne Higby and Walter McConnell. She earned a scholarship to Alfred University for her master's degree in ceramics in 2000. She earned a Masters of Fine Arts from New York State College of Ceramics.
376:. They returned to Puerto Rico when she was 6 months old. She grew up taking in the rich and layered imagery of the Catholic church. The powerful iconography would come to inspire her work and her view of the world.
462:, North Carolina to participate in the residency in 2002. After completing her residency she and her family made their home and studio on the Penland campus where she maintains her studio and offers workshops.
621:
2006: “From the Inside Out—Two Views on the
Creation and Experience of Cristina Cordova's Clay Sculptures”, Schultz, Katey and Hillman, Linda. Ceramics Art in Perception, 2006.
1235:
552:
2007 AICA Award (International
Association of Art Critics): "Best Ceramic Sculpture Exhibition" for "Fábulas de la Fascinación II", Pamil Fine Art, San Juan ,Puerto Rico
609:
2009: “ENTRE TIERRA: Nueva escultura en cerámica por
Cristina Córdova (English/Español)”, Fred Rivera, Ivette y Ramos Collado, Lilliana, ARTES (artesrp.com), mayo 2009.
1245:
549:
2008 AICA Award (International
Association of Art Critics): “Best Ceramic Sculpture Exhibition” for “Hacia otro mar”, Pamil Fine Art, San Juan ,Puerto Rico
471:
594:
2012: “Retablos, joyas, plateria y arte colección acosta de San Juan, Puerto Rico (1695-2010)”, Acosta
Stolberg, Robert, Editorial Reves, November 2012.
94:
74:
575:
2022 "This
Present Moment: Crafting a Better World", Renwick Gallery of the Smithsonian American Art Museum, Washington DC, May 13, 2022- April 2, 2023
1240:
546:
2009 Best Art
Exhibit: Cristina Córdova At Hodges Taylor. Creative Loafing Arts and Entertainment Magazine, Charlotte, North Carolina, United States
612:
2008: “Possibilities: Rising Stars of Contemporary Craft in North Carolina”, Dobbs Ariatl, Kate, American Craft Magazine, October–November 2008.
1255:
1230:
751:
38:
1069:
413:
405:
397:
195:
687:
246:
228:
167:
148:
52:
494:
Roman life and African sculptures are also reflected in her figures. Among the artists which have impacted her work are Doug Jeck,
120:
585:
2022: "Mastering Sculpture: The Figure in Clay: A Guide to Capturing the Human Form for Ceramic Artists", Quarry Books,April 2022
1225:
709:
521:
127:
537:
2012 "40 Under 40: Craft Futures", Renwick Gallery of the Smithsonian, American Art Museum, exhibition and work acquisition
498:, Jaime Suarez and Susana Espinosa. She comments about her own work that "we are all taking from a collective creativity."
385:
98:
90:
1250:
513:
134:
79:
428:
116:
83:
597:
2010: “Art Market Insights: Art at the Crossroads”, O’hern, John. American Art Collector, Issue 39, January 2010.
393:
199:
442:
396:, Mayaguez Campus in 1998. During the summer of 1999 she finished courses at Touchtone School of Crafts at the
313:"Bestiario", "Contiguous", "A Show of Heads", "Hacia otro mar", "Paseantes", "Variation", "Mito y Enteanatomia"
44:
1118:
901:
459:
438:
348:
literary genre, is physically manifested through the surrealistic environments Córdova's subjects inhabit."
341:
1093:
470:
1220:
321:
Project 10/10/10- Artist Commission,Permanent Collection, Mint Museum of Craft and Design, Charlotte , NC
1143:
365:
282:
873:"From the Inside Out - Two Views on the Creation and Experience of Cristina Cordova's Clay Sculptures"
1215:
819:
389:
922:
490:
369:
293:
141:
1021:
434:
Colegio De Agricultura y Artes Mecanicas, B.A. magna cum laude, Mayaguyez, Puerto Rico, June 1998.
373:
540:
2012 Mint Museum of Craft and Design Project 10/10/10, permanent collection commission recipient
105:
1070:"Possibilities: Rising Stars of Contemporary Craft in North Carolina | American Craft Council"
971:
792:
767:
747:
683:
624:
2006: “Reviews: Cristina Cordova”, Dobbs Ariail, Kate. American Craft, September– August 2006.
421:
401:
1168:
603:
2009: “Cristina Córdova: Entre Tierra”, Sanz De Arellano López, Isabel P., Imágen, mayo 2009.
651:
2001: “Cristina Córdova: Mujeres Santas y Renacimientos”, Rodriguez, Jorge. El Vocero, 2001.
642:
2004: “Cristina Cordova: Mito, Memoria y lluvia”, Trelles, Rafael. El Nuevo Dia, March 2004.
409:
1045:
946:
746:. Washington D.C.: Renwick Gallery of the Smithsonian American Art Museum. pp. 90–93.
1195:
717:
525:
478:
843:
654:
2000: “My Experiences and Impressions”, Xiaoping, Luo. Sculpture, 2000.3, vol. 23, 2000.
482:
618:
2007: “Cristina Córdova: Magic Realism”, Feaster, Felicia. Creative Loafing, May 2007.
555:
2002 Resident Artist. Penland School Of Crafts, Penland, North Carolina, United States
1209:
591:
2012: “The Body Eloquent”, Lovelace, Joyce. American Craft magazine, Feb/March 2012.
356:
her work broadly, and her work is owned by both domestic and international museums.
768:"IN DIALOGUE: Cristina Córdova & Kukuli Velarde by Ferrin Contemporary - Issuu"
210:
996:
606:
2009: “Umbral de lo surreal”, García Benítez, Mariana. Arq.i.tec 3.4, junio 2009.
509:
392:
in 1994 and earned a Bachelor of Arts and a concentration in Fine Arts from the
352:
206:
636:
2004: “500 Figures in Clay”, Editor Gunther, Verónica Alice. Lark Books, 2004.
412:. Later, she began studies as a special student in independent studies at the
340:(born 1976) is an American-born, Puerto Rican sculptor who works and lives in
645:
2003: “Enamorada de la cerámica", Alegre Barrios, Mario. El Nuevo Dia, 2003.
872:
600:
2010: “Cristina Córdova”, Howley, Paul. The Laurel of Asheville, July 2010
648:
2002: “Celebracion Femenina”, Alvarez Lezama, Manuel. El Nuevo Dia, 2002.
639:
2004: “Transformation”, Shearing, Graham. American Craft, June/July 2004.
495:
657:
2000: “Cerámica Escultural”, Alvarez Lezama, Manuel. El Nuevo Día, 2000.
682:. Washington, DC: Smithsonian American Art Museum. pp. 228–238.
615:
2007: “Creadora de enigmas”, El Nuevo Dia, 14 de diciembre del 2007.
1200:
630:
2005: “The Figure in Clay”, Tourtillot, Suzanne. Lark Books, 2005.
588:
2014: “Ceramic Top 40”, Ferrin, Leslie, Ferrin Contemporary, 2014.
469:
329:
627:
2005: “Body Language”, Camper, Fred. Chicago Reader, May 2005.
179:
104:
from the article and its talk page, especially if potentially
59:
18:
633:
2004: “Dark Horse”, Lucas, Scott. Creative Loafing, May 2004.
448:
Haystack Mountain School of Crafts, Deer Isle, Maine, 1999.
844:"Sculptor Cristina Cordova on Finding Success in Failure"
941:
939:
1046:"Cristina Córdova | Smithsonian American Art Museum"
1094:"Artist Cristina Córdova - The Laurel of Asheville"
678:Savig, Mary; Atkinson, Nora; Montiel, Anya (2022).
325:
317:
307:
299:
289:
268:
261:
793:"Cristina Córdova | Museo de Arte de Puerto Rico"
543:2010 Virginia Groot Foundation Recognition Award
404:. That same summer she completed courses at the
923:"Cristina Cordova featured in Nature/Nurture"
8:
680:This Present Moment: Crafting a Better World
508:Córdova's work is in the collection of the
53:Learn how and when to remove these messages
703:
701:
699:
258:
209:. Please do not remove this message until
97:about living persons that is unsourced or
1236:New York State College of Ceramics alumni
895:
893:
866:
864:
716:. American Craft Magazine. Archived from
247:Learn how and when to remove this message
229:Learn how and when to remove this message
168:Learn how and when to remove this message
372:completing their studies in Medicine at
205:Relevant discussion may be found on the
673:
671:
667:
424:, Alfred, NY, M.F.A. in Ceramics, 2002.
489:"Córdova doesn't want to be labeled a
427:Special Student at Alfred University,
1246:21st-century American women sculptors
7:
814:
812:
737:
735:
708:Lovelace, Joyce (3 February 2012).
477:(2004) by Cristina Córdova at the
414:New York State College of Ceramics
406:Haystack Mountain School of Crafts
398:New York State College of Ceramics
14:
1119:"Cristina Cordova: Magic realism"
902:"Cristina Córdova: Magic Realism"
34:This article has multiple issues.
824:The Virginia A. Groot Foundation
184:
64:
23:
1241:21st-century American sculptors
1001:Smithsonian American Art Museum
522:Smithsonian American Art Museum
330:http://www.cristinacordova.com/
42:or discuss these issues on the
528:'s 50th Anniversary Campaign.
1:
386:Academia del Perpetuo Socorro
1256:Sculptors from Massachusetts
1231:Puerto Rican women sculptors
976:Museo de Arte de Puerto Rico
514:Museo de Arte de Puerto Rico
75:biography of a living person
1196:Profile in Craft in America
384:Córdova graduated from the
351:Influenced by the Catholic
211:conditions to do so are met
102:must be removed immediately
1272:
1173:Creative Loafing Charlotte
1026:Creative Loafing Charlotte
877:Ceramic Art and Perception
744:40 Under 40: Craft Futures
742:Bell, Nicholas R. (2012).
437:Extracurricular courses:
431:, August 1999 - May 2000.
394:University of Puerto Rico
1123:Atlanta Creative Loafing
443:Penland School of Crafts
1098:The Laurel of Asheville
1022:"BEST ART EXHIBIT 2009"
439:Florence Academy of Art
342:Penland, North Carolina
1226:Puerto Rican sculptors
1074:American Craft Council
520:, was acquired by the
486:
89:Please help by adding
951:Mint Museum Auxiliary
947:"Project Ten Ten Ten"
473:
366:Boston, Massachusetts
283:Boston, Massachusetts
390:Miramar, Puerto Rico
364:Córdova was born in
95:Contentious material
1251:Artists from Boston
714:Ceramics, Sculpture
710:"The body eloquent"
512:Auxiliary, and the
368:. Her parents were
198:of this article is
1050:americanart.si.edu
972:"Cristina Córdova"
900:Feaster, Felicia.
820:"Cristina Córdova"
774:. 28 December 2021
720:on 20 January 2013
487:
374:Harvard University
117:"Cristina Córdova"
1201:Córdova's website
753:978-0-300-18797-7
570:Group exhibitions
422:Alfred University
402:Alfred University
335:
334:
257:
256:
249:
239:
238:
231:
178:
177:
170:
152:
78:needs additional
57:
16:American sculptor
1263:
1183:
1182:
1180:
1179:
1164:
1158:
1157:
1155:
1154:
1139:
1133:
1132:
1130:
1129:
1115:
1109:
1108:
1106:
1105:
1090:
1084:
1083:
1081:
1080:
1066:
1060:
1059:
1057:
1056:
1042:
1036:
1035:
1033:
1032:
1018:
1012:
1011:
1009:
1007:
993:
987:
986:
984:
982:
968:
962:
961:
959:
957:
943:
934:
933:
931:
930:
919:
913:
912:
910:
908:
897:
888:
887:
885:
883:
871:Hillman, Linda.
868:
859:
858:
856:
854:
840:
834:
833:
831:
830:
816:
807:
806:
804:
803:
789:
783:
782:
780:
779:
764:
758:
757:
739:
730:
729:
727:
725:
705:
694:
693:
675:
565:Solo exhibitions
410:Deer Isle, Maine
338:Cristina Córdova
310:
279:
277:
263:Cristina Córdova
259:
252:
245:
234:
227:
223:
220:
214:
188:
187:
180:
173:
166:
162:
159:
153:
151:
110:
91:reliable sources
68:
67:
60:
49:
27:
26:
19:
1271:
1270:
1266:
1265:
1264:
1262:
1261:
1260:
1206:
1205:
1192:
1187:
1186:
1177:
1175:
1166:
1165:
1161:
1152:
1150:
1144:"Body Language"
1141:
1140:
1136:
1127:
1125:
1117:
1116:
1112:
1103:
1101:
1092:
1091:
1087:
1078:
1076:
1068:
1067:
1063:
1054:
1052:
1044:
1043:
1039:
1030:
1028:
1020:
1019:
1015:
1005:
1003:
995:
994:
990:
980:
978:
970:
969:
965:
955:
953:
945:
944:
937:
928:
926:
921:
920:
916:
906:
904:
899:
898:
891:
881:
879:
870:
869:
862:
852:
850:
848:Format Magazine
842:
841:
837:
828:
826:
818:
817:
810:
801:
799:
791:
790:
786:
777:
775:
766:
765:
761:
754:
741:
740:
733:
723:
721:
707:
706:
697:
690:
677:
676:
669:
664:
582:
572:
567:
562:
534:
526:Renwick Gallery
524:as part of the
479:Renwick Gallery
468:
455:
382:
362:
308:
285:
280:
275:
273:
264:
253:
242:
241:
240:
235:
224:
218:
215:
204:
189:
185:
174:
163:
157:
154:
111:
109:
88:
69:
65:
28:
24:
17:
12:
11:
5:
1269:
1267:
1259:
1258:
1253:
1248:
1243:
1238:
1233:
1228:
1223:
1218:
1208:
1207:
1204:
1203:
1198:
1191:
1190:External links
1188:
1185:
1184:
1167:Lucas, Scott.
1159:
1148:Chicago Reader
1142:Camper, Fred.
1134:
1110:
1085:
1061:
1037:
1013:
988:
963:
935:
914:
889:
860:
835:
808:
784:
759:
752:
731:
695:
688:
666:
665:
663:
660:
659:
658:
655:
652:
649:
646:
643:
640:
637:
634:
631:
628:
625:
622:
619:
616:
613:
610:
607:
604:
601:
598:
595:
592:
589:
586:
581:
578:
577:
576:
571:
568:
566:
563:
561:
558:
557:
556:
553:
550:
547:
544:
541:
538:
533:
530:
483:Washington, DC
467:
464:
454:
451:
450:
449:
446:
435:
432:
425:
381:
378:
361:
358:
333:
332:
327:
323:
322:
319:
315:
314:
311:
305:
304:
301:
300:Known for
297:
296:
291:
287:
286:
281:
270:
266:
265:
262:
255:
254:
237:
236:
192:
190:
183:
176:
175:
99:poorly sourced
72:
70:
63:
58:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1268:
1257:
1254:
1252:
1249:
1247:
1244:
1242:
1239:
1237:
1234:
1232:
1229:
1227:
1224:
1222:
1221:Living people
1219:
1217:
1214:
1213:
1211:
1202:
1199:
1197:
1194:
1193:
1189:
1174:
1170:
1163:
1160:
1149:
1145:
1138:
1135:
1124:
1120:
1114:
1111:
1099:
1095:
1089:
1086:
1075:
1071:
1065:
1062:
1051:
1047:
1041:
1038:
1027:
1023:
1017:
1014:
1002:
998:
992:
989:
977:
973:
967:
964:
952:
948:
942:
940:
936:
925:. 23 May 2017
924:
918:
915:
903:
896:
894:
890:
878:
874:
867:
865:
861:
849:
845:
839:
836:
825:
821:
815:
813:
809:
798:
794:
788:
785:
773:
769:
763:
760:
755:
749:
745:
738:
736:
732:
719:
715:
711:
704:
702:
700:
696:
691:
689:9781913875268
685:
681:
674:
672:
668:
661:
656:
653:
650:
647:
644:
641:
638:
635:
632:
629:
626:
623:
620:
617:
614:
611:
608:
605:
602:
599:
596:
593:
590:
587:
584:
583:
579:
574:
573:
569:
564:
559:
554:
551:
548:
545:
542:
539:
536:
535:
531:
529:
527:
523:
519:
515:
511:
506:
503:
499:
497:
492:
484:
480:
476:
472:
465:
463:
461:
452:
447:
444:
440:
436:
433:
430:
426:
423:
420:
419:
418:
415:
411:
407:
403:
399:
395:
391:
387:
379:
377:
375:
371:
370:Puerto Ricans
367:
359:
357:
354:
349:
345:
343:
339:
331:
328:
324:
320:
316:
312:
306:
302:
298:
295:
292:
288:
284:
271:
267:
260:
251:
248:
233:
230:
222:
212:
208:
202:
201:
197:
191:
182:
181:
172:
169:
161:
150:
147:
143:
140:
136:
133:
129:
126:
122:
119: –
118:
114:
113:Find sources:
107:
103:
100:
96:
92:
86:
85:
81:
76:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
1176:. Retrieved
1172:
1169:"Dark Horse"
1162:
1151:. Retrieved
1147:
1137:
1126:. Retrieved
1122:
1113:
1102:. Retrieved
1100:. 2016-11-19
1097:
1088:
1077:. Retrieved
1073:
1064:
1053:. Retrieved
1049:
1040:
1029:. Retrieved
1025:
1016:
1004:. Retrieved
1000:
991:
979:. Retrieved
975:
966:
954:. Retrieved
950:
927:. Retrieved
917:
905:. Retrieved
880:. Retrieved
876:
853:19 September
851:. Retrieved
847:
838:
827:. Retrieved
823:
800:. Retrieved
797:www.mapr.org
796:
787:
776:. Retrieved
771:
762:
743:
722:. Retrieved
718:the original
713:
679:
580:Publications
517:
516:, Her work,
507:
504:
500:
491:Puerto Rican
488:
474:
456:
383:
363:
350:
346:
337:
336:
309:Notable work
294:Puerto Rican
243:
225:
219:January 2024
216:
194:
164:
158:January 2024
155:
145:
138:
131:
124:
112:
101:
84:verification
77:
50:
43:
37:
36:Please help
33:
1216:1976 births
560:Exhibitions
510:Mint Museum
353:iconography
290:Nationality
1210:Categories
1178:2018-08-20
1153:2018-08-20
1128:2018-08-20
1104:2018-08-20
1079:2018-08-20
1055:2023-05-10
1031:2023-05-10
1006:2 December
981:2 December
956:2 December
929:2022-04-18
829:2023-05-10
802:2023-05-12
778:2023-05-12
662:References
429:Alfred, NY
196:neutrality
128:newspapers
39:improve it
772:issuu.com
380:Education
360:Biography
207:talk page
80:citations
45:talk page
907:19 April
882:19 April
724:19 April
496:Judy Fox
303:Ceramics
200:disputed
106:libelous
997:"Araña"
485:in 2022
460:Penland
326:Website
274: (
142:scholar
750:
686:
532:Awards
453:Career
318:Awards
144:
137:
130:
123:
115:
518:Araña
475:Araña
149:JSTOR
135:books
73:This
1008:2022
983:2022
958:2022
909:2012
884:2012
855:2016
748:ISBN
726:2012
684:ISBN
466:Work
276:1976
272:1976
269:Born
193:The
121:news
82:for
481:in
408:in
400:at
1212::
1171:.
1146:.
1121:.
1096:.
1072:.
1048:.
1024:.
999:.
974:.
949:.
938:^
892:^
875:.
863:^
846:.
822:.
811:^
795:.
770:.
734:^
712:.
698:^
670:^
441:,
388:,
344:.
93:.
48:.
1181:.
1156:.
1131:.
1107:.
1082:.
1058:.
1034:.
1010:.
985:.
960:.
932:.
911:.
886:.
857:.
832:.
805:.
781:.
756:.
728:.
692:.
445:.
278:)
250:)
244:(
232:)
226:(
221:)
217:(
213:.
203:.
171:)
165:(
160:)
156:(
146:·
139:·
132:·
125:·
108:.
87:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.