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In some cases of course we have an autograph manuscript, and that helps us, but it is also where many of the problems start, because composers are known to have made mistakes in their autograph manuscripts. And therefore we are required—we feel it is necessary—to intervene and to correct errors that
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In an online essay – "What is a critical edition?: Answers to
Questions You Never Thought to Ask" – which focuses primarily on Rossini, musicologist Patricia Brauner of the Center for Italian Opera Studies at the University of Chicago explains several different aspects of a critical edition,
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We don’t believe that everybody has to perform just what we do, because that’s not what they did in the nineteenth century, not what composers did or expected, but we do think that performers should base their work on the finest editions possible, and that’s what we try to
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has been producing editions of
Rossini's operas, having become the successor to the Fondazione Rossini Pesaro, which produced many editions between 1979 and 2005. Today, many are still published by Ricordi in Europe and in the US by the University of Chicago.
65:, in addition to many other relatively minor composers who composed many works. But, as musicologist Ellen Rosand also notes, "the editing of operatic works from the 17th century, the 18th century and 19th century provides many considerable challenges.
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at the
University of Chicago's Center for Italian Opera Studies – in addition to being an acknowledged expert in preparing critical editions of the operas of Rossini – while the other is Professor of Music at
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The emergence of critical editions of many works from the 19th-century
Italian operatic repertory did not begin until the 1950s and resulted from the revival of interest from that time forward in the
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as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work."
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sometimes have been perpetrated on these works by printed editions from the beginning, so they are just mistakes in the old editions, simple mistakes.
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and editor of many of the operas of
Donizetti, as well as having written extensively on Verdi. He is the founding co-editor (with
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including the process of producing published editions and the ultimate value of them for performers and conductors.
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Parker, Roger (1998), "The 19th and 20th centuries", in Sadie, Vol. Two, pp. 14—16
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Gossett clarifies how the existence of these editions may affect performances:
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List of critical editions produced under the
Fondazione Rossini, 1979 to 2005
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Parker, "The
Critical Editions of Gaetano Donizetti's Operas" on ricordi.it
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Critical editions of Verdi's operas published by the
University of Chicago
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Sadie, Stanley (1998), "The 18th
Century" in Sadie (ed.), in Vol. 2,
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Rosand, Ellen (1998), "The 17th
Century" in Sadie (ed.), Vol. Two.
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The pioneering work of the major Italian music publishing house,
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Rosand, Ellen (1998), "18th century", in Sadie (ed), Vol. Two
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on operalively.com. 17 June 2012. Retrieved 26 September 2013
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represent parallel approaches to the works of the Italian
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Interview with Italian Opera scholar Dr. Philip Gossett"
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The Critical Edition of the Operas of Gaetano Donizetti
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era—early 1800s to approximately 1850 and known as the
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Universal Music Publishing Classical Critical Editions
317:"The Critical Editions of Gaetano Donizetti's Operas"
334:(ed.) (1998), "Editors", Sections 1 to 3, in Sadie,
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The Critical Edition of the Works of Giuseppe Verdi
365:"Complete Editions and Editions of Selected Works"
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303:Divas and Scholar: Performing Italian Opera
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20:of an opera has been defined by American
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337:The New Grove Dictionary of Opera
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201:"What is a critical edition?"
258:"Works of Giacchino Rossini"
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227:on humanities.uchicago.edu
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98:Cambridge Opera Journal
180:Rosand 1998, pp. 11—13
189:Rosand 1998, pp 13—14
90:King's College London
75:such as Gossett and
403:Textual scholarship
367:on baerenreiter.com
286:on hum.uchicago.edu
267:on hum.uchicago.edu
199:Brauner, Patricia.
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385:2014-08-13 at the
282:2014-05-27 at the
263:2014-05-28 at the
223:2003-12-15 at the
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59:Gaetano Donizetti
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156:"Exclusive
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81:bel canto
42:bel canto
383:Archived
301:(2006),
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349:ISBN
342:ISBN
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16:A
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