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and sensitive creatures, who stand in contrast or opposition to famas (who are rigid, organized and judgmental if well-intentioned) and esperanzas (who are plain, indolent, unimaginative and dull).
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on 1959-03-27 Cortázar writes that human characteristics of cronopios appeared later, while writing other stories. These demonstrate aspects of cronopios' personalities, habits, and inclinations.
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first came to him in that same theater some time before this concert in the form of an imaginary vision of small green globes floating around the semi-deserted theater.
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164:: "This novel and this translation are dedicated to Cronopio Paul Blackburn ..." (Blackburn translated several of Cortazar's early stories under the title
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consider
Cortazar's cronopios stories as lesser works compared to other of the author's novels and short stories. Others have looked for hidden
82:) as "those greenish, frizzly, wet objects," but this description is just the initial author's vision of the invented character. In a letter to
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eventually became a kind of honorific, applied by Cortázar (and others) to friends, as in the dedication to the
English-language edition of
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of human beings. Cortázar himself described these stories as a sort of "game" and asserted that writing them gave him great joy.
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In his stories Cortázar describes few physical features of cronopios. He does refer to them (in one of the early stories
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and
Cortazar continued to write about cronopios, famas, and esperanzas in other texts through the 1960s.
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References to cronopios in Cortázar's work occur in 20 short sketches that make up the last section of
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120:("Louis, Enormous Cronopio"). Cortázar would later describe in various interviews how the word
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which were collected in a French edition he considered definitive. Some
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199:"Cartas marcadas, ¿De dónde salieron los cronopios?"
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is a type of fictional person appearing in works by
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67:In general, cronopios are depicted as naive and
108:concert given in November of that year in the
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147:meanings in these stories or for a universal
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445:Fantomas contra los vampiros multinacionales
28:(August 26, 1914–February 12, 1984).
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175:mammal found in Argentina has been named
49:), cronopios are the subject of several
224:Cortázar has sometimes been called the
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131:as well as in his "collage books,"
213:"Tiny but toothy mammal unearthed"
133:La vuelta al día en ochenta mundos
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369:Historias de cronopios y de famas
244:Historias de Cronopios y de Famas
129:Historias de Cronopios y de Famas
56:Historias de cronopios y de famas
201:. Página/12 - Radar, 2012-07-08.
452:Los autonautas de la cosmopista
424:Around the Day in Eighty Worlds
98:in a 1952 article published in
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94:Cortázar first used the word
116:. The article was entitled
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118:Louis, Enormísimo Cronopio
110:Théâtre des Champs-Élysées
390:Blow-up and Other Stories
376:Todos los fuegos el fuego
397:Queremos tanto a Glenda
331:Short story collections
80:Costumbres de los famas
438:Prosa del Observatorio
101:Buenos Aires Literaria
479:Argentine literature
178:Cronopio dentiacutus
166:The End of the Game.
404:Orientation of Cats
226:Grandísimo Cronopio
362:Las armas secretas
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53:in his 1962 book
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232:by his admirers.
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185:Other references
141:literary critics
90:Uses of the term
71:, disorganized,
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355:Final del juego
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321:Libro de Manuel
314:62: A Model Kit
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161:62: A Model Kit
106:Louis Armstrong
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484:Julio Cortázar
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285:Julio Cortázar
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237:External links
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230:Cronopio Mayor
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84:Paul Blackburn
73:unconventional
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63:Characteristic
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31:Together with
26:Julio Cortázar
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137:Ultimo Round,
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51:short stories
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431:Último round
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248:(in Spanish)
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145:metaphysical
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104:reviewing a
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346:Casa Tomada
300:The Winners
215:. BBC News.
173:dryolestoid
37:(literally
473:Categories
69:idealistic
43:esperanzas
339:Bestiario
307:Hopscotch
283:Works by
171:A fossil
154:The term
22:Argentine
458:Cronopio
383:Octaedro
156:cronopio
149:taxonomy
122:cronopio
96:cronopio
18:cronopio
228:or the
24:writer
292:Novels
41:) and
416:Other
114:Paris
47:hopes
39:fames
34:famas
135:and
112:in
475::
181:.
168:)
16:A
406:"
402:"
348:"
344:"
276:e
269:t
262:v
45:(
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