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164:, is of great cultural importance and is mainly used for weddings, funerals, confirmations, and other cultural events. The Gákti's appearance differs from place to place and it tends to be longer in southern Sápmi than in the north. Traditionally leather, sinews, and wool were used to make the Gákti. Today, however, both velvet and silk can be used.
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Traditionally, Sami handicraft was divided into two sub-groups: men's and women's handicraft. Men used mostly wood and antlers as well as other bones from reindeer when crafting, while women used leather and roots. The traditional Sami colors are red, green, blue, and yellow.
139:
and still carry on the traditions of the Duodji. Although there have been changes in the traditional Duodji, today they are considered valuable pieces of art by collectors from all over the world. Some modern Duodji artists are Olov Svonni, Martin Kuorak,
79:, dating back to a time when the Sami were far more isolated from the outside world than they are today. Duodji tools, clothing, and accessories are intended to primarily be functional, but may also incorporate
703:"Needs of the Sámi people for intellectual property protection from the viewpoint of copyright and trademarks – especially with regard to duodji-handicrafts and the Sámi dresses"
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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407:"Craftsmanship as a Carrier of Indigenous and Local Ecological Knowledge: Photographic Insights from Sámi Duodji and Archipelago Fishing"
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Art, craft, and the Sámi reflections on Sámi Duodji in
Kautokeino through an apprenticeship experience
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https://web.archive.org/web/20090819063819/http://www.duodji.info/english/index.php?sladja=46
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357:"Paradigm shift in the view of duodji in the 21st century: Higher education in duodji"
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Knowing from the
Indigenous North: Sámi Approaches to History, Politics and Belonging
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https://web.archive.org/web/20080116222630/http://www.sameslojdstiftelsen.com/?p=42
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Valkonen, Sanna; Aikio, Áile; Alakorva, Saara; Magga, Sigga-Marja (2022-06-07).
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474:"It speaks to you - Making Kin of People, Duodji and Stories in Sami Museums"
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Nordic Design
Cultures in Transformation, 1960–1980: Revolt and Resilience
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Decolonial or
Creolized Commons? : Sámi duodji in the expanded field
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Traditional occupations of indigenous and tribal peoples: Emerging trends
555:"The Way of Sami Duodji: From Nomadic Necessity to Trademarked Lifestyle"
281:
96:
80:
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Junka-Aikio, Laura; Nyyssönen, Jukka; Lehtola, Veli-Pekka (2021-11-24).
499:
Junka-Aikio, Laura; Nyyssönen, Jukka; Lehtola, Veli-Pekka (2021-11-24).
448:
A Cultural
History of the Avant-Garde in the Nordic Countries Since 1975
328:
Eriksen, Thomas
Hylland; Valkonen, Sanna; Valkonen, Jarno (2018-10-09).
728:"Contemporary Duodji—A personal experience in understanding traditions"
113:
840:
From
Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture
301:
Fallan, Kjetil; Zetterlund, Christina; Munch, Anders V. (2022-08-30).
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Aamold, Svein; Jorgensen, Ulla AngkjAer; Haugdal, Elin (2017-12-31).
653:"Britta Marakatt-Labba: History in Stitches - Announcements - e-flux"
99:. Duodji items were made to be used in an everyday work environment.
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Sámi
Research in Transition: Knowledge, Politics and Social Change
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Sámi
Research in Transition: Knowledge, Politics and Social Change
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678:"Unpacking the Legacy of an Indigenous Uprising in Norway"
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A small Sámi knife (decorative picture not traditional)
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Mellegård, Viveca; Boonstra, Wiebren J. (2020-10-02).
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Lima, Ismar Borges de; King, Victor T. (2017-09-13).
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International Journal of Art & Design Education
813:Sami Art and Aesthetics: Contemporary Perspectives
559:Textile Society of America Symposium Proceedings
919:Sameslöjdstiftelsen (Sami Duodji Association):
887:, Aarhus Universitetsforlag, pp. 141–162
8:
756:"Duodji : A New Step for Art Education"
631:. International Labour Organization. 2000.
35:promotes the subject in a subjective manner
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57:Learn how and when to remove this message
870:(Ph.D. thesis). University of Aberdeen.
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135:Duodji artists are still active in
106:Drinking cup (guksi) also used for
32:This article contains wording that
472:Finbog, Liisa-Rávná (2021-12-31).
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837:Sjoholm, Barbara (2023-03-21).
411:Society & Natural Resources
701:Mattila, Tuomas (2018-12-11).
676:Gardiner, Karen (2018-05-24).
553:Koslin, Desiree (2010-01-01).
478:Tidsskrift for Kulturforskning
1:
816:. Aarhus Universitetsforlag.
754:Guttorm, Gunvor (June 2012).
424:10.1080/08941920.2020.1729911
381:"Duddjot: Functional Purpose"
160:The traditional costume, the
864:Henyei Neto, Gyorgy (2019).
785:Mononen, Sini (2021-09-01).
16:Traditional Saami handicraft
707:julkaisut.valtioneuvosto.fi
480:(in Norwegian Bokmål) (2).
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907:Duodji at Design-Handverk
881:Bydler, Charlotte (2017),
843:. U of Minnesota Press.
605:. Taylor & Francis.
307:. Taylor & Francis.
193:Drinking cup and knife
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110:
923:Retrieved Jan/29/2008
916:Retrieved Jan/29/2008
451:. BRILL. 2022-08-15.
152:, and Per Olof Utsi.
116:
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205:Sámi purse (handbag)
952:Sámi-language terms
787:"Helsinki Biennial"
912:Doudji Institute:
131:Well-known artists
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850:978-1-4529-7010-3
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735:lauda.ulapland.fi
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612:978-1-000-58423-3
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539:978-1-000-46655-3
512:978-1-000-46655-3
458:978-90-04-51595-6
417:(10): 1252–1272.
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314:978-1-000-73635-9
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947:Handicrafts
931:Categories
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796:2023-10-03
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712:2023-10-03
687:2023-10-03
662:2023-10-03
391:2023-10-03
385:TLmagazine
366:2023-10-03
288:References
265:Coffee bag
253:Infant bed
229:Coffee bag
146:Lars Pirak
77:handicraft
486:2387-6727
433:0894-1920
108:Bushcraft
91:, wooden
942:Sámi art
791:Artforum
271:See also
97:clothing
81:artistic
47:May 2022
168:Gallery
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85:knives
70:Duodji
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282:Gákti
277:Kuksa
241:Chest
162:Gákti
156:Gákti
137:Sapmi
845:ISBN
818:ISBN
633:ISBN
607:ISBN
580:ISBN
534:ISBN
507:ISBN
482:ISSN
453:ISBN
429:ISSN
336:ISBN
309:ISBN
93:cups
89:bags
74:Sami
768:doi
419:doi
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