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Considered as a single work, the poem contains three parts. In the first part, including stanzas one through four, the topic is centered upon sleep and the beneficial effects of sleep upon the body. In the second part, including stanzas five and six, the focus turns to how sleep is the natural result
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When the glistening torch of Diana rises late in the day and is ignited by the rosy light of her brother, the sweet breath of the West Wind with its exhalation removes all clouds from the sky. In the same way that wind by the power of his strings relieves men's breasts and transforms the heart that
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who, as god of dreams and sleeping, seems much more likely to be the name meant. Attempts to emend or otherwise "fix" the text are complicated by concerns that the eight stanzas are the result of multiple authors with differing subject matter (see below). An example of this occurs in the final line
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There has been a great deal of debate as to the proper structure of the poem; one group of commentators feels that all eight stanzas belong together and are the work of a single author, while the other group feels that only the first four stanzas are original and the last half of the poem is an
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text (CB 197). However, translators on both sides of the debate have pointed out that this merely means that the extension of the poem took place before the parody was written and doesn't definitely prove things either way. In his 1993 book,
115:("pledges") is used. Within the context of the "whole" version of the poem, it refers to pledges of love, but commentators who do not believe the last half of the poem is part of the original author's work have emended that word to
94:. Because the poem is only known from a single source, transcription errors, partly illegible phrases, and other mistakes are difficult to identify with certainty and translators and commentators have made a number of
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by Hilka, Schumann, and
Bischoff, only the first four stanzas are given in the main text and the remaining four are relegated to a mere footnote for the sake of completeness. In contrast,
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Besides being unsure of authorship, scholars are also divided on both the intent and length of the song. Some scholars feel that the song is purely about sleep and that the last four
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in earlier stanzas are the result of transcription errors. Other scholars argue that the entire eight stanzas are the work of a single hand.
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of - and complement to - love-making. The final two stanzas shift focus again, to being purely about love-making.
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Wine, women, and song: Mediæval Latin students' songs, Now first translated into
English verse with an essay
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later hands: one which added the fifth and sixth stanzas and another which added the seventh and eighth.
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to the text. For example, the first line of the fourth stanza in the original text contains the name of
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inferior addition by a later hand. A portion of this second group in fact feels that there are
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argued that all eight stanzas were the work of a single author in his 1965 book,
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concerning love were a later addition and the instances of the word
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Medieval Latin and the Rise of the
European Love-Lyric
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606:Gospel According to the Mark of Silver
255:, specifically citing the presence of
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356:Love Lyrics from the Carmina Burana
270:Love Lyrics from the Carmina Burana
111:of the first stanza where the word
361:University of North Carolina Press
298:Selections from the Carmina Burana
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321:Symonds, John Addington (1884).
194:whiffles little clouds with ease
192:when the gentle Zephyr's breeze
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190:from her brother's rosy light:
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186:lantern rises late at night,
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482:Walther von der Vogelweide
204:of lutenists and ligatures
188:shimmering with undershine
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31:song known only from the
214:after lovers' overtures
184:When Diana's crystalline
531:In taberna quando sumus
296:Parlett, David (1986).
452:Hugh Primas of Orléans
627:Medieval Latin poetry
477:Heinrich von Morungen
171:vis chordarum pectora
158:luce dum succenditur,
584:Benediktbeuern Abbey
211:hearts from yearning
165:spirans omnes etheri
457:Walter of Châtillon
392:Original Latin text
177:ad amoris pignora.
135:Literal translation
16:Medieval Latin song
150:sero lampas oritur
23:", also known as "
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538:Phyllis and Flora
374:978-0-8078-4400-7
257:Dum domus lapidea
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524:Ecce gratum
467:Minnesinger
363:. pp.
169:sic emollit
137:(by Walsh)
96:emendations
82:scheme and
598:(album by
276:References
231:Background
173:et immutat
595:O Fortuna
565:O Fortuna
549:Carl Orff
517:O Fortuna
125:Original
78:Both the
74:Structure
621:Category
442:Archpoet
108:Morpheus
92:couplets
69:Analysis
60:Synopsis
27:", is a
25:Nocturne
600:Rhydian
589:Goliard
577:Related
435:Authors
162:zephyri
154:fratris
117:pondera
113:pignora
100:Orpheus
50:stanzas
39:Carmina
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148:vitrea
365:15–19
331:–104.
156:rosea
152:et a
146:Diane
84:meter
80:rhyme
369:ISBN
302:ISBN
144:Dum
54:love
238:two
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