Knowledge (XXG)

Dyke and the Blazers

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176:. By 1965, however, the O'Jays and their manager had moved elsewhere, and LaRue's band fell apart. LaRue returned to Buffalo, but Christian and two other members of the band, guitarist Alvester "Pig" Jacobs and saxophonist J.V. Hunt, had no means of traveling and stayed in Phoenix. They joined forces with an existing Phoenix group, The Three Blazers, who included 258:
Dyke returned to Buffalo, and put together a new touring band, including Willie Earl (drums - previously a member of Carl LaRue's band), Wardell "Baby Wayne" Peterson (second drummer), Otis Tolliver (bass), Ray Byrd (keyboards), and Maurice "Little Mo" Jones (trumpet). However, the touring band
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In summer 1966, the band were heard by Art Barrett, who became their manager and had them record the song at the Audio Recorders Studio in Phoenix. Barrett released the record on his own Artco label, with Christian credited as its writer although other band members later claimed that they had
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as "revolutionary", and Dyke developed a dance routine to go with it. The band added bass player Alvin Battle, freeing Dyke to concentrate on vocals, and toured widely on the back of its success. However, in the summer of 1967, the stresses of playing a series of engagements at the
291:. The resulting records, including "We Got More Soul" (no. 7 R&B, no. 35 pop) and "Let A Woman Be A Woman, Let A Man Be A Man" (no. 4 R&B, no. 36 pop), were among his biggest hits. Most of the singles resulted from lengthy 180:
Bernard Williams, and, as "Dyke and the Blazers", added local musicians Rich Cason (organ) and Rodney Brown (drums). Playing in local clubs, the group picked up on the rhythms, bass and organ innovations of
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quoted Phoenix detective Eloy Ysasi as saying, "Dyke was a drug addict and had so many tracks on his arms you couldn't believe it." The shooting, by Clarence Daniels, was considered self-defense.
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led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of "
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gradually disintegrated in 1968 and 1969. After 1968, Christian made Dyke and the Blazers records with a variety of Los Angeles studio musicians, later known as the
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records. Dyke and the Blazers continued to have less sizeable hits into 1970, with a style described by critic
432: 197:", the lyrics reflecting singer Dyke's memories of Broadway in Buffalo as well as Broadway Road in Phoenix. 499: 343: 206: 134: 255:
of "Funky Broadway". Pickett's recording reached no. 1 on the R&B chart and no. 8 on the pop chart.
327:, although a coroner's report showed no alcohol or narcotics in his system. However, on April 22, 1971 284: 988: 215: 833: 687: 528: 384: 172:, to take his band to that city, to provide the backing for the vocal group that he managed there, 153: 303:
as "gut-bucket funk... with scratchy guitar riffs, greasy organ, hoarse vocals, and jazzy horns".
148:(June 13, 1943 – March 13, 1971), nicknamed "Dyke", was born (according to most sources) in 1090: 1083: 388:, they recorded "The Mummy", voicing the animated skeletal rock band Little Tibia and the Fibias. 300: 1094: 1061: 1036: 954: 655: 640: 427: 373: 296: 222:
early in 1967, reaching no. 17 in a 24-week stay on the chart, and also reached no. 65 on the
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Dyke and the Blazers were inducted to the Arizona Music & Entertainment Hall of Fame.
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Compilations of Dyke and The Blazers recordings have been issued on CD by
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The Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches
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contributed to the song. It became popular locally, and was reissued by
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Christian was preparing for a tour of England and for recording with
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The Funky Broadway - The Very Best Of Dyke & The Blazers
985:"Dyke And The Blazers, review by Alec Palao at Ace Records" 366:". "Let a Woman Be a Woman" was also featured in the film 733:"Carl LaRue And His Crew - Monkey Hips And Oyster Stew" 230:" in its title, and for that reason was banned by some 652:
Funk: The Music, The People, and The Rhythm of The One
85: 81: 70: 60: 50: 39: 32: 1082: 358:for their song "Sally", and English indie rockers 234:stations as offensive. Its music was described by 906: 904: 376:refers to "Let a Woman Be a Woman" in his song " 354:for his song "If my Homie Calls", and the band 884:"Dyke And The Blazers - Funky Broadway-Part I" 636:The 27s: The Greatest Myth of Rock & Roll 591:We Got More Soul (The Ultimate Broadway Funk) 8: 1012:. Johnson Publishing Company. 22 April 1971. 247:caused the band to split up, shortly before 226:. The record was the first to use the word " 950:The Great Drummers of R&B Funk and Soul 597:Dyke's Greatest Hits - The Complete Singles 295:that were edited down to fit the format of 681: 679: 677: 675: 609:Rarities Volume 2 - The Funky Combinations 29: 800: 798: 615:Down On Funky Broadway: Phoenix 1966-1967 828: 826: 767: 765: 763: 761: 759: 757: 755: 753: 603:Rarities Volume 1 - Phoenix To Hollywood 412: 671: 1119:Top R&B/Hip-Hop Singles: 1942-1995 979: 977: 953:. Mel Bay Publications, Incorporated. 934:Top R&B/Hip-Hop Singles: 1942-1995 916:Top R&B/Hip-Hop Singles: 1942-1995 579:Dyke's Greatest Hits: We Got More Soul 1148:Musical groups from Buffalo, New York 7: 1153:Musical groups from Phoenix, Arizona 777:, The Buffalo News, August 11, 1991" 621:I Got A Message: Hollywood 1968-1970 1025:"WHAT's AHEAD FOR BLACKS IN MUSIC?" 1143:Musical groups established in 1965 319:street, on March 13, 1971, at the 213:. The record steadily climbed the 25: 1023:Higgins, Chester (22 Apr 1971). 263:. That outfit included drummer 1121:. Record Research. p. 105. 936:. Record Research. p. 349. 918:. Record Research. p. 126. 834:"AMEHOF - DYKE AND THE BLAZERS" 599:(online only, 2013 compilation) 287:, and bassists James Smith and 315:when he was fatally shot on a 283:, who later became members of 261:Watts 103rd Street Rhythm Band 251:had a bigger hit with his own 1: 859:"Label shot of Artco release" 107:Wardell "Baby Wayne" Peterson 1138:American funk musical groups 473:"Funky Walk Part 1 (East)" 307:Death of Arlester Christian 1174: 947:Payne, Jim (1 July 2006). 541: 526: 515: 497: 486: 472: 458: 443: 346:" has been sampled by the 267:, who also performed with 1085:Top Pop Singles 1955-2002 1054:Simmonds, Jeremy (2012). 970:– via Google Books. 512: 483: 469: 440: 421: 418: 415: 193:-based song that became " 113:Maurice "Little Mo" Jones 91:Arlester "Dyke" Christian 1060:. Chicago Review Press. 688:"Dyke & the Blazers" 650:Vincent, Rickey (1996). 633:Segalstad, Eric (2008). 431: 426: 1081:Whitburn, Joel (2003). 446:Funky Broadway - Part 1 1158:Original Sound artists 654:. St. Martin's Press. 500:Let a Woman Be a Woman 344:Let a Woman Be a Woman 285:Earth, Wind & Fire 135:Let a Woman Be a Woman 18:Dyke & the Blazers 838:Azmusichalloffame.org 810:Soulfulkindamusic.net 639:. Samadhi Creations. 369:Friends with Benefits 185:'s band, and through 93:Alvester "Pig" Jacobs 686:Richie Unterberger. 567:Dykes' Greatest Hits 364:How You Like Me Now? 120:Dyke and the Blazers 34:Dyke and the Blazers 529:You Are My Sunshine 487:"We Got More Soul" 154:Burgard High School 775:Buffalo's Soul Men 623:(2021 compilation) 617:(2021 compilation) 611:(2013 compilation) 605:(2013 compilation) 593:(2007 compilation) 587:(1999 compilation) 581:(1992 compilation) 575:(1983 compilation) 569:(1969 compilation) 385:Mad Monster Party? 301:Richie Unterberger 146:Arlester Christian 27:American funk band 783:on April 25, 2012 645:978-0-615-18964-2 552: 551: 542:"Runaway People" 178:tenor saxophonist 150:Buffalo, New York 117: 116: 44:Buffalo, New York 16:(Redirected from 1165: 1123: 1122: 1111: 1105: 1104: 1088: 1078: 1072: 1071: 1051: 1045: 1044: 1020: 1014: 1013: 1006: 1000: 999: 997: 996: 987:. 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The musician 362:for their own " 337: 309: 281:Roland Bautista 143: 112: 110: 108: 106: 104: 102: 100: 98: 96: 94: 92: 86: 61: 35: 28: 23: 22: 15: 12: 11: 5: 1171: 1169: 1161: 1160: 1155: 1150: 1145: 1140: 1130: 1129: 1125: 1124: 1115:Whitburn, Joel 1106: 1099: 1073: 1066: 1046: 1015: 1001: 973: 959: 939: 930:Whitburn, Joel 921: 912:Whitburn, Joel 900: 875: 850: 822: 794: 749: 724: 699: 670: 668: 665: 664: 663: 648: 629: 626: 625: 624: 618: 612: 606: 600: 594: 588: 582: 576: 570: 564: 561:Funky Broadway 556: 553: 550: 549: 546: 543: 539: 538: 535: 532: 524: 523: 520: 517: 514: 510: 509: 506: 503: 495: 494: 491: 488: 485: 481: 480: 477: 474: 471: 467: 466: 463: 460: 456: 455: 452: 449: 442: 438: 437: 430: 424: 423: 420: 417: 410: 407: 405: 402: 336: 333: 308: 305: 269:Charles Wright 249:Wilson Pickett 241:Apollo Theater 207:Original Sound 195:Funky Broadway 152:. He attended 142: 139: 133:" (1966) and " 131:Funky Broadway 115: 114: 89: 83: 82: 79: 78: 76:Original Sound 72: 68: 67: 64: 58: 57: 52: 48: 47: 41: 37: 36: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1170: 1159: 1156: 1154: 1151: 1149: 1146: 1144: 1141: 1139: 1136: 1135: 1133: 1120: 1116: 1110: 1107: 1102: 1100:0-89820-155-1 1096: 1092: 1087: 1086: 1077: 1074: 1069: 1067:9781613744789 1063: 1059: 1058: 1050: 1047: 1042: 1038: 1034: 1030: 1026: 1019: 1016: 1011: 1005: 1002: 991:on 2011-10-15 990: 986: 980: 978: 974: 962: 960:9780786673032 956: 952: 951: 943: 940: 935: 931: 925: 922: 917: 913: 907: 905: 901: 889: 885: 879: 876: 864: 860: 854: 851: 839: 835: 829: 827: 823: 811: 807: 801: 799: 795: 782: 778: 776: 768: 766: 764: 762: 760: 758: 756: 754: 750: 738: 734: 728: 725: 714:on 2013-12-16 713: 709: 703: 700: 695: 694: 689: 682: 680: 678: 676: 672: 666: 661: 660:0-312-13499-1 657: 653: 649: 646: 642: 638: 637: 632: 631: 627: 622: 619: 616: 613: 610: 607: 604: 601: 598: 595: 592: 589: 586: 583: 580: 577: 574: 571: 568: 565: 562: 559: 558: 554: 547: 544: 540: 536: 533: 530: 525: 521: 518: 511: 507: 504: 501: 496: 492: 489: 482: 478: 475: 468: 464: 461: 457: 453: 450: 447: 439: 436: 429: 425: 414: 409:Chart singles 408: 403: 401: 399: 395: 390: 389: 386: 381: 379: 375: 371: 370: 365: 361: 357: 353: 349: 345: 340: 334: 332: 330: 326: 322: 318: 314: 306: 304: 302: 298: 294: 290: 289:Melvin Dunlap 286: 282: 278: 275:, guitarists 274: 270: 266: 262: 256: 254: 253:cover version 250: 246: 242: 237: 233: 229: 225: 221: 220:R&B chart 218: 217: 212: 208: 204: 198: 196: 192: 188: 187:improvisation 184: 179: 175: 171: 167: 163: 159: 155: 151: 147: 140: 138: 136: 132: 128: 125: 121: 109:Otis Tolliver 99:Richard Cason 90: 84: 80: 77: 73: 69: 65: 59: 56: 53: 49: 45: 42: 38: 31: 19: 1118: 1109: 1084: 1076: 1056: 1049: 1032: 1029:Jet Magazine 1028: 1018: 1004: 993:. 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Hunt 66:1965–1971 1117:(1996). 932:(1996). 914:(1996). 693:AllMusic 573:So Sharp 378:Gett Off 277:Al McKay 111:Ray Byrd 966:July 1, 868:July 1, 843:July 1, 815:July 1, 435:R&B 419:Single 348:hip-hop 317:Phoenix 164:-based 74:Artco, 1097:  1064:  1039:  957:  893:1 July 806:"dyke" 742:1 July 658:  643:  563:(1967) 555:Albums 516:"Uhh" 428:US Pop 374:Prince 335:Legacy 297:45 rpm 245:Harlem 158:single 141:Career 71:Labels 51:Genres 46:, U.S. 40:Origin 1010:"Jet" 513:1970 484:1969 470:1968 441:1967 416:Year 232:radio 228:funky 1095:ISBN 1062:ISBN 1037:ISSN 968:2021 955:ISBN 895:2021 870:2021 845:2021 817:2021 789:2011 744:2021 656:ISBN 641:ISBN 545:119 534:121 519:118 462:130 396:and 383:For 279:and 271:and 191:riff 127:band 124:funk 55:Funk 1091:178 548:32 537:30 522:20 505:36 490:35 479:22 476:67 465:41 454:17 451:65 380:". 243:in 205:'s 1134:: 1093:. 1033:40 1031:. 1027:. 976:^ 903:^ 886:. 861:. 836:. 825:^ 808:. 797:^ 752:^ 735:. 690:. 674:^ 531:" 508:4 502:" 493:7 448:" 433:US 400:. 168:, 1103:. 1070:. 1043:. 998:. 897:. 872:. 847:. 819:. 791:. 746:. 721:. 696:. 662:. 647:. 527:" 498:" 444:" 20:)

Index

Dyke & the Blazers
Buffalo, New York
Funk
Original Sound
funk
band
Funky Broadway
Let a Woman Be a Woman
Buffalo, New York
Burgard High School
single
Phoenix, Arizona
disc jockey
Eddie O'Jay
The O'Jays
tenor saxophonist
James Brown
improvisation
riff
Funky Broadway
Art Laboe
Original Sound
Los Angeles
Billboard
R&B chart
pop chart
funky
radio
Rick James
Apollo Theater

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