Knowledge (XXG)

Dyke and the Blazers

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165:. By 1965, however, the O'Jays and their manager had moved elsewhere, and LaRue's band fell apart. LaRue returned to Buffalo, but Christian and two other members of the band, guitarist Alvester "Pig" Jacobs and saxophonist J.V. Hunt, had no means of traveling and stayed in Phoenix. They joined forces with an existing Phoenix group, The Three Blazers, who included 247:
Dyke returned to Buffalo, and put together a new touring band, including Willie Earl (drums - previously a member of Carl LaRue's band), Wardell "Baby Wayne" Peterson (second drummer), Otis Tolliver (bass), Ray Byrd (keyboards), and Maurice "Little Mo" Jones (trumpet). However, the touring band
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In summer 1966, the band were heard by Art Barrett, who became their manager and had them record the song at the Audio Recorders Studio in Phoenix. Barrett released the record on his own Artco label, with Christian credited as its writer although other band members later claimed that they had
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as "revolutionary", and Dyke developed a dance routine to go with it. The band added bass player Alvin Battle, freeing Dyke to concentrate on vocals, and toured widely on the back of its success. However, in the summer of 1967, the stresses of playing a series of engagements at the
280:. The resulting records, including "We Got More Soul" (no. 7 R&B, no. 35 pop) and "Let A Woman Be A Woman, Let A Man Be A Man" (no. 4 R&B, no. 36 pop), were among his biggest hits. Most of the singles resulted from lengthy 169:
Bernard Williams, and, as "Dyke and the Blazers", added local musicians Rich Cason (organ) and Rodney Brown (drums). Playing in local clubs, the group picked up on the rhythms, bass and organ innovations of
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quoted Phoenix detective Eloy Ysasi as saying, "Dyke was a drug addict and had so many tracks on his arms you couldn't believe it." The shooting, by Clarence Daniels, was considered self-defense.
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led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of "
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gradually disintegrated in 1968 and 1969. After 1968, Christian made Dyke and the Blazers records with a variety of Los Angeles studio musicians, later known as the
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records. Dyke and the Blazers continued to have less sizeable hits into 1970, with a style described by critic
421: 186:", the lyrics reflecting singer Dyke's memories of Broadway in Buffalo as well as Broadway Road in Phoenix. 488: 332: 195: 123: 244:
of "Funky Broadway". Pickett's recording reached no. 1 on the R&B chart and no. 8 on the pop chart.
316:, although a coroner's report showed no alcohol or narcotics in his system. However, on April 22, 1971 273: 977: 204: 822: 676: 517: 373: 161:, to take his band to that city, to provide the backing for the vocal group that he managed there, 142: 292:
as "gut-bucket funk... with scratchy guitar riffs, greasy organ, hoarse vocals, and jazzy horns".
137:(June 13, 1943 – March 13, 1971), nicknamed "Dyke", was born (according to most sources) in 1079: 1072: 377:, they recorded "The Mummy", voicing the animated skeletal rock band Little Tibia and the Fibias. 289: 1083: 1050: 1025: 943: 644: 629: 416: 362: 285: 211:
early in 1967, reaching no. 17 in a 24-week stay on the chart, and also reached no. 65 on the
166: 149:, "Please Don't Drive Me Away", on the KKC label in March 1962. In 1964, LaRue was invited by 138: 32: 386: 348: 305: 150: 700: 328:
Dyke and the Blazers were inducted to the Arizona Music & Entertainment Hall of Fame.
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Compilations of Dyke and The Blazers recordings have been issued on CD by
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The Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches
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contributed to the song. It became popular locally, and was reissued by
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Christian was preparing for a tour of England and for recording with
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The Funky Broadway - The Very Best Of Dyke & The Blazers
974:"Dyke And The Blazers, review by Alec Palao at Ace Records" 355:". "Let a Woman Be a Woman" was also featured in the film 722:"Carl LaRue And His Crew - Monkey Hips And Oyster Stew" 219:" in its title, and for that reason was banned by some 641:
Funk: The Music, The People, and The Rhythm of The One
74: 70: 59: 49: 39: 28: 21: 1071: 347:for their song "Sally", and English indie rockers 223:stations as offensive. Its music was described by 895: 893: 365:refers to "Let a Woman Be a Woman" in his song " 343:for his song "If my Homie Calls", and the band 873:"Dyke And The Blazers - Funky Broadway-Part I" 625:The 27s: The Greatest Myth of Rock & Roll 580:We Got More Soul (The Ultimate Broadway Funk) 8: 1001:. Johnson Publishing Company. 22 April 1971. 236:caused the band to split up, shortly before 215:. The record was the first to use the word " 939:The Great Drummers of R&B Funk and Soul 586:Dyke's Greatest Hits - The Complete Singles 284:that were edited down to fit the format of 670: 668: 666: 664: 598:Rarities Volume 2 - The Funky Combinations 18: 789: 787: 604:Down On Funky Broadway: Phoenix 1966-1967 817: 815: 756: 754: 752: 750: 748: 746: 744: 742: 592:Rarities Volume 1 - Phoenix To Hollywood 401: 660: 1108:Top R&B/Hip-Hop Singles: 1942-1995 968: 966: 942:. Mel Bay Publications, Incorporated. 923:Top R&B/Hip-Hop Singles: 1942-1995 905:Top R&B/Hip-Hop Singles: 1942-1995 568:Dyke's Greatest Hits: We Got More Soul 1137:Musical groups from Buffalo, New York 7: 1142:Musical groups from Phoenix, Arizona 766:, The Buffalo News, August 11, 1991" 610:I Got A Message: Hollywood 1968-1970 1014:"WHAT's AHEAD FOR BLACKS IN MUSIC?" 1132:Musical groups established in 1965 308:street, on March 13, 1971, at the 202:. The record steadily climbed the 14: 1012:Higgins, Chester (22 Apr 1971). 252:. That outfit included drummer 1110:. Record Research. p. 105. 925:. Record Research. p. 349. 907:. Record Research. p. 126. 823:"AMEHOF - DYKE AND THE BLAZERS" 588:(online only, 2013 compilation) 276:, and bassists James Smith and 304:when he was fatally shot on a 272:, who later became members of 250:Watts 103rd Street Rhythm Band 240:had a bigger hit with his own 1: 848:"Label shot of Artco release" 96:Wardell "Baby Wayne" Peterson 1127:American funk musical groups 462:"Funky Walk Part 1 (East)" 296:Death of Arlester Christian 1163: 936:Payne, Jim (1 July 2006). 530: 515: 504: 486: 475: 461: 447: 432: 335:" has been sampled by the 256:, who also performed with 1074:Top Pop Singles 1955-2002 1043:Simmonds, Jeremy (2012). 959:– via Google Books. 501: 472: 458: 429: 410: 407: 404: 182:-based song that became " 102:Maurice "Little Mo" Jones 80:Arlester "Dyke" Christian 1049:. Chicago Review Press. 677:"Dyke & the Blazers" 639:Vincent, Rickey (1996). 622:Segalstad, Eric (2008). 420: 415: 1070:Whitburn, Joel (2003). 435:Funky Broadway - Part 1 1147:Original Sound artists 643:. St. Martin's Press. 489:Let a Woman Be a Woman 333:Let a Woman Be a Woman 274:Earth, Wind & Fire 124:Let a Woman Be a Woman 827:Azmusichalloffame.org 799:Soulfulkindamusic.net 628:. Samadhi Creations. 358:Friends with Benefits 174:'s band, and through 82:Alvester "Pig" Jacobs 675:Richie Unterberger. 556:Dykes' Greatest Hits 353:How You Like Me Now? 109:Dyke and the Blazers 23:Dyke and the Blazers 518:You Are My Sunshine 476:"We Got More Soul" 143:Burgard High School 764:Buffalo's Soul Men 612:(2021 compilation) 606:(2021 compilation) 600:(2013 compilation) 594:(2013 compilation) 582:(2007 compilation) 576:(1999 compilation) 570:(1992 compilation) 564:(1983 compilation) 558:(1969 compilation) 374:Mad Monster Party? 290:Richie Unterberger 135:Arlester Christian 16:American funk band 772:on April 25, 2012 634:978-0-615-18964-2 541: 540: 531:"Runaway People" 167:tenor saxophonist 139:Buffalo, New York 106: 105: 33:Buffalo, New York 1154: 1112: 1111: 1100: 1094: 1093: 1077: 1067: 1061: 1060: 1040: 1034: 1033: 1009: 1003: 1002: 995: 989: 988: 986: 985: 976:. 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He attended 131: 128: 122:" (1966) and " 120:Funky Broadway 104: 103: 78: 72: 71: 68: 67: 65:Original Sound 61: 57: 56: 53: 47: 46: 41: 37: 36: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1159: 1148: 1145: 1143: 1140: 1138: 1135: 1133: 1130: 1128: 1125: 1124: 1122: 1109: 1105: 1099: 1096: 1091: 1089:0-89820-155-1 1085: 1081: 1076: 1075: 1066: 1063: 1058: 1056:9781613744789 1052: 1048: 1047: 1039: 1036: 1031: 1027: 1023: 1019: 1015: 1008: 1005: 1000: 994: 991: 980:on 2011-10-15 979: 975: 969: 967: 963: 951: 949:9780786673032 945: 941: 940: 932: 929: 924: 920: 914: 911: 906: 902: 896: 894: 890: 878: 874: 868: 865: 853: 849: 843: 840: 828: 824: 818: 816: 812: 800: 796: 790: 788: 784: 771: 767: 765: 757: 755: 753: 751: 749: 747: 745: 743: 739: 727: 723: 717: 714: 703:on 2013-12-16 702: 698: 692: 689: 684: 683: 678: 671: 669: 667: 665: 661: 655: 650: 649:0-312-13499-1 646: 642: 638: 635: 631: 627: 626: 621: 620: 616: 611: 608: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 560: 557: 554: 551: 548: 547: 543: 536: 533: 529: 525: 522: 519: 514: 510: 507: 500: 496: 493: 490: 485: 481: 478: 471: 467: 464: 457: 453: 450: 446: 442: 439: 436: 428: 425: 418: 414: 403: 398:Chart singles 397: 392: 390: 388: 384: 379: 378: 375: 370: 368: 364: 360: 359: 354: 350: 346: 342: 338: 334: 329: 323: 321: 319: 315: 311: 307: 303: 295: 293: 291: 287: 283: 279: 278:Melvin Dunlap 275: 271: 267: 264:, guitarists 263: 259: 255: 251: 245: 243: 242:cover version 239: 235: 231: 226: 222: 218: 214: 210: 209:R&B chart 207: 206: 201: 197: 193: 187: 185: 181: 177: 176:improvisation 173: 168: 164: 160: 156: 152: 148: 144: 140: 136: 129: 127: 125: 121: 117: 114: 110: 98:Otis Tolliver 88:Richard Cason 79: 73: 69: 66: 62: 58: 54: 48: 45: 42: 38: 34: 31: 27: 20: 1107: 1098: 1073: 1065: 1045: 1038: 1021: 1018:Jet Magazine 1017: 1007: 993: 982:. 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Hunt 55:1965–1971 1106:(1996). 921:(1996). 903:(1996). 682:AllMusic 562:So Sharp 367:Gett Off 266:Al McKay 100:Ray Byrd 955:July 1, 857:July 1, 832:July 1, 804:July 1, 424:R&B 408:Single 337:hip-hop 306:Phoenix 153:-based 63:Artco, 1086:  1053:  1028:  946:  882:1 July 795:"dyke" 731:1 July 647:  632:  552:(1967) 544:Albums 505:"Uhh" 417:US Pop 363:Prince 324:Legacy 286:45 rpm 234:Harlem 147:single 130:Career 60:Labels 40:Genres 35:, U.S. 29:Origin 999:"Jet" 502:1970 473:1969 459:1968 430:1967 405:Year 221:radio 217:funky 1084:ISBN 1051:ISBN 1026:ISSN 957:2021 944:ISBN 884:2021 859:2021 834:2021 806:2021 778:2011 733:2021 645:ISBN 630:ISBN 534:119 523:121 508:118 451:130 385:and 372:For 268:and 260:and 180:riff 116:band 113:funk 44:Funk 1080:178 537:32 526:30 511:20 494:36 479:35 468:22 465:67 454:41 443:17 440:65 369:". 232:in 194:'s 1123:: 1082:. 1022:40 1020:. 1016:. 965:^ 892:^ 875:. 850:. 825:. 814:^ 797:. 786:^ 741:^ 724:. 679:. 663:^ 520:" 497:4 491:" 482:7 437:" 422:US 389:. 157:, 1092:. 1059:. 1032:. 987:. 886:. 861:. 836:. 808:. 780:. 735:. 710:. 685:. 651:. 636:. 516:" 487:" 433:"

Index

Buffalo, New York
Funk
Original Sound
funk
band
Funky Broadway
Let a Woman Be a Woman
Buffalo, New York
Burgard High School
single
Phoenix, Arizona
disc jockey
Eddie O'Jay
The O'Jays
tenor saxophonist
James Brown
improvisation
riff
Funky Broadway
Art Laboe
Original Sound
Los Angeles
Billboard
R&B chart
pop chart
funky
radio
Rick James
Apollo Theater
Harlem

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