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Two remaining Dalsa Origin
Cameras currently reside in Ryerson University's Digital Cinema Research Lab (a collaborator with Dalsa's research in Toronto, Canada) where they were used in production of research material demonstrating 4K resolution, and a short 3D test production called "Banana Jam" was
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The camera outputs raw data to an off board storage unit at a rate of approximately 400 megabytes per second. The Origin II connects to the storage unit by a rugged, thin, and flexible mil-spec fiber optic cable. This fiber cable can be run for over a mile without any signal degradation or repeating.
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recorder, which could hold about two hours of uncompressed 4K camera RAW footage. In
January 2008 S.Two began shipping the DFR4K recorder, which can also capture images from the Origin II camera and similar 2K and 4K models. S.Two also manufactured a system of 4K workflow products that are
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The final configuration of the camera can run 1–30 frames per second. The Origin II camera features an optical reflex viewing system with rotating mirror similar to 35 mm film cameras and uses standard PL mount 35 mm
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commercial, shot by Byron Werner; a short entitled "The
Trident", directed by Anurag Mehta and shot by David Stump, ASC; "She Called Up", a music video for the band
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The Dalsa Origin II is no longer available. Dalsa discontinued the
Digital Cinema division in 2008. The Origin II was available via a rental-only model similar to
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The Dalsa Origin is the first commercially available digital cinema camera to capture at 4K resolution, the emerging quality standard for feature film content.
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The camera was successfully used in a number of projects including "Postcards from the Future", directed by Alan Chan and shot by Eric Adkins; a
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and shot by Kris
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16-bit image, which was considerably higher than other cameras which are limited to 8, 10 or 12 bits. This results in a linear
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shot by Damian
Acevedo; a promo for ABC 7 Eyewitness News, shot by Mark Zavad; "Reach for Me" a feature film directed by
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lenses. The camera is approximately the same size and weight as an average 35 mm film cameras with a 400' magazine.
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The camera has a resolution of 4K (4096×2048) at a relatively high-bit depth. The camera outputs an uncompressed, RAW
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commercial, directed by Jesse Dylan and shot by Rolf
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photography on larger budget productions. The system was developed by a collective group, including
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can be used with the Origin II proxy images, in the relatively short life of the camera system
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In 2007 the Origin camera was upgraded to the production version of the camera, and re-branded
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file types can be used to on-line the 4K images captured with the Origin II.
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The storage unit that has been used most often was the
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511:"Dalsa Digital 4k Cine Lenses and Origin Camera"
418:created by the Lab's Director Richard Grunberg.
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252:was the first camera designed and built by
55:Learn how and when to remove these messages
236:Learn how and when to remove this message
218:Learn how and when to remove this message
116:Learn how and when to remove this message
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377:commercial, shot by Florian Stadler; a
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98:neutral point of view
481:Genesis (Panavision)
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152:improve this article
517:. November 19, 2016
292:digital compositing
90:promotional content
486:RED Digital Cinema
324:also known as the
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396:Also, the
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350:film gate
326:Evolution
322:Origin II
277:Las Vegas
47:talk page
470:See also
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