129:
32:
551:
website, users may choose to leave comments in a traditional comment section below the video, but the content of these comments differ greatly from those that are scrolled simultaneously with the video. The former usually involves users commenting after watching the video, writing the comment from an
685:
or similar systems on
Western media platforms. Some have attributed this absence to the fact that the English language has lower entropy than Chinese and Japanese; in other words, Chinese and Japanese may convey more information within the same length of a comment, making it easier to write and read
601:
This distinctive feature promotes user participation at any moment due to the anonymous, spontaneous and democratic nature of the platform. However, participants will be unaware of the possible replies from future viewers as there are no notifications of such responses. Instead, the video would have
620:
The temporal incoherence between real time and virtual time is further heightened by the rate of appearance and disappearance of the comment text onscreen. Since there are limits to the number of comments being displayed at one time, older comments are often replaced by new comments. This incites a
734:
displays, such as toggling the function off entirely, adjusting the speed of comments, showing selective comments (for example, only showing comments located at the top of the screen), controlling the number of comments displayed, and filtering out comments containing certain keywords. Some videos
490:
comments left by viewers are overlaid directly on the videos and are scrolled across the screen, synchronized specifically to the playback time point where the users input the comments. At certain moments of the videos, user comments fill up the screen giving the appearance of a bullet curtain, or
718:
is capable of creating huge blocks of comments that overlay and even obscure the video completely and is therefore highly criticised for its visual clutter that can be extremely distracting, obstructing and annoying, especially for viewers outside China and Japan (which are the only two countries
642:
comments are automatically synced to video, the technology provides opportunity for viewers to spontaneously create translation subtitles for foreign language videos, leading to a sort of "grassroot practice" in which amateur subtitlers are respectfully regarded by others as "caption-kun" (字幕君).
447:
The combination of video and synchronous messaging creates a sense of community for the viewer. The messages take multiple forms including spoiler or jump scare warnings, comments, parody, translations including explanatory notes, expert opinion, and special effects created using text, including
499:
in
Chinese. This movement and synchronization of text creates a co-viewing experience for users who watch the same videos, but at different locations and times. The format also allows more "multi-modal" text than traditional video comment systems - e.g. different font color or screen position.
391:
in 2006. The videos on the website are mostly generated and uploaded by online users. Niconico provides a comment function which enables viewers to write comments on the screen for the video. The comments will be "shot" onto the screen in a "bullet curtain" likeness, and will be reproduced and
763:
comments might occupy the screen, expressing similar emotions. Although the comments are anonymous, they can refer to one another by font colour ("the yellow letters"), location ("the person below") or content ("the one who said"). This makes it possible for users to interact, such as answer
617:, although the latter does not feature such a high level of interference of comments on the video. These live-streaming sites that host more concurrent viewers tend to produce massive chats that prioritize crowd-based reactions and interactions over interpersonal conversation.
758:
facilitates interaction both between the viewer and the video content, and among viewers themselves. Commenters get to share their opinions and feelings immediately as a video plays. In especially notable parts of a video, a large volume of (often highly repetitive)
535:. This includes changing of font, amount, transparency and speed of texts viewable on screen, activating the anti-block function and filtering comments based on specific characteristics like movement, colour and type of
602:
to be periodically reviewed intentionally after leaving the comments. This lack of knowledge creates responses that are delayed and sometimes redundant, leaving less room for productive conversations between
328:. Such system allows user to post moving comments onto a playing video that are synchronized to the video timeline. The comments are typically presented as "shooting" across the screen, resembling a barrage.
452:(233333 means "laughter", 666666 means "awesome"), and its own vernacular. Object recognition technology has also been used to prevent the text occluding key parts of a scene, such as actors or singers.
1502:
853:
797:
has been adopted by more and more video streaming platforms in China, such as iQiyi, Youku and
Tencent Videos. To manage the comments, government regulations and censorship have tightened; in 2019, the
574:(CMC) that is experienced synchronously. Comments and annotations appear and disappear from the viewable screen at set times for users unless playback is interrupted. This interactivity differentiates
556:
commenting makes it easy for users to leave comments at multiple timestamps in the video, and include other information related to the content in the specific time point of the video.
1505:". Pp. 98-115 in China's Youth Cultures and Collective Spaces: Creativity, Sociality, Identity and Resistance, edited by Vanessa Frangville and Gwennaël Gaffric. London: Routledge.
856:". Pp. 98-115 in China's Youth Cultures and Collective Spaces: Creativity, Sociality, Identity and Resistance, edited by Vanessa Frangville and Gwennaël Gaffric. London: Routledge.
578:
from traditional comment sections, which are typically located below or beside the video and remain as static posts and replies (resembling the structure of an online forum).
360:. It is a conventional vertically scrolling shooter game, with a "level up" system for the player's weapons that shoot a lot of bullets across the screen, hence the term
594:
does not provide users the option to structure their comments, such as the option to 'reply to comment' unlike many other social media platforms. Instead,
466:
has become a topic of scholarly research, including linguistic, sociological, and cultural study as well as potential applications in online learning use.
824:
767:
Some unique slang and conventions have also arisen as a result. For example, moments before a shocking, exciting or funny scene happens in a video, many
984:"Individual Differences in In-Person and Social Media Television Coviewing: The Role of Emotional Contagion, Need to Belong, and Coviewing Orientation"
867:
392:
displayed in accordance with the time axis thereafter. The comments go beyond real-time, with previous and later comments being shown together.
1188:
1093:
966:
1562:
1544:
Cao, X. (2019). "Bullet screens (Danmu): texting, online streaming, and the spectacle of social inequality on
Chinese social networks".
49:
1112:
Higher Order
Thinking in Collaborative Video Annotations: Investigating Discourse Modeling and the Staggering of Learner Participation
621:
sense of urgency among the viewers, where the fear of missing a piece of information propels users to search, access and download old
1299:
1120:
115:
96:
670:
has been successfully popularised in China and extended to more mainstream media, appearing in well-known TV dramas or films on
1577:
571:
68:
678:
has also attracted advertisers who wish to target younger consumers, leading to an increased commercialisation of the medium.
695:
159:
53:
907:
Zhang, Leticia-Tian; Cassany, Daniel (2020), "Making sense of danmu: Coherence in massive anonymous chats on
Bilibili.com",
1278:
Ford, Colin; Gardner, Dan; Horgan, Leah Elaine; Liu, Calvin; tsaasan, a. m.; Nardi, Bonnie; Rickman, Jordan (May 6, 2017).
781:
produces a social experience of co-viewership; the sense of togetherness and belonging is often cited as a major appeal of
1503:
The
Sociability of Millennials in Cyberspace: A Comparative Analysis of Barrage Subtitling in Nico Nico Douga and Bilibili
854:
The
Sociability of Millennials in Cyberspace: A Comparative Analysis of Barrage Subtitling in Nico Nico Douga and Bilibili
173:
75:
1463:
885:
1476:"You Are Not Alone: the Impacts of Danmu Technological Features And Co-experience On Consumer Video Watching Behavior"
1360:"The danmaku interface on Bilibili and the recontextualised translation practice: a semiotic technology perspective"
82:
1510:
42:
723:
culture is largely absent. Irrelevant, revealing or unpleasant comments can also ruin one's viewing experience.
832:
64:
376:
is not credited with actually creating the danmaku subgenres, it sets a lot of the modern templates in place.
1324:
736:
1080:. Lecture Notes in Computer Science. Vol. 9180. Springer International Publishing. pp. 153–163.
953:. Lecture Notes in Computer Science. Vol. 9180. Springer International Publishing. pp. 153–163.
1251:
1572:
278:
1567:
1073:
313:
1533:
1422:
1379:
1305:
1239:
1169:
1054:
946:
428:
rapidly gained popularity among ACG users in China. Soon, other major
Chinese platforms, such as
400:
With the rise of
Niconico in Mainland China, Chinese video-sharing platforms also began to adopt
89:
1284:
Proceedings of the 2017 CHI Conference Extended Abstracts on Human Factors in Computing Systems
1295:
1116:
1089:
1003:
962:
1525:
1414:
1371:
1340:
1287:
1231:
1228:
vs. Forum Comments: Understanding User Participation and Knowledge Sharing in Online Videos"
1204:
1159:
1149:
1081:
1044:
1034:
995:
954:
926:
916:
409:
204:
1264:
671:
128:
1074:"Understanding Gratifications of Watching Danmaku Videos – Videos with Overlaid Comments"
983:
947:"Understanding Gratifications of Watching Danmaku Videos – Videos with Overlaid Comments"
347:
702:
viewers (such as Americans) would prefer their viewing experience to not be interfered.
1440:
659:
325:
1556:
1537:
1383:
1223:
1173:
1058:
699:
614:
437:
1426:
1309:
743:
from obstructing faces or figures of people. If a video reaches a maximum number of
1243:
211:
1418:
1375:
1085:
958:
598:
messages appear in the order of the moment of insertion in the video's timeline.
1489:"Role of Danmu Function in User Experience and Engagement: A Double-edged Sword"
1488:
1398:
1359:
369:
31:
20:
1344:
1279:
868:"This crazy way people watch videos in China is a whole subculture on its own"
1154:
1138:"Making sense of danmu: Coherence in massive anonymous chats on Bilibili.com"
1137:
1039:
1023:"Making sense of danmu: Coherence in massive anonymous chats on Bilibili.com"
1022:
921:
1291:
1235:
999:
225:
1007:
590:
system is not marked by dates of insertion nor any form of authorship, but
1529:
1475:
1399:"Watching a Movie Alone yet Together: Understanding Reasons for Watching
727:
417:
388:
352:
317:
232:
136:
19:
This article is about the subtitle system. For the video game genre, see
1164:
1049:
931:
625:
comments that were flushed out due to the limitations of the platform.
357:
527:
editor also provides an option that allows the user to deactivate the
1208:
1110:
663:
655:
449:
433:
429:
413:
321:
255:
127:
1222:
Wu, Qunfang; Sang, Yisi; Huang, Yun; Zhang, Shan (January 2018).
531:
function, and also a function to customize the visual effects of
1397:
Chen, Yue; Gao, Qin; Rau, Pei-Luen Patrick (September 2, 2017).
368:
is the first recorded example of what would become the genre of
552:
overall perspective. On the other hand, the synchronic feature
982:
Cohen, Elizabeth L.; Lancaster, Alexander L. (June 20, 2014).
25:
1072:
Chen, Yue; Gao, Qin; Rau, Pei-Luen Patrick (April 2, 2015).
945:
Chen, Yue; Gao, Qin; Rau, Pei-Luen Patrick (April 2, 2015).
771:
comments would appear, alerting the viewer, "Attention!!" ("
372:(danmaku in Japanese) and subgenres stemming from it. While
777:!") preparing the viewer for an upcoming surprise. Hence,
1193:: A New Paradigm of Social Interaction via Online Videos"
237:
886:"China's Video Streaming Sites Embrace 'Bullet Screens'"
320:
system in online video platforms that originates from
283:
216:
1187:
Wu, Qunfang; Sang, Yisi; Huang, Yun (Jun 20, 2019).
519:
in real time, but there is a limit for the viewable
1474:Fan, Si; Lu, Yaobin; Zhao, Ling; Pan, Zhao (2017),
1407:
International Journal of Human–Computer Interaction
277:
272:
254:
249:
231:
224:
210:
203:
198:
186:
172:
158:
153:
144:
56:. Unsourced material may be challenged and removed.
1078:Cross-Cultural Design Methods, Practice and Impact
951:Cross-Cultural Design Methods, Practice and Impact
800:Online Short Video Platform Management Regulations
1464:"Creative Audience Participation Through 'Danmu'"
515:editor shows the number of connected viewers and
988:Cyberpsychology, Behavior, and Social Networking
806:comments to be reviewed before being published.
793:Since its popularisation by AcFun and Bilibili,
719:that danmaku had been popularised in) where the
902:
900:
898:
459:typically requires the user to sign in first.
408:in Chinese language. Around 2008–2009, Chinese
825:"Curtains for You: The History of Bullet Hell"
662:. Although originated in subcultural areas of
523:for each video depending on the duration. The
341:
260:
1136:Zhang, Leticia-Tian; Cassany, Daniel (2020).
1021:Zhang, Leticia-Tian; Cassany, Daniel (2020).
772:
747:, some of the comments will also be deleted.
178:
164:
8:
387:originated in Japan's video-sharing website
1511:"How and why people are impolite in danmu?"
570:utilises a type of asynchronous text-based
448:visual cues. The format also makes use of
424:system to their video streaming services.
356:created by now-defunct Japanese developer
269:
195:
1487:Fan, Si; Liu, Jingwen; Zhu, Ting (2018),
1325:"The Interface Affect of a Contact Zone:
1163:
1153:
1048:
1038:
930:
920:
681:There is currently little to no usage of
560:Computer-mediated communication (CMC) in
116:Learn how and when to remove this message
613:to the scrolling, real-time comments in
586:Communication between users through the
815:
1260:
1249:
141:
16:Subtitle system originating from Japan
7:
1429:– via Taylor and Francis+NEJM.
1386:– via Taylor and Francis+NEJM.
1197:ACM Transactions on Social Computing
1010:– via liebertpub.com (Atypon).
54:adding citations to reliable sources
764:questions or display disagreement.
462:Due to its popularity and impact,
14:
30:
1468:chinacreative.humanities.uva.nl
1358:Yang, Yuhong (March 14, 2020).
698:cultures of East Asia, whereas
572:computer-mediated communication
480:Video player with superimposed
238:
41:needs additional citations for
284:
217:
179:
165:
1:
1546:Theory, Culture & Society
1419:10.1080/10447318.2017.1282187
1376:10.1080/10350330.2019.1630962
1329:on Video-Streaming Platforms"
1109:Howard, Craig Dennis (2012).
1076:. In Rau, P.L.Patrick (ed.).
949:. In Rau, P.L.Patrick (ed.).
690:. Others have suggested that
312:(figuratively translated as "
1086:10.1007/978-3-319-20907-4_14
959:10.1007/978-3-319-20907-4_14
823:Davison, Pete (2013-06-08).
773:
674:websites. The popularity of
1462:So, Vincent (31 Oct 2017),
1323:Li, Jinying (Sep 8, 2017).
884:Li, Xueqing (29 Apr 2016),
866:Shen, Timmy (27 Jul 2018),
1594:
1563:Japanese words and phrases
1098:– via Springer Link.
971:– via Springer Link.
726:Most video platforms like
440:, followed suit to deploy
18:
1345:10.1163/22142312-12340079
1286:. ACM. pp. 858–871.
802:were enforced, requiring
730:allow users to customise
342:
295:
268:
261:
194:
149:
1280:"Chat Speed OP PogChamp"
1155:10.1177/1461445620940051
1115:(Thesis). ProQuest LLC.
1040:10.1177/1461445620940051
922:10.1177/1461445620940051
160:Traditional Chinese
1501:Nakajima, Seio. 2019. "
1496:WHICEB 2018 Proceedings
1333:Asiascape: Digital Asia
1292:10.1145/3027063.3052765
1236:10.1145/3148330.3148344
1000:10.1089/cyber.2013.0484
852:Nakajima, Seio. 2019. "
694:is enjoyed by the more
666:and gaming, the use of
174:Simplified Chinese
1578:Video game terminology
1480:PACIS 2017 Proceedings
1441:"文化观察|前方"弹幕"越来越大"
1259:Cite journal requires
739:technology to prevent
346:) originates from the
139:
654:is widely popular in
131:
1530:10.1075/ip.00057.wan
1509:Wang, Jiayi (2020),
65:"Danmaku subtitling"
50:improve this article
1548:: 0263276419877675.
1518:Internet Pragmatics
872:www.goldthread2.com
324:and popularised in
609:Some have likened
145:Danmaku subtitling
140:
1142:Discourse Studies
1095:978-3-319-20906-7
1027:Discourse Studies
968:978-3-319-20906-7
909:Discourse Studies
890:www.sixthtone.com
629:Knowledge-sharing
615:livestream videos
299:
298:
291:
290:
245:
244:
205:Standard Mandarin
126:
125:
118:
100:
1585:
1549:
1540:
1515:
1498:
1493:
1483:
1470:
1449:
1448:
1437:
1431:
1430:
1394:
1388:
1387:
1364:Social Semiotics
1355:
1349:
1348:
1320:
1314:
1313:
1275:
1269:
1268:
1262:
1257:
1255:
1247:
1219:
1213:
1212:
1184:
1178:
1177:
1167:
1157:
1133:
1127:
1126:
1106:
1100:
1099:
1069:
1063:
1062:
1052:
1042:
1018:
1012:
1011:
979:
973:
972:
942:
936:
935:
934:
924:
904:
893:
892:
881:
875:
874:
863:
857:
850:
844:
843:
841:
840:
831:. Archived from
820:
776:
775:
495:in Japanese and
345:
344:
287:
286:
270:
264:
263:
241:
240:
220:
219:
196:
190:"bullet curtain"
182:
181:
168:
167:
142:
135:example like on
121:
114:
110:
107:
101:
99:
58:
34:
26:
1593:
1592:
1588:
1587:
1586:
1584:
1583:
1582:
1553:
1552:
1543:
1513:
1508:
1491:
1486:
1473:
1461:
1458:
1456:Further reading
1453:
1452:
1439:
1438:
1434:
1396:
1395:
1391:
1357:
1356:
1352:
1322:
1321:
1317:
1302:
1277:
1276:
1272:
1258:
1248:
1221:
1220:
1216:
1209:10.1145/3340675
1186:
1185:
1181:
1135:
1134:
1130:
1123:
1108:
1107:
1103:
1096:
1071:
1070:
1066:
1020:
1019:
1015:
981:
980:
976:
969:
944:
943:
939:
906:
905:
896:
883:
882:
878:
865:
864:
860:
851:
847:
838:
836:
822:
821:
817:
812:
791:
753:
713:
708:
700:individualistic
672:streaming media
649:
636:
631:
584:
582:Synchronization
565:
545:
509:
485:
477:
472:
470:Characteristics
420:introduced the
398:
382:
334:
279:Revised Hepburn
187:Literal meaning
122:
111:
105:
102:
59:
57:
47:
35:
24:
17:
12:
11:
5:
1591:
1589:
1581:
1580:
1575:
1570:
1565:
1555:
1554:
1551:
1550:
1541:
1524:(1): 295–322,
1506:
1499:
1484:
1471:
1457:
1454:
1451:
1450:
1432:
1413:(9): 731–743.
1389:
1370:(2): 254–273.
1350:
1339:(3): 233–256.
1315:
1300:
1270:
1261:|journal=
1214:
1179:
1148:(4): 483–502.
1128:
1121:
1101:
1094:
1064:
1033:(4): 483–502.
1013:
994:(8): 512–518.
974:
967:
937:
915:(4): 483–502,
894:
876:
858:
845:
814:
813:
811:
808:
790:
787:
752:
749:
712:
709:
707:
704:
660:Mainland China
648:
645:
635:
632:
630:
627:
583:
580:
564:
558:
544:
541:
508:
502:
484:
478:
476:
473:
471:
468:
404:functions, or
397:
394:
381:
378:
333:
330:
326:Mainland China
297:
296:
293:
292:
289:
288:
281:
275:
274:
273:Transcriptions
266:
265:
258:
252:
251:
247:
246:
243:
242:
235:
229:
228:
226:Yue: Cantonese
222:
221:
214:
208:
207:
201:
200:
199:Transcriptions
192:
191:
188:
184:
183:
176:
170:
169:
162:
156:
155:
151:
150:
147:
146:
124:
123:
38:
36:
29:
15:
13:
10:
9:
6:
4:
3:
2:
1590:
1579:
1576:
1574:
1571:
1569:
1566:
1564:
1561:
1560:
1558:
1547:
1542:
1539:
1535:
1531:
1527:
1523:
1519:
1512:
1507:
1504:
1500:
1497:
1490:
1485:
1481:
1477:
1472:
1469:
1465:
1460:
1459:
1455:
1446:
1445:dzrb.dzng.com
1442:
1436:
1433:
1428:
1424:
1420:
1416:
1412:
1408:
1404:
1402:
1393:
1390:
1385:
1381:
1377:
1373:
1369:
1365:
1361:
1354:
1351:
1346:
1342:
1338:
1334:
1330:
1328:
1319:
1316:
1311:
1307:
1303:
1301:9781450346566
1297:
1293:
1289:
1285:
1281:
1274:
1271:
1266:
1253:
1245:
1241:
1237:
1233:
1229:
1227:
1218:
1215:
1210:
1206:
1202:
1198:
1194:
1192:
1183:
1180:
1175:
1171:
1166:
1161:
1156:
1151:
1147:
1143:
1139:
1132:
1129:
1124:
1122:9781267881991
1118:
1114:
1113:
1105:
1102:
1097:
1091:
1087:
1083:
1079:
1075:
1068:
1065:
1060:
1056:
1051:
1046:
1041:
1036:
1032:
1028:
1024:
1017:
1014:
1009:
1005:
1001:
997:
993:
989:
985:
978:
975:
970:
964:
960:
956:
952:
948:
941:
938:
933:
928:
923:
918:
914:
910:
903:
901:
899:
895:
891:
887:
880:
877:
873:
869:
862:
859:
855:
849:
846:
835:on 2018-10-09
834:
830:
826:
819:
816:
809:
807:
805:
801:
796:
788:
786:
784:
780:
770:
765:
762:
757:
751:Interactivity
750:
748:
746:
742:
738:
733:
729:
724:
722:
717:
710:
705:
703:
701:
697:
693:
689:
684:
679:
677:
673:
669:
665:
661:
657:
653:
646:
644:
641:
633:
628:
626:
624:
618:
616:
612:
607:
605:
599:
597:
593:
589:
581:
579:
577:
573:
569:
563:
559:
557:
555:
550:
542:
540:
538:
534:
530:
526:
522:
518:
514:
507:
503:
501:
498:
494:
489:
483:
479:
474:
469:
467:
465:
460:
458:
453:
451:
445:
443:
439:
438:Tencent Video
435:
431:
427:
423:
419:
415:
411:
407:
403:
395:
393:
390:
386:
379:
377:
375:
371:
367:
363:
359:
355:
354:
349:
339:
331:
329:
327:
323:
319:
315:
311:
310:
305:
304:
294:
282:
280:
276:
271:
267:
259:
257:
253:
250:Japanese name
248:
236:
234:
230:
227:
223:
215:
213:
209:
206:
202:
197:
193:
189:
185:
177:
175:
171:
163:
161:
157:
152:
148:
143:
138:
134:
130:
120:
117:
109:
98:
95:
91:
88:
84:
81:
77:
74:
70:
67: –
66:
62:
61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
1545:
1521:
1517:
1495:
1479:
1467:
1444:
1435:
1410:
1406:
1400:
1392:
1367:
1363:
1353:
1336:
1332:
1326:
1318:
1283:
1273:
1252:cite journal
1225:
1217:
1200:
1196:
1190:
1182:
1145:
1141:
1131:
1111:
1104:
1077:
1067:
1030:
1026:
1016:
991:
987:
977:
950:
940:
912:
908:
889:
879:
871:
861:
848:
837:. Retrieved
833:the original
828:
818:
803:
799:
794:
792:
782:
778:
768:
766:
760:
755:
754:
744:
740:
731:
725:
720:
715:
714:
696:collectivist
691:
687:
682:
680:
675:
667:
651:
650:
639:
637:
622:
619:
610:
608:
603:
600:
595:
591:
587:
585:
575:
567:
566:
561:
553:
548:
546:
536:
532:
528:
524:
520:
516:
512:
510:
505:
496:
492:
487:
486:
481:
463:
461:
456:
454:
446:
441:
425:
421:
405:
401:
399:
384:
383:
373:
365:
361:
351:
350:arcade game
348:shoot 'em up
337:
335:
308:
307:
302:
301:
300:
212:Hanyu Pinyin
154:Chinese name
132:
112:
103:
93:
86:
79:
72:
60:
48:Please help
43:verification
40:
1573:Online chat
1165:10230/45368
1050:10230/45368
932:10230/45368
711:Distraction
370:bullet hell
21:Bullet hell
1568:Subtitling
1557:Categories
1203:(2). ACM.
839:2021-05-02
810:References
789:Censorship
634:Subtitling
239:daan6 mok6
76:newspapers
1538:225575804
1384:197731062
1174:220880170
1059:220880170
475:Interface
412:websites
336:The term
1427:41137741
1310:23784118
1008:24950260
785:videos.
728:Bilibili
706:Critique
504:Editing
455:Posting
418:Bilibili
389:Niconico
374:Batsugun
366:Batsugun
353:Batsugun
318:subtitle
316:") is a
233:Jyutping
137:Niconico
106:May 2021
1403:Videos"
1401:danmaku
1327:danmaku
1244:3421232
1230:. ACM.
1226:danmaku
1191:danmaku
829:USgamer
804:danmaku
795:danmaku
783:danmaku
779:danmaku
769:danmaku
761:danmaku
756:Danmaku
745:danmaku
741:danmaku
732:danmaku
721:danmaku
716:Danmaku
692:danmaku
688:danmaku
683:danmaku
676:danmaku
668:danmaku
652:Danmaku
640:danmaku
623:danmaku
611:danmaku
606:users.
604:danmaku
596:danmaku
592:danmaku
588:danmaku
576:danmaku
568:Danmaku
562:danmaku
554:danmaku
549:danmaku
537:danmaku
533:danmaku
529:danmaku
525:danmaku
521:danmaku
517:danmaku
513:danmaku
506:danmaku
493:danmaku
488:Danmaku
482:danmaku
402:danmaku
385:Danmaku
362:danmaku
358:Toaplan
338:danmaku
332:History
314:barrage
303:Danmaku
285:danmaku
133:Danmaku
90:scholar
1536:
1425:
1382:
1308:
1298:
1242:
1172:
1119:
1092:
1057:
1006:
965:
543:Others
218:dàn mù
92:
85:
78:
71:
63:
1534:S2CID
1514:(PDF)
1492:(PDF)
1423:S2CID
1380:S2CID
1306:S2CID
1240:S2CID
1170:S2CID
1055:S2CID
664:anime
656:Japan
647:Usage
547:In a
497:danmu
464:danmu
457:danmu
450:memes
442:danmu
434:Youku
430:iQiyi
426:Danmu
422:danmu
414:AcFun
406:danmu
396:China
380:Japan
322:Japan
309:danmu
256:Kanji
97:JSTOR
83:books
1482:(85)
1296:ISBN
1265:help
1117:ISBN
1090:ISBN
1004:PMID
963:ISBN
774:高能预警
735:use
658:and
511:The
436:and
416:and
343:だんまく
69:news
1526:doi
1415:doi
1372:doi
1341:doi
1288:doi
1232:doi
1205:doi
1160:hdl
1150:doi
1082:doi
1045:hdl
1035:doi
996:doi
955:doi
927:hdl
917:doi
638:As
444:.
410:ACG
306:or
52:by
1559::
1532:,
1520:,
1516:,
1494:,
1478:,
1466:,
1443:.
1421:.
1411:33
1409:.
1405:.
1378:.
1368:30
1366:.
1362:.
1335:.
1331:.
1304:.
1294:.
1282:.
1256::
1254:}}
1250:{{
1238:.
1199:.
1195:.
1168:.
1158:.
1146:22
1144:.
1140:.
1088:.
1053:.
1043:.
1031:22
1029:.
1025:.
1002:.
992:17
990:.
986:.
961:.
925:,
913:22
911:,
897:^
888:,
870:,
827:.
737:AI
539:.
432:,
364:.
262:弾幕
180:弹幕
166:彈幕
1528::
1522:2
1447:.
1417::
1374::
1347:.
1343::
1337:4
1312:.
1290::
1267:)
1263:(
1246:.
1234::
1224:"
1211:.
1207::
1201:2
1189:"
1176:.
1162::
1152::
1125:.
1084::
1061:.
1047::
1037::
998::
957::
929::
919::
842:.
340:(
119:)
113:(
108:)
104:(
94:·
87:·
80:·
73:·
46:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
