20:
1642:
1086:
120:, usually an admirer of Debussy, wrote, "It really seems as though the Dances are not by M. Debussy, but by some of his unfortunate imitators and one would like to be able to say as much, rather than being forced to recognise that M. Debussy is beginning to imitate himself". When the Dances were first heard in London,
148:
in London. Arrangements for other combinations of instruments followed; Durand published versions for piano and strings, piano duet, harp and piano, violin and piano, and cello and piano. The title of the original score was expanded by Durand to read "Danses pour harpe chromatique ou harpe à pédales,
90:– with no pedals but with an additional set of strings, slanting across the others, enabling harpists to play any note in the chromatic scale with either hand. Lyon commissioned Debussy to write a work for the new instrument, originally for the competitions at the
677:
According to the musicologist Albert Birch in a study of the modern development of the harp, "the Danses are now commonly played on the pedal harp, and are in fact easier on this than on the chromatic harp for which they were
255:– is a slow swirling waltz, with its theme alternating with more animated interludes, before fading to a quiet conclusion. The two dances are of approximately equal duration, typically lasting about ten minutes between them.
417:
687:
Some typical playing times from versions in the
Recordings section: Chalifoux: 5m:8s and 4m:59s; Challan: 5:19 and 5:14; Langlamet: 4:27 and 4;57; Laskine: 4:27 and 4:32
262:, calling the music "simple and pleasantly harmonious", comments, "The use of the ancient modes, as well as certain details of the instrumentation, may possibly recall
1154:
1666:
164:
in
February 1909 by the Société de Concerts Français. Wurmser-Delcourt was the soloist; in her American début, she again played the Danses, at a concert in
1204:
1681:
567:
1453:
1038:
1085:
1056:
1216:
1007:
988:
952:
1538:
126:
commented, "At least it can be said that they held the attention if they did not at once excite admiration". After the
American premiere
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1100:
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1079:
70:
605:
1581:
1402:
178:
168:, New York, in December 1919, but did not give the US premiere, which was in December 1916 in a concert at the same venue, when
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1409:
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190:
Both dances are in D, the first principally in Dorian mode and the second principally in Lydian. The theme of the
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1573:
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1135:
1676:
1645:
1605:
1024:
325:
149:
ou piano avec accompagnement d'orchestre d'instruments Ă cordes". The published work is dedicated to Lyon.
56:, and the work is sometimes billed accordingly. It is a two-movement work, of about ten minutes' duration.
1610:
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The work was first heard in
Britain in June 1908 in the piano and orchestra version, with
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440:
366:
268:
259:
169:
65:
41:
1660:
1317:
943:
Birch, Albert (1969). "The Modern
Development of the Harp". In Anthony Baines (ed.).
554:
480:
460:
412:
346:
320:
300:
173:
83:
894:. See also Ferguson, Joan Laurel (1988), "Francisco de Lacerda and Claude Debussy's
38:
Danses pour harpe chromatique avec accompagnement d'orchestre d'instruments Ă cordes
394:
161:
79:
40:(Dances for chromatic harp with string orchestra accompaniment), is a 1904 work by
592:
74:
had brought him international fame, and he had been appointed a
Chevalier of the
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508:
111:
263:
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in Paris, with Lucile
Wurmser-Delcourt as soloist. It had a mixed reception.
1522:
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1325:
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116:
172:
was the soloist in the Dances and in the first
American performance of
1388:
224:. The strings begin in the first seven bars and then the harp enters
68:
was established as one of France's leading composers. His 1902 opera
18:
1016:
132:
described the Dances as "music of distinctive charm and flavor".
86:
harp-making company, had invented a new type of instrument – the
1127:
1020:
729:
Avis, Peter (1992). Notes to EMI CD set 7243 5 85171 2 5
102:
The work was premiered on 6 November 1904 at one of the
418:
Orchestre de la Société des
Concerts du Conservatoire
929:
Halbreich, Harry (2014). Notes to
Timpani CD 1C 1207
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1278:
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160:conducting. The original version was given at the
209:, the metronome mark is ♩ =120 and the time is
194:appears to have been borrowed from that of the
1032:
8:
198:, by Debussy's friend Francisco de Lacerda.
1472:
1282:
1186:
1039:
1025:
1017:
568:South West German Radio Symphony Orchestra
282:
838:
836:
834:
945:Musical Instruments Throughout the Ages
890:Lesure, François (2008), Notes to a CD
700:
670:
807:
805:
737:
735:
1454:Hommage Ă S. Pickwick Esq. P.P.M.P.C.
1217:Rhapsodie for saxophone and orchestra
7:
1250:Dances for Harp and String Orchestra
791:
789:
34:Dances for Harp and String Orchestra
1667:Concertante works by Claude Debussy
1265:Six sonatas for various instruments
1000:Claude Debussy, His Life and Works
514:Academy of St Martin-in-the-Fields
140:The work was published in 1904 by
136:Publication and later performances
14:
1682:Compositions for string orchestra
1539:Cinq poèmes de Charles Baudelaire
1205:Fantaisie for piano and orchestra
1155:Prélude à l'après-midi d'un faune
606:Luxembourg Philharmonic Orchestra
1641:
1640:
1084:
362:Berlin Radio Symphony Orchestra
707:"Music: Pelléas et Mélisande",
851:"Birmingham School of Music",
532:Saint Louis Symphony Orchestra
1:
1582:Le Martyre de saint SĂ©bastien
660:Notes, references and sources
646:Berlin Philharmonic Orchestra
494:Royal Concertgebouw Orchestra
24:
981:A Portrait of Claude Debussy
824:"New Foreign Publications",
626:Singapore Symphony Orchestra
476:Orchestre National de l'ORTF
1410:La fille aux cheveux de lin
1101:La chute de la maison Usher
983:. Oxford: Clarendon Press.
399:Paillard Chamber Orchestra
36:, in full in the original,
16:1904 work by Claude Debussy
1698:
1403:Ce qu'a vu le vent d'ouest
588:Orchestre National de Lyon
44:. There are two sections:
1636:
1093:Le diable dans le beffroi
1054:
979:Dietschy, Marcel (1990).
900:The American Harp Journal
896:Danses: sacrée et profane
881:, 3 December 1916, p. 10
868:, 22 February 1909, p. 10
294:
291:
288:
285:
1476:Four hands or two pianos
962:Debussy, Claude (1904).
877:"Programs of the Week",
853:Birmingham Daily Gazette
828:, 1 August 1904, p. 551
815:, 29 December 1919, p. 7
811:"French Harpist Plays",
783:, 29 November 1904, p. 3
179:Introduction and Allegro
1492:Six Ă©pigraphes antiques
1424:La cathédrale engloutie
1417:La sérénade interrompue
766:, 6 November 1904, p. 5
326:Concertgebouw Orchestra
1611:Impressionism in music
998:Vallas, LĂ©on (1973) .
799:, 1 April 1909, p. 259
641:Marie-Pierre Langlamet
436:Philadelphia Orchestra
403:Jean-François Paillard
343:Concert Arts Ensemble
306:Philadelphia Orchestra
98:Premiere and reception
92:Brussels Conservatoire
30:
1442:, Book 2 (1912–1913)
1384:, Book 1 (1909–1910)
711:, 22 May 1909, p. 13
258:Debussy's biographer
22:
1606:Musée Claude-Debussy
1396:Des pas sur la neige
1080:Pelléas et Mélisande
1057:List of compositions
855:, 25 June 1908, p. 4
280:Recordings include:
78:the following year.
71:Pelléas et Mélisande
1072:Rodrigue et Chimène
1002:. New York: Dover.
947:. London: Penguin.
892:Debussy and Lacerda
842:Debussy, title page
795:"London Concerts",
550:Cleveland Orchestra
456:Cleveland Orchestra
380:Lamoureux Orchestra
340:Ann Mason Stockton
114:, music critic for
1616:Debussy quadrangle
1566:La Damoiselle Ă©lue
1358:Reflets dans l'eau
1211:Première rhapsodie
1136:La boîte à joujoux
879:The New York Times
813:The New York Times
760:"Concerts-Colonne"
573:Sylvain Cambreling
471:Marie-Claire Jamet
129:The New York Times
82:, director of the
31:
1672:1904 compositions
1654:
1653:
1531:Ariettes oubliées
1510:
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1471:
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1433:La plus que lente
1367:Children's Corner
1321:suite (1894–1901)
1310:Suite bergamasque
1226:
1225:
1198:L'enfant prodigue
1009:978-0-486-22916-4
990:978-0-19-315469-8
966:. Paris: Durand.
954:978-0-14-020347-9
826:The Musical Times
797:The Musical Times
657:
656:
621:Gulnara Mashurova
602:Catherine Beynon
432:Marilyn Costello
331:Eduard van Beinum
311:Leopold Stokowski
158:Granville Bantock
123:The Musical Times
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1500:En blanc et noir
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1375:The Little Nigar
1302:Valse romantique
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902:11/4, pp. 13-15.
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720:Dietschy, p. 126
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611:Emmanuel Krivine
583:Emmanuel Ceysson
519:Neville Marriner
376:Suzanne Cotelle
357:Nicanor Zabaleta
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108:Châtelet Theatre
104:Concerts Colonne
76:LĂ©gion d'honneur
29:
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1628:Debussy Heights
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1353:, Set 1 (1905)
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528:Frances Tietov
499:Bernard Haitink
451:Alice Chalifoux
385:Igor Markevitch
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230:doux et soutenu
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156:as soloist and
154:Julius Harrison
142:Éditions Durand
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1677:Harp concertos
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920:Debussy, p. 10
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775:Lalo, Pierre.
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196:Danse du voile
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170:Carlos Salzedo
162:Bechstein Hall
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88:chromatic harp
66:Claude Debussy
61:
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42:Claude Debussy
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911:Debussy, p. 1
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555:Pierre Boulez
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301:Edna Phillips
299:
298:
284:
281:
275:
273:
271:
270:
265:
261:
256:
249:
239:
235:
234:Danse profane
231:
227:
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199:
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193:
185:
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182:
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175:
174:Maurice Ravel
171:
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147:
144:in Paris and
143:
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105:
97:
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77:
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67:
59:
57:
55:
54:
53:Danse profane
49:
48:
43:
39:
35:
21:
1580:
1572:
1564:
1545:
1537:
1529:
1521:
1498:
1490:
1484:Petite suite
1482:
1452:
1445:
1431:
1422:
1415:
1408:
1401:
1394:
1387:
1373:
1365:
1356:
1348:
1340:
1332:
1324:
1316:
1308:
1300:
1297:(1888, 1891)
1292:
1269:Cello Sonata
1256:
1249:
1196:
1177:
1169:
1161:
1153:
1134:
1126:
1118:
1099:
1091:
1083:(1893–1902)
1078:
1070:
999:
980:
963:
944:
925:
916:
907:
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895:
886:
878:
873:
865:
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820:
812:
796:
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771:
763:
755:
746:
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716:
708:
703:
683:
673:
395:Lily Laskine
279:
267:
257:
247:
237:
233:
229:
216:
206:
203:Danse sacrée
202:
200:
195:
192:Danse sacrée
191:
189:
177:
166:Aeolian Hall
151:
139:
127:
121:
115:
101:
80:Gustave Lyon
69:
63:
52:
51:
47:Danse sacrée
46:
45:
37:
33:
32:
1600:Emma Bardac
1558:Other vocal
1550:(1891–1904)
1542:(1887–1889)
1534:(1885–1887)
1487:(1886–1889)
1447:Brouillards
1370:(1906–1908)
1313:(1890–1905)
1219:(1901-1911)
1213:(1909–1910)
1207:(1889–1890)
1182:(1905–1912)
1174:(1903–1905)
1166:(1897–1899)
1131:(1912–1913)
1123:(1911–1912)
1104:(1908–1917)
1096:(1902–1911)
1075:(1890–1892)
678:conceived".
509:Osian Ellis
269:Gymnopédies
260:LĂ©on Vallas
207:Très modéré
112:Pierre Lalo
28: 1900
1661:Categories
1238:Piano Trio
1147:Orchestral
695:References
292:Conductor
289:Orchestra
276:Recordings
264:Erik Satie
226:pianissimo
205:is marked
60:Background
1523:Beau soir
1259:for flute
1163:Nocturnes
866:The Times
864:"Music",
777:"Musique"
764:Le Figaro
709:The Times
593:Jun Märkl
236:– marked
1646:Category
1440:Préludes
1382:Préludes
1326:Estampes
972:21808571
781:Le Temps
631:Lan Shui
286:Soloist
117:Le Temps
64:By 1904
23:Debussy
1593:Related
1334:Masques
1231:Chamber
937:Sources
146:Novello
106:at the
1621:crater
1602:(wife)
1585:(1911)
1577:(1909)
1569:(1889)
1526:(1880)
1503:(1915)
1495:(1914)
1464:(1915)
1462:Études
1436:(1910)
1389:Voiles
1378:(1909)
1350:Images
1345:(1904)
1337:(1904)
1329:(1903)
1305:(1890)
1271:(1915)
1261:(1913)
1257:Syrinx
1252:(1904)
1246:(1893)
1240:(1879)
1201:(1884)
1179:Images
1171:La mer
1158:(1894)
1139:(1913)
1120:Khamma
1112:Ballet
1006:
987:
970:
964:Danses
951:
238:modéré
232:. The
84:Pleyel
1515:Songs
1279:Piano
1064:Opera
665:Notes
653:2019
635:2019
615:2011
597:2011
577:2004
559:2002
541:1984
523:1984
503:1978
485:1972
465:1970
445:1967
427:1965
407:1962
389:1960
371:1956
351:1955
335:1952
315:1931
295:Year
186:Music
1286:Solo
1128:Jeux
1004:ISBN
985:ISBN
968:OCLC
949:ISBN
201:The
50:and
898:",
272:".
266:'s
176:'s
1663::
833:^
804:^
788:^
779:,
762:,
734:^
650:–
228:,
25:c.
1040:e
1033:t
1026:v
1012:.
993:.
974:.
957:.
248:4
217:2
181:.
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