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335:. He also spent his time visiting the city's museums and art galleries. Besides the museums in Paris, he took trips around the European continent to see what was being shown in museums and art galleries outside France. He gave his first interview on Cubism in 1912, and it was actual historical events that led to his career as a historian. There is a view that Kahnweiler's sensibility was such that his gallery, and the way he styled and developed it, was as much a Cubist gallery as were the paintings by Picasso and the other Cubist painters. The gallery had a clear aesthetic position, uncompromising integrity, financial stability and creative development. During the years 1907-1914 his gallery was a central cradle for Cubism, not only to display the works, but where one also met the artists.
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and immediately wanted to buy it along with all of
Picasso's works. Picasso wrote of Kahnweiler, "What would have become of us if Kahnweiler hadn't had a business sense?" Kahnweiler's appreciation of Picasso's talents was especially gratifying to the artist, since he was largely unknown and destitute
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was published with contributions by the world's leading philosophers, art historians, and artists, all of whom emphasized the vital importance of his unique contribution to art history – an importance still not yet fully appreciated, probably due to the fact that he has been viewed mostly as an art
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In 1907, when there were only half a dozen viable galleries in Paris, he made contracts with artists to buy all of their work in order to free them from financial worries and permit them to concentrate on their creative work. He met with them daily to discuss their work, photographed each work they
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and several other artists of the same generation. To use his own word, Kahnweiler wanted to "defend" great artists, but only those who had no dealers and of whose talents he was convinced. Rather than exhibiting appealing works by established artists from the past and present, Kahnweiler championed
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in
Germany and Paris gave way to an interest in art collecting while Kahnweiler was still in his twenties. He opened his first small art gallery (4 by 4 meters) in Paris in 1907 at 28 rue Vignon, at age 23. There was a family precedent for such an enterprise, since his uncle, who ran a famous stock
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were either never translated into
English or badly translated. The omission of key elements of a proper understanding of Cubism and focus on small and sensational elements of his complex relationship with Picasso has led to a flawed understanding of the ideas he put forward in these writings.
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Although the financial support for artists was an important contribution to art history, he was also a significant figure for his work as an art historian and eyewitness to the emergence of Cubism during the period 1907–1914. When working in Paris, his spare time was devoted to reading and
295:(beautiful books), in which a contemporary artist would illustrate a work of a contemporary writer. He expanded his presentations by bringing together artists, writers and poets to produce their works as a joint project in more than 40 books. Picasso, for example, illustrated the works of
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346:. Kahnweiler forbade his 'gallery Cubists' from exhibiting at these major Salons, and by so doing, actually removed them from public view. From the viewpoint of the general public, Cubism came to be more associated with the 'Salon Cubists', such as
429:. Writing becoming a passion he continued over his lifetime, and he authored hundreds of books and major articles. The second period of enforced writing came during a period of internal exile caused by the events of World War II. As a Jew, the
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under French law. Many German nationals living in France had their possessions sequestered by the French state, and as a result, Kahnweiler's collection was confiscated in 1914 and sold by the government in a series of auctions at the
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produced (he felt it imperative to have a record), held exhibitions of their work and promoted their work internationally. Since he considered himself friends with many of them, he co-owned little sailing boats with his artists.
280:, Kahnweiler was one of the influential art connoisseurs of the 20th century. As a businessman, Kahnweiler pioneered many new methods of working with artists and art dealing; these are now established practices in the industry.
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Kahnweiler was very prolific as an author, but never produced a full autobiography. There was, however, a series of interviews first aired on French television, then published and translated as a book under the title
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Although revered by artists for his business and aesthetic sense and respected by art dealers and art historians, the true impact of his life and work has yet to be recognized, despite a 1988 biography by
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In his gallery, Kahnweiler supported many of the great artists of his time who found themselves without adequate recognition and little or no interest among collectors. Initial purchases included works by
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The outbreak of World War I in 1914 not only ruptured the Cubist experiments in art, but also forced
Kahnweiler to live in exile in Switzerland; due to his German citizenship, he was considered an
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414:'s "Buffalo Bill," which Kahnweiler acquired from Picasso in 1912 and was auctioned at HĂ´tel Drouot in the "Fourth Sale of Sequestered Art," May 7-8, 1923, and bought in auction at
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art movement through his activities as an art dealer and spokesman for artists. He was among the first people to recognize the importance and beauty of
Picasso's
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Malcolm Gee, Dealers, Critics and
Collectors of Modern Painting; Aspects of the Parisian Art Market Between 1910 and 1930, Courtauld PhD Dissertation 1977, p. 25
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Kahnweiler's entrepreneurial abilities were so acute that by the 1950s his art gallery was among the top 100 French companies in terms of export figures.
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Kahnweiler collection: Catalogue des tableaux, aquarelles, gouaches et dessins. Part II, HĂ´tel Drouot, Paris, November 17-18, 1921
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of the 20th century. He became prominent as an art gallery owner in Paris beginning in 1907 and was among the first champions of
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prepared him for his life as an art connoisseur and pragmatic businessman. Early employment in the family business of
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97:(25 June 1884 – 11 January 1979) was a German-born art collector, and one of the most notable French
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and was trained to study finance and philosophy. His upbringing and education at a German
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forced him to flee Paris. He remained in France, in hiding. "Under the clouds from the
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burgeoning artists who had come from all over the globe to live and work in
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Kahnweiler is considered to have been one of the greatest supporters of the
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to a prosperous Jewish family. His family had previously moved from
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Femme au béret et à la robe quadrillée (Marie-Thérèse Walter)
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at the time when many of his most famous works were created.
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DANIEL-HENRY KAHNWEILER –. (21 September 2017). PATRONS.
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700:review of Bio pic, retrieved online April 26, 2008
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612:Michael Taylor, 2010, Philadelphia Museum of Art,
598:https://patrons.org.es/kahnweiler-daniel-henry/
2162:If I Told Him: A Completed Portrait of Picasso
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564:A Life Of Picasso, The Cubist Rebel, 1907-1916
513:A Life of Picasso: The Cubist Rebel, 1907-1916
256:, oil on canvas, Musée du Petit Palais, Geneva
2124:Picasso. In the heart of darkness (1939-1945)
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2265:Jewish emigrants from Nazi Germany to France
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677:https://www.christies.com/en/lot/lot-6397621
2169:Woman, Bird, Star (Homage to Pablo Picasso)
291:. He encouraged the practice of publishing
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492:A Life of Picasso: The Prodigy, 1881–1906
16:German-born art collector and art dealer
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437:," as he put it in his seminal work on
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478:. He died in 1979 in Paris, aged 94.
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1564:Minotaur Kneeling over Sleeping Girl
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1144:Portrait of Daniel-Henry Kahnweiler
951:Portrait of Angel Fernández de Soto
418:for $ 12,412,500 on Nov. 17, 2022.
254:Portrait of Daniel-Henry Kahnweiler
172:Portrait of Daniel-Henry Kahnweiler
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2305:20th-century French male writers
1367:Girl with a Red Beret and Pompom
386:Pencil drawing of Kahnweiler by
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2300:German male non-fiction writers
2295:French male non-fiction writers
2064:Picasso: Magic, Sex & Death
1491:Bust of a Woman (Marie-Thérèse)
1046:Young Girl with a Flower Basket
640:, Yale University Press, 2004,
121:Kahnweiler was born in 1884 in
1741:Picasso and the Ballets Russes
1054:Famille d'acrobates avec singe
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452:Mes galleries et mes peintres
37:Daniel-Henry Kahnweiler, 1956
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1982:(Juan-les-Pins, Summer 1924)
1136:Portrait of Ambroise Vollard
624:), 1 Audio Stop 439, Podcast
392:Musée National d'Art Moderne
378:World War I and World War II
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2139:Picasso referendum of Basel
1580:The Dream and Lie of Franco
1351:Woman in Hat and Fur Collar
1295:Nude, Green Leaves and Bust
998:Acrobat and Young Harlequin
567:. Alfred A. Knopf. p.
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2192:Picasso at the Lapin Agile
1668:Regjeringskvartalet murals
1070:Portrait of Gertrude Stein
903:Portrait of Jaime Sabartés
635:Steve Edwards, Paul Wood,
2154:Portrait of Pablo Picasso
2048:The Adventures of Picasso
1994:(Vauvenargues, 1958-1962)
1685:Desire Caught by the Tail
1499:TĂŞte de femme (Dora Maar)
1160:Le pigeon aux petits pois
1087:Les Demoiselles d'Avignon
959:Portrait of Suzanne Bloch
927:Old Jewish Man with a Boy
189:Les Demoiselles d'Avignon
133:, a small village in the
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1303:Nude in a Black Armchair
1120:Femme et pot de moutarde
1104:Brick Factory at Tortosa
533:, London, Garland, 1981.
177:Art Institute of Chicago
137:. Kahnweiler grew up in
1992:Château of Vauvenargues
1725:Picasso's written works
1255:Woman in a Red Armchair
1006:Family of Saltimbanques
863:Le Moulin de la Galette
830:Picasso's written works
637:Art of the Avant-gardes
614:Modern and Contemporary
427:Confessions esthétiques
407:between 1921 and 1923.
260:Along with such men as
95:Daniel-Henry Kahnweiler
25:Daniel-Henry Kahnweiler
2127:(2019-2020 exhibition)
2040:The Mystery of Picasso
1929:Diana Widmaier Picasso
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847:Le petit picador jaune
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1986:Château de Boisgeloup
1905:Maya Widmaier-Picasso
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1700:The Four Little Girls
1415:Nature morte au poron
1343:Portrait of Dora Maar
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622:Woman with a Teaspoon
461:dealer and not as an
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88:Art dealer, historian
2006:(Mougins, 1961-1973)
1945:Bernard Ruiz-Picasso
1858:Marie-Thérèse Walter
1818:Museo Picasso Málaga
1327:Jeune Fille Endormie
1271:Girl before a Mirror
1128:Girl with a Mandolin
423:Der Weg zum Kubismus
2000:(Cannes, 1955-1961)
1998:Villa La Californie
1988:(Gisors, 1930-1937)
1184:Bottle, Glass, Fork
1062:Boy Leading a Horse
855:Science and Charity
364:Henri Le Fauconnier
223:Maurice de Vlaminck
150:brokerage house in
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2132:Picasso & Lump
1976:(Montmartre Paris)
1953:José Ruiz y Blasco
1526:(1963, 1964, 1965)
1448:The Fall of Icarus
1431:Les Femmes d'Alger
1224:Reading the Letter
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270:Daniel Wildenstein
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1319:Two Girls Reading
1311:Femme Ă la montre
1247:The Three Dancers
1176:Violon et Raisins
983:Girl in a Chemise
935:The Old Guitarist
879:Child with a Dove
616:439, Metzinger -
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525:978-0-307-26665-1
504:978-0-307-26666-8
262:Alfred Flechtheim
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289:Georges Braque
278:Paul Rosenberg
252:, c. 1907-08,
215:Georges Braque
159:
156:
118:
115:
107:Georges Braque
90:
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81:
78:
76:(aged 94)
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2179:" (1976 song)
2178:
2177:Pablo Picasso
2174:
2171:
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2166:
2164:" (1924 poem)
2163:
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2018:
2012:
2005:
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1996:
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1990:
1987:
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1981:
1978:
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1974:Bateau-Lavoir
1972:
1971:
1969:
1963:
1954:
1951:
1946:
1943:
1938:
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1930:
1927:
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1911:
1906:
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1900:(second wife)
1898:
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1810:Museu Picasso
1808:
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1802:Musée Picasso
1800:
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1794:Musée Picasso
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1556:Vollard Suite
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975:Woman Ironing
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529:Malcolm Gee,
528:
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463:art historian
459:
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419:
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412:Pablo Picasso
408:
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389:
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356:Fernand LĂ©ger
353:
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310:
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279:
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266:Paul Cassirer
263:
255:
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242:in any case.
241:
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211:Fernand LĂ©ger
208:
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167:Pablo Picasso
164:
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136:
132:
128:
124:
116:
114:
112:
108:
104:
103:Pablo Picasso
100:
96:
87:
85:Occupation(s)
83:
79:Paris, France
71:
67:
62:
58:
45:
41:
34:
29:
22:
19:
2280:Stockbrokers
2190:
2182:
2167:
2152:
2145:
2130:
2122:
2078:
2070:
2062:
2054:
2046:
2038:
2030:
2022:
1892:(first wife)
1775:
1766:
1759:
1752:
1745:
1698:
1683:
1648:
1640:
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1613:
1605:
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1413:
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1397:
1391:Woman's Head
1389:
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1190:
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1168:La Coiffeuse
1166:
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661:
652:
636:
630:
621:
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613:
563:
530:
512:
491:
472:
455:
451:
448:
435:gas chambers
426:
422:
420:
409:
405:HĂ´tel Drouot
397:
337:
325:
317:
305:André Masson
293:Beaux Livres
292:
286:
282:
259:
253:
236:Paul CĂ©zanne
228:Montparnasse
207:André Masson
203:André Derain
195:
187:
181:
170:
131:Rockenhausen
120:
94:
93:
74:(1979-01-11)
53:25 June 1884
18:
2290:1979 deaths
2285:1884 births
2195:(1993 play)
2135:(2006 book)
2103:Carl Nesjar
1813:(Barcelona)
1693: 1941
1645:(1945-1946)
1634:Lithographs
1615:Don Quixote
1559:(1930–1937)
1507:Bull's Head
1440:Las Meninas
1410:(1944–1945)
1232: 1921
991: 1905
970:(1904-1905)
895:Yo, Picasso
887:La Gommeuse
770:(1910–1919)
764:(1907–1909)
758:(1904–1906)
752:(1901–1904)
457:Festschrift
322:Art history
99:art dealers
2214:Categories
2113:Lump (dog)
2072:Modigliani
1965:Residences
1948:(grandson)
1924:(daughter)
1908:(daughter)
1837:(Normandy)
1761:Pulcinella
1642:Le Taureau
1588:347 Series
1483:Sculptures
1464:Jacqueline
1279:La Lecture
646:0300102305
538:References
467:aesthetics
445:At the end
416:Christie's
333:aesthetics
232:Montmartre
158:Art dealer
135:Palatinate
117:Early life
49:1884-06-25
2144:Theft of
2014:Films and
1863:Dora Maar
1805:(Antibes)
1073:(1905–06)
1065:(1905–06)
967:The Actor
922:(1901-02)
839:Paintings
825:1971–1973
820:1961–1970
815:1951–1960
810:1941–1950
805:1931–1940
800:1921–1930
795:1911–1920
790:1901–1910
785:1889–1900
439:Juan Gris
388:Juan Gris
297:Max Jacob
219:Juan Gris
143:Gymnasium
139:Stuttgart
63:, Germany
2032:Guernica
1967:(France)
1956:(father)
1846:Partners
1829:(Malaga)
1821:(Malaga)
1599:Drawings
1548:Etchings
1537:Sylvette
1335:Guernica
1263:Le Repos
1208:Ma Jolie
1200:Arlequin
1192:Ma Jolie
618:Tea Time
561:(1991).
519:, 1991,
515:, Publ.
498:, 1991,
494:, Publ.
390:, 1921,
342:and the
169:, 1910,
123:Mannheim
109:and the
57:Mannheim
2091:Related
1797:(Paris)
1787:Museums
1777:Mercure
1287:Le RĂŞve
762:African
743:Periods
482:Sources
394:, Paris
2080:Genius
2075:(2004)
2067:(2001)
2059:(1996)
2051:(1978)
2043:(1956)
2035:(1950)
2027:(1949)
1882:Family
1747:Parade
1718:Poetry
1661:Murals
1653:(1949)
1626:(1961)
1618:(1955)
1610:(1905)
1591:(1968)
1583:(1937)
1575:(1935)
1567:(1933)
1540:(1970)
1532:(1967)
1518:(1951)
1510:(1942)
1502:(1941)
1494:(1931)
1475:(1962)
1467:(1961)
1459:(1960)
1451:(1958)
1443:(1957)
1435:(1955)
1433:series
1426:(1951)
1418:(1948)
1402:(1941)
1394:(1939)
1386:(1938)
1378:(1937)
1370:(1937)
1362:(1937)
1354:(1937)
1346:(1937)
1338:(1937)
1330:(1935)
1322:(1934)
1314:(1932)
1306:(1932)
1298:(1932)
1290:(1932)
1282:(1932)
1274:(1932)
1266:(1932)
1258:(1929)
1250:(1925)
1242:(1923)
1219:(1921)
1211:(1914)
1203:(1913)
1195:(1912)
1187:(1912)
1179:(1912)
1171:(1911)
1163:(1911)
1155:(1911)
1147:(1910)
1139:(1910)
1131:(1910)
1123:(1910)
1115:(1909)
1107:(1909)
1099:(1908)
1091:(1907)
1081:(1906)
1057:(1905)
1049:(1905)
1041:(1905)
1033:(1905)
1025:(1905)
1017:(1905)
1009:(1905)
1001:(1905)
978:(1904)
962:(1904)
954:(1903)
946:(1903)
943:La Vie
938:(1903)
930:(1903)
914:(1901)
906:(1901)
898:(1901)
890:(1901)
882:(1901)
874:(1901)
866:(1900)
858:(1897)
850:(1889)
768:Cubism
644:
575:
523:
502:
184:Cubist
152:London
111:Cubist
1916:(son)
1677:Plays
431:Nazis
400:alien
127:Baden
61:Baden
1650:Dove
756:Rose
750:Blue
642:ISBN
573:ISBN
521:ISBN
500:ISBN
425:and
370:and
331:and
276:and
230:and
69:Died
43:Born
2216::
1705:c.
1690:c.
1229:c.
988:c.
604:^
587:^
571:.
569:36
546:^
511:,
490:,
441:.
374:.
366:,
362:,
358:,
354:,
350:,
311:,
307:,
303:,
272:,
268:,
264:,
221:,
217:,
213:,
209:,
205:,
201:,
125:,
105:,
59:,
2175:"
2160:"
1710:)
1703:(
1695:)
1688:(
1234:)
1227:(
993:)
986:(
728:e
721:t
714:v
620:(
581:.
51:)
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.