518:
547:
25:
535:
284:
With contributions from Sam
Auinger, Roger Behrens, Diedrich Diederichsen, Florian Dombois, Wolfgang Ernst, Golo Föllmer, Thomas Hermann, Daniel Ott, Holger Schulze, Martin Supper, Elena Ungeheuer, Carl-Frank Westermann among others. Ed. by Holger Schulze Bielefeld 2008, 316 p. transcript Verlag.
311:
Lexikon zum
Pavillon der schweizerischen Eidgenossenschaft an der EXPO 2000 in Hannover Peter Zumthor with Plinio Bachmann, Karoline Gruber, Ida Gut, Daniel Ott, Max Rigendinger. Edited by Roderick Hönig. Basel; Boston; Berlin Birkhäuser, 2000.
377:
Lexikon zum
Pavillon der schweizerischen Eidgenossenschaft an der EXPO 2000 in Hannover. Peter Zumthor mit Plinio Bachmann, Karoline Gruber, Ida Gut, Daniel Ott, Max Rigendinger, eds. Roderick Hönig. Basel, Boston, Berlin: Birkhäuser 2000.
572:
178:. Since 1990, Daniel Ott has been working as a freelance composer, pianist and performer with a focus on new music theatre and interdisciplinary and space and landscape-related works.
255:, by Thomas Gartmann. In Antonio Baldessarre (ed.): Musik.Raum.Akkord.Bild. Festschrift zum 65. Geburtstag von Dorothea Baumann. Bern: Lang, 2012, pp. 473–498
577:
466:
325:
A conversation between Daniel Ott and
Matthias Rebstock, Yearbook of the Berlin Society for Music 1999, ed. by S. Sanio, B. Wackernagel, J. Ravenna. Pfau Verlag.
342:. Contribution by Daniel Ott: Voraussetzungen für ein neues Musiktheater-Gesamtkunstwerk. Studien zur Wertungsforschung, vol. 38. Universal-Edition 26838.
298:, ed. by Daniel Ott, Lukas Ott, Lydia Jeschke 232 pages, numerous colour illustrations, with 140 minutes of music on two CDs Christoph Merian-Verlag 2005.
212:(2002), the place of pilgrimage Heiligkreuz/Entlebuch (2003), the river Neisse between Görlitz and Zgorzelec (2005) and the Rhine port of Basel (2006).
53:
33:
223:, where he founded the KlangKunstBühne summer academy in 2003. Since 2005, he has been professor for composition and experimental music theatre at the
567:
162:
and worked in independent theatre groups. From 1983 to 1985, he studied theatre in Paris and London. From 1985 to 1990, he studied composition with
592:
303:
290:
266:
220:
397:
383:
361:
347:
330:
317:
126:
175:
155:
490:
167:
195:
224:
525:
107:
57:
49:
190:
79:
38:
86:
42:
261:, by Christa Brüstle. In Rebstock / Roesner (ed.): Composed Theatre. Aesthetics, Practices, Processes. UK, 2012.
421:
356:
Ed. Europäischer
Musikmonat. Beitrag von Daniel Ott: Gedankensplitter zu Klangserve. Opinio Verlag AG, Basel.
494:
93:
587:
539:
390:
Musik im Dialog II ojota – Schuhe, Schritte, Wege. Ein Gespräch zwischen Daniel Ott und
Matthias Rebstock.
231:
in Rümlingen in 1990 and is a member of the board. In 2016, Ott took over the artistic direction of the
75:
339:
582:
417:
551:
253:
Ein gesamtkunstwerk-ähnliches Live-Erlebnis. Zur Musik von Daniel Ott für den Klangkörper
Schweiz
216:
64:
393:
379:
357:
343:
326:
313:
299:
286:
262:
163:
392:
Ed. S. Sanio, B. Wackernagel, J. Ravenna. Jahrbuch der
Berliner Gesellschaft für Musik 1999.
428:
423:
The dream of real life. KlangKunstBühne: Daniel Ott wants to give students what was missing
236:
232:
517:
100:
158:, Ott graduated in 1980. Afterwards he worked as a teacher in the regions of Basel and
561:
240:
201:
159:
473:
259:
Composing with Raw
Materials: Daniel Ott’s Music-theatre Portraits and Landscapes
171:
354:
Hörgeschichten: neue musik ganz schön vielseitig. Europäischer
Musikmonat 2001.
323:
Klangkunst – Musiktheater. Musik im Dialog II, ojota – Schuhe, Schritte, Wege.
228:
442:
209:
205:
509:
513:
151:
282:
Sound Studies. Traditionen – Methoden – Desiderate. Eine Einführung.
204:. This was followed by landscape compositions for the harbour
181:
In 1999/2000, Ott created the full-length music theatre cycle
63:
from the article and its talk page, especially if potentially
18:
502:
272:
Vom Hafenbecken auf die Schafmatt. Daniel Ott:Ein Portrait
523:
215:
From 1995 to 2004, Ott held a teaching position for
573:
Academic staff of the Berlin University of the Arts
296:
Geballte Gegenwart. Experiment Neue Musik Rümlingen
142:(born 6 September 1960) is a Swiss composer.
8:
477:. 18 October 2012, retrieved 28 August 2020.
431:', 18 July 2003, retrieved on 28 August 2020
516:
56:about living persons that is unsourced or
127:Learn how and when to remove this message
530:
410:
578:Members of the Academy of Arts, Berlin
7:
336:Das Musiktheater – Exempel der Kunst
468:Doppelspitze für Münchner Biennale.
491:Literature by and about Daniel Ott
14:
191:Swiss Pavilion Expo 2000 Hannover
568:20th-century classical composers
545:
533:
156:Canton of Appenzell Ausserrhoden
23:
168:Folkwang University of the Arts
227:. He founded the Festival for
1:
225:Berlin University of the Arts
221:Universität der Künste Berlin
176:Hochschule für Musik Freiburg
593:20th-century Swiss composers
34:biography of a living person
235:together with the composer
61:must be removed immediately
609:
16:Swiss composer (born 1960)
447:neue-musik-ruemlingen.ch
495:German National Library
274:, by Thomas Meyer. In
48:Please help by adding
54:Contentious material
278:Nr. 113, March 2011
185:. In 2000 he wrote
217:experimental music
304:978-3-85616-257-3
291:978-3-89942-894-0
267:978-1-84150-456-8
164:Nicolaus A. Huber
137:
136:
129:
111:
37:needs additional
600:
550:
549:
548:
538:
537:
536:
529:
520:
506:
505:
503:Official website
478:
474:handelsblatt.com
464:
458:
457:
455:
453:
439:
433:
429:Der Tagesspiegel
415:
340:Otto Kolleritsch
199:
189:- music for the
187:klangkörperklang
132:
125:
121:
118:
112:
110:
69:
50:reliable sources
27:
26:
19:
608:
607:
603:
602:
601:
599:
598:
597:
558:
557:
556:
546:
544:
540:Classical music
534:
532:
524:
512:discography at
501:
500:
487:
482:
481:
465:
461:
451:
449:
441:
440:
436:
418:Götz Leineweber
416:
412:
407:
375:Klangkörperbuch
371:
369:Further reading
309:Klangkörperbuch
249:
237:Manos Tsangaris
233:Munich Biennale
193:
148:
133:
122:
116:
113:
70:
68:
47:
28:
24:
17:
12:
11:
5:
606:
604:
596:
595:
590:
585:
580:
575:
570:
560:
559:
555:
554:
542:
522:
521:
507:
498:
486:
485:External links
483:
480:
479:
459:
434:
409:
408:
406:
403:
402:
401:
387:
370:
367:
366:
365:
351:
333:
320:
306:
293:
279:
269:
256:
248:
245:
239:(successor to
147:
144:
135:
134:
58:poorly sourced
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
605:
594:
591:
589:
588:Living people
586:
584:
581:
579:
576:
574:
571:
569:
566:
565:
563:
553:
543:
541:
531:
527:
519:
515:
511:
508:
504:
499:
496:
492:
489:
488:
484:
476:
475:
470:
469:
463:
460:
448:
444:
438:
435:
432:
430:
425:
424:
419:
414:
411:
404:
399:
398:3-89727-107-9
395:
391:
388:
385:
384:3-7643-6324-X
381:
376:
373:
372:
368:
363:
362:3-03999-014-4
359:
355:
352:
349:
348:3-7024-0263-2
345:
341:
337:
334:
332:
331:3-89727-107-9
328:
324:
321:
319:
318:3-7643-6324-X
315:
310:
307:
305:
301:
297:
294:
292:
288:
283:
280:
277:
273:
270:
268:
264:
260:
257:
254:
251:
250:
246:
244:
242:
241:Peter Ruzicka
238:
234:
230:
226:
222:
218:
213:
211:
207:
203:
202:Peter Zumthor
197:
192:
188:
184:
179:
177:
173:
169:
165:
161:
157:
153:
145:
143:
141:
131:
128:
120:
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
73:
72:Find sources:
66:
62:
59:
55:
51:
45:
44:
40:
35:
30:
21:
20:
472:
467:
462:
450:. Retrieved
446:
437:
427:
422:
413:
389:
374:
353:
335:
322:
308:
295:
281:
275:
271:
258:
252:
247:Publications
214:
186:
182:
180:
149:
139:
138:
123:
114:
104:
97:
90:
83:
76:"Daniel Ott"
71:
60:
43:verification
36:
583:1960 births
552:Switzerland
194: [
172:Klaus Huber
117:August 2020
562:Categories
510:Daniel Ott
405:References
276:Dissonance
229:Neue Musik
183:ojota I-IV
160:Graubünden
140:Daniel Ott
87:newspapers
497:catalogue
452:28 August
170:and with
39:citations
206:Sassnitz
150:Born in
65:libelous
526:Portals
514:Discogs
493:in the
219:at the
174:at the
166:at the
152:Grub AR
101:scholar
443:"Team"
396:
382:
360:
346:
329:
316:
302:
289:
265:
146:Career
103:
96:
89:
82:
74:
210:Rügen
198:]
108:JSTOR
94:books
32:This
454:2020
426:in:
394:ISBN
380:ISBN
358:ISBN
344:ISBN
338:Ed.
327:ISBN
314:ISBN
300:ISBN
287:ISBN
263:ISBN
80:news
41:for
471:In
243:).
200:by
564::
445:.
420::
196:de
154:,
52:.
528::
456:.
400:.
386:.
364:.
350:.
208:/
130:)
124:(
119:)
115:(
105:·
98:·
91:·
84:·
67:.
46:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.