239:"For this album, Jessie and I were looking to create more of a visceral vibe than a completely technical vibe. There's parts that do still get a bit chaotic of course, but not nearly as much as the avid listener is used to. Everything about this record is way more to the point, with much more heart put into it rather than just seeing how many notes could be thrown into a part or seeking to create 'the heaviest shit ever' or any of that nonsense. The record being titled The Alpha – The Omega, to us symbolized the beginning and the end of Danza. Jessie and I hope you enjoy it as much as we enjoyed creating it for you all."
399:
uncompressed." Mustein criticized the album's numerous samples, which decreased the impact of "Hold the Line" and stated "it's almost impossible to sit through the entirety of the glitchy, gimmicky 'Some Things Are Better Left Unsaid.'" Mustein concluded his review by calling the album "the most aggressive, the most dominant, the most confident, and the heaviest album of the year."
307:
343:
338:
333:
328:
323:
302:
297:
292:
287:
398:
reviewer Dave
Mustein noted the band's maturity and how far they have progressed since their first album. Mustein praised the band's songwriting ability and referred to the melodic moments as "melancholic beauty" as well as the album's production for "sounding gritty but professional, digital but
412:. Welsh praised the album's dynamics as well as the "groovier and co-operative tone" of the guitar and bass. Jessie Freeland's vocal performance was also praised, especially on the title track. Welsh referred to the album as "a dense, chaotic, yet marvelously ethereal blending of
29:
384:. Colwell concluded his review by saying "For a final blow, Danza deliver the goods in every way with an uncompromising pile of riffs while continuing to show they're not a one-trick pony.
197:
The album was recorded as two-piece with Jessie
Freeland on vocals and Josh Travis handling all instruments. Track 12, "The Alpha the Omega," features guest vocals by Phil Bozeman of
916:
628:
Some versions of the album merge "This Cut Was the
Deepest" together with "Disconnecting, Pt. 2" and split "Some Things Are Better Left Unsaid" into two separate tracks.
128:
854:
921:
181:
and the dissolution of the band, vocalist Jessie
Freeland became a police officer in 2014 while guitarist Josh Travis would later go on to join
246:
doesn't sway too far from the group's previous mathcore style the band is renowned for, it has also been heavily credited to be influenced by
825:
769:
170:
115:
41:
372:, Matthew Colwell praised the album's melodic moments and favorably compared the song "Paul Bunyan and the Blue Ox" to the bands
883:
368:
278:
408:
377:
743:
718:"MetalSucks on Twitter: "The Tony Danza Tapdance Extravaganza's Jessie Freeland is a Police Officer Now, Too""
691:
174:
98:
229:
744:"Emmure Officially Confirm New Lineup | Theprp.com – Metal And Hardcore News Plus Reviews And More"
402:
Connor Welsh of New
Transcendence referred to "You Won't" and "Rudy x 3" as sounding like B-sides from
177:. The record was heavily praised and was seen as a fitting finale for the band's existence. Following
911:
717:
657:
646:
Josh Travis – guitar, bass, drums, producer, engineer, backing vocals on "Don't Try This at Home"
577:
198:
385:
223:
213:. The album's artwork was done by Michael J. Windsor, who has done artwork for bands such as
774:
373:
210:
381:
105:
206:
905:
664:
581:
218:
214:
202:
236:
On August 23, 2012, Joshua Travis made this statement, regarding the band's future:
855:"THE TONY DANZA TAPDANCE EXTRAVAGANZA ARE ANYTHING BUT BETA ON THE ALPHA THE OMEGA"
93:
884:"REVIEW: The Tony Danza Tapdance Extravaganza - Danza IIII: The Alpha - The Omega"
797:
695:
529:
57:
429:
All lyrics are written by Jessie
Freeland; all music is composed by Josh Travis
858:
395:
315:
417:
182:
70:
209:, while Erian's part was recorded by Antoine Lussier at 357 Productions in
826:"The Tony Danza Tapdance Extravaganza - Danza IIII: The Alpha - The Omega"
413:
166:
62:
770:"The Tony Danza Tapdance Extravaganza To Release Final Album In October"
721:
28:
186:
247:
205:. Bozeman's part was recorded by Brandon Cagle at Atomic Audio in
66:
36:
392:, but they couldn't have sent themselves off on a better note."
16:
2012 studio album by The Tony Danza
Tapdance Extravaganza
673:
Michael J. Windsor – art direction, illustration, design
173:. The album was released on October 16, 2012 through
798:"The Tony Danza Tapdance Extravaganza's final album"
877:
875:
819:
817:
815:
595:"Some Things Are Better Left Unsaid" (instrumental)
442:
434:
165:) is the fourth and final studio album by American
114:
104:
92:
76:
56:
48:
35:
21:
420:" and called the album a "mathcore masterpiece."
667:) – additional vocals on "The Alpha the Omega"
660:) – additional vocals on "The Alpha the Omega"
320:
848:
846:
8:
670:Nicholas Scott – engineer, mixing, mastering
284:
917:The Tony Danza Tapdance Extravaganza albums
129:Danza III: The Series of Unfortunate Events
257:
27:
18:
431:
363:received critical acclaim upon release.
683:
824:Colwell, Matthew (October 19, 2012).
565:"Disconnecting, Pt. 2" (instrumental)
543:"Disconnecting, Pt. 1" (instrumental)
388:is losing one of its best bands with
263:
7:
882:Welsh, Connor (September 29, 2012).
638:The Tony Danza Tapdance Extravaganza
171:The Tony Danza Tapdance Extravaganza
116:The Tony Danza Tapdance Extravaganza
42:The Tony Danza Tapdance Extravaganza
692:"Danza IIII: The Alpha - The Omega"
322:
853:Mustein, Dave (October 17, 2012).
14:
286:
156:Danza IIII: The Alpha – The Omega
138:Danza IIII: The Alpha – The Omega
22:Danza IIII: The Alpha – The Omega
341:
336:
331:
326:
321:
305:
300:
295:
290:
285:
922:Black Market Activities albums
484:"The Crossfire" (instrumental)
435:
1:
576:"The Alpha the Omega" (feat.
530:Paul Bunyan and the Blue Ox
938:
554:"This Cut Was the Deepest"
613:
602:
591:
572:
561:
550:
539:
524:
513:
502:
491:
480:
469:
458:
447:
439:
378:The Dillinger Escape Plan
271:
268:
122:
26:
643:Jessie Freeland – vocals
606:"Don't Try This at Home"
366:Reviewing the album for
221:, as well as the novels
175:Black Market Activities
99:Black Market Activities
230:Darkly Dreaming Dexter
159:(also simply known as
406:with some flair from
259:Professional ratings
201:and Alex Erian from
886:. New Transcendence
778:. September 1, 2012
451:"Behind Those Eyes"
260:
258:
830:Alternative Press
724:. January 2, 2014
698:. 16 October 2012
624:
623:
617:"This Is Forever"
369:Alternative Press
358:
357:
351:New Transcendence
279:Alternative Press
224:The Da Vinci Code
152:
151:
148:
147:
929:
896:
895:
893:
891:
879:
870:
869:
867:
865:
850:
841:
840:
838:
836:
821:
810:
809:
807:
805:
794:
788:
787:
785:
783:
775:Blabbermouth.net
766:
760:
759:
757:
755:
750:. April 23, 2016
740:
734:
733:
731:
729:
714:
708:
707:
705:
703:
688:
532:" (instrumental)
517:"Canadian Bacon"
437:
432:
346:
345:
344:
340:
339:
335:
334:
330:
329:
325:
324:
310:
309:
308:
304:
303:
299:
298:
294:
293:
289:
288:
261:
211:Montreal, Quebec
124:
123:
88:
87:
83:
52:October 16, 2012
31:
19:
937:
936:
932:
931:
930:
928:
927:
926:
902:
901:
900:
899:
889:
887:
881:
880:
873:
863:
861:
852:
851:
844:
834:
832:
823:
822:
813:
803:
801:
800:. Lambgoat, LLC
796:
795:
791:
781:
779:
768:
767:
763:
753:
751:
742:
741:
737:
727:
725:
716:
715:
711:
701:
699:
690:
689:
685:
680:
635:
625:
495:"Hold the Line"
426:
342:
337:
332:
327:
306:
301:
296:
291:
256:
195:
141:
132:
85:
81:
80:
44:
17:
12:
11:
5:
935:
933:
925:
924:
919:
914:
904:
903:
898:
897:
871:
842:
811:
789:
761:
735:
709:
682:
681:
679:
676:
675:
674:
671:
668:
661:
656:Phil Bozeman (
653:
652:
648:
647:
644:
640:
639:
634:
631:
630:
629:
622:
621:
618:
615:
611:
610:
607:
604:
600:
599:
596:
593:
589:
588:
585:
574:
570:
569:
566:
563:
559:
558:
555:
552:
548:
547:
544:
541:
537:
536:
533:
526:
522:
521:
518:
515:
511:
510:
507:
504:
500:
499:
496:
493:
489:
488:
485:
482:
478:
477:
474:
471:
467:
466:
463:
460:
456:
455:
452:
449:
445:
444:
441:
438:
427:
425:
422:
414:mathy hardcore
356:
355:
352:
348:
347:
318:
312:
311:
282:
274:
273:
270:
266:
265:
255:
252:
207:Tampa, Florida
194:
191:
150:
149:
146:
145:
143:
134:
120:
119:
112:
111:
108:
102:
101:
96:
90:
89:
78:
74:
73:
60:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
934:
923:
920:
918:
915:
913:
910:
909:
907:
885:
878:
876:
872:
860:
856:
849:
847:
843:
831:
827:
820:
818:
816:
812:
799:
793:
790:
777:
776:
771:
765:
762:
749:
745:
739:
736:
723:
719:
713:
710:
697:
693:
687:
684:
677:
672:
669:
666:
665:Despised Icon
662:
659:
655:
654:
650:
649:
645:
642:
641:
637:
636:
632:
627:
626:
619:
616:
612:
608:
605:
601:
597:
594:
590:
586:
583:
579:
575:
571:
567:
564:
560:
556:
553:
549:
545:
542:
538:
534:
531:
527:
523:
519:
516:
512:
508:
506:"Death Eater"
505:
501:
497:
494:
490:
486:
483:
479:
475:
472:
468:
464:
461:
457:
453:
450:
446:
433:
430:
424:Track listing
423:
421:
419:
415:
411:
410:
405:
400:
397:
393:
391:
387:
383:
379:
375:
371:
370:
364:
362:
353:
350:
349:
319:
317:
314:
313:
283:
281:
280:
276:
275:
267:
264:Review scores
262:
253:
251:
249:
245:
240:
237:
234:
232:
231:
226:
225:
220:
219:Pig Destroyer
216:
215:The Red Chord
212:
208:
204:
203:Despised Icon
200:
192:
190:
188:
184:
180:
176:
172:
168:
164:
163:
158:
157:
144:
140:
139:
135:
131:
130:
126:
125:
121:
117:
113:
109:
107:
103:
100:
97:
95:
91:
79:
75:
72:
68:
64:
61:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
888:. Retrieved
862:. Retrieved
833:. Retrieved
829:
802:. Retrieved
792:
780:. Retrieved
773:
764:
752:. Retrieved
747:
738:
726:. Retrieved
712:
700:. Retrieved
686:
663:Alex Erian (
578:Phil Bozeman
428:
407:
403:
401:
394:
389:
367:
365:
360:
359:
277:
243:
241:
238:
235:
228:
222:
196:
178:
161:
160:
155:
154:
153:
137:
136:
127:
37:Studio album
912:2012 albums
696:Apple Music
658:Whitechapel
462:"You Won't"
416:and groovy
199:Whitechapel
110:Josh Travis
906:Categories
859:MetalSucks
748:Theprp.com
678:References
651:Additional
582:Alex Erian
473:"Rudy X 3"
396:MetalSucks
386:Tech-metal
361:Danza IIII
316:MetalSucks
244:Danza IIII
193:Background
179:Danza IIII
162:Danza IIII
118:chronology
633:Personnel
418:deathcore
404:Danza III
374:Periphery
254:Reception
189:in 2016.
183:metalcore
71:deathcore
409:Danza II
382:Car Bomb
167:mathcore
106:Producer
63:Mathcore
49:Released
39: by
722:Twitter
142:(2012)
133:(2010)
890:May 1,
864:May 1,
835:May 1,
804:May 1,
782:May 1,
754:May 1,
728:May 2,
702:May 1,
443:Length
380:, and
354:9.8/10
272:Rating
269:Source
242:While
187:Emmure
77:Length
440:Title
248:djent
185:band
169:band
94:Label
67:djent
58:Genre
892:2018
866:2018
837:2018
806:2018
784:2018
756:2018
730:2018
704:2018
620:6:18
609:2:52
598:5:35
587:3:16
580:and
568:0:24
557:2:51
546:1:02
535:7:26
520:4:07
509:2:35
498:4:51
487:1:28
476:3:21
465:3:54
454:4:40
390:IIII
227:and
217:and
614:15.
603:14.
592:13.
573:12.
562:11.
551:10.
436:No.
908::
874:^
857:.
845:^
828:.
814:^
772:.
746:.
720:.
694:.
540:9.
525:8.
514:7.
503:6.
492:5.
481:4.
470:3.
459:2.
448:1.
376:,
250:.
233:.
86:20
82:55
69:,
65:,
894:.
868:.
839:.
808:.
786:.
758:.
732:.
706:.
584:)
528:"
84::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
