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The scissor dancers are identified with ritual skill and challenge from the outsider's point of view. Basically, the scissors dance is an impressive manifestation of physical art and skills, but to the Andean man it represents a complex ritual. A series of mysteries stalk around the dancers (the ones
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The scissors dance can be of different types, for example, the greater or competition dance, the smaller dance or "Qolla alva" which is danced at night; and zapateos, executed in the
Christmas festivities. In the competition dance, two dancers (also called "danzaq" or "tusuq") dance by turns
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Danzantes de tijeras (scissors dancers) are descendants of the "tusuq laykas", prehispanic priests, fortune tellers, healers and shamans who experienced persecution during the colony. In this colonial period, they began to be known as "supaypa waman"
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The central instrument of the dance is the elaborated scissors of two independent metal plates of approximately 25 cm, and when the two plates are fused, they make a shape of blunt-end scissors. The scissors replaced the flat stones used in
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who do the ritual) who, in a surge of force and elasticity, test their skills with the gymnastics-like jump at the sound of a harp and a violin, while they cut the air with their scissors.
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According to the priests of the colony, its magical side obeys to an assumption pact with the devil, due to surprising moves or tests that they execute in the dance. This tests denominate
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Nowadays, it is a magical-religious and ritual dance that represents, through their choreographies, the spirits of pachamama, yacumama, hanaccpacha, ucupacha, and others.
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challenging each other to overcome the risk of the steps they perform, this competition is known as "Atipanakuy", "Hapinakuy", "Tupanakuy" among others.
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due to the similar sound they emit. It is considered a great humiliation if the scissors fall from the dancer's hand while he is dancing.
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188:. The dancers dance in turns, doing explicit moves and challenging steps, such as dancing with just one foot.
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La danza de las tijeras y la presencia de lo mágico religioso a través del "Wamani" y el "Waniku"
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The dance of the scissors and the presence of religious magic through the "Wamani" and "Waniku"
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264:(1911-1969) immortalized danzante de tijeras in several novels, even in the short story
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Masterpieces of the Oral and
Intangible Heritage of Humanity
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The places where this dance is most influential are:
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270:(1962), the main character is one of them.
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390:. Vol. Apurimac. Barcelona: Lexus.
386:Varios autores, ed. (1998). "Folklore".
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237:Danzante de tijeras (scissors dancer).
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217:designated the Danza de las tijeras
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172:origin from the south of the
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388:Gran enciclopedia del Perú
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155:[ˈdansaðetiˈxeɾas]
27:Dance from the Andes, Peru
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350:. UNESCO Culture Sector
444:Native American dances
411:La agonía de Rasu Ñiti
267:La agonía de Rasu Ñiti
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151:Spanish pronunciation:
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348:"The scissors dance"
326:Danzando con tijeras
146:Danza de las tijeras
18:Danza de las tijeras
429:Peruvian folk music
262:José María Arguedas
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354:2011-11-25
309:Taki Unquy
284:Atipanacuy
52:Folk dance
292:antiquity
274:Symbolism
221:in 2010.
99:Reference
298:See also
205:Apurimac
197:Ayacucho
248:Quechua
229:History
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215:UNESCO
207:, and
184:and a
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170:Chanka
165:laijas
109:Region
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