76:
25:
209:
Daphne Arthur (b. 1984) centers her practice on the experimentation and transformation of conventional materials and forms. Drawing from her background, the artist explores the roles history, memory, and mythology play in the transformation or deterioration of the collective imaginary of the Black
319:
This art piece by Arthur stretches from the wall to the floor, there is a person stretching out or climbing out of the wall and reaching for the floor. The piece on the floor does not have a set shape. The overall color palette is overall flat colors and there are many different art mediums put
323:
Arthur uses ideas of the human form's futility, impermanence, and ethereality as the embodiment of this art piece. According to the gallery of Young Latina
Artists Exhibition, this art piece is meant to be "about life and its incapacity to exist without the consequence or existent of death and
340:
This smoke drawing illuminates a feeling of apocalyptic desolation through this piece, as the scene depicted includes blurred image of the tree stretching from the outside inside the building and the broken glass on the window. The blur of the smoke creates a haunting and abandoned feeling.
255:
Her work can be found in the collections of the
California African American Museum of Art, Mexic Arte Museum along with other private collections as The Wellington Management, the Desmarais collection, 21c Museum.
362:
explores the stories of homeless characters dealing with the breakout of AIDS in the 1980s. Arthur contributes with the graphic novel adaption and designed sets in multiple of the theatre productions.
296:
Varied, broken tones. Dull, flat colors. Yellow, black AKA gun placed in the center of the photo. Pink flowers surrounding the gun, with black lines representing the stems and outlining the flowers.
303:, who was fatally shot in Sanford, Florida. Arthur created this in response to news of the gun that killed the 17 year-old being auctioned off, and planned on using the money for teen services.
438:
244:
Museum, 59 Rivoli gallery in Paris and the
Florence Biennale VIII in Italy. She is the recipient of the Anne Critz fellowship, The Ald Held Fellowship at the
104:
84:
524:
214:
201:) is a contemporary artist. Her artwork focuses on a combination of painting, sculpture, drawing, and uses smoke, paint, clay, and collage.
514:
237:
519:
177:
225:, Philadelphia. Other institutional solo exhibitions include RARE gallery in New York, UMass Boston, and Yoga Gallery in Chicago.
316:
Medium: Wall Piece, 53"x54.5"x31" - canvas, wax, latex, oil, paint, spray paint, wire mesh, fur, plastic, white cloth, nails
158:
130:
108:
100:
249:
137:
89:
233:
93:
462:
144:
245:
221:
in 2009. In 2020, she presented a solo exhibition titled “In The Eye of The World,” curated by Julia Marsh at
504:
126:
35:
509:
222:
50:
218:
241:
115:
228:
Arthur’s work has also been featured in national and international group exhibitions including
46:
413:
229:
151:
300:
498:
354:
In the year of 2017, Arthur illustrated the graphic novel and designed the set in
439:""AKA 2016 Ain't Killin' Anyone", for Trayvon Martin - fine art by Daphne Arthur"
198:
414:"Young Latina Artists exhibit features all-female group for first time"
194:
489:
358:
This is based on true stores and real people, by Robert
Galinsky.
299:
This oil painting by Arthur is an auctioned art piece created for
399:
Edge Art: Black Latino(a) Artists, An Inter-caribbean
Dialogue
379:
Edge Art: Black Latino(a) Artists, An Inter-Caribbean
Dialogue
114:
from the article and its talk page, especially if potentially
69:
18:
463:"THE BENCH, A HOMELESS LOVE STORY, reviewed by Neal Weaver"
337:
Medium: Painting, 51.75"x42" - smoke and pastel on paper
213:
Arthur received her BFA in
Painting and Drawing from the
42:
232:
in
Finland, Honfleur Gallery, City College of NY, The
236:, Laviolabank Gallery, Marvelli Gallery, Arena 1,
374:. Korea: The Open Studios Press. p. 12.
8:
293:Medium: Painting, 38"x21" - oil on canvas
107:about living persons that is unsourced or
178:Learn how and when to remove this message
467:STAGE RAW - ARTS IN L.A. - SERVED FRESH
389:
215:School of the Art Institute of Chicago
288:
274:2018-2020, Montclair State University
7:
289:AKA 2016 Ain't Killin' Anyone (2016)
381:. Roulette Fine Art. pp. 5–6.
401:. Roulette Fine Art. pp. 5–7.
238:California African American Museum
14:
356:The Bench, A Homeless Love Story.
250:Vermont Studio Center Fellowship
74:
23:
412:Flores, Nancy (June 29, 2014).
1:
525:Artists from New York (state)
265:2020-Present Brooklyn College
217:in 2007, and an MFA from the
443:www.charityauctionstoday.com
307:Installations and sculptures
85:biography of a living person
370:Zevitas, Steven T. (2017).
333:Catching Butterflies (2017)
312:El Juego del Tra Tra (2009)
112:must be removed immediately
541:
515:21st-century women artists
271:2018-Present, York College
234:Nathan Cummings Foundation
32:This biographical article
520:Venezuelan women artists
246:American Academy of Rome
490:Daphne Arthur's Website
372:Studio Visit, Volume 40
268:2020-Present Tufts SMFA
205:Biography and education
397:Roulette, Tod (2013).
377:Roulette, Tod (2013).
99:Please help by adding
45:by revising it to be
240:, Land of Tomorrow,
105:Contentious material
260:Teaching experience
223:Cedar Crest College
219:Yale School of Art
188:
187:
180:
162:
88:needs additional
68:
67:
532:
478:
477:
475:
474:
459:
453:
452:
450:
449:
435:
429:
428:
426:
424:
409:
403:
402:
394:
230:Aalto University
183:
176:
172:
169:
163:
161:
120:
101:reliable sources
78:
77:
70:
63:
60:
54:
27:
26:
19:
540:
539:
535:
534:
533:
531:
530:
529:
495:
494:
486:
481:
472:
470:
461:
460:
456:
447:
445:
437:
436:
432:
422:
420:
411:
410:
406:
396:
395:
391:
387:
368:
352:
347:
335:
330:
314:
309:
291:
286:
281:
262:
207:
193:(born in 1984,
184:
173:
167:
164:
127:"Daphne Arthur"
121:
119:
98:
79:
75:
64:
58:
55:
43:help improve it
40:
28:
24:
17:
12:
11:
5:
538:
536:
528:
527:
522:
517:
512:
507:
497:
496:
493:
492:
485:
484:External links
482:
480:
479:
454:
430:
404:
388:
386:
383:
367:
364:
351:
348:
346:
343:
334:
331:
329:
328:Smoke drawings
326:
313:
310:
308:
305:
301:Trayvon Martin
290:
287:
285:
282:
280:
277:
276:
275:
272:
269:
266:
261:
258:
206:
203:
186:
185:
109:poorly sourced
82:
80:
73:
66:
65:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
537:
526:
523:
521:
518:
516:
513:
511:
508:
506:
505:Living people
503:
502:
500:
491:
488:
487:
483:
468:
464:
458:
455:
444:
440:
434:
431:
419:
415:
408:
405:
400:
393:
390:
384:
382:
380:
375:
373:
365:
363:
361:
357:
349:
344:
342:
338:
332:
327:
325:
321:
317:
311:
306:
304:
302:
297:
294:
283:
278:
273:
270:
267:
264:
263:
259:
257:
253:
251:
247:
243:
239:
235:
231:
226:
224:
220:
216:
211:
204:
202:
200:
196:
192:
191:Daphne Arthur
182:
179:
171:
160:
157:
153:
150:
146:
143:
139:
136:
132:
129: –
128:
124:
123:Find sources:
117:
113:
110:
106:
102:
96:
95:
91:
86:
81:
72:
71:
62:
52:
48:
44:
38:
37:
36:like a résumé
30:
21:
20:
471:. Retrieved
469:. 2018-10-09
466:
457:
446:. Retrieved
442:
433:
421:. Retrieved
417:
407:
398:
392:
378:
376:
371:
369:
366:Bibliography
359:
355:
353:
345:Publications
339:
336:
322:
318:
315:
298:
295:
292:
254:
227:
212:
208:
190:
189:
174:
165:
155:
148:
141:
134:
122:
111:
94:verification
87:
56:
51:encyclopedic
33:
510:1984 births
350:Illustrator
210:diaspora.
34:is written
499:Categories
473:2019-05-21
448:2019-05-15
385:References
320:together.
248:, and the
242:Mexic-Arte
138:newspapers
418:Statesman
360:The Bench
284:Paintings
199:Venezuela
168:June 2021
90:citations
59:July 2019
324:decay."
279:Artworks
116:libelous
423:May 15,
195:Caracas
152:scholar
47:neutral
41:Please
154:
147:
140:
133:
125:
16:Artist
159:JSTOR
145:books
83:This
425:2019
131:news
92:for
49:and
252:.
501::
465:.
441:.
416:.
197:,
103:.
476:.
451:.
427:.
181:)
175:(
170:)
166:(
156:·
149:·
142:·
135:·
118:.
97:.
61:)
57:(
53:.
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.