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Dappankuthu

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245:(colourful cloth wrapped around the waist) is commonly worn and most preferable, with the bottom raised and folded upwards over the knees in the middle. Ideally, it should be worn over pattapatti (lined trousers). The shirt worn would have only two or three buttons in place, while the chest portion is left wide open and at the lower part of the shirt is knotted (using the two portions of the shirt). It is also common to tie a handkerchief or bandana around one's forehead and/or wrist. 28: 287:
in 70s cinema scores. Early on, the composers incorporated kuthu rhythms (and instruments) as a brief element to otherwise "classical" songs. Cinema is also responsible for incorporating singing into the instrumental genre of dappankuthu, with the trend flourishing in 2000s and giving birth to the
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In Male Mahadeshwara hills of Karnataka bordering Tamil Nadu, the music for this dance will be played for money, and the believers can dance for longer time. Particularly in this hill, there is a saying that god feels happy if his believers dance for him.
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locally) is also sometimes employed. The rhythm of the dappankuthu is often signified by a mix of beat patterns layered and flowing into one another. Other percussion instruments may be employed in dappankuthu. A similar instrument called
165:, dappankuthu is relatively informal in that it has no structured, repeated steps and dancers do not learn through formal dance classes. It shares its emphasis on percussion with older folk dances of 479: 446: 413: 263:
Facial expressions are employed for effect by the dancers. For example, the tongue, folded over and held in position with the front teeth, is brought out at regular intervals.
189:, without the jingles, is often used for dappankuthu or similar dance forms. Unlike normal tambourines, this requires a wooden stick to play. Telugu teenmaar uses 332: 380: 469: 296:
Kuthu has come a long way being combined with street styles and incorporated with hip hop culture, most noticeably when infused in the songs "
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Now we see many Indian choreographers all over the world who combine Kuthu with street styles who are gaining global attention.
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by spectators often accompany the dappankuthu dance. Spectators are also known to set off
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is also used for such dance forms in border areas such as M.M. Hills. The most-used
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Even though any attire can be worn when one dances the dappankuthu, a
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called locally as "Pattaasu" on the ground during the performance.
112:) is a folk dance and music genre, that is typically danced to the 242: 194: 182: 170: 113: 104: 98: 190: 89: 101: 92: 83: 135:
and other South films, filmed and produced by people of
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drum is also often used. A customised trumpet (called
95: 86: 80: 55: 47: 37: 20: 8: 364: 362: 360: 283:credited with popularising kuthu and other 26: 17: 324: 157:Unlike classical Indian dances such as 482:from the original on 28 November 2021 449:from the original on 28 November 2021 416:from the original on 28 November 2021 7: 144: 119:or Kuthu Beats with an emphasis on 383:from the original on 28 March 2023 369:Thapliyal, Adesh (10 March 2023). 14: 538:A sample of the dappankuthu dance 468:Ravi, Bhama Devi (26 July 2008). 435:Frederick, Prince (2 July 2011). 543:A sample of the dappankuthu beat 341:. 6 October 2003. Archived from 76: 501:Ramesh, Prithvi (5 July 2008). 402:Varma, Karthik (1 April 2013). 275:The genre has been a staple of 210:in Kannada resembling a Ganesh 181:A percussion instrument called 1: 589: 333:"Versatility is his forte" 32:A typical Dappankuthu move 563:Folk dances of Tamil Nadu 437:"Pen, pencil, percussion" 237:Outfit and embellishments 218:for dappankuthu songs is 25: 193:, associated there with 139:. It is related to name 470:"Abhishek does a Vijay" 404:"Variations on the 6/8" 345:on 30 September 2007 279:, with the composer 177:Musical instruments 148: Three sounds 568:Tamil dance styles 558:Culture of Chennai 515:on 7 November 2012 475:The Times of India 308:on her 2007 album 288:modern kuthu pop. 123:performed in the 65: 64: 48:Stylistic origins 580: 525: 524: 522: 520: 511:. Archived from 498: 492: 491: 489: 487: 465: 459: 458: 456: 454: 432: 426: 425: 423: 421: 399: 393: 392: 390: 388: 366: 355: 354: 352: 350: 329: 292:Global attention 232: 231: 230: 229: 149: 146: 111: 110: 107: 106: 103: 100: 97: 94: 91: 88: 85: 82: 56:Cultural origins 30: 18: 588: 587: 583: 582: 581: 579: 578: 577: 548: 547: 534: 529: 528: 518: 516: 500: 499: 495: 485: 483: 467: 466: 462: 452: 450: 434: 433: 429: 419: 417: 401: 400: 396: 386: 384: 368: 367: 358: 348: 346: 331: 330: 326: 321: 294: 273: 239: 228: 223: 222: 221: 220: 219: 179: 147: 79: 75: 42: 33: 12: 11: 5: 586: 584: 576: 575: 570: 565: 560: 550: 549: 546: 545: 540: 533: 532:External links 530: 527: 526: 493: 460: 427: 394: 356: 323: 322: 320: 317: 293: 290: 272: 269: 238: 235: 224: 216:time signature 178: 175: 173:and kolattam. 63: 62: 57: 53: 52: 49: 45: 44: 39: 35: 34: 31: 23: 22: 13: 10: 9: 6: 4: 3: 2: 585: 574: 571: 569: 566: 564: 561: 559: 556: 555: 553: 544: 541: 539: 536: 535: 531: 514: 510: 509: 504: 497: 494: 481: 477: 476: 471: 464: 461: 448: 444: 443: 438: 431: 428: 415: 411: 410: 405: 398: 395: 382: 378: 377: 372: 365: 363: 361: 357: 344: 340: 339: 338:Business Line 334: 328: 325: 318: 316: 314: 312: 307: 303: 299: 291: 289: 286: 282: 278: 270: 268: 264: 261: 259: 255: 251: 246: 244: 236: 234: 227: 217: 213: 209: 204: 200: 196: 192: 188: 184: 176: 174: 172: 168: 164: 160: 159:bharatanatyam 155: 153: 142: 138: 137:Tamil culture 134: 130: 126: 122: 118: 115: 109: 73: 69: 61: 58: 54: 50: 46: 40: 36: 29: 24: 19: 16: 517:. Retrieved 513:the original 506: 496: 484:. Retrieved 473: 463: 451:. Retrieved 440: 430: 418:. Retrieved 407: 397: 385:. Retrieved 374: 347:. Retrieved 343:the original 336: 327: 309: 295: 277:Tamil cinema 274: 265: 262: 258:firecrackers 247: 240: 225: 207: 195:Siddi people 180: 156: 140: 133:Tamil cinema 125:South Indian 71: 67: 66: 41:Dappan Kuthu 21:Dappan Kuthu 15: 573:Tamil music 486:28 November 453:28 November 420:28 November 281:Ilaiyaraaja 150:) music in 117:music genre 70:(or simply 68:Dappankuthu 51:Tamil dance 38:Other names 552:Categories 319:References 285:folk music 212:tambourine 203:Nadaswaram 169:, such as 167:Tamil Nadu 129:Tamil Nadu 121:percussion 60:Tamil Nadu 508:The Hindu 503:"My Five" 442:The Hindu 409:The Hindu 376:Pitchfork 349:8 January 271:Kuthu pop 254:whistling 191:daf drums 163:kathakali 127:state of 480:Archived 447:Archived 414:Archived 387:30 March 381:Archived 302:Bird Flu 250:clapping 154:states. 141:Teenmaar 519:24 July 300:" and " 145:transl. 306:M.I.A. 208:TamaTe 199:urumee 197:. The 152:Telugu 304:" by 248:Loud 243:lungi 187:Tamil 183:parai 171:kummi 114:Gaana 72:Kuthu 43:Kuthu 521:2008 488:2021 455:2021 422:2021 389:2023 351:2016 311:Kala 298:Boyz 252:and 185:in 161:or 554:: 505:. 478:. 472:. 445:. 439:. 412:. 406:. 379:. 373:. 359:^ 335:. 233:. 90:ɑː 74:; 523:. 490:. 457:. 424:. 391:. 353:. 313:. 226:8 143:( 108:/ 105:u 102:θ 99:u 96:k 93:ŋ 87:p 84:ə 81:d 78:/

Index


Tamil Nadu
/dəpɑːŋkuθu/
Gaana
music genre
percussion
South Indian
Tamil Nadu
Tamil cinema
Tamil culture
Telugu
bharatanatyam
kathakali
Tamil Nadu
kummi
parai
Tamil
daf drums
Siddi people
urumee
Nadaswaram
tambourine
time signature
lungi
clapping
whistling
firecrackers
Tamil cinema
Ilaiyaraaja
folk music

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