Darkover series - Knowledge (XXG)

430:, where a group of humans have been stranded and have developed their own unique culture and society. The books focus on the conflicts between the human settlers and the native population of Darkover, as well as the struggles of the various factions on the planet. The series is known for its complex world-building and exploration of themes such as gender, sexuality, and mental illness. Occasionally, Bradley collaborated with other authors, and she also edited and published Darkover stories by other authors in a series of anthologies. After Bradley's death, the series was continued, mostly by 1073:, Peter Haldane, a Terran, looks exactly like Rohana Ardais's son, except for the lack of a sixth finger. When attempting Haldane's rescue, disguised as a Renunciate on Rohana's advice, Magdalen Lorne meets Jaelle, who is a Renunciate and Rohana's niece. Jaelle is the one person who can expose Magda as a fake, because Magda claims to have the same oath-mother, which Jaelle knows is a lie. The remedy for masquerading as a Renunciate is to take the Renunciate's oath and make the lie come true. Rohana does not think this is all coincidence; Bradley suggests there is a higher power at work. 1163:. Adrienne Martine-Barnes was the uncredited co-author of these books. {The dedication of the ebook edition of Exile's Song say "For Adrienne Martine-Barnes, who created the character Margaret Alton, and worked on this book with me." Further, the copyright page of the ebook editions of "The Shadow Matrix" and "Traitor's Sun" both list Adrienne Martine-Barnes as co-copyright holder, along with Ms. Bradley.} . This broke Bradley's "ground rules". Bradley was at that time approaching the end of her life; she died in 1999, the same year that the third book of this "trilogy" was published. 866:

genetic diversity must be maintained. That meant that women must have as many children as possible, by as many men as possible, and every child that survives is needed. The experts believed that miscarriages and infant deaths would be greater on a planet unlike Earth, although of course, this idea is unproven. Bradley was particularly criticized for the scene in which Camilla Del Rey is forbidden to have an abortion, although she wants one, because the child is needed for the colony's survival.

1127:"Also", Bradley says, "... whenever consistency from book to book threatens to impair the artistic unity of any single book as a unit in itself, inter-book consistency will be relentlessly sacrificed... If I perpetuate anything in a Darkover book which I think could be altered for the better, I simply write it in the next book the way I think it ought to have been all along... I can't imagine why readers should be bothered by this kind of thing". 920:, Cholayna Ares, a dark-skinned Terran woman (actually from Alpha Centauri), is asked more than once if her dark skin is the result of a disease. There is no overt racism; Darkovans are simply curious because they have never seen anyone like her before. Bradley handles this issue with sensitivity and at times, wry and ironic humor, having Cholayna's Darkovan friends (who are Renunciates) become outraged at the question. 3238: 75: 2108: 34: 236: 177: 1225:, published in 1981, Lew Alton says, in the Prologue, "Travel among the stars has strange anomalies; the enormous interstellar distances play strange tricks with time... The elapsed time on Terra was something like three thousand years. Yet elapsed time on Darkover was somehow more like ten thousand..." This is but one example of inconsistency. 1197:

from one book to another is sometimes in conflict. Commenting on this problem, Bradley wrote, "I have fiercely resisted any attempt to impose absolute consistency, straightforward chronology, or anything but the most superficial order on the chronicles of Darkover". Furthermore, in the introduction to the "Between the Ages" section of

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called fantasy, because psychic powers appear to be "out and out magic". Other themes are feminism, sexism, the roles of women in society, the roles of men in society, racism, social division (the Comyn nobility and the non-Comyn "commoners"), xenophobia and the clash of cultures, sexual taboos, fate and the horrors of war.

911:, has golden eyes. Brown-eyed Terrans are casually said to have "animal eyes". This epithet is also applied to Lew Alton, who is Comyn, a member of the Alton clan, and a powerful telepath who possesses the Alton Gift. He has a Terran mother and his eyes are brown. Lew has a "problem with identity" that he never solves. 537:, apparently when she was in her middle teens and realized that she would never be an opera singer. She wrote, among other things, "about a ruling caste of telepaths which I named Seveners". By the time she was in college this had turned into an "hugely sprawling novel" called "The King and the Sword". 1042:

Callista, a virgin untouchable Keeper who has renounced all family ties for the sake of being a Keeper, becomes Andrew's wife. Damon's challenge of the Tower norms and the rules that Keepers must follow helps Callista free herself from her rigid training. In addition, Andrew Carr must accept Darkovan

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In that book, the Comyn (although called "the Seveners") were much the same as in later novels, with specific telepathic gifts. The seven families were the same, except the Altons were called the Leyniers and the Aillards were called the "Marceau of Valeron", a name that Bradley changed after hearing

1252:, and this mix is reflected in the resultant blended culture. Bradley uses a standard "lost colony" trope: to maintain the available gene pool and maximize the chances of colonial survival, the colonists intermarry extensively and produce as many children with as many different partners as possible. 1196:

eras. It's occasionally the case that the official readers guide places a book in one era, but internal plot evidence places it in another (or both). Additionally, Bradley was not particularly sympathetic to her fans' need to organize the books into a consistent chronology, and the timeline evidence

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Several themes are explored by Bradley at length within the books of the series. Psychic powers, treated as a science, are a theme that places the books firmly within the category of science fiction, even in the books that do not have "Terrans", spaceships, or the "Galactic Empire". They can also be

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were a unisex race, sometimes male and sometimes female. She decided that the issue of sexuality was too difficult to handle in the current milieu of science fiction. She says, "I had no desire to write the kind of story which would have to be published as pornography". In "1970 or so" she went to a

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breeding programs had been abandoned, and the many small principalities were beginning to consolidate into the seven domains that survived into Darkover's modern era. Bradley's innovation, the adoption of "The Compact", is a turning point in the development of Darkover's social order. The Compact,

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The "hope" (Bradley's hope, or the hope of the books) is that the opposites will merge and grow. In other books, Bradley creates more characters capable of crossing the gap between cultures, some of whom have mixed Terran-Darkovan parentage, or were removed from Darkover at a young age (Jeff Kerwin

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with the ones in the second enables the reader to "understand what lies behind some of Bradley's limitations as a writer". Neither society is presented as a utopia, Bradley seems confused about the value of each, and she "is unable to make up her mind whether it is desirable for Terran influence to

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First, these two opposing cultures prove to have more in common than one suspects at first. Second, the contact between them brings about growth or a maturing process in each of them. Leith expresses the meaning of this cultural clash as "to grow or to mature ultimately means to accept the element

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The notion of women as "brood mares" (and similar expressions) pervades the novels. Women have few rights, even at the time that the colony is found by the Terran Empire some thousands of years later, because they are still perceived as the bearers of children. The Comyn women are supposed to have

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stirred up a furor because some outraged feminists objected to the stand I took in the book, that the survival of the human race on Darkover could, and should, be allowed to supersede the personal convenience of any single woman in the group. I have debated this subject ad nauseam in the fanzines,

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interaction work. Don Wollheim reluctantly told her to go ahead, although he demanded that she use no profanity (which was not her intention anyway), and she demanded in return that he would not change it without consulting her. Bradley claims that the scene, which "shocked some people and pleased

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Leith says that the opposition of cultures has an "impressive simplicity". The Terrans are technologically advanced, liberal and imperialist. Darkover is non-technological (as far as the Terrans know) and feudal. The rational, scientific, and utilitarian Terran society, aimed at efficiency and

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In the fictional Darkover world, the Renunciates may be the author's reaction to this sexism. The Renunciates call themselves by that name because they renounce all loyalty to their clan or family and swear never to have a child because a man wants one. Bradley's first novel in the Renunciates

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because of the way the women of the incipient colony were treated. When the colonists realized that their spaceship would never fly again, the scientists said that for any colony to survive with a founding population of only a few hundred and no real hope of immigration, the greatest amount of

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Bradley was unable to sell "The King and the Sword", even after she cut it down to "500 manuscript pages" and "located the whole thing on an imaginary planet with a red sun" in a "Galactic Empire". However, she kept writing and eventually sold "a shameless pastiche of a Kuttner story",

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suggest that at least 2000 years have passed between the founding of the colony and Earth's recontact. The last sentence of "Darkover Landfall" states, "But Earth knew nothing of them for 2,000 years", but as Lew Alton says (above) the time on Darkover was perhaps 10,000 years.

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and some other stories that dealt with the concept. She says: "So that a deeply repressed Terran Medic, Jay Allison, discovered himself in the personality of his repressed alternate who calls himself Jason". She placed the story on the planet she had created for

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Bradley says: "So these are the ground rules for the Darkover books, series or not; every one is complete in itself, and I do not assume that the reader has read, or will ever read, any other book in the series". As an example of what she avoids, Bradley cites

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These contrary elements, as indicated, place Terra to Darkover in a relation of the same type as maleness to femaleness. While there are "cross-overs in the fictions between the two columns", the general linking of Terra with the items in the first column and

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books, "where at the very end of the book the heroine ... was stolen away and popped into some kind of giant wheel with cubicles which moved at a fixed rate" and "John Carter and his sidekick were left staring at the giant wheel until the next book".

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abilities are housed and trained. All of these dominate political and social life. However these developments are accompanied by a period of nearly constant civil war, in which the Darkovans seem determined to exterminate themselves. Walter Breen's

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Bradley noted that most of the fan fiction she received was inspired by the Renunciates, that she had met individuals who had taken Renunciate-style names or were attempting to live in women's communes inspired by the Renunciate guildhouses.

1134:, Bradley says that she wrote the novels "as they occurred to me" instead of in "strict chronological order" and that, as a result, the chronologically earlier novels were written after the later ones, and were more mature. When she wrote 878:

children at least until they produce a male heir; the exception to this is in the Aillard Domain, where the head of the Domain runs in the female line. Most males who are not Comyn have similar ideas about the need for a male heir.

307: 2163:(1962, Ace Books, Inc.)]" It is not clear whether the "transcriber" rendered the text in the Ace Double into HTML or transcribed an interview into the Ace Double text. Nor is Bradley very definite on the dates of writing her books. 886:, describes the Renunciates and their principles, and begins with the rescue of a woman who is held against her will by a chieftain of the Dry Towns. Thus Bradley answered the criticisms that arose after the publication of 874:

and I absolutely refuse to debate it again, but to those who refuse to accept the tenet that "Biology is Destiny", I have begun to ask them to show me a vegetarian lion or tiger before they debate the issue further".

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others", was the first time the issue of homosexuality (not to mention sex-changing) had been dealt with directly in science fiction, and says, "I managed to become something like science fiction's token homosexual!"

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Coker, Catherine. 2011. "The Contraband Incident: The Strange Case of Marion Zimmer Bradley". Transformative Works and Cultures, no. 6. doi:10.3983/twc.2011.0236. Texas A & M University, College Station, TX,

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Racism as a concept is unknown on Darkover, because there are no races. All Darkovans are fair-skinned and have blue or grey eyes, except a few: for example, Marguerida Alton, who is the granddaughter of a

654:, or paid Bradley for it, Bradley demanded that he either do that or return the manuscript to her. He returned it. Bradley rewrote it and sent it to Wollheim, who accepted it and the two novels became an 1056:

Leith's opinion is that Darkover is presented as weak compared to the Terran Empire. Darkover is the society that changes in response to Terran pressure, and it slowly but surely becomes less Darkovan.

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Bradley herself recommended that the books be read in the order in which they were written, rather than the Darkovan chronological order, as her writing style changed considerably over her career.

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Bradley is silent about the developments that followed the first generation of the colony, and does not make clear how many years intervene between the founding and the Ages of Chaos. The novels

1203:, Bradley concedes, "chronology in the Darkover novels was never my strong point anyway", after humorously quoting an old rhyme about a centipede who did not know "which leg moved after which". 942:

According to Linda Leith, the opposition between the Terran and Darkovan civilizations is a theme of "nearly all" Darkover fiction. This opposition has the following pairs of contrary elements:

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Bradley's books constantly refer back to the Ages of Chaos, but few books are actually set in this era. In this era, the descendants of the original colonists have organized themselves into a

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Bradley often implies that fate is at work when a character uses the Darkovan proverb, "The world will go as it will, not as you or I will have it", which appears in nearly all the

1366:(psionic) abilities as the determiner of which individuals are part of the aristocracy and which are commoners. This period is marked by incredible creativity, the development of 1101:

series. She mentions a fellow novelist who has a grand scheme worked out for 2000 years into the future, and every book must fit into the scheme. She thinks that is "horrible".

668:, to Bradley's astonishment. She agrees with critics who say it is "juvenile". She also says that later, when Don Wollheim wanted another science fiction book, she wrote a 1092:, that she does not really like "series books". She also claims, "I am simply not up to the kind of planning and long-range forethought that a "series" demands", such as 2096:

According to Deborah J. Ross, co-writer with Marion Zimmer Bradley on several Darkover novels and editor of related anthologies, the proposed series has been scrapped.

1768:, Bradley wrote that her Renunciates have become "the most attractive and controversial of my creations". The Guild of Oath-Bound Renunciates, called Free Amazons and 1509:, first at Caer Donn, and later at Thendara, the only large city on Darkover. This re-contact takes place a little more than 2,000 years after the events described in 1425:

promulgated by the recurring historical character Varzil the Good, bans all weapons that can be used without bringing the user into equal danger, effectively banning

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weapons, but allowing swords and knives. The Hundred Kingdoms may be read as commentary on the use of weapons of mass destruction in Earth's own endless conflicts.

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legally unpublishable. The anthologies are now out of print owing to the publisher's concerns regarding the ownership of the copyrights of the individual stories.

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series, which led her to believe that it was soon to be resolved when she was reading it, but then it wasn't. Another example is the cliffhanger ending of one of

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This theme overlaps with "Clash of Cultures" because some Darkovans express a dislike for Terrans without giving a reason other than they have "different ways".

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Leith, Linda. 1980. Marion Zimmer Bradley and Darkover. Science Fiction Studies, Vol. 7, No. 1, Science Fiction on Women, Science Fiction by Women. Online at

1793:-mercenary guild, and the Priestesses of Avarra, a cloistered order that offered medical and other care to women, primarily abused women. Towards the end of 806:, but Bradley thought there must be more subtle ways to wreck a world, such as interfering with a fragile ecology. She also saw this book as the end of the 1069:

there is a brief mention, or appeal, to the theme of fate. In later books, both Darkovan and not Darkovan, Bradley explores her ideas in greater depth. In

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Although the books written between 1958 and 1995 were intended to be stand-alone stories in accord with Bradley's "ground rules", with the publication of

1420:. The distinction between The Ages of Chaos and The Hundred Kingdoms is not well-defined, creating controversies about the chronology. By this era, the 2151:

was published as a bonus piece in an Ace Double feature published in April 1980. The copyright page includes the works and copyright dates as follows:

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At the end of the 21st century, Earth sends colony ships out to the stars. One of these ships becomes disabled and crash-lands on Darkover, the fourth

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into her books and stories, often using them differently, e. g. the name of a city might become the name of a person. Chambers borrowed some terms in

3117: 1954: 1917: 1888:. The period of cooperative collaboration, which started in 1970, ended abruptly in 1992, when Bradley's interaction with a fan rendered the novel 1797:, Carlina di Asturien comes to believe that the two guilds need to work together for the benefit of all women on Darkover. Bradley acknowledged a 2324: 769:. She did not like the avant-garde novels she had lately read. In response to a question from McCaffrey, she answered that no, she had not read 2707: 1716:, Bradley describes the Terrans abandoning their foothold on Darkover, and the restoration of Comyn control over the government. Books after 1379:

indicates that the Ages of Chaos period begins about a thousand years after the colonization of the planet and lasts a full thousand years.

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According to Nasrullah Mambrol, "though Bradley did not call herself a feminist, she was both criticized and applauded by those who have".

742:. This novel chronicled "the attempts of this lost and alien race to interbreed with humans." She says it was not dissimilar to a novel by 199: 2642: 829:, Don Wollheim was more willing to publish material that would have been considered controversial before. In particular, Bradley mentions 3166: 2787: 2681: 2010: 2518:

2000 years: Leith, Linda, "Marion Zimmer Bradley and Darkover", Science-Fiction Studies, Volume 7 No. 1 (1980), pg 28, DePaw University

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In addition to novels, Bradley edited and published twelve short story anthologies in collaboration with other authors, known as the

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Marion Zimmer Bradley (1980), "A Darkover Retrospective", The Marion Zimmer Bradley Literary Works Trust, San Francisco. Online at

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and "Theodore Sturgeon, who first explored the questions which, directly or indirectly, underlie almost everything I have written".

92: 47: 717:, who wrote stories about legendary people who "could appear as men to a woman, or as women to a man". Another influence was 713:

became more like Tolkien's elves, but Bradley conceived of them as ambiguously sexed. She says this idea may have derived from

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As noted above, some sources, e.g. Goodreads, say that Adrienne Martine-Barnes was the sole author of the latter three books.

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solar system. Unable to repair their ship and equally unable to make contact with Earth, the survivors establish a colony.

709:" probably suggested to her a race of non-humans like the "Irish faery folk of Gaelic legend". After she read Tolkien, the 2342:

Mambrol, Nasrullah. May 11, 2018. "Analysis of Marion Zimmer Bradley’s Novels". Literary Theory and Criticism, online at

1219:, the final sentence suggests that 2000 years elapsed between the colonization and rediscovery by the Terran Empire. In 513:

In her essay (perhaps a transcribed interview) called "A Darkover Retrospective", Bradley mentions reading the works of

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and she did not intend to. McCaffrey gave Bradley her own copy of that book, and Bradley read it and was "spellbound".

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fan story as the origin of the Sisterhood of the Sword, and described the Priesthood of Avarra as a counterforce.

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The stories in the anthologies stand apart from the novels and do not necessarily fit into the chronology above.

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had been called "The ol' world wrecker" because he destroyed planets, galaxies and even universes in his books.

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Walton, Jo. "Culture clash on the borders of genres: Marion Zimmer Bradley's Darkover series". 2010. Online at

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https://www.tor.com/2010/02/24/culture-clash-on-the-borders-of-genres-marion-zimmer-bradleys-darkover-series/

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The Reference Library, pg. 169, Lester del Rey, Analog Science Fiction and Fact, March 1977, Vol. XCVII No. 3

529:, but that she did not begin writing fantasy until she became acquainted with the science-fiction/fantasy of 3264: 3215: 3145: 2895: 2587: 1986: 1684: 1492: 1184: 1111: 1043:

culture and the fact that his relationship with Damon must be a closer one than Terran culture would allow.

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for a complete chronological bibliography of Darkover books, anthologies and series by date of publication

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Bradley, on demand from publishers and fans, later created a backstory, amounting to an entire history of

616: 594: 3208: 2746: 746:. She also says it was garbage and threw it all into the wastebasket before it had a good working title. 3201: 2983: 2803: 2121: 1593: 723: 494: 423: 334: 3194: 3187: 3096: 2391: 1930: 1370:-based technology and weaponry, and the creation of the system of Towers, where those with exceptional 1330: 1322: 3008: 1647: 1116: 834: 698: 53: 624:. The latter is expressly said by Bradley to draw on the material that might be called "Darkovan": " 3138: 3124: 2955: 2941: 2902: 2772: 2600: 2218:

A number of other websites also make this claim, or claim that Martine-Barnes was the sole author,

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that has hitherto been missing, in short to reconcile the opposites in oneself". As an example, in

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Bradley says that the clash of cultures, Darkovan v. Terran, that she strengthened when rewriting

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Many of Bradley's books, and a large number of the short stories, are set at the tail end of the

1346: 1261: 1093: 543: 522: 485: 480: 368: 734:, Bradley began a science fiction novel about colonists who encountered these faery people, the 186:

may contain an excessive amount of intricate detail that may interest only a particular audience

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books was announced in 2012, and was to be produced by Ilene Kahn Power and Elizabeth Stanley.

3269: 3242: 3180: 3173: 3057: 3029: 3022: 2909: 2838: 2454: 2034: 2021: 1798: 1691: 1641: 1633: 1511: 1470: 1296: 1275: 1221: 1211: 770: 714: 582: 560: 470:, Bradley writes that the literary antecedents of this ballad are "obscure" and arose "before 373: 312: 2721: 2685: 132: 3064: 2205: 1699: 1178:

This Darkover chronology uses the time period designations first provided by the author as "

592:. Bradley wrote it when she was exploring the idea of multiple personalities, after reading 514: 489: 2969: 2948: 2916: 2767: 2750: 2311:"The Sword of Aldones/ The Planet Savers (Ace Double - F-153) Paperback – 1962" Online at 1912: 1908: 1855: 1750: 1740: 1730: 1672: 1577: 1537: 1530: 1481: 1460: 1307: 916: 817:

However, Bradley realized that she needed one fairly explicit sex scene to make the human-

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In the introduction to "The Ballad of Hastur and Cassilda" by Bradley in the anthology

1904:, Bradley stated that the only short stories that she considered part of the official 1720:

therefore fall in their own category, which the publisher is calling Modern Darkover.

3258: 2881: 2755: 2300: 2113: 1439: 1106: 650:. Wollheim wanted another novel to print with it. Since Ray Palmer had never printed 534: 442: 2628: 2492: 2863: 2708:"'Darkover' Amazon Series Taps Elizabeth Sarnoff & Patrick Macmanus As Writers" 2176: 1776:, including marriage, obligations to clan, and the expectation of male protection. 1626: 1397: 780: 766: 743: 635: 518: 2643:"Marion Zimmer Bradley's Darkover Series is Headed to Television - ComingSoon.net" 841:

series was ended, friends, fans and casual readers objected, "Oh, don't do that!"

783:, after reading it himself, told Bradley: "Now you can write that story about the 765:

Bradley told McCaffrey that she was tired of science fiction and wanted to write

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practicality, placed on Darkover, which lacks these qualities, creates tension.

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https://literariness.org/2018/05/11/analysis-of-marion-zimmer-bradleys-novels/

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Eventually Darkover is rediscovered by the Terran Empire, which establishes a

718: 665: 655: 526: 2682:"That Darkover TV show we always dreamed about is finally happening | Blastr" 2458: 2390:

Goodreads, Books by Adrienne Martine-Barnes, Goodreads, Inc. 2019. Online at

1474:(2003 - with Deborah J. Ross), coincides with Hawkmistress!, Book Two of the 1215:, Jason Allison says that the city of Carthon is 5000 years old (pg. 24). In 2527:

5000 years: Jason Allison refers to the city of Carthon as 5,000 years old.

1506: 1359: 1249: 1238: 727:: she thought of Melisande as a lost fairy who could not find her way home. 639: 198:

any relevant information, and removing excessive detail that may be against

1921:. All of the other short stories published either in the anthologies or in 632:". About the former, she does not say, but here is the number seven again. 306: 21:

This article is about the books and stories. For the fictional planet, see

577:. It is not the version published by Ace Books in "1961 or thereabouts". 2807: 2588:

http://journal.transformativeworks.org/index.php/twc/article/view/236/191

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in earlier books, were women who had opted out of Darkover’s traditional

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for publication, but it was the version that had previously been called

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https://www.amazon.com/Sword-Aldones-Planet-Savers-Double/dp/B000GT6BZ8

1922: 1300:(1972) – the first of the series, though not the first story published. 1253: 1120: 755: 434:

with the permission of the Marion Zimmer Bradley Literary Works Trust.

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The publication of the anthologies of Darkover was restarted in 2013.

1142:, which she had "dreamed up at the age of fifteen". She rewrote it as 1234: 2478: 2392:

https://www.goodreads.com/author/list/314666.Adrienne_Martine_Barnes

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she decided she would not be "locked into" the immature concepts of

492:'s poem "The Lay of Beren and Lúthien", found in the first book of 1780: 415: 2598:

Introduction: And Contrariwise, pgs 9-12, Marion Zimmer Bradley,

2776: 2743: 229: 170: 68: 27: 1188:(1989). Some of these time periods overlap, particularly the 1915:

and Elizabeth Waters, and a single story by Patricia Floss,

2738: 2531:, pg 24, Marion Zimmer Bradley, Ace Books, 1962, paperback 2447:"Marion Zimmer Bradley, 69, Writer of Darkover Fantasies" 261: 2756:

Review of the "Darkover" series by Marion Zimmer Bradley

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The Oath of the Free Amazons, pgs 16-22, Walter Breen,

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Marion Zimmer Bradley's Forward, pg vi, Breen, Walter;

253: 2144:"A Darkover Retrospective" says, "Transcriber's note: 1260:

abilities are acquired through interbreeding with the

1053:), or Terrans who are able to join Darkovan society. 1789:

as the merger between the Sisterhood of the Sword, a

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After the Comyn (Against the Terrans: The Second Age)

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Marion Zimmer Bradley, "A Note from the Author", in

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Leith's essay was written before the publication of

3088: 2993: 2926: 2873: 2848: 2830: 2576:, Marion Zimmer Bradley, DAW Books, 1985, paperback 2561:, Marion Zimmer Bradley, DAW Books, 1985, paperback 2423:, Marion Zimmer Bradley, DAW Books, 1975, paperback 2407:, Marion Zimmer Bradley, DAW Books, 1980, paperback 390: 382: 356: 348: 340: 330: 99:. Unsourced material may be challenged and removed. 2509:, pg 1, Pennyfarthing Press, 1979, trade paperback 2338: 2336: 2334: 2332: 2301:http://www.mzbworks.com/Darkover-Retrospective.htm 1783:during the Hundred Kingdoms era are described in 1485:(2004 - with Deborah J. Ross), Book Three of the 1344:"The Tower at New Skye", Priscilla W. Armstrong, 2295: 2293: 2291: 2289: 2287: 2285: 2283: 2281: 2279: 2277: 2275: 2273: 1651:(1962) The Sword of Aldones was nominated for a 2271: 2269: 2267: 2265: 2263: 2261: 2259: 2257: 2255: 2253: 1155:the story was continued from book to book with 689:, this history was not always self-consistent. 1645:(1981) rewrite of and official replacement of 1501:Recontact (Against the Terrans: The First Age) 2788: 861:Bradley received much criticism for her book 580:The first Darkover novel to be published was 256:. Consider transferring direct quotations to 8: 2436:, Pennyfarthing Press, 1979, trade paperback 1130:In "A Note from the Author", published with 299: 62:Learn how and when to remove these messages 2795: 2781: 2773: 2739:Marion Zimmer Bradley Literary Works Trust 305: 1193: 898:placed it on a list of feminist utopias. 814:off the cliff at the Reichenbach Falls". 445:said that the books were "destined to be 287:Learn how and when to remove this message 218:Learn how and when to remove this message 159:Learn how and when to remove this message 2722:"Deborah J. Ross Tweet, February 7 2018" 2658:"'Darkover' novels pitched as TV series" 1955:The Other Side of the Mirror (anthology) 646:for a reprint, through Bradley's agent, 586:in 1958, originally, Bradley thinks, in 2570:Introduction: About Amazons, pgs 7-14, 2555:Introduction: About Amazons, pgs 7-14, 2361: 2359: 2357: 2355: 2353: 2351: 2240: 2137: 837:. But every time Bradley said that the 810:series; a way to end it, like "tossing 1809:Books in the world of the Renunciates: 1412: 1189: 787:that you thought you couldn't write". 437:Commenting on the significance of the 298: 247:too many and overly lengthy quotations 1703:(1999 - with Adrienne Martine-Barnes) 1695:(1998 - with Adrienne Martine-Barnes) 890:. Critics of the earlier work called 426:. The series is set on the planet of 7: 2615:"Marion Zimmer Bradley Bibliography" 2479:"Marion Zimmer Bradley Bibliography" 2367:https://www.jstor.org/stable/4239308 869:In Bradley's comment for the book: " 563:, who had revived a magazine called 97:adding citations to reliable sources 2159:(1976, Marion Zimmer Bradley), and 1315:Short stories describing this era: 790:Bradley then had the idea to write 738:, one of which she had included in 316:(1958), the first novel set in the 16:Science fiction-fantasy book series 1336:"A Gift of Love", Diana L. Paxon, 498:. Bradley adapted many names from 200:Knowledge (XXG)'s inclusion policy 14: 2127:, a board game based on the books 1393:(1978 - by Marion Zimmer Bradley) 1328:"The Forest", Cynthia McQuillin, 43:This article has multiple issues. 3237: 3236: 3167:Marion Zimmer Bradley's Darkover 2761:Unofficial Darkover encyclopedia 2106: 2011:Marion Zimmer Bradley's Darkover 935:, was a "theme of all the early 628:was a kind of replay of the old 234: 175: 73: 32: 2706:Andreeva, Nellie (5 May 2016). 749:Bradley then realized that the 686: 441:series, science fiction author 84:needs additional citations for 51:or discuss these issues on the 2203:The book Bradley describes is 394:Print (hardback and paperback) 1: 2656:Levine, Stuart (2012-02-14). 1416:, in a period she called the 758:) and discussed writing with 3118:The Other Side of the Mirror 2684:. 2015-09-14. Archived from 2604:, DAW Books, 1990, paperback 2546:, DAW Books, 1985, paperback 1918:The Other Side of the Mirror 1244:The colonists are primarily 754:science fiction convention ( 3089:Anthologies and collections 2629:"Deborah J. Ross: Darkover" 2493:"Deborah J. Ross: Darkover" 1925:she considered unofficial. 1607:Books describing this era: 1519:Books describing this era: 1433:Books describing this era: 1401:(2016 - by Deborah J. Ross) 1383:Books describing this era: 1320:"Vai Dom", Diana L. Paxon, 1180:A Readers Guide to Darkover 1027:triumph once and for all". 3286: 2209:, the second Barsoom book. 1290:Books describing this era: 1170: 703:Irish Fairy and Folk Tales 20: 3232: 2817: 2194:and its "Bridge Society". 2155:(1962, Ace Books, Inc.), 2089:A TV series based on the 1911:, were those by herself, 831:How Are the Mighty Fallen 776:The Left Hand of Darkness 325: 304: 3111:Free Amazons of Darkover 2573:Free Amazons of Darkover 2558:Free Amazons of Darkover 2543:Free Amazons of Darkover 2507:The Darkover Concordance 2434:The Darkover Concordance 2417:A Note From the Author, 2402:A Note From The Author, 1947:Free Amazons of Darkover 1765:Free Amazons of Darkover 1377:The Darkover Concordance 1090:A Darkover Retrospective 254:summarize the quotations 3146:Renunciates of Darkover 2896:The Heirs of Hammerfell 2744:Darkover Fan Convention 2381:, DAW Books Inc., 1981. 1987:Renunciates of Darkover 1898:In the 1990 anthology, 1861:Oath of The Renunciates 1841:Oath of The Renunciates 1821:Oath of The Renunciates 1762:In the introduction to 1685:Adrienne Martine-Barnes 1625:(1975) Nominated for a 1557:(1977) Nominated for a 1493:The Heirs of Hammerfell 1185:The Heirs of Hammerfell 610:Bradley then published 569:. Palmer then accepted 478:". The antecedents are 3216:Crossroads of Darkover 3132:Four Moons of Darkover 3016:The Heritage of Hastur 2822:List of Darkover books 2420:The Heritage of Hastur 2149:Darkover Retrospective 2066:Crossroads of Darkover 1971:Four Moons of Darkover 1863:, the 2002 omnibus of 1843:, the 1983 omnibus of 1823:, the 1983 omnibus of 1622:The Heritage of Hastur 1571:Jacqueline Lichtenberg 1173:List of Darkover books 1136:The Heritage of Hastur 975:Counter-establishment 630:The King and the Sword 626:The Door Through Space 617:The Door Through Space 601:The King and the Sword 595:The Three Faces of Eve 575:The King and the Sword 460:The Origin of Darkover 3079:The Children of Kings 2984:The Winds of Darkover 2804:Marion Zimmer Bradley 1859:(1984) (reprinted as 1839:(1983) (reprinted as 1819:(1976) (reprinted as 1712:At the conclusion of 1594:The Winds of Darkover 825:After the success of 724:Pelleas and Melisande 693:Origins of the Chieri 506:from the writings of 495:The Lord of the Rings 424:Marion Zimmer Bradley 335:Marion Zimmer Bradley 3223:Citadels of Darkover 3009:The Sword of Aldones 2874:The Hundred Kingdoms 2161:The Sword of Aldones 2072:Citadels of Darkover 1880:Darkover anthologies 1779:The origins of this 1648:The Sword of Aldones 1617:(1964, revised 1979) 1406:The Hundred Kingdoms 1140:The Sword of Aldones 1117:Edgar Rice Burroughs 1094:Robert A. Heinlein's 933:The Sword of Aldones 835:Thomas Burnett Swann 804:The Doomsday Machine 664:was nominated for a 662:The Sword of Aldones 652:The Sword of Aldones 620:, also published as 612:Seven from the Stars 605:The Sword of Aldones 571:The Sword of Aldones 557:Falcons of Narabedla 551:, whom she admired. 93:improve this article 3209:Masques of Darkover 3139:Domains of Darkover 3125:Red Sun of Darkover 2956:The Forbidden Tower 2942:The Shattered Chain 2903:The Fall of Neskaya 2645:. 14 February 2012. 2601:Domains of Darkover 2173:The Forbidden Tower 2060:Masques of Darkover 1979:Domains of Darkover 1963:Red Sun of Darkover 1901:Domains of Darkover 1886:Friends of Darkover 1865:The Shattered Chain 1845:The Shattered Chain 1825:The Shattered Chain 1816:The Shattered Chain 1749:(2022 - written by 1739:(2013 - written by 1729:(2007 - written by 1671:(2010 - written by 1554:The Forbidden Tower 1546:The Shattered Chain 1463:), Book One of the 1456:The Fall of Neskaya 1360:feudal-type society 1306:(2024), written by 1071:The Shattered Chain 1067:The Shattered Chain 1038:The Forbidden Tower 892:The Shattered Chain 884:The Shattered Chain 697:Bradley says that " 467:Red Sun of Darkover 407:is a collection of 301: 3202:Realms of Darkover 3160:Towers of Darkover 3153:Leroni of Darkover 3097:The Keeper's Price 3037:The World Wreckers 2766:2016-08-03 at the 2749:2015-09-06 at the 2451:The New York Times 2085:Proposed TV series 2078:Jewels of Darkover 2054:Realms of Darkover 2003:Towers of Darkover 1995:Leroni of Darkover 1931:The Keeper's Price 1774:gender-based roles 1660:The World Wreckers 1347:Leroni of Darkover 1331:The Keeper's Price 1323:The Keeper's Price 894:a feminist novel; 827:The World Wreckers 792:The World Wreckers 544:Skylark of Valeron 523:Robert W. Chambers 504:The King in Yellow 500:The King in Yellow 486:Robert W. Chambers 481:The King in Yellow 3252: 3251: 3195:Gifts of Darkover 3188:Stars of Darkover 3181:Music of Darkover 3174:Snows of Darkover 3058:The Shadow Matrix 3023:The Planet Savers 2849:The Ages of Chaos 2839:Darkover Landfall 2529:The Planet Savers 2153:The Planet Savers 2048:Gifts of Darkover 2042:Stars of Darkover 2035:Music of Darkover 2022:Snows of Darkover 2014:(1993), includes 1799:Patricia Matthews 1737:Children of Kings 1692:The Shadow Matrix 1634:The Planet Savers 1512:Darkover Landfall 1487:Clingfire Trilogy 1476:Clingfire Trilogy 1465:Clingfire Trilogy 1354:The Ages of Chaos 1297:Darkover Landfall 1276:Darkover Landfall 1262:indigenous people 1217:Darkover Landfall 1212:The Planet Savers 1157:The Shadow Matrix 1088:Bradley says, in 1019: 1018: 927:Clash of cultures 888:Darkover Landfall 871:Darkover Landfall 863:Darkover Landfall 771:Ursula K. Le Guin 715:Theodore Sturgeon 644:The Planet Savers 583:The Planet Savers 398: 397: 374:Sword and sorcery 313:The Planet Savers 297: 296: 289: 279: 278: 228: 227: 220: 169: 168: 161: 143: 108:"Darkover series" 66: 3277: 3240: 3239: 2797: 2790: 2783: 2774: 2726: 2725: 2718: 2712: 2711: 2703: 2697: 2696: 2694: 2693: 2678: 2672: 2671: 2669: 2668: 2653: 2647: 2646: 2639: 2633: 2632: 2625: 2619: 2618: 2611: 2605: 2596: 2590: 2583: 2577: 2568: 2562: 2553: 2547: 2538: 2532: 2525: 2519: 2516: 2510: 2503: 2497: 2496: 2489: 2483: 2482: 2475: 2469: 2468: 2466: 2465: 2443: 2437: 2430: 2424: 2415: 2409: 2400: 2394: 2388: 2382: 2375: 2369: 2363: 2346: 2340: 2327: 2321: 2315: 2309: 2303: 2297: 2248: 2245: 2228: 2225: 2219: 2216: 2210: 2206:The Gods of Mars 2201: 2195: 2186: 2180: 2175:is dedicated to 2170: 2164: 2142: 2116: 2111: 2110: 2016:To Keep the Oath 1747:The Laran Gambit 1418:Hundred Kingdoms 1194:Hundred Kingdoms 945: 944: 730:After she wrote 515:H. Rider Haggard 490:J. R. R. Tolkien 309: 302: 292: 285: 274: 271: 265: 238: 237: 230: 223: 216: 212: 209: 203: 179: 178: 171: 164: 157: 153: 150: 144: 142: 101: 77: 69: 58: 36: 35: 28: 3285: 3284: 3280: 3279: 3278: 3276: 3275: 3274: 3255: 3254: 3253: 3248: 3228: 3084: 2994:After the Comyn 2989: 2970:City of Sorcery 2949:The Spell Sword 2922: 2917:A Flame in Hali 2869: 2844: 2826: 2813: 2801: 2768:Wayback Machine 2751:Wayback Machine 2735: 2730: 2729: 2720: 2719: 2715: 2705: 2704: 2700: 2691: 2689: 2680: 2679: 2675: 2666: 2664: 2655: 2654: 2650: 2641: 2640: 2636: 2627: 2626: 2622: 2613: 2612: 2608: 2597: 2593: 2584: 2580: 2569: 2565: 2554: 2550: 2539: 2535: 2526: 2522: 2517: 2513: 2505:Breen, Walter; 2504: 2500: 2491: 2490: 2486: 2477: 2476: 2472: 2463: 2461: 2445: 2444: 2440: 2431: 2427: 2416: 2412: 2401: 2397: 2389: 2385: 2376: 2372: 2364: 2349: 2341: 2330: 2322: 2318: 2310: 2306: 2298: 2251: 2246: 2242: 2237: 2232: 2231: 2226: 2222: 2217: 2213: 2202: 2198: 2187: 2183: 2171: 2167: 2143: 2139: 2134: 2112: 2105: 2102: 2087: 1913:Diana L. Paxson 1882: 1873:City of Sorcery 1856:City of Sorcery 1760: 1758:The Renunciates 1751:Deborah J. Ross 1741:Deborah J. Ross 1731:Deborah J. Ross 1710: 1708:Modern Darkover 1673:Deborah J. Ross 1604: 1578:City of Sorcery 1538:The Spell Sword 1531:Mercedes Lackey 1503: 1482:A Flame in Hali 1461:Deborah J. Ross 1408: 1356: 1313: 1308:Deborah J. Ross 1231: 1176: 1169: 1086: 1063: 1012:Heterosexuality 929: 917:City of Sorcery 904: 856: 847: 812:Sherlock Holmes 796:Edmond Hamilton 695: 589:Amazing Stories 462: 457: 451:of the 1970s". 432:Deborah J. Ross 409:science fiction 378: 364:Science fiction 326: 321: 293: 282: 281: 280: 275: 269: 266: 260:or excerpts to 251: 239: 235: 224: 213: 207: 204: 190:Please help by 189: 180: 176: 165: 154: 148: 145: 102: 100: 90: 78: 37: 33: 26: 17: 12: 11: 5: 3283: 3281: 3273: 3272: 3267: 3265:Darkover books 3257: 3256: 3250: 3249: 3247: 3246: 3233: 3230: 3229: 3227: 3226: 3219: 3212: 3205: 3198: 3191: 3184: 3177: 3170: 3163: 3156: 3149: 3142: 3135: 3128: 3121: 3114: 3107: 3104:Sword of Chaos 3100: 3092: 3090: 3086: 3085: 3083: 3082: 3075: 3072:The Alton Gift 3068: 3061: 3054: 3047: 3040: 3033: 3030:Sharra's Exile 3026: 3019: 3012: 3005: 3002:The Bloody Sun 2997: 2995: 2991: 2990: 2988: 2987: 2980: 2977:Star of Danger 2973: 2966: 2963:Thendara House 2959: 2952: 2945: 2938: 2930: 2928: 2924: 2923: 2921: 2920: 2913: 2910:Zandru's Forge 2906: 2899: 2892: 2889:Two to Conquer 2885: 2877: 2875: 2871: 2870: 2868: 2867: 2860: 2852: 2850: 2846: 2845: 2843: 2842: 2834: 2832: 2828: 2827: 2825: 2824: 2818: 2815: 2814: 2802: 2800: 2799: 2792: 2785: 2777: 2771: 2770: 2758: 2753: 2741: 2734: 2733:External links 2731: 2728: 2727: 2713: 2698: 2673: 2648: 2634: 2620: 2606: 2591: 2578: 2563: 2548: 2533: 2520: 2511: 2498: 2484: 2470: 2453:. 1999-09-29. 2438: 2425: 2410: 2405:Two to Conquer 2395: 2383: 2379:Sharra's Exile 2370: 2347: 2328: 2316: 2304: 2249: 2239: 2238: 2236: 2233: 2230: 2229: 2220: 2211: 2196: 2191:Thendara House 2181: 2165: 2136: 2135: 2133: 2130: 2129: 2128: 2118: 2117: 2101: 2098: 2086: 2083: 2082: 2081: 2075: 2069: 2063: 2057: 2051: 2045: 2039: 2027: 2026: 2018: 2007: 1999: 1991: 1983: 1975: 1967: 1959: 1951: 1943: 1939:Sword of Chaos 1935: 1881: 1878: 1877: 1876: 1869:Thendara House 1852: 1849:Thendara House 1836:Thendara House 1832: 1829:Thendara House 1795:Two to Conquer 1786:Two to Conquer 1759: 1756: 1755: 1754: 1744: 1734: 1726:The Alton Gift 1709: 1706: 1705: 1704: 1696: 1688: 1676: 1664: 1656: 1642:Sharra's Exile 1638: 1630: 1618: 1614:The Bloody Sun 1603: 1600: 1599: 1598: 1590: 1586:Star of Danger 1582: 1574: 1566:Thendara House 1562: 1550: 1542: 1534: 1502: 1499: 1498: 1497: 1489: 1478: 1471:Zandru's Forge 1467: 1452: 1448:Two To Conquer 1444: 1407: 1404: 1403: 1402: 1394: 1355: 1352: 1351: 1350: 1342: 1339:Sword of Chaos 1334: 1326: 1311: 1310: 1301: 1230: 1227: 1222:Sharra's Exile 1200:Sword of Chaos 1168: 1165: 1144:Sharra's Exile 1132:Sharra's Exile 1098:Future History 1085: 1082: 1062: 1059: 1050:The Bloody Sun 1017: 1016: 1015:Homosexuality 1013: 1009: 1008: 1005: 1001: 1000: 997: 993: 992: 989: 985: 984: 981: 977: 976: 973: 969: 968: 965: 961: 960: 957: 953: 952: 949: 928: 925: 903: 900: 855: 852: 846: 843: 800:Norman Spinrad 760:Anne McCaffrey 740:Star of Danger 732:Star of Danger 707:James Stephens 694: 691: 675:Star of Danger 670:juvenile novel 648:Scott Meredith 508:Ambrose Bierce 461: 458: 456: 453: 448:The Foundation 396: 395: 392: 388: 387: 384: 380: 379: 377: 376: 371: 366: 360: 358: 354: 353: 350: 346: 345: 342: 338: 337: 332: 328: 327: 323: 322: 310: 295: 294: 277: 276: 242: 240: 233: 226: 225: 183: 181: 174: 167: 166: 81: 79: 72: 67: 41: 40: 38: 31: 15: 13: 10: 9: 6: 4: 3: 2: 3282: 3271: 3268: 3266: 3263: 3262: 3260: 3245: 3244: 3235: 3234: 3231: 3225: 3224: 3220: 3218: 3217: 3213: 3211: 3210: 3206: 3204: 3203: 3199: 3197: 3196: 3192: 3190: 3189: 3185: 3183: 3182: 3178: 3176: 3175: 3171: 3169: 3168: 3164: 3162: 3161: 3157: 3155: 3154: 3150: 3148: 3147: 3143: 3141: 3140: 3136: 3134: 3133: 3129: 3127: 3126: 3122: 3120: 3119: 3115: 3113: 3112: 3108: 3106: 3105: 3101: 3099: 3098: 3094: 3093: 3091: 3087: 3081: 3080: 3076: 3074: 3073: 3069: 3067: 3066: 3065:Traitor's Sun 3062: 3060: 3059: 3055: 3053: 3052: 3048: 3046: 3045: 3041: 3039: 3038: 3034: 3032: 3031: 3027: 3025: 3024: 3020: 3018: 3017: 3013: 3011: 3010: 3006: 3004: 3003: 2999: 2998: 2996: 2992: 2986: 2985: 2981: 2979: 2978: 2974: 2972: 2971: 2967: 2965: 2964: 2960: 2958: 2957: 2953: 2951: 2950: 2946: 2944: 2943: 2939: 2937: 2936: 2932: 2931: 2929: 2925: 2919: 2918: 2914: 2912: 2911: 2907: 2905: 2904: 2900: 2898: 2897: 2893: 2891: 2890: 2886: 2884: 2883: 2882:Hawkmistress! 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As noted 672:purposely: 549:E. E. Smith 531:C. L. Moore 422:written by 270:August 2020 208:August 2020 149:August 2020 3259:Categories 2692:2022-06-04 2667:2022-06-04 2464:2023-03-02 2235:References 1890:Contraband 1653:Hugo Award 1559:Hugo Award 1171:See also: 1167:Chronology 980:Artificial 959:Intuitive 719:Maeterlink 666:Hugo Award 656:Ace Double 561:Ray Palmer 527:Sax Rohmer 484:(1895) by 391:Media type 262:Wikisource 196:relocating 119:newspapers 48:improve it 2927:Recontact 2459:0362-4331 1507:spaceport 1250:Spaniards 1239:red giant 988:Bourgeois 951:Darkover 939:novels". 642:, bought 640:Ace Books 386:1958–1996 383:Published 320:universe. 258:Wikiquote 245:contains 54:talk page 3270:Darkover 3243:Category 2808:Darkover 2764:Archived 2747:Archived 2123:Darkover 2100:See also 2091:Darkover 1923:fanzines 1906:Darkover 1791:military 1192:and the 1078:Darkover 1024:Darkover 983:Natural 956:Rational 937:Darkover 882:series, 854:Feminism 839:Darkover 808:Darkover 683:Darkover 476:Darkover 472:Darkover 439:Darkover 428:Darkover 403:Darkover 349:Language 318:Darkover 300:Darkover 23:Darkover 2662:Variety 2080:(2023) 1362:, with 1304:Arilinn 1258:psionic 1254:Psychic 1121:Barsoom 1080:books. 1007:Female 991:Feudal 767:Gothics 756:Boskone 744:Vercors 603:a.k.a. 455:Origins 413:fantasy 369:Fantasy 352:English 341:Country 133:scholar 2811:series 2457: 2074:(2019) 2068:(2018) 2062:(2017) 2056:(2016) 2050:(2015) 2044:(2014) 2038:(2013) 2025:(1994) 2006:(1993) 1998:(1991) 1990:(1991) 1982:(1990) 1974:(1987) 1966:(1987) 1958:(1987) 1950:(1985) 1942:(1982) 1934:(1980) 1871:, and 1663:(1971) 1637:(1962) 1597:(1970) 1589:(1965) 1581:(1984) 1549:(1976) 1541:(1974) 1496:(1989) 1451:(1980) 1443:(1982) 1267:Chieri 1264:, the 1235:planet 999:Youth 909:chieri 902:Racism 845:Themes 819:chieri 785:chieri 751:chieri 736:chieri 711:chieri 525:, and 416:novels 405:series 331:Author 135: 128: 121: 114: 106: 2132:Notes 1909:canon 1781:guild 1427:laran 1422:laran 1372:laran 1368:laran 1364:laran 1246:Celts 1237:in a 1182:" in 1112:Amber 948:Terra 699:Yeats 687:below 559:, to 357:Genre 140:JSTOR 126:books 2455:ISSN 1847:and 1827:and 1279:and 1256:and 1248:and 1159:and 1119:'s 1061:Fate 1004:Male 614:and 533:and 474:was 418:and 400:The 112:news 2806:'s 2146:The 1209:In 1109:'s 1065:In 1047:in 996:Age 914:In 833:by 773:'s 721:’s 547:by 194:or 95:by 3261:: 2660:. 2449:. 2350:^ 2331:^ 2252:^ 1867:, 1515:. 1270:. 1146:. 794:. 762:. 701:’ 678:. 658:. 607:. 521:, 517:, 510:. 57:. 2796:e 2789:t 2782:v 2724:. 2710:. 2695:. 2670:. 2631:. 2617:. 2495:. 2481:. 2467:. 1875:) 1851:) 1831:) 1753:) 1743:) 1733:) 1687:) 1675:) 1655:. 1629:. 1561:. 1533:) 1040:, 411:- 290:) 284:( 272:) 268:( 264:. 250:. 221:) 215:( 210:) 206:( 202:. 188:. 162:) 156:( 151:) 147:( 137:· 130:· 123:· 116:· 89:. 64:) 60:( 25:.

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