880:(at the urging of his collaborator Robert Rauschenberg) he was offered a solo show by Sonnabend to open her latest gallery. When Bradshaw told Sonnabend that he had shifted his focus from painting to explosion performance and chose not to paint the 12 paintings she asked for, Sonnabend expressed her opinion that explosion art was not something that could be sold. This changed the course of Bradshaw's art career, but having grown up with a passion for guns and a natural talent for marksmanship it was only a matter of time before his art evolved from painting on canvas into explosion performance and shot steel.
910:, his friend another artist and writer, over a number of years until Burroughs’ death in 1997. Bradshaw's art had a significant influence on the direction of Burrough's own artistic creativity and development. The two created steel sculptures, paintings, and prints together which in most instances were then shot by the two marksman artists. As one of the pall bearers at Burroughs' funeral, Bradshaw placed Burroughs' favorite pistol in his hand prior to burial. Their collaboration resulted most notably in a
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Shooting became a more integral part of his medium. In 1972, Steve Paxton, a choreographer, pounding the keys of an upright piano until they no longer made any sound. He and
Bradshaw subsequently dragged the piano into a field at which time, he shot it once and declared it dead. This would be the precursor to his "fulmination" sculpture (as described by art critic and writer Jill Johnston),
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During the 1970s, Bradshaw further explored the integration of his passion for shooting with his passion for creating art. He worked extensively with large sheets of treadplate steel and dynamite to create both free standing and wall mounted sculpture. He experimented at times with blasting rock.
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Trained in traditional artistic skills and processes, Bradshaw is known for his use of handguns, explosive devices (typically dynamite) and steel to create large-scale, free standing sculptures; reshaping the metal through the force of controlled explosions. He carves intricate patterns and designs
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from 1962 to 1965. With less than one year remaining to obtain his degree he left school and traveled throughout Europe spending his time sketching the regional landscapes and its inhabitants. Upon his return to the US, Bradshaw became extremely active in the US Civil Rights
Movement.
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739:. He spent a number of months here creating new work in the late 1960s. In 1973, this work was subsequently included in an exhibit beside works by Rauschenberg,
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included sculpture by Eva Hesse, Richard Serra, Alan Saret, Keith
Sonnier, and Steven Kaltenbach; a record album by Bruce Nauman; and Bradshaw's painting,
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His artwork has been collected both privately and publicly throughout the U.S. and Europe. Notable collections include the estates of artist
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In 1969, Bradshaw was one of seven artists commissioned by gallerist and art publisher Rosa Esman to participate in a project entitled
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https://www.amazon.com/Ports-Entry-William-Burroughs-Arts/dp/0500974357/ref=sr_1_1?ie=UTF8&s=books&qid=1245152428&sr=1-1
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In 1986, Bradshaw and Robert
Rauschenberg, the artist, held an exhibition of their works on paper at the Catamount Arts Center in
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Bradshaw’s work has been exhibited in museums and galleries throughout the United States and Europe. His work was included in
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and are on permanent exhibit at their performance venues in Las Vegas, Nevada; Anaheim, California; and
Orlando, Florida.
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In his mid-twenties, Bradshaw was invited to create art at
Untitled Press at Rauschenberg's residence and studio on
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Over a dozen of
Bradshaw's large-scale plasma torch sculptures are in the private collection of the
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Over the last 40 years, Bradshaw has shown and collaborated with contemporary artists such as
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in 1996. Over the years he has had various exhibitions at
Jonathan Ferrara Gallery in
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and from
December 12, 2009, through January 23, 2010, at the Andrea Rosen Gallery in
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959:. Contentious material about living people that is unsourced or poorly sourced
796:. Contentious material about living people that is unsourced or poorly sourced
581:. Contentious material about living people that is unsourced or poorly sourced
415:. Contentious material about living people that is unsourced or poorly sourced
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as well as in other periodicals and newspapers throughout the United States.
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Marksman creationist practices pop, pop, pop art. by Doug MacCash June, 2009
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series while
Bradshaw exhibited drawings and other works on paper from his
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s famous "If You Don't Buy This Magazine, We'll Kill This Dog" cover.
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1188:"Who Shot Mr. Cheeseface? The Vermont Demise of a Famous Mutt"
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from the article and its talk page, especially if potentially
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358:(born September 28, 1944) is an American artist based in
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by Ann Cooper Albright and David Gere, 304 pages, 2003.
1110:, the University of S. Florida Contemporary Art Museum,
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Born in New York City, David Bradshaw was raised in
1047:, Louisiana, and most recently at Kolok Gallery in
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872:In 1970, after a visit to his studio by gallerists
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1239:"Gudjon Bjarnason at Snug Harbor Cultural Center"
1146:Ports of Entry: William S. Burroughs and the Arts
1223:"David Bradshaw and William Burroughs Blast Off"
1134:Prints from the Untitled Press, Captiva, Florida
518:In 1976, he was alleged to have shot and killed
1263:Ballistic Self-Expression, By D. Eric Bookhardt
1156:Taken by Surprise: A Dance Improvisation Reader
1162:The Judson Dance Theater: Performative Traces
8:
1055:. His work has been critically reviewed in
540:into sheets of steel using a plasma torch.
53:Learn how and when to remove these messages
1170:, Edited by Lonnie Pierson Dunbier, 2005.
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152:about living persons that is unsourced or
1023:Learn how and when to remove this message
860:Learn how and when to remove this message
645:Learn how and when to remove this message
479:Learn how and when to remove this message
241:Learn how and when to remove this message
223:Learn how and when to remove this message
103:Learn how and when to remove this message
1252:"The Execution of II Cut Hand/Hurt Eyes"
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906:Bradshaw collaborated extensively with
1333:People from Old Greenwich, Connecticut
7:
1142:by Mary Lynn Kotz; 320 pages, 1990.
1136:Wadsworth Atheneum; 72 pages, 1973.
1318:20th-century American male artists
922:Exhibition history and collections
75:tone or style may not reflect the
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1328:20th-century American printmakers
1206:"David Bradshaw at Madbrook Farm"
1164:by Ramsay Burt, 204 pages, 2007.
34:This article has multiple issues.
1096:Los Angeles County Museum of Art
1041:Los Angeles County Museum of Art
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85:guide to writing better articles
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1313:20th-century American sculptors
1212:. December 2005. Archived from
42:or discuss these issues on the
1293:21st-century American painters
1283:20th-century American painters
1104:Mildred Lane Kemper Art Museum
1092:Whitney Museum of American Art
1:
1308:University of Hartford alumni
941:biography of a living person
778:biography of a living person
563:biography of a living person
397:biography of a living person
130:biography of a living person
961:must be removed immediately
914:portfolio of prints titled
798:must be removed immediately
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157:must be removed immediately
16:American artist (born 1944)
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522:, the dog who appeared on
499:. His father was a modern
497:Old Greenwich, Connecticut
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1116:Sheldon Swope Art Museum
364:East Charleston, Vermont
1323:American male sculptors
1114:Museum of Art, and the
1084:Smithsonian Institution
1080:National Gallery of Art
510:He pursued a BA at the
1288:American male painters
1059:(Dec. 2005 and 1998),
955:Please help by adding
792:Please help by adding
577:Please help by adding
411:Please help by adding
144:Please help by adding
950:references or sources
787:references or sources
572:references or sources
406:references or sources
1233:on 20 February 2012.
1216:on 8 September 2008.
1168:The Artists Bluebook
1076:William S. Burroughs
908:William S. Burroughs
150:Contentious material
1221:Giuliano, Charles.
1072:Robert Rauschenberg
759:Explosion sculpture
659:Robert Rauschenberg
512:Hartford Art School
503:, and his mother a
366:. He is a painter,
344:Robert Rauschenberg
296:Hartford Art School
1250:Dukes, Charles J.
1129:Reference material
1108:Polk Museum of Art
1074:and writer/artist
939:This section of a
916:Propagation Hazard
901:South America Pond
776:This section of a
753:Wadsworth Atheneum
715:Gordon Matta-Clark
561:This section of a
395:This section of a
360:Cecilia, Louisiana
273:September 28, 1944
1088:Walker Art Center
1061:Contact Quarterly
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972:"David Bradshaw"
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745:Brice Marden
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726:7 Objects/69
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703:Trisha Brown
699:Steve Paxton
679:Bruce Nauman
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139:verification
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37:
36:Please help
33:
1303:1944 births
1045:New Orleans
695:Deborah Hay
691:James Surls
310:Printmaking
1277:Categories
1174:References
983:newspapers
820:newspapers
741:Cy Twombly
605:newspapers
520:Cheeseface
439:newspapers
372:printmaker
269:1944-09-28
183:newspapers
39:improve it
944:does not
781:does not
675:Eva Hesse
566:does not
400:does not
378:Biography
368:sculpture
339:Patron(s)
306:Sculpture
292:Education
135:citations
93:June 2016
45:talk page
1065:ArtForum
903:series.
897:Chow Bag
324:Movement
314:Painting
284:New York
161:libelous
997:scholar
946:include
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783:include
751:at the
619:scholar
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886:Piano
841:JSTOR
827:books
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626:JSTOR
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460:JSTOR
446:books
204:JSTOR
190:books
128:This
1148:<
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