135:(1986) Diamond began to move the company's community work away from its roots making agitprop work in favor of what he calls a Power Play structure. Power Plays are created by invitation, deep 'in community' and utilize the tools of TO practice to build a play over a 6-day workshop. After exploring TO techniques and the creation of Power Plays for many years in the late 80s/early 90s, Diamond began to redefine the language of his work, as a response to requests to do so from communities with which he was working, creating what is now defined as Theatre for Living.
146:. "Theatre for Living approaches the community as a living organism and recognizes... when plays are created, they are made to help us investigate ways to change the behaviors that create the structure, not only the structure itself." He also facilitates TfL workshops around the world and pioneered the development of live, interactive Forum television and web casting.
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of the theatre company from 1984 until 2018 when, with the support of the board of directors and Staff he decided to 'devolve' the organization. Diamond continues to offer
Theatre for Living workshop processes on many issues with communities who invite him to do so and also offers training workshops
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As of 2022, he has directed over 600 community-specific projects on issues such as racism, civic engagement, Indigenous land claims, violence, addiction, street youth, inter-generational conflict, homelessness, climate change, corporate messaging, reclaiming hope from a culture of fear, and
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Diamond is also credited with directing almost all of the theatre company's mainstage projects, having developed a creation process that involves a week long "power play" followed by three to four weeks of creation and rehearsals with a cast and professional production team.
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Since 'devolving' the theatre company in 2018, he continues to offer
Theatre for Living training workshops and to respond to project and speaking requests from around the world, as well as offering mentoring to interested individuals.
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Diamond is the recipient of numerous awards, including an
Honorary Doctorate from the University of the Fraser Valley in 2001, the City of Vancouver's Cultural Harmony Award, the Jessie Richardson Award for Innovation in Theatre, an
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Diamond created
Theatre for Living (TfL) through a merging of Augusto Boal's Theatre of the Oppressed, his own theatre experience and his lifelong interest in
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from 2015 to 2020, using
Theatre for Living to help shift the culture of the learning environment, as well as Visiting Faculty of the
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in 1975, and immediately began working as an actor in professional theatre, radio, TV and film. He moved to
Vancouver in 1976.
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Diamond is credited with writing many of the non-Forum
Theatre works produced by Headlines Theatre over the years including
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Governor General Of Canada "Canadian Delegates on the visits to Africa" April 9, 2010. Accessed online:
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Diamond's theatrical practice, and the direction of
Headlines' work, shifted after he was introduced to
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In
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and is also available in Spanish, under the title "Teatro para la Vida" published by Caligrama.
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Master of Arts Program in Peace, Development, Security and International Conflict Transformation
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reconciliation between Indigenous and non-Indigenous populations in Canada, to name just some.
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Graham, Catherine. "The Audience-driven Aesthetic of Recent Canadian Political Plays",
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in 1981, inspired by the rental housing crisis that was just starting in Vancouver.
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at the UNESCO Chair for Peace Studies, University of Innsbruck, Austria since 2013.
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American Alliance for Theatre in Education Website "AATE Award Winners" Accessed:
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in Theatre for Living techniques. He is also a keynote speaker, author and actor.
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City of Vancouver Cultural Harmony Awards Website "Past Recipients" Accessed:
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Sandborn, Tom. "Headlines Theatre and The uncertain Arts of Democracy",
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Diamond, David. "In This Moment: the Evolution of Headlines Theatre",
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City of Vancouver. "Community engaged Arts" Accessed January 4, 2013
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Jessie Richardson Awards "Archives Winners and Nominees" Accessed:
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Theatre for Living: The art and science of community-based dialogue
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Theatre for Living: The art and science of community-based dialogue
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Theatre for Living: the art and science of community-based dialogue
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at TO skills sharing workshop in Paris in 1984. After producing
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http://vancouver.ca/people-programs/community-engaged-arts.aspx
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and the Otto RenƩ Castillo Award for Political Theatre.
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Castillo Theatre Website "Past Recipients" Accessed:
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