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The Asylum

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185:, which capitalize on the popularity of major studio films with similar titles and premises. The Asylum's business model revolves around producing as many low-budget films as quickly as possible, which earn around $ 150,000 to $ 250,000 in profit. Since the company produces dozens of films every year, this model generates millions of dollars, and the company claims to have never lost money on a film. The Asylum spends around 4-6 months making a film, and since the company is not affiliated with any industry 289: 798:. This means their employees will sometimes work upwards of 22 hours a day. Whereas most major studios shoot one page from the script a day, The Asylum shoots around 10 to 12 pages a day. Due to the demanding work schedule, The Asylum often hires filmmakers with several years of experience. Around $ 150,000 of a film's budget is allocated to hiring lesser known actors that would appeal to specific audiences. For example, Rimawi notes that former 850:
consumers, but instead gives consumers more options to watch. The Asylum is upfront about some of their duplicitous marketing strategies. In a 2010 blog post, The Asylum urged fans to add the studio's film to their Netflix queues in order to increase the perception of public demand. The blog post said, "This isn't about trying to get you to watch our movie. This is about gaming the system. This is about taking a stand. Against math."
773: 715:. This model is so successful, that Rimawi claims that they have never lost money on a film. Rimawi stated, "One of the reasons we've remained in business for 25 years is that we make a movie for exactly less than we think we can earn from it ... People say all the time, 'Why don't you make a $ 20 million original production?' And our answer is because we'd like to stay in business." 579: 441:, The Asylum started producing low-budget films to capitalize on the popularity of similar major studio films. The Asylum marketed their films as "tie-ins", although journalists and critics often referred to them as rip-offs or mockbusters. Among the company's early releases within this business model were 881:
believes that The Asylum's cynical business model is merely a microcosm of the American film industry. Hudson wrote, "Sure, The Asylum makes knock-offs, but so does Hollywood. So does fashion. If culture is a constant exchange of ideas, commerce is the booze that lubricates that discussion. Consider
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compared The Asylum to "pollution in Hollywood, in that you've just got to live with it". Despite their reputation, Bales argues that The Asylum's popularity is multifaceted, and not the result of deceitful marketing tactics. To this extent, some journalists have postulated that consumer interest in
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spawned five sequels, and when combined with merchandising and licensing sales, nearly quadrupled The Asylum's revenue from three years earlier. According to Bales, "Up until that point, even with the notoriety that we had, if you'd speak to anyone and be like, 'Hey, I'm a filmmaker, have you seen
818:. But we'll go after Johnny Depp's cousin. That's fair game." Rimawi further added, "I'm guessing that many of our main actors do this because they have bills to pay, and they want to be in and out as inconspicuously as possible. But the repeat guys have made their peace with what they're doing." 722:
from freelance screenwriters based on a story concept that the studio's distribution affiliates want. As journalist Amanda Hess explained, "If a Japanese DVD company wants a submarine, and Blockbuster needs a monster, the Asylum will make a sailors-meet-sea creature movie, then tweak the concept
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The Asylum's business model revolves around producing as many low-budget films as quickly as possible. Their films usually have a budget of $ 250,000 to $ 500,000, and earn $ 150,000 to $ 250,000 in profit. Since The Asylum produces dozens of films every year, this model generates millions of
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was "Enough Said". Latt described The Asylum's marketing strategy as "a parody of the studio system". Whenever The Asylum makes a mockbuster, they tie the release of their film to coincide with the release of the larger film it's based on. Bales argues that this is not an attempt to deceive
537:(VOD) services in the early 2010s, The Asylum focused on digital distribution. Since VOD services would often categorize their films in alphabetical order, The Asylum added numbers or typographical symbols to the beginning of their film titles in order to been seen first, such as 723:
further to sell to all its potential platforms." The studio then chooses the best pitch, and the chosen screenwriter produces a draft within 10 days. Asylum films are almost always serious in tone despite the far-fetched plots. The first script for
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only occasionally features shape-shifting robots and devotes more time to a lesbian subplot. Latt said this is because the studio's writers only have a brief outline of what the larger film is going to be about from promotional material.
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Marketing campaigns often hype up the absurdity of the film's premise and the studio's overall business model. In 2012, Asylum films would open with the text, "15 years. 100 films. You're Welcome". In a similar vein, the tagline for
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was also working on a film adaptation of the novel. Latt was prepared to end production until Blockbuster ordered 100,000 copies of the film, roughly seven to eight times the normal order for Asylum films. Latt's film, titled
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The Asylum has garnered a discordant and at times controversial reputation within the film industry. Nearly all of their films have been panned by critics, and their mockbusters are often belittled as shameless
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would routinely offer filmmakers more money. This led to a change in their business model in 2002, with a focus on in-house productions. Their goal was to produce one film per month, starting with the 2002
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Initially founded as a distribution company for low-budget drama films, The Asylum switched to in-house productions in the mid-2000s due to competition from larger studios like
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ends with a giant snake eating the train. According to Nichsolson, "That's what people who see that kind of movie want to see, and studios don't have the guts to do it."
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According to The Asylum's website, the studio has released more than 500 films, including 300 original films. Their catalog encompasses virtually every major
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special-effects team ... At their best, Asylum's in-house effects team can manage something slightly more lifelike than what you'd see on the average
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as an example, as he felt that its usage of dinosaurs and dragons as antagonists was intended to mock the action sequences and animal jokes in the
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ordered 100,000 copies, which inspired The Asylum to focus on mockbusters. This led to a partnership with the television channel
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argues that The Asylum's mockbusters succeed in satirizing the larger films they are based on. Roth used The Asylum film
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as an example of a large studio film that disappointed viewers with a predictable ending, whereas The Asylum mockbuster
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became the studio's largest source of revenue, with an entire channel dedicated to Asylum films. Another VOD service,
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The Asylum was founded in 1997 by David Latt, David Rimawi, and Sherri Strain. Rimawi and Strain had been fired by
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If The Asylum is making a mockbuster, they will target larger films that are based on works or characters in the
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said that The Asylum wanted every comedic line removed and left a strongly worded note that reiterated that
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revolves around a group of survivors who escort a man who is immune to the zombie virus to the last known
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episode." The Asylum employs 15 visual effects artists, and they are often working on six films at once.
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said that The Asylum caters to its audience by leaning into the absurdity of their film plots. She used
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dollars. From October 2011 to October 2012, The Asylum's revenue totaled $ 12,000,000 for a 15 percent
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we became known." Latt added, "We still talk about how to exploit it in every production meeting."
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horror films. The Asylum struggled to break into the distribution market, as larger companies like
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company called Chimera Multimedia. Latt and Rimawi had previously worked together on the 1992 film
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The Asylum spends around 4-6 months making a film. It starts with The Asylum soliciting 100-word
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about a teen pregnancy. The company's initial goal was to distribute low-budget drama films like
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Asylum films come from a desire to watch campy films, in particular those that fall under the "
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co-hosts held a dramatic reading of some of the film's lines, and the mayor of Los Angeles
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were too high, and decided that The Asylum's next potential television series, titled
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jokingly wrote, "From the looks of things, also goes after the cousins of the
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in 2004. Although the film was marketed as an adaptation of the 1872 novella
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is an American independent film production and distribution company based in
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ran for five seasons on Syfy, and was followed by the spinoff series
639: 266: 2291: 1580:"'Z Nation' Canceled By Syfy After Five Seasons, Announced Online" 791: 771: 577: 287: 186: 1769:"How 'Sharknado' Went From AFM Pitch Session to Global Sensation" 3394: 2392: 747: 566: 490: 233: 221: 2078: 2068: 2651: 2643: 2195: 1436:"Commentary: Fox takes action against 'Day the Earth Stopped'" 561:, as VOD services prioritized films with theatrical releases. 356:. Strain left the company in 2002, and was replaced by former 1295:"Inside The Asylum: The Outlaw Studio That Changed Hollywood" 951:. Rimawi stated, "The only thing we haven't done is straight 1241: 821:
Post-production is handled at The Asylum's headquarters in
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are popular among European audiences. In an interview with
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Pomerantz, Dorothy (October 22, 2012). "Schlock And Awe".
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Some journalists have defended The Asylum. Greg Hudson of
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anything I've made?' the answer would be, 'No,' but with
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The Asylum's biggest success came in 2013 with the film
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that lifts sharks out of the ocean and drops them over
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letter against The Asylum for the similarities between
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that lifts sharks out of the ocean and drops them over
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featured a lot of self-aware humor, but screenwriter
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Vol. 190, no. 7. pp. 50–52. 8: 4865:Privately held companies based in California 1814: 1812: 1810: 1808: 1806: 1804: 1802: 1800: 1798: 1796: 638:, Syfy commissioned The Asylum to produce a 265:, Syfy commissioned The Asylum to produce a 39: 4840:Entertainment companies based in California 2002:"Paranormal Activity vs. Paranormal Entity" 1862: 1860: 1858: 1573: 1571: 939:, although the studio primarily focuses on 686:. Bales felt that the production costs for 3984: 2917: 2667: 2639: 2590: 2517: 2402: 2306: 2227: 2162: 2119: 2097: 2083: 2075: 1288: 1286: 1284: 45: 38: 1729: 1465: 1463: 1426: 1424: 1348: 1346: 1344: 1342: 1282: 1280: 1278: 1276: 1274: 1272: 1270: 1268: 1266: 1264: 662:research lab. Journalists often compared 4860:Non-theatrical film production companies 4855:Mass media companies established in 1997 1995: 1993: 1991: 1989: 1955: 1953: 1951: 1949: 1915: 1913: 1727: 1725: 1723: 1721: 1719: 1717: 1715: 1713: 1711: 1709: 1340: 1338: 1336: 1334: 1332: 1330: 1328: 1326: 1324: 1322: 1293:Dixon, Wheeler Winston (July 25, 2013). 908:Sir Arthur Conan Doyle's Sherlock Holmes 814:, Latt stated, "We know not to go after 401:poster, which came out the year before. 200:. In 2005, The Asylum released the film 1501: 1499: 1112: 405:writer Wheeler Winston Dixon described 4845:Film distributors of the United States 4835:Companies based in Burbank, California 4820:American companies established in 1997 1409:from the original on December 24, 2020 392:poster bore a striking resemblance to 3196:Motion Picture Corporation of America 1675: 1673: 1613:"Syfy Renews Zombie Drama 'Z Nation'" 1611:O'Connell, Mikey (October 21, 2014). 1592:from the original on January 29, 2023 1448:from the original on November 8, 2023 1390: 1388: 1386: 1384: 1382: 1380: 1378: 1376: 1374: 1230: 1228: 1226: 1224: 1222: 1220: 1218: 1216: 1214: 1160: 1158: 1156: 1154: 1152: 1150: 1148: 1146: 1144: 1142: 1140: 1138: 1136: 7: 1962:"The Asylum: They Are What They Are" 1843:from the original on October 1, 2023 1644:Moylan, Brian (September 12, 2014). 1472:"Asylum's 'mockbusters' turn profit" 1212: 1210: 1208: 1206: 1204: 1202: 1200: 1198: 1196: 1194: 1134: 1132: 1130: 1128: 1126: 1124: 1122: 1120: 1118: 1116: 547:. The Asylum also released the film 27:American film studio and distributor 4567:Distributors Corporation of America 4452:American Film Manufacturing Company 2045:from the original on March 29, 2024 2014:from the original on April 22, 2024 1974:from the original on April 22, 2024 1934:from the original on April 22, 2024 1748:from the original on March 25, 2024 1625:from the original on March 24, 2024 1578:Haring, Bruce (December 22, 2018). 1520:from the original on March 23, 2024 1484:from the original on March 23, 2024 1307:from the original on March 20, 2024 1249:from the original on March 21, 2024 261:. In response to the popularity of 4796:List of American animation studios 1556:from the original on June 21, 2022 373:, The Asylum's first hit film was 25: 4825:American independent film studios 4815:1997 establishments in California 4694:Pacific International Enterprises 4557:De Laurentiis Entertainment Group 4284:Commonwealth United Entertainment 1881:from the original on May 25, 2021 1867:Patterson, John (July 30, 2009). 1829:Breihan, Tom (October 10, 2012). 1781:from the original on June 8, 2024 1767:Ritman, Alex (November 1, 2018). 1658:from the original on June 8, 2024 1179:from the original on June 4, 2023 1165:Ritman, Alex (November 1, 2022). 634:In response to the popularity of 254:, and led to the creation of the 4492:Boxoffice International Pictures 1680:Solomon, Dan (August 23, 2011). 1542:Stelter, Brian (July 12, 2013). 1058:Nazis at the Center of the Earth 838:Hercules: The Legendary Journeys 604:. The over-the-top premise went 250:. The over-the-top premise went 4709:Producers Releasing Corporation 4035:Selznick International Pictures 2625:American International Pictures 2108:in the United States and Canada 1395:Potts, Rolf (October 7, 2007). 1050:Mega Shark Versus Giant Octopus 4547:Compass International Pictures 4542:Cinerama Releasing Corporation 1960:Hudson, Greg (July 28, 2015). 1734:Hess, Amanda (July 10, 2013). 1101:(television series, 2014–2018) 1026:H. G. Wells' War of the Worlds 997:(television series, 2019–2021) 439:H. G. Wells' War of the Worlds 427:H. G. Wells' War of the Worlds 304:, and Latt was working for an 275:, which ran for five seasons. 203:H. G. Wells' War of the Worlds 1: 4781:Weintraub Entertainment Group 4360:Empire International Pictures 4122:21st Century Film Corporation 3365:40 Acres and a Mule Filmworks 2756:Ubisoft Film & Television 2211:United International Pictures 2152:United International Pictures 1235:Katz, David (July 11, 2013). 698:went up for sale at the 2022 519:The Day the Earth Stood Still 502:The Day the Earth Stood Still 4552:Crown International Pictures 4314:Paramount Famous Productions 4127:Atlantic Entertainment Group 2373:National Geographic Partners 2275:Flagship Entertainment Group 1506:Tate, Ryan (July 19, 2013). 493:for a television release of 4669:Lubin Manufacturing Company 4431:Warner Independent Pictures 4289:Famous Players Film Company 4238:Independent Moving Pictures 3968:Wonderland Sound and Vision 3273:Sidney Kimmel Entertainment 2000:Roth, David (May 4, 2010). 1920:Vorel, Jim (July 5, 2013). 970:Abraham Lincoln vs. Zombies 777:Sharknado 2: The Second One 660:Centers for Disease Control 523:United States trademark law 437:Inspired by the success of 69:; 27 years ago 4881: 4396:Lorimar Film Entertainment 4197:Samuel Goldwyn Productions 4182:Metro Pictures Corporation 4142:Dimension Pictures (1970s) 4045:Twentieth Century Pictures 3911:The Hideaway Entertainment 3191:Morgan Creek Entertainment 3032:Chicken & Egg Pictures 1736:"Escaped From The Asylum!" 928: 29: 4793: 4739:Section Eight Productions 4622:Global Road Entertainment 4406:National General Pictures 4243:Interscope Communications 4202:Trans World Entertainment 3736:Montecito Picture Company 3435:Bedford Falls Productions 3420:Bad Hat Harry Productions 3283:Dark Castle Entertainment 2972:Artemis Rising Foundation 2942:Allied Artists Film Group 2920: 2896:Village Roadshow Pictures 2255:Castle Rock Entertainment 2201:MTV Entertainment Studios 1018:The Day the Earth Stopped 760:was a clear imitation of 642:television series called 515:The Day the Earth Stopped 496:The Day the Earth Stopped 302:Village Roadshow Pictures 269:television series called 44: 4759:This Is That Productions 4207:United Artists Releasing 4167:Hemdale Film Corporation 3856:Shangri-La Entertainment 3781:Outerbanks Entertainment 3711:Lightstorm Entertainment 3691:Kennedy/Marshall Company 3017:Brillstein Entertainment 2821:FilmNation Entertainment 2716:Dark Horse Entertainment 2711:CondĂ© Nast Entertainment 931:List of The Asylum films 832:Pirates of the Caribbean 783:, Dante Palminteri, and 4627:Grand National Pictures 4602:Fireworks Entertainment 4517:Castle Hill Productions 4426:Warner Bros.-Seven Arts 4391:First National Pictures 4365:First Independent Films 4177:Louis B. Mayer Pictures 3841:Roth/Kirschenbaum Films 3786:Overbrook Entertainment 3716:LuckyChap Entertainment 3676:Jerry Bruckheimer Films 3545:Evolution Entertainment 3515:Di Bonaventura Pictures 3146:Lakeshore Entertainment 2489:Sony Pictures Kids Zone 2435:PlayStation Productions 2425:Sony Pictures Releasing 1906:. p. 2, Section M. 854:Reputation and analysis 735:was not a comedy film. 294:chief operating officer 224:, and with the rise of 32:Asylum (disambiguation) 4674:Madison 23 Productions 4649:Jensen Farley Pictures 4597:Dramatic Feature Films 4457:Art Star Scene Studios 4421:Seven Arts Productions 4334:United States Pictures 4192:Samuel Goldwyn Company 3931:Valhalla Entertainment 3445:Blinding Edge Pictures 3380:A Very Good Production 3109:MarVista Entertainment 2997:Blue Fox Entertainment 2746:Scholastic Corporation 2457:Worldwide Acquisitions 2445:Sony Pictures Classics 1774:The Hollywood Reporter 1618:The Hollywood Reporter 1172:The Hollywood Reporter 1042:King of the Lost World 787: 706:Approach to filmmaking 587: 444:King of the Lost World 409:as The Asylum's first 297: 4734:Scotti Bros. Pictures 4537:Cinemation Industries 4532:Christie Film Company 4527:Champion Film Company 4329:Sunn Classic Pictures 4071:Artisan Entertainment 3936:Vertigo Entertainment 3706:Kingdom Story Company 3696:Ketchup Entertainment 3475:Chernin Entertainment 3360:21 Laps Entertainment 3077:Entertainment Studios 3052:Dolphin Entertainment 3002:Blumhouse Productions 2977:BayView Entertainment 2871:New Republic Pictures 2856:Lantern Entertainment 2240:Warner Bros. 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Fox 782: 778: 774: 770: 767: 766:Transmorphers 763: 759: 758:Transmorphers 755: 754: 749: 745: 741: 740:public domain 736: 734: 730: 729:Thunder Levin 726: 721: 716: 714: 713:profit margin 705: 703: 701: 697: 693: 689: 685: 681: 680: 675: 671: 670: 665: 661: 657: 653: 652: 647: 646: 641: 637: 632: 630: 625: 621: 617: 616:Eric Garcetti 613: 612: 607: 603: 599: 595: 594: 585: 580: 576: 574: 573: 568: 564: 560: 556: 553:(stylized as 552: 551: 546: 545: 540: 536: 528: 526: 524: 520: 516: 512: 508: 504: 503: 498: 497: 492: 488: 487: 482: 481: 480:Transmorphers 476: 475: 470: 469: 464: 463: 458: 457: 452: 451: 446: 445: 440: 435: 433: 429: 428: 422: 418: 417: 412: 408: 404: 397: 396: 388: 384: 383: 378: 377: 372: 371: 367:According to 365: 363: 359: 355: 354: 350: 345: 341: 337: 333: 329: 325: 321: 317: 316: 311: 307: 303: 295: 292:The Asylum's 290: 283: 278: 276: 274: 273: 268: 264: 260: 258: 253: 249: 245: 241: 240: 235: 231: 227: 223: 219: 215: 214: 209: 205: 204: 199: 194: 192: 188: 184: 180: 176: 172: 163: 157: 153: 149: 147: 143: 134: 130: 127: 124: 120: 117: 113: 112: 111: 110: 108: 102: 99: 96: 92: 89:Sherri Strain 84: 80: 66: 62: 59: 56: 52: 48: 43: 37: 33: 19: 4654:Ladd Company 4379:Warner Bros. 4228:Good Machine 4223:FilmDistrict 4132:Cannon Films 3891:Syncopy Inc. 3886:Sunday Night 3871:Stone Quarry 3761:Nine Stories 3751:Mutant Enemy 3701:Killer Films 3629:Hoorae Media 3609:Gracie Films 3582:Gary Sanchez 3562:Flower Films 3335:Walden Media 3268:Screen Media 3253:RKO Pictures 3231:RadicalMedia 3221:Picturehouse 3216:Oscilloscope 3161:Likely Story 3047:Darius Films 2966: 2912:distribution 2841:ICM Partners 2836:H Collective 2826:Gotham Group 2726:Mattel Films 2697:distribution 2462:Affirm Films 2362:Disneynature 2346:Star Studios 2232:Warner Bros. 2106:Film studios 2065: 2047:. 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3644:ImageMovers 3619:Haxan Films 3594:Genre Films 3500:Cube Vision 3485:Color Force 3465:Centropolis 3385:Abso Lutely 3345:WWE Studios 3340:Wolfe Video 3258:Saban Films 3089:Film Arcade 2935:Truly Indie 2910:Production/ 2774:AGC Studios 2751:Square Enix 2695:production/ 2513:Mini-majors 2484:Ghost Corps 2467:Crunchyroll 2440:Screen Gems 2035:"Our Story" 913:Guy Ritchie 816:Johnny Depp 781:Ian Ziering 602:Los Angeles 499:, based on 332:Blockbuster 318:in 1999, a 248:Los Angeles 218:Blockbuster 189:other than 183:mockbusters 150:Faith Films 4809:Categories 4572:Eaco Films 4010:Fox Atomic 3941:View Askew 3921:Tim Burton 3861:Shondaland 3846:Scott Free 3791:Paper Kite 3577:Fuzzy Door 3572:Fruit Tree 3535:Echo Films 3455:Brownstone 3450:Brandywine 3410:Appian Way 3094:Fork Films 3007:Bold Films 2967:The Asylum 2794:Black List 2693:Horizontal 2576:(majority) 2550:eOne Films 2385:Vice Media 2367:ESPN Films 2288:(minority) 2265:DC Studios 2039:The Asylum 1698:August 24, 1687:Adult Swim 1107:References 1082:Titanic II 861:cash grabs 742:, such as 598:waterspout 572:Titanic II 483:(based on 471:(based on 459:(based on 447:(based on 411:mockbuster 362:Paul Bales 324:Bellyfruit 315:Bellyfruit 296:Paul Bales 244:waterspout 171:The Asylum 129:Paul Bales 105:Key people 40:The Asylum 4754:ThinkFilm 4262:Paramount 4216:Universal 4059:Lionsgate 4015:Fox Faith 3746:Music Box 3731:Monkeypaw 3686:KatzSmith 3654:Jax Media 3440:Big Beach 3425:Bad Robot 3355:XYZ Films 3156:levelFILM 3126:IFC Films 2914:companies 2804:Mad Solar 2699:companies 2680:STX Films 2659:(backing) 2652:A24 Films 2341:Lucasfilm 2281:HBO Films 2260:CNN Films 2196:BET Films 2049:March 28, 2018:April 10, 1978:April 11, 1938:April 11, 1885:March 27, 1847:March 25, 1836:Grantland 1785:March 25, 1752:March 25, 1662:March 24, 1629:March 24, 1596:March 24, 1560:March 23, 1524:March 23, 1488:March 23, 1452:March 23, 1413:March 21, 1365:0015-6914 1311:March 21, 1253:March 21, 1183:March 21, 1066:Sharknado 885:Boxoffice 872:" label. 847:Sharknado 827:Grantland 811:Grantland 796:SAG-AFTRA 733:Sharknado 725:Sharknado 636:Sharknado 629:Sharknado 624:Sharknado 593:Sharknado 584:Sharknado 450:King Kong 360:employee 284:1997–2009 263:Sharknado 259:franchise 257:Sharknado 239:Sharknado 191:SAG-AFTRA 160:theasylum 146:Divisions 116:president 4642:Allspark 4152:Filmways 4020:Fox Film 3876:Studio 8 3836:Rideback 3816:Playtone 3741:Mr. Mudd 3604:GK Films 3540:Electric 3520:District 3325:Vertical 2816:Endeavor 2767:partners 2219:(13.01%) 2043:Archived 2012:Archived 1972:Archived 1932:Archived 1879:Archived 1841:Archived 1779:Archived 1746:Archived 1656:Archived 1623:Archived 1590:Archived 1554:Archived 1518:Archived 1482:Archived 1446:Archived 1407:Archived 1305:Archived 1247:Archived 1177:Archived 1098:Z Nation 801:Baywatch 688:Z Nation 674:Z Nation 664:Z Nation 656:Z Nation 645:Z Nation 563:Pluto TV 557:) in 10 509:filed a 382:Carmilla 272:Z Nation 230:Pluto TV 4638:Hasbro 4447:Alchemy 4137:Cinecom 3721:Malpaso 3649:Imagine 3370:87North 3099:FotoKem 2731:Netflix 2582:(18.9%) 2185:Miramax 1477:Variety 925:Catalog 779:actors 720:pitches 684:Netflix 620:Twitter 477:), and 279:History 155:Website 82:Founder 72: ( 64:Founded 58:Private 4440:Others 3988:Disney 3963:30West 3405:Apatow 3320:Utopia 2381:(50%) 2115:Majors 1363:  1356:Forbes 1093:(2007) 1085:(2010) 1077:(2006) 1069:(2013) 1061:(2012) 1053:(2009) 1045:(2005) 1037:(2012) 1029:(2005) 1021:(2008) 1013:(2006) 1005:(2013) 989:(2013) 981:(2012) 973:(2012) 965:(2012) 947:, and 792:guilds 640:zombie 586:series 399:'s 390:'s 267:zombie 187:guilds 3062:Decal 2765:Slate 2565:(50%) 2559:(43%) 2387:(16%) 2375:(73%) 2369:(80%) 2353:(20%) 2292:TruTV 2277:(49%) 2213:(50%) 2187:(49%) 2154:(50%) 2007:Slate 1967:Sharp 1927:Paste 1513:Wired 953:drama 937:genre 915:film 902:Slate 878:Sharp 611:Today 606:viral 330:like 252:viral 210:film 4343:Sony 3726:Marv 3634:Icon 3395:AGBO 3206:Neon 2851:LAMF 2799:Bron 2741:Roku 2393:Hulu 2051:2024 2020:2024 1980:2024 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Index

David Rimawi
Asylum (disambiguation)

Private
Burbank, California
president
CEO
Paul Bales
COO
Divisions
theasylum.cc
Burbank, California
direct-to-video
mockbusters
guilds
SAG-AFTRA
Lionsgate Films
H. G. Wells' War of the Worlds
Steven Spielberg
War of the Worlds
Blockbuster
Syfy
video on demand
Pluto TV
Tubi
Sharknado
waterspout
Los Angeles
viral
Sharknado franchise

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