147:. In the original installation, Matta-Clark created five large incisions into the Pier 52 shed, which had formerly occupied the site and measured 373 feet in length and 50 feet in height. The purpose of Matta-Clark's work was to "let in light that would change during days and seasons", which he saw as “a peaceful enclosure”. The artist also described it as a "renovation" of a "decaying sad reminder of a previous industrial era".
40:
180:
called the work "an immortalizing homage to Gordon Matta-Clark and art history" and suggested that it was "roomy enough to accommodate all the brilliant fragments of an incomparable career". At the same time, Kathleen
Langjahr, writing for
191:
failed to "live up to the impossible hopes of a previous generation". She also remained skeptical of the public character of the artwork saying that the installation, similarly to the neighboring
162:
called the installation a "hybrid" which incorporated "architecture, sculpture, drawing, site-specific project, land art, appropriated object, and none of the above".
338:
500:
158:
and consists of an open structure that adheres to the dimensions, proportions, and placement of the previous shed. The director of the
Whitney
485:
452:
436:
480:
112:
82:
388:
183:
419:
195:, was "pitched as a 'gift' from the city’s wealthiest, for which we are expected to be grateful". In a review for
150:
The contemporary work by
Hammons was announced by the Whitney Museum in 2017 and completed in 2021. It is made of
490:
272:
475:
192:
505:
339:"David Hammons's impressive Day's End fails to live up to the impossible hopes of a previous generation"
39:
241:
308:
495:
442:
176:
144:
213:
in the 1970s. He drew attention to the compelling connection between this storied location and
280:
128:
86:
435:
206:
159:
155:
124:
108:
151:
120:
453:"Whitney Museum Receives $ 1 M. Grant for Hotly Anticipated David Hammons Public Artwork"
363:
425:
171:
469:
214:
104:
56:
100:
17:
284:
217:
evocative photographs, which capture the homosexual encounters of that era.
74:
50 ft Ă— 373 ft (600 in Ă— 4,480 in)
197:
139:
The work was inspired by the 1975 intervention installation work titled
457:
210:
437:"Whitney Museum Unveils Plans for David Hammons Artwork in the Hudson"
202:
116:
273:"From David Hammons, a Tribute to Pier 52 and Lastingness"
115:, the work consists of an architectural outline of a
78:
70:
62:
52:
32:
418:
131:along the southern edge of Gansevoort Peninsula.
389:"Peter L'Official on David Hammons's Day's End"
27:Permanent public art project by David Hammons
8:
38:
29:
103:project designed by the American artist
451:Greenberger, Alex (November 21, 2019).
226:
420:"David Hammons Follows His Own Rules"
205:history of Pier 52, once a prominent
201:, Peter L'Official recalled the rich
7:
417:Tomkins, Calvin (December 2, 2019).
332:
330:
328:
302:
300:
266:
264:
262:
236:
234:
232:
230:
143:by the American 20th-century artist
434:Pogrebin, Robin (October 4, 2017).
170:Upon its unveiling in 2021, Critic
25:
337:Langjahr, Kathleen (2021-09-02).
387:L’Official, Peter (May 2021).
368:Whitney Museum of American Art
307:Slifkin, Robert (2021-06-02).
271:Cotter, Holland (2021-05-13).
246:Whitney Museum of American Art
113:Whitney Museum of American Art
83:Whitney Museum of American Art
1:
501:Architecture in New York City
486:Public art in New York City
141:Days End, Conical Intersect
522:
395:. Vol. 59, no. 7
362:Weinberg, Adam D. (2021).
309:"David Hammons: Day's End"
242:"David Hammons: Day's End"
343:The Architect’s Newspaper
184:The Architect's Newspaper
37:
193:Little Island at Pier 55
481:2021 in New York City
127:and installed on the
99:is a 2021 permanent
443:The New York Times
277:The New York Times
177:The New York Times
145:Gordon Matta-Clark
313:The Brooklyn Rail
129:Hudson River Park
92:
91:
87:Hudson River Park
16:(Redirected from
513:
491:Contemporary art
462:
447:
439:
430:
422:
404:
403:
401:
400:
384:
378:
377:
375:
374:
359:
353:
352:
350:
349:
334:
323:
322:
320:
319:
304:
295:
294:
292:
291:
268:
257:
256:
254:
253:
238:
160:Adam D. Weinberg
156:precast concrete
125:precast concrete
42:
30:
21:
521:
520:
516:
515:
514:
512:
511:
510:
476:2021 sculptures
466:
465:
450:
433:
416:
413:
411:Further reading
408:
407:
398:
396:
386:
385:
381:
372:
370:
361:
360:
356:
347:
345:
336:
335:
326:
317:
315:
306:
305:
298:
289:
287:
270:
269:
260:
251:
249:
240:
239:
228:
223:
215:Alvin Baltrop's
168:
152:stainless steel
137:
121:stainless steel
48:
28:
23:
22:
15:
12:
11:
5:
519:
517:
509:
508:
503:
498:
493:
488:
483:
478:
468:
467:
464:
463:
448:
431:
426:The New Yorker
412:
409:
406:
405:
379:
354:
324:
296:
258:
225:
224:
222:
219:
172:Holland Cotter
167:
164:
136:
133:
90:
89:
80:
76:
75:
72:
68:
67:
64:
60:
59:
54:
50:
49:
43:
35:
34:
26:
24:
18:Day's End
14:
13:
10:
9:
6:
4:
3:
2:
518:
507:
504:
502:
499:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
473:
471:
460:
459:
454:
449:
445:
444:
438:
432:
428:
427:
421:
415:
414:
410:
394:
390:
383:
380:
369:
365:
358:
355:
344:
340:
333:
331:
329:
325:
314:
310:
303:
301:
297:
286:
282:
278:
274:
267:
265:
263:
259:
247:
243:
237:
235:
233:
231:
227:
220:
218:
216:
212:
208:
207:cruising site
204:
200:
199:
194:
190:
186:
185:
179:
178:
173:
165:
163:
161:
157:
153:
148:
146:
142:
134:
132:
130:
126:
122:
118:
114:
110:
107:. Originally
106:
105:David Hammons
102:
98:
97:
88:
84:
81:
77:
73:
69:
65:
61:
58:
57:David Hammons
55:
51:
46:
41:
36:
31:
19:
506:American art
456:
441:
424:
397:. Retrieved
392:
382:
371:. Retrieved
367:
357:
346:. Retrieved
342:
316:. Retrieved
312:
288:. Retrieved
276:
250:. Retrieved
245:
196:
188:
187:, said that
182:
175:
169:
149:
140:
138:
109:commissioned
95:
94:
93:
44:
364:"Day's End"
470:Categories
399:2023-04-19
373:2023-04-19
348:2023-04-19
318:2023-04-19
290:2023-04-19
252:2023-04-19
221:References
154:tubes and
123:tubes and
101:public art
71:Dimensions
496:Sculpture
285:0362-4331
189:Day's End
166:Reception
96:Day's End
66:2014–2021
45:Day's End
33:Day's End
393:Artforum
198:Artforum
119:made of
79:Location
458:ARTnews
211:gay men
135:History
111:by the
47:in 2022
283:
248:. 2021
53:Artist
203:queer
281:ISSN
209:for
117:pier
63:Year
174:of
85:at
472::
455:.
440:.
423:.
391:.
366:.
341:.
327:^
311:.
299:^
279:.
275:.
261:^
244:.
229:^
461:.
446:.
429:.
402:.
376:.
351:.
321:.
293:.
255:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
