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De Cierta Manera

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before its posthumous release in 1977. Later, in 2021, however, editor Iván Arocha said he and cinematographer Luis García concluded the film following her initial plan.
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man, is confronted by Yolanda's instinct for emancipation. The two nonetheless become lovers. Their relationship portrays the idea that
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García, Juan Andreo; Guardia, Sara Beatriz; Latina (Peru), Centro de Estudios la Mujer en la Historia de América (2002).
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just before her death in June 1974 during the film's post-production. Final work was initially credited to
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Yolanda, a female teacher, cannot find the best methods to teach the marginalized children of the
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and building modern settlements does not immediately change the culture of the inhabitants.
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slums because of their different origins. Mario, a worker in a bus factory and a typical
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footage with a fictional story that looks at the poor neighborhoods of
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De Cierta Manera (film)

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Sara Gómez
Tomás Gutiérrez Alea
1977
Cuban
romantic drama film
Sara Gómez
documentary-style
Havana
Cuban Revolution of 1959
slums
Mario Balmaseda
Yolanda Cuellar
Tomás Gutiérrez Alea
Julio García-Espinosa
Arsenal Filminstitut
Havana
macho

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