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874:
Hermann, Christine (2016). "A conflict in words and images, or a conflict between word and image? An intermedial analysis of graphic novel adaptations of
Hendrik Conscience's The Lion of Flanders (1838)". In Fenoulhet, Jane; Quist, Gerdi; Tiedau, Ulrich (eds.).
579:, to commemorate the centenary of Conscience's death. The film was itself adapted into a television series by Claus in 1985. The work was a co-production between various private and state groups in Belgium and the Netherlands and, at 80 million
336:, their use was considered vulgar by the bourgeoisie and inappropriate in literature. Conscience, however, believed that Dutch provided a more authentic form of expression and preferred to use it, making his works unusual at the time.
415:
Gy
Vlaming, die dit boek gelezen hebt, overweeg, by de roemryke daden welke hetzelve bevat, wat Vlaenderen eertyds was – wat het nu is – en nog meer wat het worden zal indien gy de heilige voorbeelden uwer Vaderen vergeet!
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to date. As director, Claus attempted to stick as closely to the original text as possible. The film was a commercial and critical disaster, criticised for excessive romanticism and a
Flemish-nationalist political agenda.
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You
Fleming who has read this book, reflect, through the glorious deeds that it recounts, what Flanders once was, what it is now, and even more what it shall become if you forget the sacred examples of your forefathers!
501:
which supported an increasingly assertive
Flemish identity, initially cultural in nature and later increasingly political. Conscience himself believed that Flemish and Belgian patriotisms were complementary and was a
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is held on the battle's anniversary. It has been noted, however, that the increased status of the work in
Flemish nationalist consciousness also coincided with a decreasing readership of the book itself.
474:. The work's public success confirmed Conscience's reputation as the leading Flemish novelist of his generation. By the time of his death in 1883, he had written around 100 novels and novellas.
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and contributed to the increasing importance of the Battle of the Golden Spurs in
Flemish political memory. The battle had been largely forgotten before Conscience's work but was revived in
332:
was dominated by French which was also the established language of the upper classes and state bureaucracy across the country. Though Dutch dialects were commonly spoken in
Flanders as a
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after 1949 and published as a single volume in 1952. It was acclaimed as one of his best works. Also notable is Karel
Biddeloo's loose adaptation of the work in 1984 within the
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and his narrative frequently diverged from historical fact, contributed to the mythelogisation of the events as clash between the
Flemish and French-speaking invaders.
992:
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988:""De Leeuw van Vlaanderen wil ik zo gauw mogelijk vergeten". Over de productie en receptie van de film en televisieserie De Leeuw van Vlaanderen (1984)"
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307:) was published in 1837 and explored both themes. It was the first example of historical fiction published in Dutch and was set during the
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The innovative dimension of Conscience's work was his use of Dutch language in his writing. At the time, Belgian and Western European
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against Catholic rule. Conscience was only able to publish the work with the financial support of friends and patrons including
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392:. In choosing the topic, Conscience may have been inspired by a romantic painting of the battle by the Flemish artist
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In his foreword to the 1838 edition, Conscience explicitly stated that he intended his book to raise Flemish
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Conscience's work approaches the subject through the romance between Machteld, daughter of
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Adolf van Nieuwlandt. The book famously concludes with a direct injunction to the reader:
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The work was also adapted into a film in 1984, directed by the celebrated Flemish writer
254:, in 1812 into a mixed French-Flemish family. He was brought up bilingual, speaking both
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as a "passionate epic" and compares it to the historical fiction of the Scottish writer
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and patriotism. Conscience researched the historical events by reading contemporary
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Conscience was widely credited as the man "who taught his people to read" (
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of 1302 in particular. It is written in Conscience's typical stylistic
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commemorates the Battle of the Golden Spurs, popularised by Conscience
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The Low Countries: Arts and Society in Flanders and the Netherlands
861:
Hermans, Theo (2014). "The Highs and Lows of Hendrik Conscience".
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near the Dutch border where he began to pursue a literary career.
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in 1831. He was demobilised in 1836 and moved to the impoverished
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in around 1800. His early writing combined his interests in the
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936:(The Lion of Flanders) and Its Adaptation to Film by Claus"
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has been the subject of various adaptations. At least nine
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of 1302, commonly known as the Battle of the Golden Spurs (
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in 1830 and was inspired by the contemporary ideology of
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and local identity. Among other things, it inspired the
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In 1838, Conscience published his second book, entitled
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and has been described as the "Flemish national epic".
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The Lion of Flanders, or the Battle of the Golden Spurs
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The Lion of Flanders, or the Battle of the Golden Spurs
911:"De Leeuw van Vlaenderen of de Slag der Gulden Sporen"
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Discord and Consensus in the Low Countries, 1700–2000
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De Leeuw van Vlaenderen, of de Slag der Gulden Sporen
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De Leeuw van Vlaenderen, of de Slag der Gulden Sporen
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De Leeuw van Vlaenderen, of de Slag der Gulden Sporen
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879:. Vol. 1. London: UCL Press. pp. 57–80.
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215:. It is considered one of the founding texts of
993:Belgisch Tijdschrift voor Nieuwste Geschiedenis
552:have been produced; the most celebrated was by
219:and became a significant work for the emerging
796:"BelgenTop 50 nr. 48: De Leeuw van Vlaanderen"
583:, was the most expensive film produced in the
360:may have served as an inspiration for the book
462:(1771–1832). With the immense success of the
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403:(the eponymous "Lion of Flanders"), and the
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270:. He served in the Belgian Army during the
27:1838 historical novel by Hendrik Conscience
940:CLCWeb: Comparative Literature and Culture
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285:which had begun to emerge elsewhere in
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281:Conscience worked in the new genre of
380:(1297–1305). Its centerpiece was the
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497:coincided with the emergence of the
612:in modern Dutch and is replaced by
192:. The book focuses on the medieval
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1125:Belgian novels adapted into films
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180:first published in 1838 by the
18:De Leeuw van Vlaanderen (novel)
1115:Novels set in the 14th century
740:Literatuurgeschiedenis & a
678:Literatuurgeschiedenis & b
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401:Robert III, Count of Flanders
1100:19th-century Belgian novels
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1130:Novels adapted into comics
915:Literatuurgeschiedenis.org
846:Literatuurgeschiedenis.org
604:The "ae" combination from
313:of 1566 and the revolt by
198:Battle of the Golden Spurs
986:Willems, Gertjan (2013).
974:Verslagen en Mededelingen
930:Willems, Gertjan (2014).
354:De Slag der Gulden Sporen
139:Published in English
46:of the 1930 sixth edition
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1155:Fiction about rebellions
1120:Fiction set in the 1300s
917:. Literatuurgeschiedenis
848:. Literatuurgeschiedenis
800:www.stripspeciaalzaak.be
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207:Unusually for its time,
1047:De Leeuw van Vlaanderen
1032:De Leeuw van Vlaanderen
1017:De Leeuw van Vlaanderen
934:De Leeuw van Vlaanderen
826:Encyclopædia Britannica
550:comic strip adaptations
464:De Leeuw van Vlaanderen
451:Encyclopædia Britannica
444:Reception and influence
372:). The book was set in
345:Content and publication
1150:Works about rebellions
1064:(ebook) in two volumes
953:10.7771/1481-4374.2318
885:10.2307/j.ctt1g69z77.8
556:and was serialised in
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468:leerde zijn volk lezen
434:national consciousness
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1105:Works set in Flanders
534:annual public holiday
510:became popular among
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396:, unveiled in 1836.
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305:In the Year of Wonder
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31:The Lion of Flanders
1090:Romantic nationalism
1062:The Lion of Flanders
842:"Hendrik Conscience"
818:"Hendrik Conscience"
592:Notes and references
568:series, inspired by
546:The Lion of Flanders
295:literary romanticism
268:romantic nationalism
209:The Lion of Flanders
1145:Novels about rebels
968:Wils, Lode (2013).
616:in modern editions.
530:Hippoliet Van Peene
504:Belgian nationalist
493:The publication of
376:and focused on the
319:Spanish Netherlands
291:history of Flanders
62:Original title
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610:considered archaic
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483:Groeninge Monument
378:Franco-Flemish War
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297:. His first book,
283:historical fiction
272:Ten Days' Campaign
264:Belgian Revolution
244:Hendrik Conscience
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237:Hendrik Conscience
217:Flemish literature
194:Franco-Flemish War
190:historical fiction
186:Hendrik Conscience
100:Historical fiction
56:Hendrik Conscience
1110:Bruges in fiction
1053:Project Gutenberg
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394:Nicaise de Keyser
390:Kingdom of France
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783:Hermann 2016
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771:Willems 2014
752:Hermann 2016
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1068:Archive.org
1019:(audiobook)
554:Bob De Moor
541:Adaptations
532:. Today an
513:flamingants
252:French rule
202:romanticism
1135:War novels
1079:Categories
1043:(in Dutch)
1028:(in Dutch)
1013:(in Dutch)
832:2 December
624:References
614:Vlaanderen
606:Vlaenderen
577:Hugo Claus
570:surrealism
485:(1906) in
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438:chronicles
356:(1836) by
334:vernacular
315:Calvinists
227:Background
44:book cover
921:15 August
852:15 August
106:Publisher
1023:LibriVox
869:: 162–9.
828:(online)
495:The Lion
487:Kortrijk
456:De Leeuw
196:and the
72:Language
1049:(ebook)
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317:of the
248:Antwerp
184:writer
182:Belgian
132:Belgium
111:Antwerp
90:Romance
82:Subject
980:(2–3).
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405:knight
287:Europe
256:French
52:Author
946:(3).
899:JSTOR
470:) in
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293:with
260:Dutch
213:Dutch
178:novel
168:Dutch
155:839.3
96:Genre
76:Dutch
923:2017
889:ISBN
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834:2014
508:Lion
481:The
448:The
258:and
143:1855
123:1838
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