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networks of ridges and line that bifurcate, splitting and reassembling into complex structures—a kind of physical "fractal" network. The bifurcating systems created with decalcomania in his paintings resemble structures seen in nature: the branching of trees, crystalline structures, networks of capillaries and veins, as well as the forms seen in river deltas and sand dunes.
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American visual artist Perry Hall has created hundreds of paintings solely through the use of decalcomania and has developed variations on the technique. Hall sees decalcomania as the way in which the material of paint "self organizes" when pressurized, with paint forming into intricate inner-locking
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Decalcomania was first used commercially in
England about 1750 and imported into the United States at least as early as 1865. Its invention has been attributed to
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spread thinly on a sheet of paper or other surface (glass has been used), which is then pressed onto another surface such as a
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A shortened version of the term is used for a mass-produced commodity, art transfer, or product label, known as a "
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referred to his work as "decalcomania with no preconceived object". He took up the technique in 1936, using
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Advertisement for the decalcomania process in the 1870 New York City directory
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The production of decalcomanias has not been confined to art. At
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decalcomanias have been analysed for their tendency to generate
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when the process is repeated several times on the same paper.
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376:"decalcomania | Word of the Day | December 4, 2022"
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517:Industrial Transfers and the Art of Decalcomania
356:Rhizome (philosophical concept of connectedness)
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454:"Perry Hall's Oceans of Paint | Balmond Studio"
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