Knowledge (XXG)

Deep Song (ballet)

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was restaged in 1988. Graham alone had danced the solo role, but did not remember all the choreography. Martha Graham worked with principal dancer, Terese Capucilli, to recreate the work. Barbara Morgan photographs were used to bring the work back to life. Capucilli spent hours alone in the studio
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The choreography embodied the suffering of the Spanish people. "It was full of strange, strong creation, full of angular spasms, of Picasso style abstractions in plane and three-dimensional mobility, expressing as no newspaper story with a Madrid date line has done of the struggle..."
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with the photographs on the floor in order to find the transitional material necessary for phrasing and emotional content. She would then bring these into the rehearsals with Graham to be reworked and molded. Since the original score was lost at the time, Cowell's
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Program notes for the troupe's 2015 season described "the forms of the dance – its swirls, crawls on the floor, contractions and falls" as "kinetic experiences of the human experience in war... It is the anatomy of anguish from tragic events."
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wrote the work was not among those that "seemed to do most completely what they set out to do," but could be categorized with dances having "aspects, elements, passages of beauty and power." He referred to
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was "not meant to be an exact picture of a Spanish woman but presents the torture of mind and body experienced in common by all people who react to such suffering as the Spanish people have faced."
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Another reviewer, noted the dance was "exaggerated in delineation and repetitious in content but a highly effective though stylized portrayal of a tortured mind and body."
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was made. As Graham danced, the lines of her body in the long striped black and white dress formed graphic strokes of white against the black velvet backdrop.
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s critic wrote, "the dancer seemed to be overplaying her hand, so that what began as a moving portrait ended, by overstatement, in losing some of its point."
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in the second "Dance for Spain" benefit concert. The event may have been where she first met future husband and dance partner
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was presented fairly frequently from its premiere to the mid-1940s. In January 1938, Graham performed the solo at the
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From the outset, the solo was received favorably, although some reviewers thought the piece overwrought. The
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During the 1980s, Graham, who disliked revivals, was persuaded to reprise some of her earlier dances.
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is in the current Martha Graham Dance Company repertory.
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Martha Graham in Love and War: The Life in the Work
260:"Deep Song (Ballet choreographed by Martha Graham)" 317:Performing Arts Encyclopedia, Library of Congress 289:Performing Arts Encyclopedia, Library of Congress 264:Performing Arts Encyclopedia, Library of Congress 97:The music for both ballets was lost for decades. 186:in particular as an "extraordinary evocation." 310:"Martha Graham and Company (concert program)" 112:Graham designed both the set and costume for 8: 547:"Martha Graham combines drama and the dance" 101:was discovered in 2003 behind a desk at the 444:"Martha Graham Makes a Plea for Democracy" 170:Following a Graham retrospective in 1944, 82:; other times, she used only the original 25:, premiered on December 19, 1937, at the 364:"Dance Diary: Martha Graham Lives Again" 62:When Cowell was composing the music for 649:"Martha Graham Dance Company Repertory" 251: 362:Schulman, Jennie (February 21, 2001). 696:, performed by Blakeley White McGuire 622:Kisselgoff, Anna (October 18, 1988). 7: 545:Lawrence, Johanna (March 11, 1939). 499:Martha Graham Dance Company, Vimeo 14: 573:"The Dance: Graham in Retrospect" 519:Smith, Moses (November 3, 1938). 442:Casson, Gordon (March 14, 1939). 339:Henry Cowell: A Man Made of Music 474:Los Angeles Herald & Express 470:"Dances of Graham, Group Score" 468:Oliver, W.E. (March 11, 1939). 597:Franko, Mark (March 1, 2014). 70:, Spanish for "deep song". In 1: 571:Martin, John (May 21, 1944). 337:Sachs, Joel (July 11, 2012). 51:Theme, score, set and costume 688:Performing Arts Encyclopedia 521:"Dance in the Graham Manner" 55:According to program notes, 653:Martha Graham Dance Company 135:, painted in the same year 103:Martha Graham Dance Company 736: 224:Since its reconstruction, 105:'s offices. The score for 47:, was introduced in 1937. 413:Phillips, Lucy Victoria. 392:Christian Science Monitor 205:, who was appearing with 21:, a solo modern dance by 715:Ballets by Martha Graham 551:Los Angeles Evening News 33:. Performed to music by 389:"None but the Great..." 221:was used in its place. 125:The costume alluded to 234:Blakeley White McGuire 109:has never been found. 710:1937 ballet premieres 690:, Library of Congress 90:was choreographed to 720:Ballets set in Spain 694:Deep Song (excerpt) 422:Columbia University 199:New York Hippodrome 190:Performance history 74:music, deep songs ( 628:The New York Times 577:The New York Times 495:"Deep Song (1937)" 394:. November 3, 1938 219:Sinister Resonance 173:The New York Times 162:Boston Transcript' 156:Critical reception 129:'s powerful mural 525:Boston Transcript 107:Immediate Tragedy 80:Immediate Tragedy 64:Immediate Tragedy 44:Immediate Tragedy 39:Spanish Civil War 727: 664: 663: 661: 659: 645: 639: 638: 636: 634: 619: 613: 612: 594: 588: 587: 585: 583: 568: 562: 561: 559: 557: 542: 536: 535: 533: 531: 516: 510: 509: 507: 505: 491: 485: 484: 482: 480: 465: 459: 458: 456: 454: 439: 433: 432: 430: 428: 419: 410: 404: 403: 401: 399: 385: 379: 378: 376: 374: 359: 353: 352: 334: 328: 327: 325: 323: 314: 306: 300: 299: 297: 295: 281: 275: 274: 272: 270: 256: 226:Terese Capucilli 735: 734: 730: 729: 728: 726: 725: 724: 700: 699: 677:Martha Graham, 673: 668: 667: 657: 655: 647: 646: 642: 632: 630: 621: 620: 616: 609: 596: 595: 591: 581: 579: 570: 569: 565: 555: 553: 544: 543: 539: 529: 527: 518: 517: 513: 503: 501: 493: 492: 488: 478: 476: 467: 466: 462: 452: 450: 441: 440: 436: 426: 424: 417: 412: 411: 407: 397: 395: 387: 386: 382: 372: 370: 361: 360: 356: 349: 336: 335: 331: 321: 319: 312: 308: 307: 303: 293: 291: 283: 282: 278: 268: 266: 258: 257: 253: 248: 230:Christine Dakin 192: 158: 145: 53: 12: 11: 5: 733: 731: 723: 722: 717: 712: 702: 701: 698: 697: 691: 684:Barbara Morgan 672: 671:External links 669: 666: 665: 640: 614: 608:978-0199367856 607: 589: 563: 537: 511: 486: 460: 448:People's World 434: 405: 380: 354: 348:978-0195108958 347: 329: 301: 276: 250: 249: 247: 244: 207:Ballet Caravan 191: 188: 157: 154: 144: 141: 52: 49: 13: 10: 9: 6: 4: 3: 2: 732: 721: 718: 716: 713: 711: 708: 707: 705: 695: 692: 689: 685: 681: 680: 675: 674: 670: 654: 650: 644: 641: 629: 625: 618: 615: 610: 604: 600: 593: 590: 578: 574: 567: 564: 552: 548: 541: 538: 526: 522: 515: 512: 500: 496: 490: 487: 475: 471: 464: 461: 449: 445: 438: 435: 423: 416: 409: 406: 393: 390: 384: 381: 369: 365: 358: 355: 350: 344: 340: 333: 330: 318: 311: 305: 302: 290: 286: 280: 277: 265: 261: 255: 252: 245: 243: 241: 237: 235: 231: 227: 222: 220: 215: 210: 208: 204: 203:Erick Hawkins 200: 196: 189: 187: 185: 180: 177:dance critic 176: 174: 168: 165: 163: 155: 153: 149: 142: 140: 138: 134: 133: 128: 127:Pablo Picasso 123: 121: 120: 115: 110: 108: 104: 100: 95: 93: 89: 85: 81: 77: 73: 69: 65: 60: 58: 50: 48: 46: 45: 41:. 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Index

Martha Graham
Guild Theatre
New York City
Henry Cowell
Spanish Civil War
Immediate Tragedy
Flamenco
cante jondo
sarabande
Martha Graham Dance Company
Lamentation
Pablo Picasso
Guernica
The New York Times
John Martin
New York Hippodrome
Erick Hawkins
Ballet Caravan
Terese Capucilli
Christine Dakin
Blakeley White McGuire
"Deep Song (Ballet choreographed by Martha Graham)"
"Immediate Tragedy (Ballet choreographed by Martha Graham)"
"Martha Graham and Company (concert program)"
ISBN
978-0195108958
"Dance Diary: Martha Graham Lives Again"
"None but the Great..."
"The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987"
"Martha Graham Makes a Plea for Democracy"

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