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509:, who reigned from 1426 to 1435, more than 250 years before the teapot was made. The use of earlier reign marks has a long history in China, much to the vexation of modern researchers, and was intended to indicate respect rather than to deceive. The teapot's bold geometric design anticipates the forms of European
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White porcelain
Buddhist statuary was extensively produced in Japan at the Hirado kilns and elsewhere. The two wares can be easily distinguished. Japanese figures are usually closed on the base and a small hole for ventilation can be seen. Hirado Ware also displays a slightly orange tinge on unglazed
425:
However a large quantity of these ceramics was intended for a
Japanese market, before drastic trade restrictions by the mid 17th century. Items were largely Buddhist images and ritual utensils utilized for family altar use. An association with funerals and the dead has perhaps led to a disinterest in
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The devotional objects produced at Dehua (incense burners, candlesticks, flower vases and statuettes of saints) "conformed to the official stipulations of the early Ming period, not only in their whiteness but also in imitating the shape of archaic ritual objects". They were probably used in the
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The unfired porcelain body is not very plastic but vessel forms have been made from it. Donnelly lists the following types of product: figures, boxes, vases and jars, cups and bowls, fishes, lamps, cup-stands, censers and flowerpots, animals, brush holders, wine and teapots,
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The area along the Fujian coast was traditionally one of the main ceramic exporting centers. Over one-hundred and eighty kiln sites have been identified extending in historical range from the Song period to present. The two principal kiln sites were those of
Qudougong
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The very plain white incense tripods and associated objects for
Japanese religious and ritual observance are also likely designed specifically for a Japanese market, as are the Buddhist Goddesses of Mercy with child figurines that closely resemble the Christian
296:"Dehua artisans applied their very best skills to produce immaculate statuettes of the Great Leader and the heroes of the revolution. Portraits of the stars of the new proletarian opera in their most famous roles were produced on a truly massive scale."
289:(1585â1645), specifically forbade the use of Dehua wares for religious purposes, presumably for their lack of antiquity: "Among the censers the use of which should be specifically forbidden are those recently made in the kilns of Fujian (Dehua)."
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From the Ming period porcelain objects were manufactured that achieved a fusion of glaze and body traditionally referred to as "ivory white" and "milk white". The special characteristic of Dehua porcelain is the very small amount of
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opposite the island of Taiwan. Coastal Fujian province was traditionally a trade center for the
Chinese economy with its many ports and urban centers. Fujian white ware was meant for export to all of maritime Asia.
273:." Some have been produced with little modification from the late 16th or early 17th century. Crisply modeled figures with a smooth white glaze were popular as were joss-stick holders, brush pots,
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figures. Guanyin, the
Goddess of Mercy, was particularly revered in Fujian and there exist innumerable figures of her. Donnelly says, "There is no doubt that figures constitute the great glory of
221:). The Wanpinglun site is the older of the two and manufactured pressed wares and others. The kilns of Dehua also produced other ceramic wares, including some with under glaze blue decoration.
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in the early 18th century. This little porcelain cup with its applied prunus or plum blossom decoration reflects the influence of a
Chinese, "Blanc de Chine" porcelain prototype.
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or âKorean White Ware.â Although Korai was a term for an ancient Korean kingdom, the term also functioned as a ubiquitous term for various products from the Korean peninsula.
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in it, allowing it to be fired in an oxidising atmosphere to a warm white or pale ivory color. This color makes it instantly recognizable and quite different from the
311:(1644â1911) dynasties is often difficult because the conservatism of the Dehua potters led them to produce similar pieces for decades or even for centuries. There are
469:, a famed 17th-century artist from the Ming dynasty who fashioned mainly Buddhist white porcelain statuary in the tradition of the Dehua kilns in Fujian province.
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The
Japanese knew of the existence of the Fujian province kilns and their porcelain, now known as Dehua or Blanc de Chine ware. The Dehua kilns are located in
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figures made in Dehua today (e.g. the popular
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this ware among present day Japanese, despite a strong interest in other aspects of Chinese ceramic culture and history.
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figures, secular figures and puppets. There was a large output of figures, especially religious figures, e.g.,
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A white teapot from Dehua, c. 1690â1720. The base is inscribed with the name of the
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pieces, having received the entire collection of P.J.Donnelly as a gift in 1980.
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can also be found in Japan where they are used in family altars (
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domestic shrines that every Chinese home possessed. However, one
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720:(A Dictionary of Ceramics in Color), Tokyo, 1972, p. 777.
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173:(1368â1644) to the present day. Large quantities arrived in
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Dehua white porcelain was traditionally known in Japan as
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Chinese Glazes: Their Chemistry, Origins and Re-creation
585:"Quanzhou: Emporium of the World in Song-Yuan China"
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157:(French for "White from China"), is a type of white
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737:https://www.britannica.com/art/Dehua-porcelain
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694:Blanc de Chine Porcelain from Dehua
677:Ming Ceramics in the British Museum
1810:Ehrenfried Walther von Tschirnhaus
644:, China Institute, New York, 2002
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1255:Famille jaune, noire, rose, verte
1000:Famille jaune, noire, rose, verte
231:porcelain from the Imperial kilns
196:along with many other sites near
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692:Ayers, J and Kerr, R., (2000),
626:, Faber and Faber, London, 1969
322:, such as the late Ming period
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731:A Handbook of Chinese Ceramics
704:An Encyclopedia of Chinese Art
679:, British Museum, London, 2001
395:white", a term often found in
359:Dehua kiln statue of Buddhist
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1875:SĂšvres â CitĂ© de la cĂ©ramique
1820:François Xavier d'Entrecolles
711:Fujian Ceramics and Porcelain
527:Meissen Porcelain Manufactory
381:the white variety was termed
369:Many of the best examples of
1857:Dresden Porcelain Collection
696:, Art Media Resources Ltd.,
640:Ayers, J. and Bingling, Y.,
589:UNESCO World Heritage Centre
513:by more than two centuries.
277:, libation cups and boxes.
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1899:Victoria and Albert Museum
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40:Dehua porcelain statue of
27:UNESCO World Heritage Site
16:UNESCO World Heritage Site
1905:Museum of Royal Worcester
1881:Musée des Arts Décoratifs
1846:Percival David Foundation
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702:Moujian, S., (1986)
1708:Bing & GrĂžndahl
1672:Dihl & Guérhard
1570:Villeroy & Boch
675:Harrison-Hall, J.,
665:on 31 January 2017.
318:Notable artists in
294:Cultural Revolution
194:World Heritage List
78:Cultural: (iv)
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1911:Walters Art Museum
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1197:(6th century)
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1191:(2nd century)
1190:
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1185:(1st century)
1184:
1181:
1178:
1177:Proto-celadon
1175:
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1159:Fonthill Vase
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787:Proto-celadon
785:
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762:
760:
755:
753:
748:
747:
744:
738:
735:
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724:
719:
716:Kato Tokoku,
715:
712:
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563:
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553:teapot design
552:
545:
540:
536:
532:
531:J. F. Böttger
528:
521:
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512:
508:
501:
496:
489:
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477:
472:
468:
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99:
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88:
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77:
75:
67:
60:
57:
55:
47:
43:
37:
32:
29:
23:
1853:(Copenhagen)
1789:Factory mark
1752:Technologies
1660:Clignancourt
1078:
1071:
1064:
1057:
1050:
1043:
1009:
992:
985:
973:
933:Transitional
927:
717:
710:
703:
698:google books
693:
676:
671:
663:the original
658:
649:
641:
623:
618:
610:
605:
593:. Retrieved
588:
579:
550:
440:
428:
424:
416:
411:
409:
404:
397:tea ceremony
388:
382:
370:
368:
360:
332:
319:
317:
312:
304:
302:
291:
287:Wen Zhenheng
285:polemicist,
279:
274:
270:
243:
223:
207:
171:Ming dynasty
154:
148:
138:
122:
121:
116:Qing dynasty
46:Ming Dynasty
1913:(Baltimore)
1907:(Worcester)
1834:Collections
1600:Ludwigsburg
1582:Frankenthal
1558:Nymphenburg
1552:FĂŒrstenberg
1528:Capodimonte
1480:Saint-Cloud
1033:Mantou kiln
1028:Dragon kiln
565:He Chaozong
467:He Chaozong
463:Bodhisattva
324:He Chaozong
150:Tek-hĂČe hĂ»i
140:DĂ©huĂ TĂĄocĂ
96:2021 (44th
93:Inscription
20:Dehua Kilns
1933:Categories
1895:(Istanbul)
1769:Bone china
1654:Copenhagen
1648:Loosdrecht
1630:Wallendorf
1213:Jingdezhen
967:Decoration
687:References
609:Wood, N.,
298:Mao Zedong
275:Dogs of Fo
235:Jingdezhen
227:iron oxide
161:, made at
145:PeÌh-Će-jÄ«
1889:(Beijing)
1865:(Toronto)
1859:(Dresden)
1732:Porsgrund
1726:Rosenthal
1666:HollĂłhĂĄza
1576:Worcester
1516:Vincennes
1504:Chantilly
1498:Rörstrand
1341:Nabeshima
1123:Porcelain
1005:Ash glaze
901:Porcelain
549:A modern
511:modernism
412:hakugorai
389:hakugorai
339:Indonesia
283:Confucian
112:ink brush
83:Reference
1901:(London)
1871:(Moscow)
1805:Chinamen
1738:Augarten
1618:Wedgwood
1564:Plymouth
1429:General:
1376:General:
1346:Kakiemon
1302:General:
1137:General:
559:See also
465:made by
375:butsudan
345:In Japan
335:Tek Sing
259:Maitreya
247:Buddhist
198:Quanzhou
74:Criteria
54:Location
1883:(Paris)
1877:(Paris)
1784:Biscuit
1714:Zsolnay
1690:Doulton
1678:Mintons
1642:Limoges
1540:Mennecy
1522:Chelsea
1486:Meissen
1207:Qingbai
1183:Celadon
1073:Meiping
1066:Hunping
918:Qingbai
832:Yaozhou
827:Celadon
535:Meissen
460:Guanyin
446:Gallery
442:areas.
255:Guanyin
204:History
183:Meissen
165:in the
127:Chinese
98:Session
65:Part of
42:Guanyin
1798:People
1740:(1923)
1734:(1885)
1728:(1879)
1722:(1877)
1716:(1853)
1710:(1853)
1704:(1826)
1702:Herend
1698:(1822)
1696:Lichte
1692:(1815)
1686:(1814)
1680:(1793)
1674:(1781)
1668:(1777)
1662:(1775)
1656:(1775)
1650:(1774)
1644:(1771)
1638:(1768)
1632:(1764)
1626:(1763)
1624:Berlin
1620:(1759)
1614:(1760)
1612:Retiro
1608:(1759)
1602:(1758)
1596:(1757)
1590:(1756)
1588:SĂšvres
1584:(1755)
1578:(1751)
1572:(1748)
1566:(1748)
1560:(1747)
1554:(1747)
1548:(1747)
1542:(1745)
1536:(1744)
1530:(1743)
1524:(1743)
1518:(1740)
1512:(1735)
1510:Doccia
1506:(1730)
1500:(1726)
1494:(1718)
1492:Vienna
1488:(1710)
1482:(1693)
1476:(1673)
1470:(1575)
1468:Medici
1461:Types:
1421:Europe
1406:Joseon
1400:Goryeo
1393:Types:
1356:Hirado
1351:Kutani
1324:Types:
1261:Canton
1249:Kangxi
1243:Tianqi
1237:Swatow
1170:Types:
1161:(1338)
1080:Gaiwan
1011:An hua
994:Doucai
975:Sancai
958:Canton
953:Tianqi
948:Swatow
938:export
887:Shiwan
882:Yixing
867:Jizhou
842:Cizhou
659:UNESCO
595:22 Aug
393:Korean
384:hakuji
362:Kannon
351:Hakuji
263:Luohan
251:Taoist
191:UNESCO
175:Europe
167:Fujian
147::
137::
135:pinyin
129::
1636:Revol
1606:Weesp
1594:Derby
1474:Rouen
1369:Korea
1336:Imari
1331:Arita
1295:Japan
1231:Kraak
1130:China
1059:Guang
987:Wucai
943:Kraak
928:Dehua
571:Notes
379:Japan
267:Ta-mo
187:Japan
163:Dehua
59:China
1201:Ding
1195:Xing
1052:Ding
1045:Cong
1037:The
913:Ding
908:Xing
862:Jian
857:Guan
847:Ding
597:2021
391:or "
328:cups
309:Qing
265:and
249:and
131:ćŸ·ćé¶ç·
87:1561
1546:Bow
1189:Yue
872:Jun
822:Yue
233:of
218:çąćȘä»
212:ć±æćź«
177:as
1935::
1844:/
877:Ru
852:Ge
657:.
631:^
587:.
387:,
261:,
257:,
143:;
133:;
44:,
1115:e
1108:t
1101:v
765:e
758:t
751:v
599:.
209:(
125:(
100:)
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