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Delhi gharana

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A few notable masters of this school are Ustad Nathu Khan (1875–1940), Gamay Khan (1883–1958), Ustad Munnu Khan (the three brothers) and Ustad Gamay Khan's son Ustad Inam Ali Khan (1924–1986), his son Gulam Haider Khan, and Asif Ali Khan,
202:(1924–1966), Ustad Latif Ahmed Khan (1942-1989) and his sons Akbar Latif Khan and Babar Latif Khan, as well as Canadian tabla player and vocalist 564: 540: 522: 506: 481: 456: 177:
Sidhar Khan Dhadi and his descendants contributed greatly to the development of the tabla language, compositional structures of the
406: 446: 119:), the Delhi gharana is classified with the "bandh baaj" (closed style) rather than the "khula baaj" (open style) of 400: 94:, Sidhar Khan Dhadi is the earliest available name associated with tabla in historical records. He was initially a 315:
Nanhe Khan (1872-1940), son and disciple of Langde Hussain Baksh Khan. Also learned from brother, Ghasit Khan, II.
665: 614: 185:. Many compositions from this school are standard and introductory repertoire taught to students of all tabla 660: 370: 90:
Delhi Gharana was founded by Dhadi in the early-18th Century. Sometimes referred to as the inventor of the
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Jehangir Khan (1869-1960s), disciple of Feroze Khan. Also learned from Abid Hussain Khan of
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in the early-18th Century. The tradition is regarded for establishing a distinction from
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Solo Tabla Drumming of North India: Inam Ali Khan, Keramatullah Khan, and Wajid Hussain
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Asif Ali Khan, son and disciple of Abdul Hameed Khan. Also learned from Tufail Khan.
203: 565:"Listen: Tabla performances by maestros of the Delhi gharana, where it all began" 159: 601: 376: 333: 199: 17: 615:
https://www.babarlatif.com/p/babar-latif-khan-tabla-player-born-on.html?m=1
602:'Tabla playing lessons described and made easy' of Delhi gharana on YouTube 95: 50: 186: 53:
repertoire, "do ungliyon ka baaj" (two-finger style), and contributing
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Strokes like "dha," "tita," "tirakita," and "tinakena" are prominent.
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Narayanrao Indorkar, disciple of Gameh Khan and later Jehangir Khan.
65:. Heirs of this gharana went on to establish other traditions like 474:
Tabale kā udgama evaṃ Dillī gharānā: prācīna bandiśoṃ kā sañcayana
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Langde Hussain Baksh Khan, son and disciple of Lilli Masit Khan.
336:(1863-1937), disciple of Boli Baksh Khan. Also associated with 312:
Ghasit Khan, II, son and disciple of Langde Hussain Baksh Khan
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Natthu Khan (1875-1940), son and disciple of Boli Baksh Khan.
592:, Munshiram Manoharlal Publishers Pvt. Ltd, New Delhi, 2004. 379:(1924-1966), disciple of Haji Mohammad Khan and Hafiz Miyan. 361:
Gami Khan (1883-1958), son and disciple of Chhote Kale Khan.
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Inam Ali Khan (1924-1986), son and disciple of Gameh Khan.
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known for being the oldest. This tradition was founded by
242:, nephew and disciple of Siddhar Khan Dhadi. Founder of 388:
Muhammad "Tufail" Khan Narowali, disciple of Gami Khan.
373:(1942-1989), disciple of Gameh Khan, and Inam Ali Khan. 382:
Ghulam Haider Khan, son and disciple of Inam Ali Khan.
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Hussain Khan, son and disciple of Siddhar Khan Dhadi.
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Chhamma Khan, father and guru of Shafaat Ahmed Khan.
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Boli Baksh Khan, son and disciple of Bade Kale Khan.
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Chhote Kale Khan, son and disciple of Muhammad Khan.
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Nazar Ali Khan, son and disciple of Shitab Ali Khan.
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Ghasit Khan, son and disciple of Siddhar Khan Dhadi.
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Chhote Khan, son and disciple of Siddhar Khan Dhadi.
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Delhi gharana is reputed for its vast repertoire of
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Fakir Mohammed "Peeru" Khan, disciple of Gami Khan.
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Muhammad Khan, son and disciple of Shitab Ali Khan.
268:Kallu Khan, disciple of Sitaab Khan. Co-founder of 165:
Soft and esoteric temperament and style of playing.
261:Miru Khan, disciple of Sitaab Khan. Co-founder of 327:Munnu Khan, son and disciple of Chhote Kale Khan. 252:Shitab Ali Khan, son and disciple of Bugara Khan. 233:Lale Masit Khan, son and disciple of Chhote Khan. 427:Cassius Khan (b. 1974), disciple of Rukhsar Ali. 300:Bade Kale Khan, son and disciple of Shitab Khan. 255:Gulab Ali Khan, son and disciple of Bugara Khan. 604:uploaded 24 Feb 2014, retrieved 15 January 2022 524:The Oxford Encyclopaedia of the Music of India 499:The Oxford Encyclopaedia of the Music of India 451:. Motilal Banarsidass Publishers. p. 49. 417:(1954-2005), son and disciple of Chhamma Khan. 236:Chajju Khan, son and disciple of Hussain Khan. 227:Bugara Khan, son and disciple of Chhote Khan. 115:Considered a moderately resonant style (like 8: 527:. Oxford University Press. 8 February 2011. 258:Nanne Khan, son and disciple of Bugara Khan. 230:Chand Khan, son and disciple of Chhote Khan. 367:Jugna Khan, disciple of Miyan Nanhe Khan. 147:Delhi gharana values sound quality that: 627:"Asif Ali: tabla player with a promise" 476:. Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa. 437: 403:(1934-2014), disciple of Inam Ali Khan. 407:Krishna Bisht (student of Chand khan) 7: 533:10.1093/acref/9780195650983.001.0001 25: 27:Indian classical music gharana 1: 98:player from the tradition of 445:Gottlieb, Robert S. (1993). 501:. Oxford University Press. 497:Saṅgīt Mahābhāratī (2011). 472:R̥shitosha, Kumāra (2015). 682: 411:Subhash Nirwan (1953-2014) 158:Light, precise strokes ( 590:Vintage Tabla Repertory 588:Wegner, Gert-Matthias; 371:ustad Latif Ahmed Khan 151:Avoids overuse of the 43:discipleship tradition 218:, founder of gharana. 415:Shafaat Ahmed Khan 342:Farukhabad gharana 75:Farukhabad gharana 563:Pradhan, Aneesh. 542:978-0-19-565098-3 216:Sidhar Khan Dhadi 200:Pandit Chatur Lal 57:conventions like 47:Sidhar Khan Dhadi 16:(Redirected from 673: 666:Culture of Delhi 643: 642: 640: 638: 623: 617: 611: 605: 599: 593: 586: 580: 579: 577: 575: 560: 554: 553: 551: 549: 519: 513: 512: 494: 488: 487: 469: 463: 462: 442: 21: 681: 680: 676: 675: 674: 672: 671: 670: 651: 650: 647: 646: 636: 634: 625: 624: 620: 612: 608: 600: 596: 587: 583: 573: 571: 562: 561: 557: 547: 545: 543: 521: 520: 516: 509: 496: 495: 491: 484: 471: 470: 466: 459: 444: 443: 439: 434: 424: 358: 349:Lucknow gharana 338:Lucknow gharana 297: 244:Lucknow gharana 240:Miyan Bakshu Ji 212: 195: 175: 145: 133: 113: 108: 100:Lala Bhavanidas 88: 83: 67:Lucknow gharana 28: 23: 22: 15: 12: 11: 5: 679: 677: 669: 668: 663: 661:Tabla gharanas 653: 652: 645: 644: 633:. 7 March 2010 618: 606: 594: 581: 555: 541: 514: 507: 489: 482: 464: 457: 436: 435: 433: 430: 429: 428: 423: 420: 419: 418: 412: 409: 404: 398: 395: 392: 389: 386: 383: 380: 374: 368: 365: 362: 357: 354: 353: 352: 345: 331: 328: 325: 324:Nasir Ali Khan 322: 319: 316: 313: 310: 307: 304: 301: 296: 293: 292: 291: 288: 285: 282: 279: 276: 273: 270:Ajrada gharana 266: 263:Ajrada gharana 259: 256: 253: 250: 247: 237: 234: 231: 228: 225: 222: 219: 211: 208: 194: 191: 174: 171: 170: 169: 166: 163: 156: 144: 141: 132: 129: 112: 109: 107: 104: 87: 84: 82: 79: 71:Ajrada gharana 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 678: 667: 664: 662: 659: 658: 656: 649: 632: 628: 622: 619: 616: 610: 607: 603: 598: 595: 591: 585: 582: 570: 566: 559: 556: 544: 538: 534: 530: 526: 525: 518: 515: 510: 508:9780195650983 504: 500: 493: 490: 485: 483:9788184576450 479: 475: 468: 465: 460: 458:9788120810938 454: 450: 449: 441: 438: 431: 426: 425: 421: 416: 413: 410: 408: 405: 402: 399: 396: 393: 390: 387: 384: 381: 378: 375: 372: 369: 366: 363: 360: 359: 355: 350: 346: 343: 339: 335: 332: 329: 326: 323: 320: 317: 314: 311: 308: 305: 302: 299: 298: 294: 289: 286: 283: 280: 277: 274: 271: 267: 264: 260: 257: 254: 251: 248: 245: 241: 238: 235: 232: 229: 226: 223: 220: 217: 214: 213: 209: 207: 205: 201: 192: 190: 188: 184: 180: 172: 167: 164: 161: 157: 154: 150: 149: 148: 142: 140: 138: 130: 128: 126: 122: 118: 110: 105: 103: 101: 97: 93: 85: 80: 78: 76: 72: 68: 64: 60: 56: 55:improvisation 52: 48: 44: 41: 37: 36:Dilli Gharana 33: 19: 18:Delhi Gharana 648: 635:. 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Index

Delhi Gharana
tabla
discipleship tradition
Sidhar Khan Dhadi
pakhawaj
improvisation
Lucknow gharana
Ajrada gharana
Farukhabad gharana
tabla
pakhawaj
Lala Bhavanidas
Ajrada
Punjab
Farukhabad
kayadas
Bayan
bols
peshkars
kayadas
gharanas
Pandit Chatur Lal
Cassius Khan
Sidhar Khan Dhadi
Miyan Bakshu Ji
Lucknow gharana
Ajrada gharana
Ajrada gharana
Munir Khan
Lucknow gharana

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