206:
488:
418:
409:
The head of one of the bloody nails that he holds is in front of the fictional wooden picture frame, though the point of the other nail is behind the tracery. Campbell argues that, in order to prevent these spatial distortions from becoming too obvious, Rogier took pains to conceal the principal pictorial junctions in the picture. For example, the ladder is in an impossible perspective: its top is behind the cross while its foot appears to be in front of the cross. To conceal the points at which the Cross and the ladder meet the landscape, Rogier has greatly lengthened the Virgin's left leg, so that her left foot and mantle cover the base of the Cross and one upright of the ladder.
1506:
360:
391:
the assistant on his ladder. At the "back" of the painting, the assistant breaks the spatial illusion, by allowing one of the two nails he holds to protrude in front of the painted niche. Campbell argues that the key to the work is not naturalism in the detail of the painting, but rather the use of distortion to induce a sense of unease in the viewer. By including completely irrational details and by distorting otherwise extremely faithful images of reality, the artist shocks us into reconsidering our attitudes to his subjects. Campbell suggests that, in certain aspects, Rogier has more in common with
387:. Christ's feet appear to be still nailed together, while the spread of His arms retains the position of His body on the Cross. Christ's body is shown as if held out for the concentrated gaze of the viewer. Joseph of Arimathea looks across the body towards the skull of Adam. Joseph appears as a sumptuously dressed burgher and has the most portrait-like appearance of the figures in the painting; his gaze links the hands of Christ and his mother, the new Adam and Eve, with the skull of Adam. Thereby visualising the essence of the Redemption.
368:
1228:
351:, or sculptural group, the latter of which is created through the sense of condensed movement within a single instant. Mary faints and is supported by St John who rushes to her assistance. The man on the ladder lowers Christ's body, which is already reinforced by Joseph of Arimathea and Nicodemus, both of whom seem to want to carry it to the right of the pictorial space. Nicodemus's movement transforms the weeping
4304:
310:
33:
332:
crossbow: " bow consists of a piece of wood or horn and a string, which represents our
Saviour. The string can represent his most holy body, which was miraculously strained and stretched in the suffering of his Passion." The fourteenth-century poet Heinrich von Neustadt wrote: "He was laid out on the cross:/There were his pure limbs/and his arms drawn/Like the string of a bow." In Rogier's
540:
1252:
465:, where it was seen by a Spanish courtier, Vicente Alvárez, who in 1551 wrote "It was the best picture in the whole castle and even, I believe, in the whole world, for I have seen in these parts many good paintings but none that equalled this in truth to nature or devoutness. All those who have seen it were of the same opinion."
157:, and that it was copied and adapted on a large scale in the two centuries after its completion. The emotional impact of the weeping mourners grieving over Christ's body, and the subtle depiction of space in van der Weyden's work have generated extensive critical comments, one of the most famous being, that of
390:
De Vos also analyses the spatial complexity of the painting. The action takes place in a space barely a shoulder-width deep, yet there are no fewer than five levels of depth within the painting: the Virgin Mary at the front, the body of Christ, the bearded figure of Joseph of
Arimathea, the cross and
408:
An example of the play with the illusion of space can be seen in the young man at the top of the ladder holding the nails withdrawn from Christ's body. Campbell points out that this servant behind the cross appears to have caught his sleeve in the wooden tracery depicted at the top of the painting.
331:
The shape of the crossbow can be seen in the bent and contorted outline and curve of Christ's body and arched back, which seems to reflect the patronage of the
Greater Guild of Crossbowmen. Powell argues that in medieval theology, a common metaphor compared the form of Christ on the cross to a taut
122:
and shows the older painter's influence, most notable in the hard sculpted surfaces, realistic facial features and vivid primary colours, mostly reds, whites and blues. The work was a self-conscious attempt by van der Weyden to create a masterpiece that would establish an international reputation.
592:
commented, "It seems that the innovation that van der Weyden made were so striking that other artists throughout Europe, almost could not get away from them. They are quoted again and again and again." Nash concluded, "I think there's a very, very strong case to be made that this is the most
355:
into a statue frozen in time. De Vos writes: "Time seems to have solidified into a composition. And what a composition. Interplay of undulating lines, swaying poses and counterposes of figures have rightly been compared to technique of counterpoint in polyphonic music."
305:
also emphasized the significance of the Virgin Mary and her belief in Christ at the moment of his death. Denis expresses the conviction that the Virgin Mary was near death when Christ gave up his spirit; Van der Weyden's painting powerfully conveys this idea.
117:
date is estimated based on the work's style, and because the artist acquired wealth and renown around this time, most likely from the prestige this masterwork brought him. It was painted early in his career, shortly after he completed his apprenticeship with
526:
was in a state of decay with cracks in the panel threatening to split the painting, and a marked deterioration of the paint surface. A major restoration of the painting was carried out by the Prado, under the supervision of George
Bisacca from the
771:
Arcus, qui ex ligno et chorda, vel cornu et chorda constat, eumdem
Dominum ac Redemptorem nostrum nobiliter demonstrat. Potest enim designari per chordam sanctissima ejus caro, diversis tribulationum angustiis mirabiliter attracta atque
1811:
201:
might lie behind many paintings of the
Deposition, including Rogier's: "Then the lady reverently receives the hanging right hand and places it against her cheek gazes upon it, and kisses it with heavy tears and sorrowful sighs."
3639:
2215:
3459:
205:
2731:
1998:
2468:
4338:
3569:
3016:
1256:
161:: "It may be said that the painted tear, a shining pearl born of the strongest emotion, epitomizes that which Italian most admired in Early Flemish painting: pictorial brilliance and sentiment".
3652:
2870:
3912:
287:
The work is unique in the period because of Mary's swoon; her collapse echoes the pose of her son, as far as to the two figures that hold her as she falls. This pose was entirely new for
437:
of the picture reflect the original patronage. De Vos and
Campbell both give an approximate date of 1435 for the painting. De Vos argues that the earliest known copy of Van der Weyden's
3999:
3446:
1557:
3537:
484:: "A large panel on which is painted the deposition from the cross, with our Lady and eight other figures ... by the hand of Maestre Rogier, which used to belong to the queen Mary".
3273:
3028:
1647:
4126:
445:
in Leuwen, may have been completed by 1435, certainly before 1443. This implies that Van der Weyden's painting pre-dates it. The painting was exchanged around 1548 for a copy by
3697:
3608:
514:. It was brought to Switzerland by train in the summer of 1939, where the Spanish Republic publicised its plight with an exhibition: "Masterpieces of the Prado", held in the
4096:
3820:
574:
In 1953 art historian Otto Von Simson claimed that "no other painting of its school has been copied or adapted so often". In a 2010 episode of the BBC documentary series
2683:
1545:
301:, first published in 1418. The text, just as the image here, invites the reader or viewer to personally identify with the suffering of Christ and Mary. The doctrines of
279:
identifies Joseph of
Arimathea as the man in red supporting Christ's body, and Nicodemus as the man supporting Christ's legs, the opposite of Campbell's identification.
4333:
3282:
3037:
2991:
551:
The work has been often copied and is extremely influential; within van der Weyden's own lifetime, it was considered an important and unique work of art. In 1565, the
3204:
2852:
2665:
1286:
3729:
2972:
3097:
2246:
1830:
1670:
1381:
3832:
3582:
2453:
2440:
2366:
2264:
1856:
268:(in field-of-cloth-of-gold robes, the most sumptuous costume in the painting), the bearded man behind Joseph holding a jar and probably another servant and
4353:
3735:
2834:
2677:
2507:
2779:
515:
2846:
2659:
1533:
1441:
3826:
2378:
417:
4108:
3885:
3665:
3135:
2858:
2131:
1899:
487:
343:
filled with polychrome figures and thus elevate his painting to the level of grand-scale sculpture. The work's corners are filled with carved gilded
4222:
3357:
2767:
2519:
2501:
2167:
694:
the jar is likely an emblem of the
Magdalen, containing the 'pound of ointment of spikenard, very costly', with which she anointed the feet of Jesus
567:, which is inscribed with the words "M. Rogerij Belgiae inuentum". Cock's engraving is the earliest record of Rogier's name in association with the
2252:
4114:
4030:
3614:
3298:
2513:
2240:
3236:
2707:
2227:
4205:
3975:
3723:
3433:
3339:
3147:
3129:
2713:
2483:
2336:
1477:
1453:
1304:
613:
375:
The image can be read as a petrified synthesis of all the stages during and after the
Descent from the Cross: the lowering of the corpse, the
4363:
4192:
3807:
3543:
2942:
1120:
1092:
1078:
4368:
3760:
3393:
2978:
2719:
2354:
2258:
1788:
1635:
1521:
2840:
2689:
1605:
863:
4120:
4024:
4018:
3854:
3518:
3311:
3159:
2864:
2390:
2384:
2330:
1581:
1279:
933:
327:. Campin's sculptural style so influenced van der Weyden that at one stage art historians thought they might have been the same person.
3405:
2725:
2495:
2434:
2306:
2041:
4343:
4179:
4132:
3333:
3185:
2882:
2671:
2348:
1465:
1333:
1187:
1156:
1142:
1106:
1005:
921:
576:
3010:
2809:
2294:
1985:
213:
In her history of the veneration of the Virgin Mary, Miri Rubin writes that in the early 15th century artists began to depict the "
189:
became more elaborate, and more attention was paid to the role of Christ's mother. One example is the anonymous 14th-century text,
359:
3942:
3930:
3873:
3754:
3261:
3249:
3153:
3116:
2785:
2743:
2653:
2360:
2324:
2276:
2095:
1943:
450:
4054:
3936:
3531:
3324:
3223:
3062:
2910:
2797:
2791:
2701:
1569:
1489:
604:, available at a resolution of 14,000 megapixels, some 1,400 times greater than a picture taken on a standard digital camera.
3966:
3710:
3595:
2936:
2803:
2755:
2462:
2402:
2342:
1272:
237:
185:(19:38–42) adds one assistant, Nicodemus. None of these accounts mention Mary. During the Middle Ages, the narrative of the
1020:
4170:
4080:
3900:
3867:
3794:
3766:
3411:
3387:
3141:
2761:
2749:
2695:
2587:
2474:
2428:
2282:
1892:
1393:
454:
4383:
4151:
3741:
2312:
2107:
1201:
288:
3633:
3381:
3369:
3351:
2489:
1848:
1706:
1429:
3891:
2029:
904:, catalogue of exhibition at the Palais des Nations, Geneva, March–April 2005, published by Museo Nacional del Prado
4348:
4262:
3375:
3345:
3081:
2606:
2318:
2161:
1321:
589:
528:
476:
from his aunt Mary in 1558, Philip transported the painting to Spain, where it was installed in his hunting lodge,
1864:
4269:
3981:
3198:
2185:
1623:
1417:
480:. On 15 April 1574, the painting was recorded in the inventory of the monastery palace which Philip had founded,
221:
was the most influential painting to show this moment. This swooning was described by theologians with the word
4328:
4307:
3879:
3417:
3363:
3046:
2209:
2173:
2143:
2071:
1885:
1742:
477:
2525:
1933:
4358:
4157:
3960:
3918:
3841:
3620:
3210:
3110:
3022:
2822:
2288:
2119:
2065:
2053:
1405:
503:
297:
275:
There is disagreement between art historians as to the representation of Joseph of Arimathea and Nicodemus.
1593:
4378:
4067:
3267:
3172:
2773:
2641:
2627:
2544:
2415:
2396:
2179:
2089:
376:
96:
153:
Art historians have commented that this work was arguably the most influential Netherlandish painting of
2828:
2737:
2372:
2197:
2035:
1694:
1295:
380:
81:
367:
1192:
von Simson, Otto G., " Compassio and Co-redemption in Roger van der Weyden's Descent from the Cross".
336:, Christ's removal from the cross is pictured as the relaxation of a bow that has released its arrow.
4373:
4005:
3772:
3004:
2960:
2954:
2876:
2300:
2270:
2011:
1682:
1345:
458:
384:
302:
174:
154:
4145:
4102:
3924:
3778:
2563:
2531:
1718:
1171:
Powell, Amy. "The Errant Image: Rogier van der Weyden's Deposition from the Cross and its Copies".
400:
265:
245:
214:
100:
17:
4388:
3990:
3906:
3556:
2923:
2593:
2101:
469:
2221:
522:. That September, the painting returned to the Prado, where it has since remained. By 1992, the
292:
264:(in red), a young man on the ladder – either a servant of Nicodemus or of Joseph of Arimathea,
3948:
3681:
2966:
2948:
1765:
1231:
1183:
1152:
1138:
1116:
1102:
1088:
1074:
917:
499:
249:
194:
3494:
3475:
2557:
1357:
1194:
940:
186:
170:
1071:
Van Eyck to Dürer: The Influence of Early Netherlandish Painting on European Art, 1430–1530
225:. In the early 16th century, such was the popularity of depictions of the swooning Virgin,
217:" or Mary swooning at the foot of the cross or at other moments, and that van der Weyden's
3954:
3399:
2581:
2569:
2149:
2059:
1908:
1730:
1042:
556:
511:
433:
and installed in the Chapel of Our Lady Without the Walls. The tiny crossbows in the side
253:
92:
46:
2634:
2575:
2083:
2077:
2023:
1938:
1161:
779:, Alexandria, 1996, vol. 174, 1150A-B. Quoted and discussed in Frederick P. Pickering,
544:
492:
446:
352:
348:
291:. The sentiment, however, is a direct reflection of the mystical devotion expressed by
269:
241:
226:
182:
158:
77:
4322:
3068:
2191:
2047:
560:
396:
392:
317:
119:
2647:
2125:
1242:
1238:
600:'s collaborative project with the Prado made twelve of its masterpieces, including
597:
257:
198:
983:
The Errant Image: Rogier van der Weyden's Deposition from the Cross and its Copies
890:
The Errant Image: Rogier van der Weyden's Deposition from the Cross and its Copies
806:
The Errant Image: Rogier van der Weyden's Deposition from the Cross and its Copies
1206:
Northern Renaissance Art; Painting, Sculpture, The Graphic Arts from 1350 to 1575
783:
Das gotische Christusbild: Zu den Quellen mittelalterlicher Passionsdarstellungen
209:
Mary of Clopas, Saint John the Evangelist and Mary Salome (according to Campbell)
2620:
2203:
2155:
2137:
2113:
1149:
The altar and the altarpiece: sacramental themes in early Netherlandish painting
481:
309:
276:
32:
585:
539:
135:
502:
broke out in Spain in 1936, many religious works of art were destroyed. The
261:
104:
710:
Campbell, Lorne. "The New Pictorial Language of Rogier van der Weyden", in
1251:
434:
339:
De Vos suggests that van der Weyden wished to evoke a life-sized, carved
124:
1812:
Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good
1264:
472:
on his tour of his possessions in the Netherlands. After inheriting the
2017:
552:
344:
169:
In their accounts of the descent of Christ's body from the Cross, the
3255:
2216:
The Victorious Hannibal Seeing Italy from the Alps for the First Time
1043:"Google brings masterpieces from Prado direct to armchair art lovers"
519:
462:
430:
340:
229:
was lobbied with a request to designate a holy day as a feast of the
181:, Joseph of Arimathea took Christ's body and prepared it for burial.
178:
128:
593:
important painting of the whole period of the entire 15th century."
240:
has identified the figures in the painting as (from left to right):
347:, with the presentation of living figures on a stage intended as a
1877:
538:
486:
426:
366:
358:
308:
204:
131:
31:
4243:
1999:
Execution of Torrijos and his Companions on the Beach at Málaga
1960:
1919:
1881:
1268:
2469:
The Christ Child and the Infant John the Baptist with a Shell
3570:
Madonna and Child with Saint Mary Magdalene and Saint Ursula
3460:
Archduke Leopold Wilhelm in his Painting Gallery in Brussels
3017:
Excursion in the Countryside of Infanta Isabel Clara Eugenia
123:
Van der Weyden positioned Christ's body in the T-shape of a
461:. The painting was initially installed in Mary's castle at
3913:
Virgin and Child Between Saints Anthony of Padua and Roch
2732:
Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis
272:
who adopts a dramatic pose on the right of the painting.
4000:
The Virgin and Child with Saint George and Saint Dorothy
3447:
Feast of Herod with the Beheading of St John the Baptist
916:. Ministerio de Educación y Cultura, Madrid, 1996. 448.
2871:
Saint Peter Nolasco's Vision of Saint Peter the Apostle
1166:
Early Netherlandish painting: Its Origins and Character
1021:"BBC Television reflects on the true meaning of Easter"
3274:
The Infanta Isabel Clara Eugenia in the Mariemont Park
3029:
The Infanta Isabel Clara Eugenia in the Mariemont Park
3698:
Portrait of Marsilio Cassotti and His Bride Faustina
1113:
Rogier van der Weyden: 1400-1464. Master of Passions
252:(in green, another half-sister of the Virgin Mary),
4339:
Paintings in the Museo del Prado by Flemish artists
4254:
4215:
4040:
3504:
2892:
1971:
1840:
1822:
1803:
1780:
1757:
1662:
1648:
Diptych of Philip de Croÿ with The Virgin and Child
1615:
1513:
1311:
1220:
4097:Landscape with St Paula of Rome Embarking at Ostia
3640:Madonna and Child with the Infant John the Baptist
506:took action to protect its artistic masterpieces;
468:Alvárez had accompanied the future king of Spain,
2684:Equestrian Portrait of the Count-Duke of Olivares
2992:Triptych with Scenes from the Life of the Virgin
1168:. Cambridge, MA: Harvard University Press, 1953.
2666:Equestrian Portrait of Prince Balthasar Charles
1558:Portrait of Antoine, 'Grand Bâtard' of Burgundy
706:
704:
702:
700:
3730:Portrait of Camilla Gonzaga and Her Three Sons
2973:The Seven Deadly Sins and the Four Last Things
714:, ed. Campbell & Van der Stock, 2009. 2–64
197:. Barbara Lane suggests this passage from the
2632:
2618:
1893:
1831:Fragments of a Cope with the Seven Sacraments
1280:
1085:The Fifteenth Century Netherlandish Paintings
849:
847:
845:
843:
841:
563:, the first graphic reproduction of Rogier's
547:, c. 1518-1520, given a landscape background.
425:The painting was commissioned by the Greater
173:relate the story only in connection with the
8:
3583:The Story of Nastagio Degli Onesti, part one
939:. Artinitiatives. 2005-10-18. Archived from
789:
781:
580:which examined the history and influence of
145:
4127:Landscape with the Temptation of St Anthony
3736:Portrait of Pier Maria Rossi di San Secondo
2678:Equestrian Portrait of Margarita of Austria
2508:The Immaculate Conception of Los Venerables
1180:Mother of God: A History of the Virgin Mary
1130:. New York: Holt Rinehart and Winston, 1960
769:
139:
4297:On display at the Spanish Embassy in Paris
4251:
4240:
3538:Portrait of Infanta Isabella Clara Eugenia
2847:Hercules Separates Mounts Calpe and Abylla
2660:Equestrian Portrait of Elisabeth of France
1968:
1957:
1916:
1900:
1886:
1878:
1504:
1287:
1273:
1265:
1111:Campbell, Lorne & Van der Stock, Jan,
2441:The Recovery of Bahía de Todos los Santos
2132:Portrait of the Marchioness of Santa Cruz
1135:Rogier Van Der Weyden: The Complete Works
1006:The Private Life of an Easter Masterpiece
934:"Frames: The Northern European Tradition"
914:Museo del Prado, Catálogo de las pinturas
777:Patrologia Latina: The Full-Text Database
712:Rogier van der Weyden, Master of Passions
4294:On display at Museo de América in Madrid
3358:Equestrian Portrait of the Duke of Lerma
2835:The Defence of Cádiz Against the English
2768:Infanta Margarita Teresa in a Pink Dress
2502:The Immaculate Conception of El Escorial
2168:Pilgrimage to the Fountain of San Isidro
1208:. Saddle River, NJ: Prentice Hall, 2005.
416:
4334:Paintings of the Descent from the Cross
4291:On display at El Greco Museum in Toledo
4115:Landscape with the Burial of St Serapia
3615:Mural Paintings from the Herrera Chapel
3299:Landscape with Charon Crossing the Styx
2241:The Nobleman with his Hand on his Chest
629:
4206:Time Defeated by Love, Beauty and Hope
3886:Alfonso d'Avalos Addressing his Troops
3148:Diana and a Nymph Surprised by a Satyr
3130:Self-portrait with Sir Endymion Porter
2714:View of the Garden of the Villa Medici
1217:
614:List of works by Rogier van der Weyden
4193:Marriage Contract and Country Dancing
3544:Portrait of Giovanni Battista Caselli
1073:. London: Thames & Hudson, 2011.
864:Descent from the Cross, Prado website
7:
3761:Christ Falling on the Way to Calvary
2720:Prince Balthasar Charles as a Hunter
2228:Witches' Sabbath (The Great He-Goat)
1789:The Justice of Trajan and Herkinbald
1198:, Vol. 35, No. 1, March, 1953. 9–16.
45:. Oil on oak panel, 220cm × 262 cm.
4121:Landscape with the Finding of Moses
4109:Landscape with St María de Cervelló
3653:The Birth of Saint John the Baptist
3312:Judith at the Banquet of Holofernes
2865:Saint Luke Painting the Crucifixion
2337:Portrait of Rodrigo Vázquez de Arce
791:Zeitschrift fur Literaturgeschichte
127:to reflect the commission from the
4354:Paintings by Rogier van der Weyden
3821:Christ Washing the Disciples' Feet
2780:Portrait of Juan Martínez Montañés
2726:Portrait of the Infante Don Carlos
2496:The Holy Family with a Little Bird
2042:Charles IV of Spain and His Family
1606:Portrait of John I, Duke of Cleves
1010:. BBC2, 3 April 2010 (documentary)
510:was evacuated from El Escorial to
244:(half-sister to the Virgin Mary);
95:, Madrid. The crucified Christ is
25:
18:Deposition (Rogier van der Weyden)
4180:Portrait of Ferdinand VI as a Boy
4133:Landscape with Tobias and Raphael
3237:Portrait of José Nicolás de Azara
2883:The Vision of Saint Peter Nolasco
2853:Hercules Fighting the Nemean Lion
2672:Equestrian Portrait of Philip III
577:The Private Life of a Masterpiece
141:Onze-Lieve-Vrouw-van-Ginderbuiten
27:Painting by Rogier van der Weyden
4303:
4302:
3943:Portrait of Isabella of Portugal
3931:Portrait of Charles V with a Dog
3874:Equestrian Portrait of Charles V
3262:Flemish Market and Washing Place
3250:Landscape with Sea and Mountains
2654:Equestrian Portrait of Philip IV
2331:Portrait of Jerónimo de Cevallos
2325:Portrait of an Unknown Gentleman
2096:The Duchess of Alba and la Beata
1546:Portrait of Isabella of Portugal
1260:by Rogier van der Weyden (Prado)
1250:
1226:
449:and an organ. The new owner was
67:Descent of Christ from the Cross
3937:Portrait of Federico II Gonzaga
3892:Danaë Receiving the Golden Rain
3532:Portrait of Elisabeth of Valois
3434:The Incredulity of Saint Thomas
2798:Portrait of Philip IV in Armour
2792:Portrait of Pablo de Valladolid
2253:Doña María de Aragón Altarpiece
1101:. London: Chaucer Press, 2004.
233:. The request was turned down.
3180:Francken the Younger
3011:The Wine of Saint Martin's Day
2937:The Garden of Earthly Delights
2810:Portrait of Sebastián de Morra
2804:Portrait of Mariana of Austria
2756:The Jester Don John of Austria
2463:Aranjuez Immaculate Conception
2343:Saint Andrew and Saint Francis
2295:Julián Romero and Saint Julian
1041:Tremlett, Giles (2009-01-13).
1023:. BBC Press Office. 2010-02-09
866:". Retrieved 26 December 2010.
405:than with his contemporaries.
1:
3976:Saint Margaret and the Dragon
3868:The Bacchanal of the Andrians
3795:Holy Family under an Oak Tree
3098:Rest on the Flight into Egypt
2786:The Nun Jerónima de la Fuente
2762:Portrait of Francisco Lezcano
2750:The Jester Don Diego de Acedo
2696:Apollo in the Forge of Vulcan
2588:The Martyrdom of Saint Philip
2514:The Martyrdom of Saint Andrew
1394:Saint Luke Drawing the Virgin
1115:. Leuven: Davidsfonds, 2009.
455:Holy Roman Emperor, Charles V
321:
111:
85:
39:
4364:Paintings of the Virgin Mary
4152:Landscape with Three Figures
2979:The Temptation of St Anthony
2484:The Conversion of Saint Paul
2313:Portrait of a Young Nobleman
1865:Portrait of Charles the Bold
1570:Portrait of Francesco d'Este
1382:Virgin and Child with Saints
1008:: The Descent From the Cross
902:Arte protegido/Protected Art
457:, for whom she governed the
191:Meditationes de Vita Christi
99:, his lifeless body held by
4369:Paintings of Mary Magdalene
3394:Saint George and the Dragon
2859:Saint Elizabeth of Portugal
1857:Portrait of Philip the Good
1707:Seven Sacraments Altarpiece
1624:Diptych of Jeanne of France
4405:
4263:The Apotheosis of Claudius
3827:Joseph and Potiphar's Wife
3802:Andrea del Sarto
3489:The Descent from the Cross
3376:The Birth of the Milky Way
3346:The Dance of the Villagers
2607:The Mulattos of Esmeraldas
2454:Adoration of the Shepherds
2319:Portrait of an Elderly Man
2247:Adoration of the Shepherds
2162:A Pilgrimage to San Isidro
1849:A Man Reading (Saint Ivo?)
1370:The Descent from the Cross
1322:Virgin and Child Enthroned
1151:. Harper & Row, 1984.
1087:. National Gallery, 1998.
590:Courtauld Institute of Art
582:The Descent From The Cross
559:published an engraving by
529:Metropolitan Museum of Art
508:The Descent from the Cross
482:San Lorenzo de El Escorial
256:(swooning), the corpse of
55:The Descent from the Cross
37:The Descent from the Cross
4287:
4250:
4239:
3855:The Immaculate Conception
3422:(with Brueghel the Elder)
3406:The Triumph of the Church
3287:(with Brueghel the Elder)
3278:(with Brueghel the Elder)
3199:Apollo as Victor over Pan
3186:The Sciences and the Arts
2367:Saint John the Evangelist
2355:Saint Bernardino of Siena
2265:Christ Carrying the Cross
2186:Self-portrait at 69 years
1967:
1956:
1926:
1915:
1534:Portrait of a Young Woman
1502:
1442:Saint Jerome and the Lion
1302:
1225:
1175:, Vol. 29, No. 4. 540–552
1137:. Harry N. Abrams, 1999.
516:Musée d'Art et d'Histoire
4344:Paintings in El Escorial
4025:Christ Among the Doctors
3609:Assumption of the Virgin
3160:The Crowning with Thorns
2708:Coronation of the Virgin
2385:Saint Thomas the Apostle
2210:Two Old Ones Eating Soup
2174:Saturn Devouring His Son
2144:The Milkmaid of Bordeaux
2072:The Countess of Chinchon
1944:Cloister of Saint Jerome
1743:Saint Columba Altarpiece
147:Notre-Dame-hors-les-Murs
3961:Religion saved by Spain
3842:The Washing of the Feet
3724:Holy Family with Angels
3621:Venus, Adonis and Cupid
3023:Life in the Countryside
2744:The Jester Calabacillas
2435:Portrait of a Gentleman
2307:Portrait of a Gentleman
2120:Man Mocked by Two Women
1406:Saint Hubert Altarpiece
1069:Borchert, Till-Holger.
768:Gottfried von Admont, "
298:The Imitation of Christ
289:Early Netherlandish art
4171:The Family of Philip V
4081:The Family of Philip V
4068:The Pearl and the Wave
3755:Portrait of a Cardinal
3325:The Judgement of Paris
3268:Landscape with Skaters
3136:The Betrayal of Christ
3063:Marriage of the Virgin
2841:Hercules and the Hydra
2774:Portrait of Maria Anna
2642:The Surrender of Breda
2633:
2628:The Triumph of Bacchus
2619:
2520:Our Lady of the Rosary
2416:The Death of Cleopatra
2349:Saint Anthony of Padua
2180:The Second of May 1808
1258:Descent from the Cross
790:
782:
770:
665:Altars and Altarpieces
602:Descent from the Cross
548:
495:
422:
372:
364:
328:
210:
146:
140:
97:lowered from the cross
80:by the Flemish artist
50:
3833:Judith and Holofernes
3340:Adoration of the Magi
3224:Adoration of the Magi
3205:Meleager and Atalanta
2943:Adoration of the Magi
2829:The Death of Hercules
2738:The Jester Barbarroja
2690:Adoration of the Magi
2526:The Patrician's Dream
2429:Adoration of the Magi
2361:Saint James the Great
2277:The Flight into Egypt
2198:The Third of May 1808
2108:Judith and Holofernes
2036:Boys playing soldiers
1934:Casón del Buen Retiro
1695:Miraflores Altarpiece
1671:Annunciation Triptych
1594:Portrait of Jean Gros
1478:Lamentation of Christ
1454:Saint John Altarpiece
1296:Rogier van der Weyden
1262:at Wikimedia Commons
654:Panofsky 1953, p. 258
542:
490:
420:
371:Mary, mother of Jesus
370:
362:
312:
208:
82:Rogier van der Weyden
35:
4031:The Finding of Moses
4006:The Worship of Venus
3666:The Finding of Moses
3412:Deucalion and Pyrrha
3388:The Rape of Ganymede
3211:The Painter's Family
3005:The Triumph of Death
2961:Head of a Halberdier
2955:The Haywain Triptych
2911:The Fountain of Life
2877:Still Life with Pots
2301:Portrait of a Doctor
2012:Allegory of Industry
1683:Crucifixion Triptych
1346:The Magdalen Reading
1334:The Madonna Standing
1182:, Allen Lane, 2009,
877:Northern Renaissance
459:Habsburg Netherlands
303:Denis the Carthusian
175:Entombment of Christ
155:Christ's crucifixion
61:Deposition of Christ
4384:Joseph of Arimathea
4055:Agony in the Garden
3925:Philip II in Armour
3767:Madonna of the Rose
3711:Death of the Virgin
3660:O. Gentileschi
3647:A. Gentileschi
3454:Teniers the Younger
2545:Doña Joanna the Mad
2532:Rebecca and Eleazar
2475:Christ on the Cross
1930:Villanueva building
1731:The Braque Triptych
1719:Bladelin Altarpiece
1636:Crucifixion Diptych
1522:Portrait of a Woman
1128:Looking at Pictures
443:Edeleheere triptych
314:The Crucified Thief
295:' popular treatise
266:Joseph of Arimathea
246:John the Evangelist
215:Swoon of the Virgin
177:. According to the
138:) for their chapel
101:Joseph of Arimathea
3991:Venus and Musician
3808:Sacrifice of Isaac
3382:The Rape of Europa
3370:The Garden of Love
3352:Diana and Callisto
3142:The Brazen Serpent
2924:The Ages and Death
2594:The Blind Sculptor
2283:Holy Face of Jesus
2102:Fight with Cudgels
1986:José de Espronceda
1582:Portrait of a Lady
1003:Gold, Mick (dir).
741:von Simson, 14–15.
549:
496:
429:of Crossbowmen of
423:
373:
365:
329:
211:
51:
4349:Flemish paintings
4316:
4315:
4283:
4282:
4279:
4278:
4270:Castor and Pollux
4235:
4234:
4231:
4230:
4223:British paintings
3596:David and Goliath
2999:Bruegel the Elder
2967:Paradise and Hell
2949:Cutting the Stone
2490:The Good Shepherd
2030:Blind Man's Bluff
1952:
1951:
1875:
1874:
1766:Beaune Altarpiece
1255:Media related to
1248:
1247:
1232:Van der Weyden's
1121:978-90-8526-105-6
1097:Campbell, Lorne.
1093:978-1-85709-171-7
1083:Campbell, Lorne.
1079:978-0-500-23883-7
795:, 47, 1953, 31–2.
283:Sources and style
195:Ludolph of Saxony
179:canonical gospels
16:(Redirected from
4396:
4306:
4305:
4252:
4241:
4202:
4189:
4176:
4167:
4142:
4093:
4086:
4077:
4064:
4051:
4019:Venus and Adonis
4015:
3996:
3987:
3982:Venus and Adonis
3972:
3897:
3864:
3851:
3838:
3817:
3804:
3791:
3784:
3751:
3720:
3707:
3694:
3687:
3678:
3671:
3662:
3649:
3630:
3605:
3592:
3579:
3566:
3553:
3528:
3515:
3485:
3476:Alpine Landscape
3472:
3465:
3456:
3443:
3430:
3423:
3334:The Three Graces
3330:
3321:
3308:
3295:
3288:
3279:
3246:
3233:
3220:
3195:
3182:
3169:
3126:
3107:
3094:
3087:
3078:
3059:
3052:
3043:
3042:(with de Momper)
3034:
3033:(with de Momper)
3001:
2988:
2933:
2920:
2907:
2819:
2702:Christ Crucified
2638:
2624:
2616:
2603:
2554:
2541:
2480:
2459:
2450:
2425:
2412:
2237:
2060:The Clothed Maja
2054:Christ Crucified
2008:
1995:
1982:
1969:
1958:
1917:
1902:
1895:
1888:
1879:
1795:
1772:
1749:
1737:
1725:
1713:
1701:
1689:
1677:
1654:
1642:
1630:
1600:
1588:
1576:
1564:
1552:
1540:
1528:
1508:
1507:
1496:
1484:
1472:
1466:Virgin and Child
1460:
1448:
1436:
1424:
1412:
1400:
1388:
1376:
1364:
1352:
1340:
1328:
1312:Single religious
1289:
1282:
1275:
1266:
1254:
1230:
1229:
1218:
1195:The Art Bulletin
1126:Clark, Kenneth.
1057:
1056:
1054:
1053:
1038:
1032:
1031:
1029:
1028:
1017:
1011:
1001:
995:
992:
986:
979:
973:
972:von Simson, 9–10
970:
964:
961:
955:
954:
952:
951:
945:
938:
930:
924:
911:
905:
899:
893:
886:
880:
873:
867:
860:
854:
851:
836:
833:
827:
824:
818:
815:
809:
802:
796:
793:
785:
774:
766:
760:
757:
751:
748:
742:
739:
733:
730:
724:
721:
715:
708:
695:
692:
686:
683:
677:
674:
668:
661:
655:
652:
646:
643:
637:
634:
596:In January 2009
504:Spanish Republic
326:
325: 1420–1440
323:
149:
143:
116:
113:
90:
87:
70:, or in Flemish
44:
41:
21:
4404:
4403:
4399:
4398:
4397:
4395:
4394:
4393:
4329:1430s paintings
4319:
4318:
4317:
4312:
4275:
4246:
4227:
4211:
4198:
4185:
4174:
4163:
4138:
4089:
4084:
4073:
4060:
4047:
4036:
4011:
3994:
3985:
3970:
3895:
3880:The Fall of Man
3860:
3847:
3837:(by his studio)
3836:
3813:
3800:
3787:
3782:
3747:
3716:
3703:
3690:
3686:(by his studio)
3685:
3674:
3669:
3658:
3645:
3634:Noli me tangere
3626:
3601:
3588:
3575:
3562:
3549:
3524:
3511:
3500:
3481:
3468:
3463:
3452:
3439:
3426:
3421:
3418:The Five Senses
3364:The Fall of Man
3328:
3317:
3304:
3291:
3286:
3277:
3242:
3229:
3216:
3191:
3178:
3165:
3122:
3103:
3090:
3085:
3074:
3055:
3050:
3047:The Five Senses
3041:
3032:
2997:
2984:
2929:
2916:
2903:
2896:
2894:
2888:
2815:
2612:
2601:Sánchez Gallque
2599:
2570:Isaac and Jacob
2550:
2537:
2478:
2457:
2446:
2421:
2408:
2379:Saint Sebastian
2233:
2222:Witches' Flight
2090:The Drunk Mason
2004:
1991:
1978:
1963:
1948:
1922:
1911:
1909:Museo del Prado
1906:
1876:
1871:
1836:
1818:
1799:
1793:
1776:
1770:
1753:
1747:
1735:
1723:
1711:
1699:
1687:
1675:
1658:
1652:
1640:
1628:
1611:
1598:
1586:
1574:
1562:
1550:
1538:
1526:
1509:
1505:
1500:
1494:
1482:
1470:
1458:
1446:
1434:
1422:
1410:
1398:
1386:
1374:
1362:
1350:
1338:
1326:
1313:
1307:
1298:
1293:
1227:
1221:External videos
1216:
1211:
1162:Panofsky, Erwin
1147:Lane, Barbara.
1065:
1060:
1051:
1049:
1040:
1039:
1035:
1026:
1024:
1019:
1018:
1014:
1002:
998:
993:
989:
981:Powell, (2006)
980:
976:
971:
967:
962:
958:
949:
947:
943:
936:
932:
931:
927:
912:
908:
900:
896:
888:Powell, (2006)
887:
883:
874:
870:
861:
857:
853:De Vos, 185–186
852:
839:
834:
830:
825:
821:
816:
812:
804:Powell, (2006)
803:
799:
767:
763:
758:
754:
749:
745:
740:
736:
731:
727:
722:
718:
709:
698:
693:
689:
684:
680:
675:
671:
662:
658:
653:
649:
644:
640:
635:
631:
627:
622:
610:
557:Hieronymus Cock
537:
451:Mary of Austria
415:
324:
293:Thomas à Kempis
285:
254:The Virgin Mary
167:
114:
93:Museo del Prado
88:
47:Museo del Prado
42:
28:
23:
22:
15:
12:
11:
5:
4402:
4400:
4392:
4391:
4386:
4381:
4376:
4371:
4366:
4361:
4359:Panel painting
4356:
4351:
4346:
4341:
4336:
4331:
4321:
4320:
4314:
4313:
4311:
4310:
4299:
4298:
4295:
4292:
4288:
4285:
4284:
4281:
4280:
4277:
4276:
4274:
4273:
4266:
4258:
4256:
4248:
4247:
4244:
4237:
4236:
4233:
4232:
4229:
4228:
4226:
4225:
4219:
4217:
4213:
4212:
4210:
4209:
4196:
4183:
4161:
4136:
4087:
4071:
4058:
4044:
4042:
4038:
4037:
4035:
4034:
4009:
3919:Mater Dolorosa
3901:The Entombment
3858:
3845:
3811:
3798:
3785:
3745:
3714:
3701:
3688:
3672:
3656:
3643:
3624:
3599:
3586:
3573:
3560:
3547:
3522:
3508:
3506:
3502:
3501:
3499:
3498:
3483:van der Weyden
3479:
3466:
3450:
3437:
3424:
3315:
3302:
3289:
3240:
3227:
3214:
3189:
3176:
3163:
3120:
3101:
3088:
3082:Caritas Romana
3072:
3053:
2995:
2982:
2927:
2914:
2900:
2898:
2890:
2889:
2887:
2886:
2813:
2635:Las Hilanderas
2610:
2597:
2548:
2535:
2444:
2419:
2406:
2231:
2150:The Naked Maja
2078:Los disparates
2002:
1989:
1975:
1973:
1965:
1964:
1961:
1954:
1953:
1950:
1949:
1947:
1946:
1941:
1939:Hall of Realms
1936:
1931:
1927:
1924:
1923:
1920:
1913:
1912:
1907:
1905:
1904:
1897:
1890:
1882:
1873:
1872:
1870:
1869:
1861:
1853:
1844:
1842:
1838:
1837:
1835:
1834:
1826:
1824:
1820:
1819:
1817:
1816:
1807:
1805:
1801:
1800:
1798:
1797:
1784:
1782:
1778:
1777:
1775:
1774:
1761:
1759:
1755:
1754:
1752:
1751:
1739:
1727:
1715:
1703:
1691:
1679:
1666:
1664:
1660:
1659:
1657:
1656:
1644:
1632:
1619:
1617:
1613:
1612:
1610:
1609:
1602:
1590:
1578:
1566:
1554:
1542:
1530:
1517:
1515:
1511:
1510:
1503:
1501:
1499:
1498:
1490:Medici Madonna
1486:
1474:
1462:
1450:
1438:
1426:
1414:
1402:
1390:
1378:
1366:
1354:
1342:
1330:
1317:
1315:
1309:
1308:
1303:
1300:
1299:
1294:
1292:
1291:
1284:
1277:
1269:
1246:
1245:
1223:
1222:
1215:
1214:External links
1212:
1210:
1209:
1199:
1190:
1176:
1169:
1159:
1145:
1133:De Vos, Dirk.
1131:
1124:
1109:
1099:Van der Weyden
1095:
1081:
1066:
1064:
1061:
1059:
1058:
1033:
1012:
996:
987:
974:
965:
963:Snyder, p. 418
956:
925:
906:
894:
881:
868:
855:
837:
828:
819:
810:
797:
761:
752:
743:
734:
725:
716:
696:
687:
678:
676:Rubin, 314–315
669:
656:
647:
638:
628:
626:
623:
621:
618:
617:
616:
609:
606:
545:Joos van Cleve
536:
533:
493:Mary of Clopas
447:Michael Coxcie
421:Mary Magdalene
414:
411:
349:tableau vivant
284:
281:
270:Mary Magdalene
238:Lorne Campbell
236:Art historian
227:Pope Julius II
166:
163:
159:Erwin Panofsky
78:panel painting
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4401:
4390:
4387:
4385:
4382:
4380:
4379:Skulls in art
4377:
4375:
4372:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4352:
4350:
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4330:
4327:
4326:
4324:
4309:
4301:
4300:
4296:
4293:
4290:
4289:
4286:
4272:
4271:
4267:
4265:
4264:
4260:
4259:
4257:
4253:
4249:
4242:
4238:
4224:
4221:
4220:
4218:
4214:
4208:
4207:
4201:
4197:
4195:
4194:
4188:
4184:
4182:
4181:
4173:
4172:
4166:
4162:
4160:
4159:
4158:Saint Cecilia
4154:
4153:
4148:
4147:
4141:
4137:
4135:
4134:
4129:
4128:
4123:
4122:
4117:
4116:
4111:
4110:
4105:
4104:
4099:
4098:
4092:
4088:
4083:
4082:
4076:
4072:
4070:
4069:
4063:
4059:
4057:
4056:
4050:
4046:
4045:
4043:
4039:
4033:
4032:
4027:
4026:
4021:
4020:
4014:
4010:
4008:
4007:
4002:
4001:
3993:
3992:
3984:
3983:
3978:
3977:
3969:
3968:
3967:Self-Portrait
3963:
3962:
3957:
3956:
3951:
3950:
3945:
3944:
3939:
3938:
3933:
3932:
3927:
3926:
3921:
3920:
3915:
3914:
3909:
3908:
3903:
3902:
3894:
3893:
3888:
3887:
3882:
3881:
3876:
3875:
3870:
3869:
3863:
3859:
3857:
3856:
3850:
3846:
3844:
3843:
3835:
3834:
3829:
3828:
3823:
3822:
3816:
3812:
3810:
3809:
3803:
3799:
3797:
3796:
3790:
3786:
3783:(with Romano)
3781:
3780:
3775:
3774:
3769:
3768:
3763:
3762:
3757:
3756:
3750:
3746:
3744:
3743:
3742:Saint Barbara
3738:
3737:
3732:
3731:
3726:
3725:
3719:
3715:
3713:
3712:
3706:
3702:
3700:
3699:
3693:
3689:
3684:
3683:
3677:
3673:
3668:
3667:
3661:
3657:
3655:
3654:
3648:
3644:
3642:
3641:
3636:
3635:
3629:
3625:
3623:
3622:
3617:
3616:
3611:
3610:
3604:
3600:
3598:
3597:
3591:
3587:
3585:
3584:
3578:
3574:
3572:
3571:
3565:
3561:
3559:
3558:
3552:
3548:
3546:
3545:
3540:
3539:
3534:
3533:
3527:
3523:
3521:
3520:
3514:
3510:
3509:
3507:
3503:
3497:
3496:
3495:Durán Madonna
3491:
3490:
3484:
3480:
3478:
3477:
3471:
3467:
3462:
3461:
3455:
3451:
3449:
3448:
3442:
3438:
3436:
3435:
3429:
3425:
3420:
3419:
3414:
3413:
3408:
3407:
3402:
3401:
3396:
3395:
3390:
3389:
3384:
3383:
3378:
3377:
3372:
3371:
3366:
3365:
3360:
3359:
3354:
3353:
3348:
3347:
3342:
3341:
3336:
3335:
3327:
3326:
3320:
3316:
3314:
3313:
3307:
3303:
3301:
3300:
3294:
3290:
3285:
3284:
3276:
3275:
3270:
3269:
3264:
3263:
3258:
3257:
3252:
3251:
3245:
3241:
3239:
3238:
3232:
3228:
3226:
3225:
3219:
3215:
3213:
3212:
3207:
3206:
3201:
3200:
3194:
3190:
3188:
3187:
3181:
3177:
3175:
3174:
3168:
3164:
3162:
3161:
3156:
3155:
3154:Saint Rosalia
3150:
3149:
3144:
3143:
3138:
3137:
3132:
3131:
3125:
3121:
3119:
3118:
3117:Self-Portrait
3113:
3112:
3106:
3102:
3100:
3099:
3093:
3089:
3084:
3083:
3077:
3073:
3071:
3070:
3069:Werl Triptych
3065:
3064:
3058:
3054:
3051:(with Rubens)
3049:
3048:
3040:
3039:
3031:
3030:
3025:
3024:
3019:
3018:
3013:
3012:
3007:
3006:
3000:
2996:
2994:
2993:
2987:
2983:
2981:
2980:
2975:
2974:
2969:
2968:
2963:
2962:
2957:
2956:
2951:
2950:
2945:
2944:
2939:
2938:
2932:
2928:
2926:
2925:
2919:
2915:
2913:
2912:
2906:
2902:
2901:
2899:
2891:
2885:
2884:
2879:
2878:
2873:
2872:
2867:
2866:
2861:
2860:
2855:
2854:
2849:
2848:
2843:
2842:
2837:
2836:
2831:
2830:
2825:
2824:
2818:
2814:
2812:
2811:
2806:
2805:
2800:
2799:
2794:
2793:
2788:
2787:
2782:
2781:
2776:
2775:
2770:
2769:
2764:
2763:
2758:
2757:
2752:
2751:
2746:
2745:
2740:
2739:
2734:
2733:
2728:
2727:
2722:
2721:
2716:
2715:
2710:
2709:
2704:
2703:
2698:
2697:
2692:
2691:
2686:
2685:
2680:
2679:
2674:
2673:
2668:
2667:
2662:
2661:
2656:
2655:
2650:
2649:
2644:
2643:
2637:
2636:
2630:
2629:
2623:
2622:
2615:
2611:
2609:
2608:
2602:
2598:
2596:
2595:
2590:
2589:
2584:
2583:
2578:
2577:
2572:
2571:
2566:
2565:
2560:
2559:
2558:Jacob's Dream
2553:
2549:
2547:
2546:
2540:
2536:
2534:
2533:
2528:
2527:
2522:
2521:
2516:
2515:
2510:
2509:
2504:
2503:
2498:
2497:
2492:
2491:
2486:
2485:
2477:
2476:
2471:
2470:
2465:
2464:
2456:
2455:
2449:
2445:
2443:
2442:
2437:
2436:
2431:
2430:
2424:
2420:
2418:
2417:
2411:
2407:
2405:
2404:
2399:
2398:
2393:
2392:
2387:
2386:
2381:
2380:
2375:
2374:
2369:
2368:
2363:
2362:
2357:
2356:
2351:
2350:
2345:
2344:
2339:
2338:
2333:
2332:
2327:
2326:
2321:
2320:
2315:
2314:
2309:
2308:
2303:
2302:
2297:
2296:
2291:
2290:
2285:
2284:
2279:
2278:
2273:
2272:
2267:
2266:
2261:
2260:
2255:
2254:
2249:
2248:
2243:
2242:
2236:
2235:El Greco
2232:
2230:
2229:
2224:
2223:
2218:
2217:
2212:
2211:
2206:
2205:
2200:
2199:
2194:
2193:
2188:
2187:
2182:
2181:
2176:
2175:
2170:
2169:
2164:
2163:
2158:
2157:
2152:
2151:
2146:
2145:
2140:
2139:
2134:
2133:
2128:
2127:
2122:
2121:
2116:
2115:
2110:
2109:
2104:
2103:
2098:
2097:
2092:
2091:
2086:
2085:
2080:
2079:
2074:
2073:
2068:
2067:
2062:
2061:
2056:
2055:
2050:
2049:
2048:Los caprichos
2044:
2043:
2038:
2037:
2032:
2031:
2026:
2025:
2020:
2019:
2014:
2013:
2007:
2003:
2001:
2000:
1994:
1990:
1988:
1987:
1981:
1977:
1976:
1974:
1970:
1966:
1959:
1955:
1945:
1942:
1940:
1937:
1935:
1932:
1929:
1928:
1925:
1918:
1914:
1910:
1903:
1898:
1896:
1891:
1889:
1884:
1883:
1880:
1867:
1866:
1862:
1859:
1858:
1854:
1851:
1850:
1846:
1845:
1843:
1839:
1833:
1832:
1828:
1827:
1825:
1821:
1814:
1813:
1809:
1808:
1806:
1802:
1791:
1790:
1786:
1785:
1783:
1779:
1768:
1767:
1763:
1762:
1760:
1756:
1745:
1744:
1740:
1733:
1732:
1728:
1721:
1720:
1716:
1709:
1708:
1704:
1697:
1696:
1692:
1685:
1684:
1680:
1673:
1672:
1668:
1667:
1665:
1661:
1650:
1649:
1645:
1638:
1637:
1633:
1626:
1625:
1621:
1620:
1618:
1614:
1608:
1607:
1603:
1596:
1595:
1591:
1584:
1583:
1579:
1572:
1571:
1567:
1560:
1559:
1555:
1548:
1547:
1543:
1536:
1535:
1531:
1524:
1523:
1519:
1518:
1516:
1512:
1492:
1491:
1487:
1480:
1479:
1475:
1468:
1467:
1463:
1456:
1455:
1451:
1444:
1443:
1439:
1432:
1431:
1427:
1420:
1419:
1415:
1408:
1407:
1403:
1396:
1395:
1391:
1384:
1383:
1379:
1372:
1371:
1367:
1360:
1359:
1358:Durán Madonna
1355:
1349:(fragment, c.
1348:
1347:
1343:
1336:
1335:
1331:
1324:
1323:
1319:
1318:
1316:
1310:
1306:
1305:List of works
1301:
1297:
1290:
1285:
1283:
1278:
1276:
1271:
1270:
1267:
1263:
1261:
1259:
1253:
1244:
1240:
1236:
1235:
1224:
1219:
1213:
1207:
1203:
1202:Snyder, James
1200:
1197:
1196:
1191:
1189:
1188:0-7139-9818-0
1185:
1181:
1178:Rubin, Miri.
1177:
1174:
1170:
1167:
1163:
1160:
1158:
1157:0-06-435000-2
1154:
1150:
1146:
1144:
1143:0-8109-6390-6
1140:
1136:
1132:
1129:
1125:
1122:
1118:
1114:
1110:
1108:
1107:1-904449-24-7
1104:
1100:
1096:
1094:
1090:
1086:
1082:
1080:
1076:
1072:
1068:
1067:
1062:
1048:
1044:
1037:
1034:
1022:
1016:
1013:
1009:
1007:
1000:
997:
994:von Simson, 9
991:
988:
984:
978:
975:
969:
966:
960:
957:
946:on 2011-10-03
942:
935:
929:
926:
923:
922:84-87317-53-7
919:
915:
910:
907:
903:
898:
895:
891:
885:
882:
878:
872:
869:
865:
859:
856:
850:
848:
846:
844:
842:
838:
832:
829:
823:
820:
817:De Vos, 14–16
814:
811:
807:
801:
798:
794:
792:
787:, Euphorion:
786:
784:
778:
773:
765:
762:
756:
753:
747:
744:
738:
735:
729:
726:
720:
717:
713:
707:
705:
703:
701:
697:
691:
688:
682:
679:
673:
670:
666:
660:
657:
651:
648:
642:
639:
633:
630:
624:
619:
615:
612:
611:
607:
605:
603:
599:
594:
591:
587:
583:
579:
578:
572:
570:
566:
562:
561:Cornelis Cort
558:
554:
546:
541:
534:
532:
530:
525:
521:
517:
513:
509:
505:
501:
494:
489:
485:
483:
479:
475:
471:
466:
464:
460:
456:
452:
448:
444:
440:
436:
432:
428:
419:
412:
410:
406:
404:
403:
398:
394:
388:
386:
382:
378:
369:
363:Head of Jesus
361:
357:
354:
350:
346:
342:
337:
335:
319:
318:Robert Campin
315:
311:
307:
304:
300:
299:
294:
290:
282:
280:
278:
273:
271:
267:
263:
259:
255:
251:
247:
243:
242:Mary Cleophas
239:
234:
232:
228:
224:
220:
216:
207:
203:
200:
196:
193:, perhaps by
192:
188:
184:
180:
176:
172:
164:
162:
160:
156:
151:
148:
142:
137:
133:
130:
126:
121:
120:Robert Campin
108:
106:
102:
98:
94:
91:, now in the
83:
79:
75:
74:
73:Kruisafneming
69:
68:
63:
62:
57:
56:
48:
38:
34:
30:
19:
4268:
4261:
4204:
4199:
4191:
4186:
4178:
4169:
4164:
4156:
4150:
4144:
4139:
4131:
4125:
4119:
4113:
4107:
4101:
4095:
4090:
4079:
4074:
4066:
4061:
4053:
4048:
4029:
4023:
4017:
4012:
4004:
3998:
3995:(1550, 1555)
3989:
3980:
3974:
3965:
3959:
3953:
3947:
3941:
3935:
3929:
3923:
3917:
3911:
3905:
3899:
3890:
3884:
3878:
3872:
3866:
3861:
3853:
3848:
3840:
3831:
3825:
3819:
3814:
3806:
3801:
3793:
3788:
3777:
3771:
3765:
3759:
3753:
3748:
3740:
3734:
3728:
3722:
3718:Parmigianino
3717:
3709:
3704:
3696:
3691:
3680:
3675:
3664:
3659:
3651:
3646:
3638:
3632:
3627:
3619:
3613:
3607:
3602:
3594:
3589:
3581:
3576:
3568:
3563:
3555:
3550:
3542:
3536:
3530:
3525:
3519:Annunciation
3517:
3513:Fra Angelico
3512:
3493:
3488:
3487:
3482:
3474:
3469:
3458:
3453:
3445:
3440:
3432:
3427:
3416:
3410:
3404:
3398:
3392:
3386:
3380:
3374:
3368:
3362:
3356:
3350:
3344:
3338:
3332:
3323:
3318:
3310:
3305:
3297:
3292:
3281:
3272:
3266:
3260:
3254:
3248:
3243:
3235:
3230:
3222:
3217:
3209:
3203:
3197:
3192:
3184:
3179:
3171:
3167:van Hemessen
3166:
3158:
3152:
3146:
3140:
3134:
3128:
3123:
3115:
3111:Adam and Eve
3109:
3104:
3096:
3091:
3080:
3075:
3067:
3061:
3056:
3045:
3036:
3027:
3021:
3015:
3009:
3003:
2998:
2990:
2985:
2977:
2971:
2965:
2959:
2953:
2947:
2941:
2935:
2930:
2922:
2917:
2909:
2904:
2881:
2875:
2869:
2863:
2857:
2851:
2845:
2839:
2833:
2827:
2821:
2816:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2766:
2760:
2754:
2748:
2742:
2736:
2730:
2724:
2718:
2712:
2706:
2700:
2694:
2688:
2682:
2676:
2670:
2664:
2658:
2652:
2648:Mars Resting
2646:
2640:
2626:
2613:
2605:
2600:
2592:
2586:
2580:
2574:
2568:
2562:
2556:
2551:
2543:
2538:
2530:
2524:
2518:
2512:
2506:
2500:
2494:
2488:
2482:
2479:(1675, 1677)
2473:
2467:
2461:
2452:
2447:
2439:
2433:
2427:
2422:
2414:
2409:
2401:
2395:
2391:Holy Trinity
2389:
2383:
2377:
2371:
2365:
2359:
2353:
2347:
2341:
2335:
2329:
2323:
2317:
2311:
2305:
2299:
2293:
2289:Holy Trinity
2287:
2281:
2275:
2269:
2263:
2259:Annunciation
2257:
2251:
2245:
2239:
2234:
2226:
2220:
2214:
2208:
2202:
2196:
2190:
2184:
2178:
2172:
2166:
2160:
2154:
2148:
2142:
2136:
2130:
2126:La novillada
2124:
2118:
2112:
2106:
2100:
2094:
2088:
2082:
2076:
2070:
2066:The Colossus
2064:
2058:
2052:
2046:
2040:
2034:
2028:
2022:
2016:
2010:
2005:
1997:
1992:
1984:
1979:
1863:
1860:(after 1450)
1855:
1847:
1829:
1810:
1787:
1764:
1741:
1729:
1717:
1705:
1693:
1681:
1669:
1646:
1634:
1622:
1604:
1592:
1580:
1568:
1556:
1544:
1532:
1520:
1488:
1476:
1464:
1452:
1440:
1428:
1416:
1404:
1392:
1380:
1369:
1368:
1356:
1344:
1332:
1320:
1257:
1249:
1243:Khan Academy
1239:Smarthistory
1233:
1205:
1193:
1179:
1172:
1165:
1148:
1134:
1127:
1112:
1098:
1084:
1070:
1050:. Retrieved
1047:The Guardian
1046:
1036:
1025:. Retrieved
1015:
1004:
999:
990:
982:
977:
968:
959:
948:. Retrieved
941:the original
928:
913:
909:
901:
897:
889:
884:
876:
871:
858:
831:
822:
813:
805:
800:
788:
780:
776:
764:
755:
746:
737:
728:
719:
711:
690:
681:
672:
664:
659:
650:
641:
632:
601:
598:Google Earth
595:
584:, Professor
581:
575:
573:
568:
564:
550:
531:, New York.
523:
507:
497:
473:
467:
453:, sister of
442:
438:
424:
407:
401:
389:
374:
338:
333:
330:
313:
296:
286:
274:
258:Jesus Christ
235:
230:
222:
218:
212:
199:Vita Christi
190:
168:
152:
134:of archers (
109:
72:
71:
66:
65:
60:
59:
54:
53:
52:
36:
29:
4374:Altarpieces
3173:The Surgeon
2621:Las Meninas
2403:Virgin Mary
2397:The Saviour
2204:Two Old Men
2156:The Parasol
2138:Men Reading
2114:La Leocadia
1815:(1447–1448)
1413:late 1430s)
1173:Art History
759:Powell, 544
732:Snyder, 118
543:Version by
381:Lamentation
277:Dirk de Vos
250:Mary Salome
171:evangelists
165:Description
115: 1435
89: 1435
43: 1435
4323:Categories
4245:Sculptures
3815:Tintoretto
3773:Visitation
3590:Caravaggio
3577:Botticelli
3526:Anguissola
2564:Democritus
2373:Saint Paul
1823:Embroidery
1804:Miniatures
1773:1445–1450)
1758:Polyptychs
1702:1442–1445)
1643:1464–1465)
1631:1452–1470)
1601:1460–1464)
1553:1445–1450)
1541:1440–1445)
1497:1460–1464)
1485:1460–1463)
1449:1450–1465)
1430:Visitation
1401:1435–1440)
1389:1435–1438)
1377:1435–1438)
1365:1435–1438)
1353:1435–1438)
1341:1430–1432)
1329:1430–1432)
1234:Deposition
1052:2009-09-02
1027:2011-01-17
950:2010-08-23
835:De Vos, 15
826:De Vos, 22
723:De Vos, 21
685:Rubin, 362
620:References
586:Susie Nash
569:Deposition
555:publisher
439:Deposition
413:Provenance
385:Entombment
377:Deposition
334:Deposition
136:Schutterij
4389:Nicodemus
4146:Parnassus
4049:Anonymous
3907:La Gloria
3682:Mona Lisa
3628:Correggio
3470:Verhaecht
3306:Rembrandt
3283:Landscape
3244:de Momper
3076:de Crayer
3038:Landscape
2905:Anonymous
2823:Agnus Dei
2614:Velázquez
2271:The Fable
1962:Paintings
1921:Buildings
1852:(c. 1450)
1663:Triptychs
1514:Portraits
750:Clark, 45
645:Clark, 47
636:Clark, 52
625:Citations
535:Influence
500:Civil War
491:Tears of
470:Philip II
435:spandrels
353:Magdalene
262:Nicodemus
105:Nicodemus
4308:Category
4103:The Ford
4013:Veronese
3949:Sisyphus
3779:La Perla
3705:Mantegna
3676:Leonardo
3603:Carracci
3557:Nativity
3193:Jordaens
3124:van Dyck
2895:Flemish,
2817:Zurbarán
2539:Pradilla
1980:Esquivel
1841:Workshop
1616:Diptychs
875:Snyder,
772:distenta
608:See also
512:Valencia
478:El Pardo
402:Guernica
383:and the
125:crossbow
84:created
49:, Madrid
4203::
4190::
4187:Watteau
4168::
4143::
4140:Poussin
4094::
4091:Lorrain
4078::
4075:van Loo
4065::
4052::
4016::
3865::
3852::
3849:Tiepolo
3818::
3805::
3792::
3752::
3749:Raphael
3721::
3708::
3695::
3679::
3663::
3650::
3631::
3606::
3593::
3580::
3567::
3564:Bellini
3554::
3551:Barocci
3529::
3516::
3505:Italian
3486::
3473::
3457::
3444::
3441:Strobel
3431::
3322::
3309::
3296::
3293:Patinir
3247::
3234::
3221::
3218:Memling
3196::
3183::
3170::
3127::
3108::
3095::
3079::
3060::
3002::
2989::
2934::
2921::
2918:Baldung
2908::
2820::
2617::
2604::
2555::
2542::
2451::
2448:Murillo
2426::
2413::
2238::
2084:The Dog
2024:Atropos
2018:Asmodea
2009::
1996::
1993:Gisbert
1983::
1972:Spanish
1063:Sources
588:of the
565:Descent
553:Antwerp
524:Descent
474:Descent
397:Picasso
395:or the
393:Matisse
345:tracery
231:spasimo
223:spasimo
219:Descent
187:Passion
76:) is a
4175:(1723)
4085:(1743)
4062:Baudry
4041:French
3986:(1554)
3971:(1567)
3955:Tityus
3896:(1565)
3862:Titian
3789:Romano
3670:(1633)
3464:(1651)
3400:Saturn
3329:(1638)
3319:Rubens
3256:A Farm
3086:(1625)
3057:Campin
2897:German
2893:Dutch,
2582:Tityos
2552:Ribera
2458:(1650)
2192:Summer
1868:(1460)
1794:
1771:
1748:
1736:
1724:
1712:
1700:
1688:
1676:
1653:
1641:
1629:
1599:
1587:
1575:
1563:
1551:
1539:
1527:
1495:
1483:
1471:
1459:
1447:
1435:
1423:
1411:
1399:
1387:
1375:
1363:
1351:
1339:
1327:
1186:
1155:
1141:
1119:
1105:
1091:
1077:
920:
663:Lane,
520:Geneva
463:Binche
441:, the
431:Leuven
341:relief
129:Leuven
4216:Other
4200:Vouet
3692:Lotto
3231:Mengs
3105:Dürer
3092:David
2986:Bouts
2931:Bosch
2576:Ixion
2423:Maíno
1796:1450)
1781:Civic
1750:1455)
1738:1452)
1726:1450)
1714:1448)
1690:1440)
1678:1434)
1655:1460)
1589:1460)
1577:1460)
1565:1460)
1529:1435)
1473:1460)
1461:1455)
1437:1445)
1425:1441)
1418:Pietà
1314:works
985:, 550
944:(PDF)
937:(PDF)
892:, 552
879:, 118
808:, 545
498:When
427:Guild
132:guild
64:, or
4255:Rome
4165:Ranc
3428:Stom
2410:Luna
2006:Goya
1184:ISBN
1153:ISBN
1139:ISBN
1117:ISBN
1103:ISBN
1089:ISBN
1075:ISBN
918:ISBN
667:, 89
183:John
110:The
103:and
58:(or
1792:(c.
1769:(c.
1746:(c.
1734:(c.
1722:(c.
1710:(c.
1698:(c.
1686:(c.
1674:(c.
1651:(c.
1639:(c.
1627:(c.
1597:(c.
1585:(c.
1573:(c.
1561:(c.
1549:(c.
1537:(c.
1525:(c.
1493:(c.
1481:(c.
1469:(c.
1457:(c.
1445:(c.
1433:(c.
1421:(c.
1409:(c.
1397:(c.
1385:(c.
1373:(c.
1361:(c.
1337:(c.
1325:(c.
1241:at
775:".
518:in
399:of
150:).
4325::
4177:–
4155:–
4149:–
4130:–
4124:–
4118:–
4112:–
4106:–
4100:–
4028:–
4022:–
4003:–
3997:–
3988:–
3979:–
3973:–
3964:–
3958:–
3952:–
3946:–
3940:–
3934:–
3928:–
3922:–
3916:–
3910:–
3904:–
3898:–
3889:–
3883:–
3877:–
3871:–
3839:–
3830:–
3824:–
3776:–
3770:–
3764:–
3758:–
3739:–
3733:–
3727:–
3637:–
3618:–
3612:–
3541:–
3535:–
3492:–
3415:–
3409:–
3403:–
3397:–
3391:–
3385:–
3379:–
3373:–
3367:–
3361:–
3355:–
3349:–
3343:–
3337:–
3331:–
3280:–
3271:–
3265:–
3259:–
3253:–
3208:–
3202:–
3157:–
3151:–
3145:–
3139:–
3133:–
3114:–
3066:–
3044:–
3035:–
3026:–
3020:–
3014:–
3008:–
2976:–
2970:–
2964:–
2958:–
2952:–
2946:–
2940:–
2880:–
2874:–
2868:–
2862:–
2856:–
2850:–
2844:–
2838:–
2832:–
2826:–
2807:–
2801:–
2795:–
2789:–
2783:–
2777:–
2771:–
2765:–
2759:–
2753:–
2747:–
2741:–
2735:–
2729:–
2723:–
2717:–
2711:–
2705:–
2699:–
2693:–
2687:–
2681:–
2675:–
2669:–
2663:–
2657:–
2651:–
2645:–
2639:–
2631:–
2625:–
2591:–
2585:–
2579:–
2573:–
2567:–
2561:–
2529:–
2523:–
2517:–
2511:–
2505:–
2499:–
2493:–
2487:–
2481:–
2472:–
2466:–
2460:–
2438:–
2432:–
2400:–
2394:–
2388:–
2382:–
2376:–
2370:–
2364:–
2358:–
2352:–
2346:–
2340:–
2334:–
2328:–
2322:–
2316:–
2310:–
2304:–
2298:–
2292:–
2286:–
2280:–
2274:–
2268:–
2262:–
2256:–
2250:–
2244:–
2225:–
2219:–
2213:–
2207:–
2201:–
2195:–
2189:–
2183:–
2177:–
2171:–
2165:–
2159:–
2153:–
2147:–
2141:–
2135:–
2129:–
2123:–
2117:–
2111:–
2105:–
2099:–
2093:–
2087:–
2081:–
2075:–
2069:–
2063:–
2057:–
2051:–
2045:–
2039:–
2033:–
2027:–
2021:–
2015:–
1237:,
1204:,
1164:.
1045:.
840:^
699:^
571:.
379:,
322:c.
320:,
316:,
260:,
248:,
112:c.
107:.
86:c.
40:c.
1901:e
1894:t
1887:v
1288:e
1281:t
1274:v
1123:.
1055:.
1030:.
953:.
862:"
144:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
