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examining magistrate interrupts the trial and retires with his colleagues. The wife of the court usher assures Josef K. that she would do everything in her power to help him. The student then carries her off. After being told that the investigation of the case will continue, Josef K. curses the High Court and leaves.
491:
One morning, Josef K., a bank clerk, is arrested by two men, Franz and Willem, without being told the reason for his arrest. Franz and Willem go through his belonging inappropriately, to Josef K.'s annoyance. However, the men tell Josef K. that he may continue to work and move freely. Josef K. begins
556:
Josef K. tries to continue work as a bank official, but his trial weighs so heavily on his conscience that he cannot concentrate. A client at the bank, a manufacturer, advises Josef K. to visit painter
Titorelli and ask him for help. Titorelli has painted almost all of the city's notable figures and
546:
Josef K.'s uncle, Albert K., brings him to an old solicitor, who enjoys a high reputation. However, instead of questioning Josef K., the solicitor prefers to chat with Albert K.. Meanwhile, Josef K. is in the next room, and meets Leni, the lawyer's maid. They fall into each other's arms and kiss.
536:
Josef K. finds Franz and Willem in a dimly lit room, being subjected to corporal punishment. Josef K. believes that this is the result of his complaint about their behaviour during the arrest. Suddenly, the passer-by comes down the stairs and orders Josef K. to go directly to the court chancery.
521:
Josef K. finds the High Court with difficulty, arriving one hour late. The court audience eagerly awaits the start of the trial. Josef K. protests furiously at the court's treatment of him. Among the listeners is a student, who suddenly makes improper advances to the wife of the court usher. The
501:
After dinner, Josef K. visits his neighbor, Fräulein Bürstner, and discusses his arrest with her. She sits down at the table and begins to take notes. When there is a knock at the door, she tries to persuade her uninvited guest to leave the room. Josef K. then kisses her passionately.
588:
Josef K. is so desperate that he goes to the cathedral as a last resort. However, the conversation with the priest gives him no consolation. On the contrary, the priest accuses Josef K. him of seeking too much help from strangers, especially women, and that he lacks foresight.
624:. The music quotes at times rhythms from dance music of the early 1950s. The orchestra consists of three flutes (two doubling piccolos), two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba. timpani and percussion, piano and strings.
511:
At night, Josef K. walks on the street, feeling threatened by invisible forces. A stranger walks past him without a word, but then turns around and says that there will be a little investigation regarding his situation next
Saturday. Josef K. should not miss the date.
592:
The stage is then transformed into a quarry. Two men bring in Josef K., and one of them pulls out of his frock coat a large knife. With exquisite courtesy, he passes it over Josef K's head to the other man. Then the stage goes completely dark.
566:
In front of
Titorelli's house, Josef K. has to squeeze himself through a group of violently shrieking girls to enter the studio. Titorelli, a braggart, explains to Josef K. three ways of how the trial could end: by genuine acquittal
183:. The British premiere, attended by the composer Gottfired Von Einem, took place in May 1973, at Bloomsbury Theatre London, in a production, conducted by Leon Lovett, directed by Fuad Kavur.
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in dialogue ("... das
Problem existentieller Schuld, um eine Hinwendung zu einer tiefenpsychologischen und dialogischen Ausdeutung der Erbsünde").
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579:). He advises Josef K. to assess carefully the possibilities and should not lose any time. However, Josef K. is more confused than before.
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152:. Composed over the period 1950 to 1952, this was von Einem's second opera. He dedicated it to the psychologist and theologian
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The opera is scored for soloists and orchestra. The vocal lines are declamatory, using moderately modern
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of the post-war era. The composer said that his work, as Kafka's novel, was to express like a
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aspects of the problem of existential guilt, turning to a psychological interpretation of
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to suffer mental torment because he does not understand what crime he may have committed.
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Fujiwara, Chris (2008). "The World and Its Double: The Life and Work of Otto
Preminger".
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The choice of libretto has been regarded as to express the situation of the
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Politische
Dimensionen einer Komponisten-Biographie im 20. Jahrhundert
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Politische
Dimensionen einer Komponisten-Biographie im 20. Jahrhundert
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as conductor. The US premiere of the opera was in
October 1953 at the
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in two parts, divided into nine scenes, with music by
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1026:Category:Operas by Gottfried von Einem
144:, based on the posthumously published
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554:(The manufacturer – the bank office)
1219:Adaptations of works by Franz Kafka
586:(In the cathedral – in the quarry)
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557:thus has important connections.
552:Der Fabrikant – Büro in der Bank
193:Roles, voice type, premiere cast
916:Gottfried von Einem / Komponist
499:(Fräulein Bürstner – two rooms)
497:Fräulein Bürstner – zwei Zimmer
927:(interview, in German) terz.cc
800:Rutz, Hans (5 February 1953).
770:Rutz, Hans (5 February 1953).
700:In 1948, after the success of
517:Erste Untersuchung – Dachboden
1:
1204:Operas by Gottfried von Einem
207:Premiere cast, 17 August 1953
708:(on Büchner's drama, 1947),
487:Die Verhaftung – zwei Zimmer
690:Jones, Barrie, ed. (2014).
544:(The barrister – two rooms)
519:(First Examination – attic)
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939:Staatspreis für Musik 1965
163:, with stage direction by
1017:
1007:Der Besuch der alten Dame
734:Eickhoff, Thomas (1998).
718:Der Besuch der alten Dame
542:Der Advokat – zwei Zimmer
430:The bank deputy director
325:The examining magistrate
112:
29:
772:"Einem, Gottfried von /
584:Im Dom und im Steinbruch
534:(The Whipper – basement)
489:(The Arrest – two rooms)
338:The wife of the bailiff
80:17 August 1953
841:(in German). New York:
571:), apparent acquittal (
509:(The Subpoena – street)
469:Oskar Czerwenka et al.
117:) is a German-language
1209:Operas based on novels
1199:German-language operas
620:including elements of
573:scheinbaren Freispruch
564:(The painter – studio)
532:Der Prügler – Hausflur
507:Die Vorladung – Straße
103:
22:
941:(in German) Musikzeit
843:Faber and Faber, Inc.
716:(after Kafka, 1953),
622:twelve-tone serialism
466:Two tenors, baritone
441:The hunchbacked girl
746:. pp. 252–253.
744:Franz Steiner Verlag
696:Franz Steiner Verlag
355:Alois Pernerstorfer
976:Gottfried von Einem
780:Boosey & Hawkes
662:Vienna Philharmonic
575:), or protraction (
562:Der Maler – Atelier
256:Alois Pernerstorfer
195:
177:New York City Opera
123:Gottfried von Einem
35:Gottfried von Einem
658:Vienna State Opera
419:The industrialist
290:Fraulein Bürstner
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167:, scene design by
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934:Salzburg Festival
856:978-0-86547-995-1
670:Salzburg Festival
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918:(in German)
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650:Walter Berry
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436:Peter Klein
402:Alfred Poell
390:Endré Koréh
373:The flogger
360:The student
349:The bailiff
303:A passer-by
241:Walter Berry
169:Caspar Neher
158:
110:
101:
100:
99:
62:
44:
15:
1194:1953 operas
1107:(1993 film)
1099:(1962 film)
1080:Adaptations
1067:Franz Kafka
991:Dantons Tod
884:Der Prozess
814:(in German)
710:Der Prozess
706:Dantons Tod
702:Dantons Tod
634:Der Prozess
367:Peter Klein
284:Polly Batic
209:Conductor:
150:Franz Kafka
138: [
70:Franz Kafka
64:Der Process
41:Translation
1188:Categories
1088:Der Prozeß
999:Der Prozeß
891:Gramophone
804:Der Prozeß
776:(1950–52)"
774:Der Prozeß
677:References
642:Max Lorenz
628:Recordings
384:Albert K.
262:The Guard
226:Max Lorenz
203:Voice type
146:1925 novel
104:Der Prozeß
84:1953-08-17
23:Der Prozeß
1112:The Trial
1104:The Trial
1096:The Trial
1072:The Trial
920:Mozarteum
845:pp.
806:als Oper"
714:The Trial
666:Karl Böhm
582:Scene 9,
560:Scene 8,
550:Scene 7,
540:Scene 6,
530:Scene 5,
515:Scene 4,
505:Scene 3,
495:Scene 2,
485:Scene 1,
422:baritone
398:baritone
328:baritone
306:baritone
265:baritone
217:Josef K.
211:Karl Böhm
173:Karl Böhm
113:The Trial
45:The Trial
1150:Break-Up
880:(1996).
811:Die Zeit
660:Chorus;
476:Synopsis
444:soprano
411:soprano
341:soprano
314:A youth
293:soprano
251:baritone
127:libretto
76:Premiere
59:Based on
51:Language
785:13 June
618:harmony
607:parable
279:soprano
247:Willem
82: (
1214:Operas
1164:Portal
1134:(1991)
1010:(1971)
1002:(1953)
994:(1947)
983:Operas
897:29 May
853:
849:–157.
818:29 May
750:
526:Part 2
481:Part 1
433:tenor
363:tenor
317:tenor
232:Franz
171:, and
125:and a
54:German
1178:Opera
1142:Other
1131:Kafka
597:Music
455:bass
408:Leni
387:bass
376:bass
352:bass
221:tenor
199:Role
187:Roles
142:]
119:opera
31:Opera
931:1953
899:2017
851:ISBN
820:2017
787:2017
748:ISBN
236:bass
133:and
1069:'s
847:156
148:by
129:by
68:by
33:by
1190::
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808:.
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863:.
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672:)
567:(
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