Knowledge (XXG)

Der Prozeß (opera)

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examining magistrate interrupts the trial and retires with his colleagues. The wife of the court usher assures Josef K. that she would do everything in her power to help him. The student then carries her off. After being told that the investigation of the case will continue, Josef K. curses the High Court and leaves.
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One morning, Josef K., a bank clerk, is arrested by two men, Franz and Willem, without being told the reason for his arrest. Franz and Willem go through his belonging inappropriately, to Josef K.'s annoyance. However, the men tell Josef K. that he may continue to work and move freely. Josef K. begins
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Josef K. tries to continue work as a bank official, but his trial weighs so heavily on his conscience that he cannot concentrate. A client at the bank, a manufacturer, advises Josef K. to visit painter Titorelli and ask him for help. Titorelli has painted almost all of the city's notable figures and
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Josef K.'s uncle, Albert K., brings him to an old solicitor, who enjoys a high reputation. However, instead of questioning Josef K., the solicitor prefers to chat with Albert K.. Meanwhile, Josef K. is in the next room, and meets Leni, the lawyer's maid. They fall into each other's arms and kiss.
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Josef K. finds Franz and Willem in a dimly lit room, being subjected to corporal punishment. Josef K. believes that this is the result of his complaint about their behaviour during the arrest. Suddenly, the passer-by comes down the stairs and orders Josef K. to go directly to the court chancery.
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Josef K. finds the High Court with difficulty, arriving one hour late. The court audience eagerly awaits the start of the trial. Josef K. protests furiously at the court's treatment of him. Among the listeners is a student, who suddenly makes improper advances to the wife of the court usher. The
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After dinner, Josef K. visits his neighbor, Fräulein Bürstner, and discusses his arrest with her. She sits down at the table and begins to take notes. When there is a knock at the door, she tries to persuade her uninvited guest to leave the room. Josef K. then kisses her passionately.
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Josef K. is so desperate that he goes to the cathedral as a last resort. However, the conversation with the priest gives him no consolation. On the contrary, the priest accuses Josef K. him of seeking too much help from strangers, especially women, and that he lacks foresight.
624:. The music quotes at times rhythms from dance music of the early 1950s. The orchestra consists of three flutes (two doubling piccolos), two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba. timpani and percussion, piano and strings. 511:
At night, Josef K. walks on the street, feeling threatened by invisible forces. A stranger walks past him without a word, but then turns around and says that there will be a little investigation regarding his situation next Saturday. Josef K. should not miss the date.
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The stage is then transformed into a quarry. Two men bring in Josef K., and one of them pulls out of his frock coat a large knife. With exquisite courtesy, he passes it over Josef K's head to the other man. Then the stage goes completely dark.
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In front of Titorelli's house, Josef K. has to squeeze himself through a group of violently shrieking girls to enter the studio. Titorelli, a braggart, explains to Josef K. three ways of how the trial could end: by genuine acquittal
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in dialogue ("... das Problem existentieller Schuld, um eine Hinwendung zu einer tiefenpsychologischen und dialogischen Ausdeutung der Erbsünde").
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The opera is scored for soloists and orchestra. The vocal lines are declamatory, using moderately modern
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of the post-war era. The composer said that his work, as Kafka's novel, was to express like a
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aspects of the problem of existential guilt, turning to a psychological interpretation of
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to suffer mental torment because he does not understand what crime he may have committed.
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Fujiwara, Chris (2008). "The World and Its Double: The Life and Work of Otto Preminger".
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The choice of libretto has been regarded as to express the situation of the
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Politische Dimensionen einer Komponisten-Biographie im 20. Jahrhundert
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Politische Dimensionen einer Komponisten-Biographie im 20. Jahrhundert
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as conductor. The US premiere of the opera was in October 1953 at the
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in two parts, divided into nine scenes, with music by
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(2014). 544:(The barrister – two rooms) 519:(First Examination – attic) 1235: 939:Staatspreis für Musik 1965 163:, with stage direction by 1017: 1007:Der Besuch der alten Dame 734:Eickhoff, Thomas (1998). 718:Der Besuch der alten Dame 542:Der Advokat – zwei Zimmer 430:The bank deputy director 325:The examining magistrate 112: 29: 772:"Einem, Gottfried von / 584:Im Dom und im Steinbruch 534:(The Whipper – basement) 489:(The Arrest – two rooms) 338:The wife of the bailiff 80:17 August 1953 841:(in German). New York: 571:), apparent acquittal ( 509:(The Subpoena – street) 469:Oskar Czerwenka et al. 117:) is a German-language 1209:Operas based on novels 1199:German-language operas 620:including elements of 573:scheinbaren Freispruch 564:(The painter – studio) 532:Der Prügler – Hausflur 507:Die Vorladung – Straße 103: 22: 941:(in German) Musikzeit 843:Faber and Faber, Inc. 716:(after Kafka, 1953), 622:twelve-tone serialism 466:Two tenors, baritone 441:The hunchbacked girl 746:. pp. 252–253. 744:Franz Steiner Verlag 696:Franz Steiner Verlag 355:Alois Pernerstorfer 976:Gottfried von Einem 780:Boosey & Hawkes 662:Vienna Philharmonic 575:), or protraction ( 562:Der Maler – Atelier 256:Alois Pernerstorfer 195: 177:New York City Opera 123:Gottfried von Einem 35:Gottfried von Einem 658:Vienna State Opera 419:The industrialist 290:Fraulein Bürstner 191: 167:, scene design by 1159: 1158: 1033: 1032: 934:Salzburg Festival 856:978-0-86547-995-1 670:Salzburg Festival 569:echten Freispruch 473: 472: 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Index

Opera
Gottfried von Einem
Der Process
Franz Kafka
Salzburg Festival
opera
Gottfried von Einem
libretto
Boris Blacher
Heinz von Cramer
de
1925 novel
Franz Kafka
Oskar Pfister
Salzburg Festival
Oscar Fritz Schuh
Caspar Neher
Karl Böhm
New York City Opera
Otto Preminger
Voice type
Karl Böhm
tenor
Max Lorenz
bass
Walter Berry
baritone
Alois Pernerstorfer
Ludwig Hofmann
soprano

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