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1940s were to become soldiers again in the present. In general, however, both ministries now supported the film, which they considered to be an authentic portrayal of the spirit of German fighter pilots in 1942. They saw and acknowledged in it a general tendency to depict the hardships and problems of the war, while positively honoring the human value of soldierly achievements and comradeship.
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617:(FSK) initially did not approve the film, because it perceived "national socialist tendencies" and, in particular, because it thought that the historical situation was inappropriately distorted. It is neither clear, how the FSK came to that conclusion, nor what made it change its mind, but the film was approved soon after.
251:
The couple go to Rome where
Marseille is to receive a decoration. The distraught Brigitte tries to persuade him to defect, but he returns to North Africa. During a flight over Egypt, his aircraft suffers an engine failure and crashes. Marseille attempts to take to his parachute, but his body is later
595:
The ministry further asked that any reference to Hitler would be left out and that the film would not end with a scene in which
Marseille's fiancé receives the message of his death while teaching a school class. It was perceived that this would lead the audience to conclude that the children of the
587:
was screened to representatives of the German
Ministries of Defence and the Interior on 20 February 1957. The Ministry of Defence asked for several cuts, because it feared the film might be seen as romanticizing wartime events and could provoke the impression that it followed Nazi German propaganda
631:
by claiming that "it was about time that a German production showed how splendid the German fighter pilots actually were, the more so, as we can present the absolute world record holder in this field, the
Captain Hans-Joachim Marseille". The movie premiered on 13 August 1957 in Hannover with
681:
Karena
Niehoff concluded, that the movie might not endorse the Nazis on war, but that it did not explicitly oppose neither. Weidenmann himself claimed in an interview that he was attempting an act of "spiritual cleansing", because "in history there are no completely new beginnings, only
398:), one of the most successful and renowned Nazi propaganda movies. After the war Weidenmann helped Reinecker to reenter the film business. During the 1950s they did several movies of various genres together, among them documentaries, comedies and crime films, but also the spy movie
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The application was turned down, however, because the German
Ministry of the Interior and the Ministry of Defence found fault with the script. The producers managed to raise the production cost of DM 1,3 million by themselves, not at least because they received support from
31:
649:
was criticised by reviewers, however, who had hoped for a critical confrontation with the past. Critics pointed to the past collaborations of director Alfred
Weidenmann and writer Herbert Reinecker and noted the similarities between
372:
had started a productive streak of collaborations in 1941, when
Reinecker had published a historical novel in a series of children's books edited by Weidenmann. Weidenmann had directed his first feature film for the
428:. The Cuban Roberto Zerquera, who was cast by Weidenmann on the spot when they accidentally met on an aircraft, would later make a decades-long career in Germany as a singer under the stage name
1135:
Limburg, Guido (1992). "Fliegen und
Abschießen – Ja, was soll ich da anderes denken? Der Stern von Afrika und der bundesdeutsche Nachkriegs-Kriegsfilm". In Hans-Arthur Marsiske (ed.).
624:) provided for the last DM 300,000 needed for post-production, but ensured that it would not be publicly involved by channeling the money through a private bank and another company.
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244:, and Marseille begins to doubt the usefulness of his operations. He travels to Berlin to receive a high military decoration where he falls in love with a teacher, Brigitte (
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evoked dangerous continuities and was designed to clean up the past from
National Socialism. The FSK was criticized for not restricting the movie to audiences under 18.
459:. Here he used British traveling matte techniques to incorporate model airplanes. Mechanical effects and explosives were designed by Erwin Lange, who had also worked on
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school in Berlin. His squadron is transferred to the Afrika Korps in North Africa. Marseille quickly becomes the most successful fighter pilot.
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commented: "One leaves the movie theatre thinking, that it has been Marseille today, in two years it could be - if one is simply continuing -
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was a box office success. Newspapers reported that the audiences were "most pleasantly shaken", while younger viewers were enthused.
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commented that "now they're flying again, and they're falling again, they do it most discreetly and no blood flows". In the Berlin
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As specialists for propaganda specifically targeting the German youth the two teamed up as writer and director in 1944 to make
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563:. Their film, they claimed, would be indispensable to foster military preparedness in West Germany's war-weary population.
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1110:"Beobachten, bürgen, zensieren. Filmpolitik mit dem Zweiten Weltkrieg in der Bundesrepublik der frühen fünfziger Jahre"
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Hitlerjunge Quex, Jud Süss und Kolberg: Die Propagandafilme des Dritten Reiches. Dokumente und Materialien zum NS-Film
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Moeller, Robert G. (2006). "Victims in Uniform: West German Combat Movies from the 1950s". In Bill Niven (ed.).
447:. In 1941, Bartning had also collaborated with effects cameraman Karl Ludwig Ruppel to make the semidocumentary
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Widerstand im deutschen und niederländischen Spielfilm: Geschichtsbilder und Erinnerungskultur (1943-1963)
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662:). They spoke of the "teutonic glorification" in the film, likened it to the propaganda style under
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The movie was edited by Carl Otto Bartning, who had worked on the Nazi aviation propaganda movies
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in its portrayal of the German war effort and for avoiding an honest confrontation with the past.
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Several actors, who would later become well known stars of German cinema and television such as
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Marianne Koch (actor), Joachim Hansen (actor), Alfred Weidenmann (director) (13 August 1957).
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Hauptmann Hans Joachim Marseille Ein Jagdfliegerschicksal in Daten, Bildern und Dokumenten
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feared that the film would be banned out of political concerns. In fact, in May 1957 the
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Herbert Reineckers Gesamtwerk: Seine gesellschafts- und mediengeschichtliche Bedeutung
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Hans-Joachim Marseille: An Illustrated Tribute to the Luftwaffe's "Star of Africa"
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In June 1957, the Press and Information Agency of the Federal Government (
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was premièred on 13 August 1957 in Berlin and was popular at the German
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provided aircraft, pilots, personnel and any military material needed.
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Critics unanimously agreed that Weidenmann's portrayal of history in
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would not have looked much different if the Nazis had won the war.
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black-and-white German war film portraying the combat career of a
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upon a "factual report" by journalist Udo Wolter in the magazine
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Germans as victims: Remembering the past in contemporary Germany
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483:(1943-44) and would continue to be involved in war movies like
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found in the desert. Brigitte receives the news of his death.
1191:(in German). Schnellbach, Germany: Verlag Siegfried Bublies.
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granted loans for movie projects. In their submission to
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213:. The film was criticised for hewing closely to wartime
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Zeitmaschine Kino: Darstellungen von Geschichte im Film
1089:(in German). Wiesbaden: Deutscher Universitäts-Verlag.
607:. It was once again turned down, most likely because
1068:(in German). Berlin: Schwarzkopf & Schwarzkopf.
1158:. Basingstoke: Palgrave Macmillan. pp. 43–61.
1139:(in German). Marburg: Hitzeroth. pp. 117–125.
557:touted their project as a kind of counterweight to
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Berliner Revisions- und Treuhand Aktiengesellschaft
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1046:Nazi Propaganda Films: A History and Filmography
535:Neue Münchner Lichtspielkunst GmbH - Neue Emelka
225:The film begins shortly before the outbreak of
832:(DVD) (in German). Event occurs at 1 minute.
614:Freiwillige Selbstkontrolle der Filmwirtschaft
492:Stalingrad: Dogs, Do You Want to Live Forever?
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864:(in German). Berlin: De Gruyter. p. 70.
8:
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1511:Biographical films about military personnel
1114:Tel Aviver Jahrbuch für deutsche Geschichte
240:His unit loses more and more pilots to the
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1556:World War II films based on actual events
1049:. Jefferson, North Carolina: McFarland.
592:was somehow provoked by Polish attacks.
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1120:. Göttingen: Wallstein Verlag: 62–91.
1064:Giesen, Rolf; Hobsch, Manfred (2005).
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1571:Films scored by Hans-Martin Majewski
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376:Reichspropagandaleitung of the NSDAP
1521:Films directed by Alfred Weidenmann
1176:. Atglen, PA: Schiffer Publishing.
14:
1561:Biographical films about aviators
199:, whose film career began in the
1526:Films shot in the Canary Islands
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627:The film distributor advertised
348:(as Roberto Zerquera) as Mathias
603:applied for a final grant from
424:, made their screen debut with
632:Marseille's mother attending.
405:Reinecker based his script of
1:
1444:Maigret and His Greatest Case
1340:Kitty and the Great Big World
336:as the French billiard player
313:as the director of the school
1468:The Rider on the White Horse
1452:Under the Roofs of St. Pauli
1551:World War II aviation films
1536:1950s German-language films
547:Federal Republic of Germany
1592:
1428:Shots in Threequarter Time
1104:Hugo, Philipp von (2003).
537:. To finance the picture,
1576:German-language war films
1531:German biographical films
1324:Heaven Is Never Booked Up
1302:
666:and speculated that the
169:
28:
1496:1950s biographical films
858:Temming, Tobias (2016).
778:Giesen & Hobsch 2005
354:as Unteroffizier Strauch
117:13 August 1957
1083:Helbig, Volker (2007).
599:With that endorsement,
342:as Hauptmann Krusenberg
229:with Jochen Marseille (
1516:Films set in the 1940s
1436:I Am Looking for a Man
1187:Wübbe, Walter (2001).
441:Kampfgeschwader Lützow
319:as Unteroffizier Klein
185:Hans-Joachim Marseille
1506:German aviation films
1172:Tate, Robert (2008).
1043:Giesen, Rolf (2003).
684:Frankfurter Rundschau
323:Hans Hermann Schaufuß
311:Siegfried Schürenberg
307:as Marseille's father
301:as Marseille's mother
1348:Der Stern von Afrika
1254:Der Stern von Afrika
1242:Der Stern von Afrika
829:Der Stern von Afrika
695:Der Stern von Afrika
682:continuations." The
668:Der Stern von Afrika
647:Der Stern von Afrika
641:Der Stern von Afrika
629:Der Stern von Afrika
585:Der Stern von Afrika
531:Der Stern von Afrika
523:(wing commander) of
474:Quax the Crash Pilot
457:Der Stern von Afrika
455:). Ruppel worked on
426:Der Stern von Afrika
407:Der Stern von Afrika
207:Der Stern von Afrika
195:and was directed by
165:Der Stern von Afrika
87:Hans-Martin Majewski
22:Der Stern von Afrika
1420:Who Wants to Sleep?
884:Wübbe 2001, p. 387.
768:, pp. 251–254.
744:, pp. 119–120.
675:Süddeutsche Zeitung
583:A first version of
560:Des Teufels General
520:Geschwaderkommodore
330:as Major Schliemann
299:Gisela von Collande
265:as Jochen Marseille
1566:1950s German films
1294:Films directed by
590:invasion of Poland
545:through which the
501:(1959) as well as
170:The Star of Africa
24:The Star of Africa
1546:West German films
1478:
1477:
1296:Alfred Weidenmann
1182:978-0-7643-2940-1
1165:978-1-4039-9043-3
1146:978-3-89398-111-3
1127:978-3-89244-657-6
1106:Zuckermann, Moshe
1096:978-3-8350-6093-7
1056:978-0-7864-3870-9
1029:, pp. 50–51.
983:, pp. 48–49.
920:, pp. 82–93.
896:, pp. 80–81.
871:978-3-11-045878-7
573:Spanish Air Force
525:Jagdgeschwader 27
370:Alfred Weidenmann
366:Herbert Reinecker
317:Christian Doermer
295:as Major Niemeyer
289:as Answald Sommer
197:Alfred Weidenmann
187:. The film stars
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52:Herbert Reinecker
42:Alfred Weidenmann
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1541:German war films
1404:Condemned to Sin
1364:The Buddenbrooks
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1219:Film portal
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766:Helbig 2007
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730:Giesen 2003
718:Helbig 2007
660:Junge Adler
555:Neue Emelka
541:applied to
539:Neue Emelka
507:(1957) and
504:The Vikings
477:(1941) and
422:Horst Frank
392:Junge Adler
379: [
334:Erich Ponto
328:Albert Hehn
281:Horst Frank
271:as Brigitte
38:Directed by
1491:1957 films
1485:Categories
838:B00005NOWN
701:References
498:Die Brücke
437:Feuertaufe
360:Production
340:Carl Lange
215:propaganda
211:box office
168:(English:
121:1957-08-13
94:Production
48:Written by
1372:Boomerang
1308:I and You
930:Hugo 2003
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843:5 October
706:Citations
636:Reception
510:Cleopatra
387:in 1942.
235:Luftwaffe
181:Luftwaffe
16:1957 film
1356:Scampolo
664:Goebbels
609:Treuhand
605:Treuhand
551:Treuhand
495:(1958),
489:(1957),
471:(1941),
465:(1938),
402:(1954).
201:Nazi era
152:Language
83:Music by
59:Starring
1316:Canaris
1108:(ed.).
579:Release
480:Kolberg
400:Canaris
364:Writer
172:) is a
142:Country
137:99 min.
119: (
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866:ISBN
845:2011
834:ASIN
673:The
654:and
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221:Plot
191:and
174:1957
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