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the recent transformation in German hip hop. Scholars have argued that the Old School German hip hop "scene was musically and vocally oriented to
American role models. Rhymes were written in English; funk and soul samples dominated musical structures". However, Old Schoolers themselves contend that it is the New School German rap artists who have been "Americanized," and therefore lack the authenticity of the struggle of the ghetto in West Germany. The German old school acknowledged that there were many differences between the situation in the United States and the situation in Germany, and aimed at expressing the concept of "realness," meaning to "be true to oneself". Different from the US hip hop's equating "realness" with a tougher "street credibility," many raps that came out of the old school German hip hop "address this issue and reject unreflected imitation of US hip hop as clichés and as the betrayal of the concept of realness". Furthermore, the Old School of German hip hop may have been seen as representing "a critique of White America" because of its modeling after US hip hop; however, Old schoolers dispute that hip hop in Germany was about the oppression of people in Germany. One Old School artist, DJ Cutfaster lamented that, "Most people have forgotten that hip hop functions as a mouthpiece against violence and oppression and ultimately against the ghetto, which has become the metaphor for the deplorable state of our world". Contrary to the New School hip hop's attempts to crossover into the mainstream popular culture, the Old School "envisioned and propagated hip hop as an underground community that needed to keep its distance from and to create resistance to mainstream culture in order to avoid co-optation".
894:. They sought to appropriate hip hop from its foreign framework, and use it to bring a voice to historical and contemporary problems in Germany. The shift of rapping from English into German increased hip hop's appeal to the German people, Gastarbeiter (guest workers) included. Growing self-confidence among Germany's immigrant population coincided with the use of the German language in German hip hop, and provided them with a vocal outlet in line with the plight of poor African Americans, out of which hip hop had originally emerged.
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1156:. Within the Turkish community only 5% of its people were of age 60 or older. Such statistics give justification for why hip hop may have flourished in Germany; many of the people were young. Furthermore, German hip hop, much like many other countries, was heavily influenced by the western world. During that time, a rises of anti-immigrant feelings resulted in the acts of arson and murder against the Turkish
824:. "The hardcore hip-hop fans that remained after the breakdance craze faded from the media were central to the further development of hip hop in Germany-they supplied much of the personnel for the important rap groups that began to develop in the late 1980s and early '90s." "Graffiti and breakdancing came out big but it only lasted for a short period of time. But hip hop survived in the underground."
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844:: that is to say, as a movement that emulated the culture of the United States at the expense of their native German cultural traditions. The influence of American hip hop artists remains strong even in today's German language hip hop scene: music videos rely on similar symbols of power and affluence, such as cars and jewelry.
1242:, Germany. This year, they released the first-ever Turkish language rap track in, named "Bir Yabancının Hayatı" (Life of a Foreigner). Two years later, they released classic tracks like "Cehenneme HoĆgeldin" (Welcome to Hell) and the controversial "Defol Dazlak" (Begone Skinhead), which was released as a
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Despite common notions of the Old School German hip hop's emulation of US hip hop styles and the New School's attempt to rap about crime and violence, some "Old
Schoolers" feel that the New School has, in fact, forgotten about its roots. Old School supporters and Scholars disagree on the nature of
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Today, the German hip hop scene is a reflection of the many dimensions that
Germany has come to represent in a unified image of Europe. Everything from "migrant hip hop," which is known as hip hop from the large Turkish immigrant population, to the more humour-based groups paint a portrait of a
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consisted of hip hop songs from the United States, United
Kingdom, and Germany. The influx of immigrants into Germany caused an adverse effect on employment and wages. It was found that immigrants and native Germans were imperfect substitutes for each other, while old and new immigrants were
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were rapped about often. Immigrant teenagers commonly use rap and hip hop as a way to defend themselves in their new countries. "Since honour cannot be gained, but only lost, a permanent readiness to fight is required. Thus social approval is acquired by actually defending one's honour or by
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The multilingual and multinational group TCA- The
Microphone Mafia is an example of 'Oriental Hip Hop in the German Diaspora'. They combine Spanish, Italian, Turkish and German raps with live music and samples of traditional music from all the previously named countries.
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every tenth citizen was a foreigner." Of those 97% of immigrants in the
Western part of Germany over 1.5 million of them originated from a European country. For example, the community with the largest number of immigrants (roughly 1.9 million people) was the
1143:. This could be because of the large immigrant population there at the time. "By 1994, the number of immigrants living in Germany had reached 6.9 million. 97 per cent of all immigrants were resident in the western part of the country, which meant that in the former
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exhibiting abilities such as the willingness to face physical encounter, talkativeness and humour... According to the rules of the game, the first one to whom nothing clever comes to the mind is the loser. This concept is quite similar to 'dissing' in rap."
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In
October 2006, what is thought to be the first US-released commercial compilation of German hip hop (and reggae), "Big Up Berlin," was released in the US. It received 4.5 of 5 stars in All Music Guide (now known as All Music) and featured artists such as
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who grew up in comparatively poor or "tough" neighborhoods, which has become an influential hip hop narrative. Identification with their roots in neighborhoods remains an important aspect of the identity of individual rappers and their "crews".
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Brown, Timothy S. "âKeeping it Realâ in a
Different âHood: (African-) Americanization and Hip-hop in Germany.â In The Vinyl Ainât Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 139
1246:. "Big Porno Ahmet" joined the group as a producer/beatmaker. Shortly, the success of Karakan spread beyond the borders of Germany and the group started to get well known within the European hip hop scene. During jams, they met Cinai Sebeke (
1250:) and Erci-E. Together, they established the legendary group CARTEL and released a compilation album in 1995. In 1997, KARAKAN finally released his first official album "Al Sana Karakan" and shot 2 videos, which marked a high point in
1047:, were inspired to begin rapping in German following a six-month visit to the United States. It became apparent that they had nothing in common with U.S. rappers and their essentially middle-class upbringing was foreign to that of the
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and the German "ghetto". Using this language in their music, some academics have argued, enables them to levy criticism and protest aspects of society and politics that they perceive as having disadvantaged them and their communities.
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dedicated to rap for both political and artistic reasons. Rap has been able to succeed in
Germany not just due to a different national culture of the U.S., but also because people are responding to other racial and
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Brown, Timothy S. "âKeeping it Realâ in a
Different âHood: (African-)Americanization and Hip Hop in Germany.â The Vinyl Ainât Final: Hip Hop and the Globalization of Black Popular Culture, 137â150, 1997
980:. The album featured fifteen songs â three in German, eleven in English, and one in French. The album was produced by DJ Michael Reinboth, a popular hip hop DJ at that time. Michael Reinboth moved to
1195:' to describe the process of borrowing cultural ideas and integrating them into a new society. German hip hop did just this as it took US hip-hop and gave it a new meaning and identity in
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Rollefson, J. Griffith. Flip the Script: European Hip Hop and the Politics of Postcoloniality. Chicago: University of Chicago Press, Chicago Studies in Ethnomusicology Series, 2017.
929:(Foreign in Your Own Country). This song was immensely popular because it directly addressed the issue of immigrants in Germany: "In the video of the song, a band member brandishes a
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905:, Germany. As they were one of the few early hip hop groups to rap in English, they were extremely influential in promoting the hip hop scene in Germany. More importantly, however,
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rap was 70% import to 30% domestic, but domestic was increasing rapidly. CD's had practically taken over the market in Germany and cassettes were almost out and were just used for
834:. Originally most German rappers relied on English language lyrics, a fact which has led some academics and groups of the German public to interpret the emergence of hip hop in
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Elflein, Dietmar. "From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany." Popular Music, Vol. 17, No. 3. (Oct. 1998), pp. 255â265.
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and Hip-hop in Germany." In The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 137-50. London; A
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This was also a time that a lot of immigrants were moving to Germany and they all came with their own culture which contrasted with or added to that of Germany.
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Brown, Timothy S.'Keeping it Real' in a Different 'Hood': (African)Americanization and Hip Hop in Germany. The Vinyl Ain't Final 137-50. London; Athlone, 1997
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in a symbolic challenge to traditional assumptions about what it means to be German. If the passport is not enough, the video implies, then what is required?
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in 1990, many Germans saw a growing wave of racism. Because many hip hop artists were children of immigrants, this became a major theme of German hip hop.
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Pennay, Mark. "Rap in Germany: The Birth of a Genre." In Global Noise: Rap and Hip-Hop Outside the USA, 121. Middletown: Wesleyan University Press, 2001.
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German hip hop, and its album packaging reflected this. "The cover was designed in the colours of the national flag (black, red and yellow), and the
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Elflein, D. (1998). "From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany." Popular Music, Vol. 17(3); 257
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Adelt, Ulrich "Ich bin der Rock'n'Roll-Ubermensch": globalization and localization in German music television Popular Music and Society, July 2005,
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achieved commercial success and helped to pioneer hip hop music in Germany, they were contested for sounding "too American." The group's lack of
1206:, however, is not the only type of rap that has developed in Germany. Some of the most innovative rap music in Germany is made by Germans or by
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1055:. "The group subsequently decided to concentrate on issues they saw around them, using their own language, rather than aping American styles."
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After this initial wave of popularity, hip hop fans were few and far between. However, the fans that did remain would play a role in the
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gained popularity. German hip hop was heavily influenced by films, leading to a strong emphasis on visual and cultural elements such as
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began in 1990, the hip hop scene began to flourish. As one German remembers on a visit to the US in 1986, things were much different.
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Elflein, Dietmar (October 1998). "From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany".
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Elflein, Dietmar (October 1998). "From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany".
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coming into the country. Immigration became a big issue in hip hop albums at this point. The German synonym for an immigrant is
886:. Die Fantastischen Vier saw English rap in Germany as meaningless loyalty to "surface elements" of U.S. rap, and devoid of any
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Elflein, Dietmar (1998). "From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany".
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of immigrants who, as the song said, might be German on paper, but not in real life" In 1992 the group released the single
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882:(the Fantastic Four) are another important German hip hop group, who also began to rap in German around the same time as
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sound and lighthearted lyrics have brought them fame both in Germany and abroad. Apparently, original crew members
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in and of itself. Though at the time of the release of the movie, it did not have a great overall impact, once
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Von Dirke, S. (2000). "Hip Hop Made in Germany: From Old School to the Kanaksta Movement.â German Pop Culture.
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sentiment in Germany. Amongst the angst of this period, the content of German hip hop started to become more
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read as follows: 'Now is the time to oppose somehow the self confidence of the English and the American.'"
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Karakan also emerged in the German hip hop scene. In 1991, Alper Aga & Kabus Kerim formed the group in
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1008:(Niggaz with Attitude), one of the most controversial hip hop groups of the time in the United States.
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exploded onto the German hip hop scene in November 1992 with their first mixed single entitled
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Das Album zum Buch mit Klassikern aus der Anfangsphase des deutschen Hip Hop. laut.de-Kritik
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has been noted as one of the first to incorporate social critiques of growing prejudice and
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delivery and material informed the ways in which they were viewed as a trite pop group.
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Heimberger, Boris. "Hip Hop in Germany." In The bomb Hip Hop Magazine. April 1996
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https://moodle.brandeis.edu/file.php/3404/pdfs/elflein-krauts-turks-attitude.pdf
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German Rap Keeps it Real | Culture & Lifestyle | Deutsche Welle | 26.02.2006
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was a prominent hip hop group, because of the ethnic diversity of the members.
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Elflein, Dietmar. From Krauts with Attitude to Turks with Attitude. Oct. 1998.
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2012:"Die zehn besten Songs von Nina Hagen â Die Top Ten der "Godmother Of Punk""
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continued to influence the German scene, influencing emergent acts such as
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Die Goldenen Zitronen & Easy Business & IQ â 80.000.000 Hooligans
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https://moodle.brandeis.edu/file.php/3404/pdfs/brown-hip-hop-germany.pdf
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D'Amuri, Francesco; Ottaviano, Gianmarco I. P.; Peri, Giovanni (2010).
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did not exist in Europe at the time, and the scene was still very much
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http://findarticles.com/p/articles/mi_m2822/is_3_28/ai_n14793364/pg_11
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Brown, Timothy S. "âKeeping it Realâ in a Different âHood: (African-)
1969:"Thomas Gottschalk war der erste deutsche RapperâAuch wenn es weh tut"
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is considered one of the first German hip hop albums, as it features
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2492:"Big Up Berlin: Best of German Hip Hop and Reggae â Various Artists"
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Step into German â Die Toten Hosen (Music Podcast 2014/8 Transcript)
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German Hip-Hop 1: Advanced Chemistry « Leave Your Nine At Home
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During 1992â93 many acts of protest occurred in the wake of rising
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Billboard â Music Charts, News, Photos & Video | Billboard:
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When not rapping in English, many German rappers employ a
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German rappers who reached No. 1 on German single charts
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Shofar: An Interdisciplinary Journal of Jewish Studies
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In the early 1990s, hip hop established itself in the
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German rappers with most No. 1 on German album charts
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interchangeable exposing an inelastic labor market.
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2140:Popular Culture: Global Intercultural Perspectives
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2010:Kratochwill, Kerstin (10 March 2020).
4322:LGBT representations in hip hop music
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1813:K.I.Z. (rappers: Tarek, Nico, Maxim)
60:adding citations to reliable sources
847:Many German hip hop artists are of
675:Early underground artists included
1819:(rappers: Torch, Toni L, Linguist)
25:
2283:Compost Records: Michael Reinboth
1175:; the equivalent to the American
519:Nationalistic and patriotic songs
4340:
4339:
2594:World Hip hop music on the whole
2551:Arbeitstexte fĂŒr den Unterricht.
2395:10.1016/j.euroecorev.2009.10.002
1939:List of German hip hop musicians
1923:
1909:
972:In 1991, the German music label
809:. Moreover, there was a lack of
137:
36:
2558:20 Jahre HipHop in Deutschland.
47:needs additional citations for
1998:Goethe-Institute San Francisco
1810:(rappers: Das Bo, Tobi Tobsen)
702:In addition to films, such as
1:
867:of German developed in these
764:also raps in her 1983 single
382:Rock am Ring and Rock im Park
4327:Feminist activism in hip hop
1996:. Article on the website of
949:second generation immigrants
4317:Partner violence in hip hop
2556:Sascha Verlan, Hannes Loh:
2345:, 22 February 2002 (German)
2177:https://europeanhiphop.org/
1975:(in German). 16 August 2016
1145:Federal Republic of Germany
4386:
2567:Hannes Loh, Murat GĂŒngör,
2039:Chart History â Nina Hagen
1164:. In 1993 German hip hop "
1103:rock-hip-hop collaboration
689:Rödelheim Hartreim Projekt
642:meaning German) refers to
478:Neue Zeitschrift fĂŒr Musik
4335:
3781:Bosnian and Herzegovinian
2794:Bristol underground scene
2645:
2443:10.1017/S0261143000008539
2253:10.1017/S0261143000008539
2000:, Retrieved 3 April 2020.
771:, the English version of
758:EisgekĂŒhlter Bommerlunder
699:beyond the music itself.
423:Radio stations in Germany
2385:(Submitted manuscript).
2382:European Economic Review
1227:and musical background.
1168:" with the emergence of
942:reunification of Germany
361:GfK Entertainment charts
2578:, Hannibal Verlag, 2000
2571:, Hannibal Verlag, 2002
1012:was the first album to
345:MTV Europe Music Awards
340:Eurovision Song Contest
2569:Fear of a Kanak Planet
2563:Hannibal Verlag, 2000
1060:Die Fantastischen Vier
1029:Die Fantastischen Vier
1004:. The title refers to
1002:Die Fantastischen Vier
880:Die Fantastischen Vier
785:These hip hop movies -
685:Die Fantastischen Vier
464:Musik und Gesellschaft
3495:Alternative reggaeton
2774:Universal Zulu Nation
2337:Stefan Johannesberg:
1111:Die Goldenen Zitronen
1095:Fremd im eigenen Land
927:Fremd im eigenen Land
366:Deutsche Black Charts
318:Media and performance
4260:Contemporary R&B
4069:Minneapolis/St. Paul
2480:Karakan, myspace.com
2137:Brooks, Ann (2014).
1130:80 Million Hooligans
1126:80 000 000 Hooligans
1113:, together with the
1049:cultural environment
1031:, four rappers from
1010:Krauts with Attitude
998:Krauts with Attitude
992:music to the Munich
976:released the record
841:cultural imperialism
799:German reunification
780:Hot Dance Club Songs
662:in the early 1980s.
450:Melodie und Rhythmus
56:improve this article
2864:Chopped and screwed
2769:Five-Percent Nation
2599:12 May 2020 at the
2288:5 July 2008 at the
2197:. 25.1 (2006) 33â62
2187:Loentz, Elizabeth.
1800:Beginner (rappers:
1797:, Maxwell, LX, Sa4)
1674:KMN Gang (rappers:
1193:recontextualization
750:rap rock crossovers
277:VolkstĂŒmliche Musik
248:Neue Deutsche HĂ€rte
229:Neue Deutsche Welle
2076:Hip Hop In Germany
1873:Bass Sultan Hengst
1817:Advanced Chemistry
1808:FĂŒnf Sterne deluxe
1573:AK Ausserkontrolle
1083:Advanced Chemistry
1064:socially conscious
996:. His compilation
990:Old school hip hop
923:Advanced Chemistry
907:Advanced Chemistry
899:Advanced Chemistry
884:Advanced Chemistry
836:German pop culture
734:The Sugarhill Gang
712:German pop culture
681:Advanced Chemistry
634:(locally known as
397:Hurricane Festival
4357:
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3505:
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3391:
3390:
3141:
3140:
2721:Feminist activism
2494:. 1 November 2006
2150:978-1-137-42672-7
1787:187 Strassenbande
1208:underground crews
1154:Turkish community
1087:racism in Germany
919:ethnic background
795:cultural movement
769:New York New York
746:Hip Hop Bommi Bop
726:Thomas Gottschalk
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1181:Viva's freestyle
1075:anti-immigration
901:originated from
888:German political
828:American hip hop
811:European hip hop
730:Rapper's Delight
722:Rapper's Deutsch
658:, diffused into
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209:Electronic music
161:German composers
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1695:Celo & Abdi
1682:, Miami Yacine)
1629:
1611:Katja Krasavice
1390:
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1264:
1262:2000 to present
1252:Turkish hip hop
1233:
1213:ethnic cultures
1191:used the term '
1121:, released the
1091:marginalisation
970:
931:German passport
857:German citizens
822:hip hop culture
773:New York / N.Y.
766:New York / N.Y.
742:Die Toten Hosen
673:
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648:hip hop culture
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374:Music festivals
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3353:Romany hip hop
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3308:Hip hop galsen
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3614:South African
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3597:Port Harcourt
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3378:Vigilante rap
3376:
3374:
3371:
3369:
3366:
3364:
3361:
3359:
3356:
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3351:
3349:
3348:Nuyorican rap
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3148:Fusion genres
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2901:Freestyle rap
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2859:Chipmunk soul
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2437:(3): 255â65.
2436:
2432:
2431:Popular Music
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2241:Popular Music
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2089:Popular Music
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1473:Other artists
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1135:
1134:reunification
1131:
1127:
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1120:
1119:Easy Business
1116:
1112:
1108:
1105:emerged. The
1104:
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1003:
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983:
979:
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965:
962:
961:guest workers
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818:resuscitation
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645:
644:hip hop music
641:
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585:
584:Liechtenstein
582:
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577:
576:
575:
574:
571:Related areas
569:
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492:Sonic Seducer
489:
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305:Schuhplattler
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135:
126:
123:
115:
112:February 2012
104:
101:
97:
94:
90:
87:
83:
80:
76:
73: â
72:
68:
67:Find sources:
61:
57:
51:
50:
45:This article
43:
39:
34:
33:
30:
19:
4344:
4292:Hip hop skit
4287:Drum machine
4248:Other topics
4141:
4042:Philadelphia
4016:
3832:
3485:Funk carioca
3435:Ghetto house
3293:Boomba music
3183:Hip hop soul
3096:Sample drill
3091:Jersey drill
2918:Instrumental
2575:
2574:David Toop,
2568:
2562:
2557:
2550:
2532:
2496:. Retrieved
2486:
2475:
2434:
2430:
2424:
2413:
2386:
2380:
2370:
2359:
2350:
2333:
2321:
2316:
2305:
2296:
2278:
2269:
2244:
2240:
2234:
2222:
2211:
2202:
2192:
2183:
2171:
2139:
2132:
2123:
2092:
2088:
2082:
2038:
2032:
2019:. Retrieved
2016:Artistdirect
2005:
1997:
1989:
1977:. Retrieved
1972:
1963:
1953:
1877:Schwesta Ewa
1847:Moses Pelham
1457:Shirin David
1450:
1449:
1438:
1437:
1428:
1427:
1416:
1415:
1404:
1403:
1392:
1391:
1350:
1349:
1328:
1327:
1316:
1315:
1304:
1303:
1289:
1285:
1283:and others.
1265:
1256:
1237:
1234:
1221:black copies
1186:
1180:
1177:Yo! MTV Raps
1173:'s Freestyle
1169:
1141:West Germany
1138:
1129:
1125:
1118:
1072:
1057:
1053:U.S. hip hop
1022:
1009:
997:
986:Garage House
973:
971:
960:
959:, and these
957:guest worker
956:
953:Gastarbeiter
946:
939:
935:German Blood
926:
922:
906:
898:
896:
878:
862:
846:
839:
832:Rock Da Most
826:
815:
790:
786:
784:
777:
772:
768:
754:Fab 5 Freddy
721:
717:
716:
701:
697:breakdancing
674:
656:breakdancing
639:
635:
631:
630:
504:
497:
490:
483:
476:
469:
462:
457:Metal Hammer
455:
448:
441:
434:
427:
407:Summerbreeze
353:Music charts
327:Music awards
213:
197:Thrash metal
177:Church music
118:
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
4312:Video vixen
4307:Synthesizer
4280:Turntablism
4265:Disc jockey
4198:New Zealand
3978:Palestinian
3873:Montenegrin
3664:Bangladeshi
3659:Azerbaijani
3398:Derivatives
3383:Zenji flava
3358:Songo-salsa
3288:Bongo flava
3168:Country rap
3056:Memphis rap
3039:Mafioso rap
3034:Gangsta rap
3009:Underground
3004:Turntablism
2928:Chicano rap
2830:Hipster hop
2825:Alternative
2404:10419/40672
2027:(in German)
1897:Denots Crew
1829:Samy Deluxe
1721:Moe Phoenix
1583:Kasimir1441
1399:Capital Bra
1244:Maxi Single
1204:gangsta rap
1189:John Clarke
1149:West Berlin
1123:maxi-single
1115:US-American
1079:politicized
1066:topics and
1018:liner notes
1014:nationalize
917:and German
869:communities
853:Arab-German
807:underground
791:Beat Street
708:Beat Street
589:Switzerland
555:Local forms
415:Music media
295:Guggenmusik
192:Heavy metal
27:Music genre
4193:Australian
4172:Salvadoran
4108:West Coast
4054:Midwestern
4032:New Jersey
4022:East Coast
3868:Macedonian
3843:Portuguese
3736:Sri Lankan
3726:Philippine
3691:Indonesian
3634:Zimbabwean
3609:Senegalese
3447:Glitch hop
3440:Ghettotech
3409:Electronic
3298:Cumbia rap
3258:Trap metal
3193:Industrial
3108:Latin trap
3067:Trap music
3051:Horrorcore
2994:Snap music
2978:Religious
2945:Mumble rap
2940:Miami bass
2896:East Coast
2789:Golden age
2784:New school
2779:Old-school
2743:Production
2696:Battle rap
2679:Beatboxing
2576:Rap Attack
2247:(3): 255.
1979:19 January
1945:References
1822:Manuellsen
1789:(rappers:
1760:Alligatoah
1736:Ali Bumaye
1688:(rappers:
1643:Haftbefehl
1616:BadmĂłmzjay
1553:Summer Cem
1520:RAF Camora
1501:Farid Bang
1423:Apache 207
1405:12 Singles
1393:22 Singles
1367:RAF Camora
1357:Farid Bang
1345:Kool Savas
1277:Kool Savas
1166:globalized
1068:simplistic
1037:optimistic
1025:mainstream
994:club scene
940:After the
903:Heidelberg
897:The Group
873:immigrants
787:Wild Style
762:Nina Hagen
718:GLS United
704:Wild Style
650:, such as
636:Deutschrap
471:Musikmarkt
335:ECHO Award
272:Volksmusik
187:Electronic
82:newspapers
18:Deutschrap
4255:Auto-Tune
4235:Colombian
4218:Brazilian
4157:Dominican
4113:Northwest
4074:Wisconsin
4027:Baltimore
3933:Ukrainian
3913:Slovenian
3878:Norwegian
3853:Icelandic
3848:Hungarian
3803:Bulgarian
3741:Taiwanese
3731:Singapore
3721:Pakistani
3711:Mongolian
3706:Malaysian
3619:Tanzanian
3577:Mauritian
3490:Reggaeton
3462:Freestyle
3418:Breakbeat
3283:Afroswing
3249:Rap metal
3228:Rap opera
3188:Hip house
3076:Afro trap
3029:Dirty rap
2982:Christian
2967:Conscious
2962:Political
2889:Crunkcore
2874:Cloud rap
2805:Subgenres
2733:Festivals
2467:143592704
2451:1474-0095
2261:143592704
2095:(3): 257.
1882:Money Boy
1862:Sun Diego
1802:Jan Delay
1773:Ferris MC
1765:Dendemann
1739:PA Sports
1716:Baba Saad
1653:Eko Fresh
1621:Kitty Kat
1549:KC Rebell
1539:Trettmann
1451:5 Singles
1439:6 Singles
1429:8 Singles
1417:9 Singles
1372:KC Rebell
1305:10 Albums
1240:Nuremberg
1231:1995â2000
1107:punk rock
1099:non-white
1058:Although
1033:Stuttgart
974:Bombastic
968:1990â1995
778:Billboard
738:punk rock
671:1980â1990
267:Volkslied
252:Krautrock
182:Classical
4364:Category
4347:Category
4270:DJ mixer
4223:BrasĂlia
4184:Oceanian
4147:Canadian
4086:Southern
3988:Tunisian
3973:Lebanese
3958:Egyptian
3888:Romanian
3808:Croatian
3796:Scottish
3771:Austrian
3766:Albanian
3757:European
3716:Nepalese
3696:Japanese
3654:Armenian
3624:Togolese
3604:Nigerien
3592:Nigerian
3587:Namibian
3582:Moroccan
3572:Malawian
3557:Ghanaian
3547:Botswana
3542:Beninese
3532:Algerian
3457:Illbient
3363:Scam rap
3338:Motswako
3323:Igbo rap
3274:Regional
3263:Nu metal
3238:Trip hop
3233:Rap rock
3218:Punk rap
3198:Jazz rap
3101:UK drill
3020:Hardcore
2999:Southern
2955:Chap hop
2950:Nerdcore
2852:Road rap
2837:Boom bap
2716:Feminism
2711:Activism
2672:Emceeing
2665:Graffiti
2651:Breaking
2597:Archived
2498:4 August
2286:Archived
1903:See also
1866:Genetikk
1852:Taktloss
1804:, Denyo)
1791:Bonez MC
1780:Favorite
1769:Prinz Pi
1698:DĂș Maroc
1678:, Nash,
1671:Metrickz
1668:Hasan K.
1661:Alpa Gun
1558:Kalazh44
1498:Kollegah
1484:Marteria
1445:Loredana
1434:Bonez MC
1362:Bonez MC
1351:5 albums
1340:Kontra K
1329:6 albums
1323:Kollegah
1317:9 albums
1217:domestic
1162:firebomb
1045:Thomas D
1035:, whose
693:graffiti
687:and the
654:art and
652:graffiti
310:Yodeling
262:Schlager
204:Highlife
4302:Sampler
4230:Chilean
4167:Mexican
4162:Haitian
4096:Memphis
4091:Atlanta
4064:Detroit
4059:Chicago
3993:Turkish
3968:Israeli
3963:Iranian
3923:Swedish
3918:Spanish
3903:Serbian
3898:Russian
3863:Italian
3823:Finnish
3786:British
3776:Belgian
3674:Chinese
3669:Burmese
3629:Zambian
3562:Ivorian
3552:Gambian
3537:Angolan
3523:African
3368:Stronda
3333:Low bap
3318:Hiplife
3208:Pop rap
3178:Emo rap
3173:Electro
3159:General
3133:UK trap
2911:Jerkin'
2869:Chopper
2847:British
2816:General
2762:History
2748:Theater
2706:Fashion
2689:Culture
2638:Hip hop
2354:Elflein
2343:laut.de
2327:Discogs
2021:3 April
1958:London;
1887:Chakuza
1839:B-Tight
1742:Kianush
1704:Hanybal
1701:MC Rene
1692:, Nura)
1534:Luciano
1517:Bushido
1510:Olexesh
1494:Kay One
1311:Bushido
1295:Artists
1269:Bushido
1147:and in
915:Haitian
865:dialect
820:of the
813:clubs.
677:Cora E.
666:History
640:Deutsch
579:Austria
256:Ostrock
214:Hip hop
96:scholar
4118:Alaska
3998:Yemeni
3953:Arabic
3908:Slovak
3893:Romany
3883:Polish
3833:German
3828:French
3791:Celtic
3701:Korean
3679:Indian
3567:Kenyan
3328:Kwaito
3046:G-funk
2987:Jewish
2879:Comedy
2842:Bounce
2753:Genres
2465:
2459:852956
2457:
2449:
2259:
2147:
1973:Noisey
1856:Dardan
1825:Nate57
1755:Casper
1732:Massiv
1725:Tony D
1711:MoTrip
1657:Veysel
1602:CĂ©line
1588:Namika
1578:Jamule
1546:Shindy
1543:Gringo
1514:Ufo361
1382:Ufo361
1377:Shindy
1225:ethnic
1179:show.
982:Munich
563:Berlin
436:Folker
402:Mayday
169:Genres
98:
91:
84:
77:
69:
4152:Cuban
4130:Latin
4101:Miami
4079:Omaha
3928:Swiss
3858:Irish
3838:Greek
3818:Dutch
3813:Czech
3645:Asian
3477:Other
3467:Wonky
3452:Grime
3313:Hipco
3303:Genge
3223:Ragga
3128:Tread
3118:Plugg
3113:Phonk
3081:Drill
2923:Latin
2906:Hyphy
2884:Crunk
2738:Music
2701:Dance
2658:DJing
2463:S2CID
2455:JSTOR
2257:S2CID
1892:Nazar
1843:J-Luv
1834:Afrob
1777:Curse
1751:SadiQ
1638:Xatar
1633:Kurdo
1505:Bausa
1411:Samra
1109:band
1041:Smudo
1006:N.W.A
911:Torch
740:band
506:Zillo
485:Orkus
443:Juice
234:Opera
103:JSTOR
89:books
3746:Thai
3684:Desi
3123:Rage
2935:Lofi
2728:LGBT
2500:2020
2447:ISSN
2145:ISBN
2023:2020
1981:2018
1870:Vega
1795:Gzuz
1748:SSIO
1745:Fard
1728:Mudi
1707:Said
1690:Juju
1686:SXTN
1680:Zuna
1676:Azet
1665:Mert
1648:Capo
1606:Elif
1598:Hava
1593:Juju
1568:Zuna
1563:Nimo
1524:Gzuz
1489:Sido
1479:Azad
1467:Mero
1335:Fler
1281:Azad
1273:Fler
1171:Viva
1043:and
988:and
937:?".
789:and
706:and
695:and
679:and
499:Spex
300:Lied
244:Rock
239:Punk
219:Jazz
75:news
2439:doi
2399:hdl
2391:doi
2325:at
2249:doi
1859:RIN
1529:Eno
1462:Cro
1051:of
890:or
851:or
838:as
803:MTV
732:by
58:by
4366::
2508:^
2461:.
2453:.
2445:.
2435:17
2433:.
2397:.
2387:54
2379:.
2341:,
2255:.
2245:17
2243:.
2191:.
2159:^
2101:^
2093:17
2091:.
2066:^
2046:^
2014:.
1971:.
1793:,
1279:,
1275:,
1271:,
1254:.
1199:.
1136:.
921:.
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760:.
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638:,
254:,
250:,
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2441::
2407:.
2401::
2393::
2263:.
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2153:.
2025:.
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