Knowledge (XXG)

Devoré

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textile printing workshop in 1981, Georgina von Etzdorf's primary focus was on creating painterly effects on fabric. Credited with popularising the velvet scarf, she introduced devoré to the range in 1993 – having experimented with printed velvets from 1985.
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is applied to the fabric in patterns, dissolving away the cellulose-based fibres and leaving behind the protein-based fibres, which are not affected by the chemical. The chemical gel may be applied either by printing or by hand painting on the fabric.
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Conran's most elaborate devoré fashion pieces – which were oven baked as part of the process – were time-consuming to produce and expensive to buy; in 1993, a panelled evening skirt retailed at £572 and an acid-treated shirt cost £625.
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Burnout fabrics are thought to have originated in France, possibly as a cheap alternative to lace that could be created using caustic paste on fabric. The commercial chemical process used in fashion garments was developed in
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Conran is credited with popularising devoré, introducing it in 1989 and taking the technique forward in the 1990s in his main fashion line. He refined his techniques on theatrical costumes; in the 1992 production of
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to create a semi-transparent pattern against more solidly woven fabric. The same technique can also be applied to textiles other than velvet, such as lace or the fabrics in burnout
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The technique was popularised in the 1920s – typically used on evening gowns and shawls – and revived in the 1980s and '90s, notably by
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Technique of creating a pattern on fabric, especially velvet, by burning out the pile with acid
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1990s Georgina von Etzdorf devore satin dress in the Manchester Galleries collection
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Devoré techniques use blended fabrics which combine protein-based fibres such as
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and street vendors. Conran's devoré technique also featured in
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Devoré – or burnout technique – applied to green velvet fabric
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material undergoes a chemical process to dissolve the
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on theatrical costumes and then evening wear and by
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In 1994, it featured in the 7: 162:with cellulose-based fibres such as 507:Jackson, Lesley (8 February 2007). 53:Devoré comes from the French verb 14: 376:Hume, Marian (11 February 1993). 254:Textile manufacturing terminology 239:Glossary of textile manufacturing 510:Twentieth Century Pattern Design 282:University of Pennsylvania Press 203: 189: 549:Devoré tutorial on Textile Arts 431:Roffey, Monique (8 July 1994). 405:Brennan, Mary (10 March 1994). 57:, meaning literally to devour. 319:. Textile Arts. Archived from 1: 515:Princeton Architectural Press 2048: 2024: 1995: 1961: 1952: 1898: 1339: 2297: 2215:Swatches and strike-offs 2118:Vitale Barberis Canonico 461:. Manchester Art Gallery 176:sodium hydrogen sulphate 459:manchestergalleries.org 1256:Vinyl coated polyester 276:Singer, Margo (2007). 24: 2132:Manufacturingindustry 342:Fogg, Marnie (2009). 314:"Exploring Devoré..." 249:Textile manufacturing 22: 2088:Holland & Sherry 79:Georgina von Etzdorf 2190:History of textiles 517:. pp. 209–11. 407:"All hands to tutu" 344:1980s Fashion Print 131:The Sleeping Beauty 2281:Textile techniques 2043:Woodblock printing 1572:Conductive textile 741:Cedar bark textile 564:2016-02-07 at the 25: 2238: 2237: 1597:Lenticular fabric 1548: 1547: 1246:Vegetable flannel 435:. 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Index


velvets
mixed-fibre
cellulose fibres
t-shirts
Lyon
Jasper Conran
Georgina von Etzdorf
My Fair Lady
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