Knowledge (XXG)

Dick and the Duchess

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269:, near London. Twenty-six episodes were made with a laugh track. Sound editor Robert Winter wrote that in early stages of production he, Reynolds, and the first two episodes' writers spent much time in discussing "what was or was not funny to a British audience, as well as the important criteria for an American audience for whom it was principally made." They felt that use of a laugh track would prompt laughter among viewers, and Winter used recordings of "some 30 odd different kinds of laughter" to create the background track. 348:... is only another situation comedy." Gould wrote that Court "displayed an engaging vivacity as the English wife; Patrick O'Neal was a routine American husband." He also said the plot of the premiere episode was improbable and noted "the usual cheap jokes at the expense of Britons who speak differently from Americans. 178:'Americanized' by movie and television crime stories" enough to be a detective, so she often tried to help with Dick's investigations, but she usually caused problems by doing so. Peter Jamison worked with Dick and was his friend. Dick's investigations often led to his working with Inspector Stark of 369:
had "a spritely gaiety and saucy innuendo seldom seen in an American production." Weber attributed that accomplishment to O'Neal, Court, and "even more importantly, deft writing and direction." He complimented the casting and noted that the show's "wit is unmistakably British in the crisply turned
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praised the pacing and production values of the November 3, 1957, episode. It said that Court's and O'Neal's performances were competent, but overall the episode produced fewer laughs than those heard in the laugh track. The review said that the fault lay with "lack of freshness" in the script and
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A multinational insurance company stationed American Dick Starrett in London as an investigator and adjuster. His wife, Jane, was the daughter of an English earl, and her family was "less than enchanted with her marriage to a commoner — and an American at that." Jane felt that she "had been
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network broadcast the series in Germany. Winter and translators worked for five months to create German versions of episodes that could sustain (along with the use of a laugh track) the humor of "most of what was considered funny in the English language".
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is an American television situation comedy that was broadcast on CBS from September 28, 1957, to May 16, 1958. It was "one of the earliest of filmed television shows in the UK". A dubbed version of the series was also shown in Germany.
383:" an intriguing mixture of British and American whimsey" and said that it "combines the best of situation comedy and whodunit". It complimented the quality of the show's production except for the "out of step" laugh track. 330:
ended their sponsorships, plans called for the series to end on March 22, 1958. CBS, however, decided to move it to the Friday time slot and show reruns for at least eight weeks.
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reported in December 1957, "The program has improved slightly, but indications are that it doesn't really have the all-around appeal to make it with American audiences." When
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was the program's executive producer, and Reynolds was the producer. Reynolds also directed and wrote for the series. Other directors included Gerald Bryant, Allan Davis,
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was initially broadcast on Saturdays from 8:30 to 9 p.m. Eastern Time. In March 1958 it was moved to Fridays from 7:30 to 8 p.m. E. T. Its initial competition included
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Total Television: the Comprehensive Guide to Programming from 1948 to the Present
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Short-Lived Television Series, 1948-1978: Thirty Years of More Than 1,000 Flops
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The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present
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Arts: The Journal of the Sydney University Arts Association
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Encyclopedia of Television Shows, 1925 through 2010, 2d ed
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on NBC. After the change in schedule, it competed with
279:, and McLean Rogers. Other writers included Ray Allen, 649:"Dick and the Duchess (Film) Saturday, CBS, 8:30 p.m." 245:. They include "The Swedish Story" and "An American". 136: 126: 121: 113: 103: 98: 87: 48: 38: 28: 21: 826: 792: 703: 588:Single Season Sitcoms, 1948-1979: A Complete Guide 492:Brooks, Tim; Marsh, Earle F. (June 24, 2009). 344:, "Despite the novelty of its London setting, 8: 966:Television shows shot at MGM-British Studios 820: 818: 816: 697: 695: 887: 885: 18: 617: 615: 487: 485: 483: 481: 16:American TV situation comedy (1957–1958) 956:1950s American comedy television series 951:1958 American television series endings 854: 852: 850: 405: 946:1957 American television series debuts 518: 498:. 353: Random House Publishing Group. 283:, Dennis Freeman, and Robert Shannon. 580: 578: 576: 574: 572: 570: 540:Terrace, Vincent (January 10, 2014). 7: 419: 417: 415: 413: 411: 409: 585:Leszczak, Bob (November 16, 2012). 453: 451: 449: 447: 445: 902:. October 7, 1957. pp. 14, 16 825:Gould, Jack (September 30, 1957). 705:"'Duchess' Series to Remain on TV" 373:A review in the trade publication 351:A review in the trade publication 14: 731:Hyatt, Wesley (October 6, 2015). 675:"MGM-British Studios Borehamwood" 209:Inspector Stark - Michael Shepley 859:Weber, Bill (November 9, 1957). 791:Adams, Val (January 28, 1958). 460:"Comedy is a Serioius Business" 629:. November 6, 1957. p. 34 324:Helene Curtis Industries, Inc. 88: 1: 772:. December 9, 1957. p. 3 654:. August 12, 1957. p. 28 304:The Adventures of Rin-Tin-Tin 702:Adams, Val (March 5, 1958). 766:"'Duchess' May Expire Soon" 982: 546:. McFarland. p. 258. 241:holds several episodes of 737:. McFarland. p. 81. 591:. McFarland. p. 37. 828:"TV: So Much, So Little" 525:: CS1 maint: location ( 458:Winter, Robert (2007). 893:"Dick and the Duchess" 623:"Dick and the Duchess" 370:phrase, the bon mot." 316:The trade publication 239:Paley Center for Media 424:McNeil, Alex (1996). 310:Truth or Consequences 225:Guest stars included 926:Dick and the Duchess 381:Dick and the Duchess 367:Dick and the Duchess 361:Bill Weber wrote in 346:Dick and the Duchess 338:Jack Gould wrote in 287:Dick and the Duchess 259:Dick and the Duchess 243:Dick and the Duchess 165:Dick and the Duchess 23:Dick and the Duchess 298:The Perry Como Show 263:MGM-British Studios 227:Margaret Rutherford 833:The New York Times 799:The New York Times 710:The New York Times 341:The New York Times 140:September 28, 1957 104:Executive producer 744:978-1-4766-0515-9 679:TV Studio History 673:Kempton, Martin. 598:978-0-7864-6812-6 553:978-0-7864-8641-0 505:978-0-307-48320-1 387:German broadcasts 334:Critical response 161: 160: 973: 912: 911: 909: 907: 897: 889: 880: 879: 877: 875: 865: 856: 845: 844: 842: 840: 830: 822: 811: 810: 808: 806: 796: 788: 782: 781: 779: 777: 762: 756: 755: 753: 751: 728: 722: 721: 719: 717: 707: 699: 690: 689: 687: 685: 670: 664: 663: 661: 659: 645: 639: 638: 636: 634: 619: 610: 609: 607: 605: 582: 565: 564: 562: 560: 537: 531: 530: 524: 516: 514: 512: 489: 476: 475: 473: 471: 455: 440: 439: 421: 273:Nicole Milinaire 255:Sheldon Reynolds 203:Peter Jamison - 197:Jane Starrett - 191:Dick Starrett - 157: 155: 147: 145: 122:Original release 90: 43:Sheldon Reynolds 19: 981: 980: 976: 975: 974: 972: 971: 970: 936: 935: 921: 916: 915: 905: 903: 895: 891: 890: 883: 873: 871: 863: 858: 857: 848: 838: 836: 824: 823: 814: 804: 802: 790: 789: 785: 775: 773: 764: 763: 759: 749: 747: 745: 730: 729: 725: 715: 713: 701: 700: 693: 683: 681: 672: 671: 667: 657: 655: 647: 646: 642: 632: 630: 621: 620: 613: 603: 601: 599: 584: 583: 568: 558: 556: 554: 539: 538: 534: 517: 510: 508: 506: 491: 490: 479: 469: 467: 457: 456: 443: 436: 423: 422: 407: 402: 389: 336: 251: 235: 220:Beatrice Varley 188: 175: 153: 151: 149: 143: 141: 83: 79:Beatrice Varley 70:Michael Shepley 17: 12: 11: 5: 979: 977: 969: 968: 963: 958: 953: 948: 938: 937: 934: 933: 920: 919:External links 917: 914: 913: 881: 846: 812: 783: 757: 743: 723: 691: 665: 640: 611: 597: 566: 552: 532: 504: 477: 441: 435:0-14-02-4916-8 434: 404: 403: 401: 398: 388: 385: 335: 332: 281:Harvey Bullock 261:was filmed at 250: 247: 234: 231: 223: 222: 216: 214:Ronnie Stevens 210: 207: 205:Richard Wattis 201: 195: 193:Patrick O'Neal 187: 184: 174: 171: 159: 158: 138: 134: 133: 128: 124: 123: 119: 118: 115: 111: 110: 108:Nicole Russell 105: 101: 100: 96: 95: 92: 85: 84: 82: 81: 76: 74:Ronnie Stevens 71: 68: 66:Richard Wattis 63: 58: 56:Patrick O'Neal 52: 50: 46: 45: 40: 36: 35: 30: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 978: 967: 964: 962: 959: 957: 954: 952: 949: 947: 944: 943: 941: 932: 928: 927: 923: 922: 918: 906:September 22, 901: 894: 888: 886: 882: 874:September 22, 869: 868:TV-Radio Life 862: 861:""On Camera"" 855: 853: 851: 847: 839:September 20, 834: 829: 821: 819: 817: 813: 805:September 20, 800: 795: 787: 784: 776:September 22, 771: 767: 761: 758: 750:September 21, 746: 740: 736: 735: 727: 724: 716:September 21, 711: 706: 698: 696: 692: 680: 676: 669: 666: 658:September 22, 653: 650: 644: 641: 633:September 22, 628: 624: 618: 616: 612: 604:September 21, 600: 594: 590: 589: 581: 579: 577: 575: 573: 571: 567: 559:September 21, 555: 549: 545: 544: 536: 533: 528: 522: 511:September 22, 507: 501: 497: 496: 488: 486: 484: 482: 478: 470:September 22, 466:(29): 108–109 465: 461: 454: 452: 450: 448: 446: 442: 437: 431: 427: 420: 418: 416: 414: 412: 410: 406: 399: 397: 394: 386: 384: 382: 378: 377: 371: 368: 364: 363:TV-Radio Life 359: 358:its cliches. 356: 355: 349: 347: 343: 342: 333: 331: 329: 325: 321: 320: 314: 312: 311: 306: 305: 300: 299: 294: 293: 292:Ozark Jubilee 288: 284: 282: 278: 274: 270: 268: 264: 260: 256: 248: 246: 244: 240: 232: 230: 228: 221: 217: 215: 211: 208: 206: 202: 200: 196: 194: 190: 189: 185: 183: 181: 180:Scotland Yard 172: 170: 167: 166: 139: 135: 132: 129: 125: 120: 116: 112: 109: 106: 102: 97: 93: 86: 80: 77: 75: 72: 69: 67: 64: 62: 59: 57: 54: 53: 51: 47: 44: 41: 37: 34: 31: 27: 24: 20: 925: 904:. 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Index

Sitcom
Sheldon Reynolds
Patrick O'Neal
Hazel Court
Richard Wattis
Ronnie Stevens
Beatrice Varley
Nicole Russell
CBS
Scotland Yard
Patrick O'Neal
Hazel Court
Richard Wattis
Ronnie Stevens
Beatrice Varley
Margaret Rutherford
Paley Center for Media
Sheldon Reynolds
MGM-British Studios
Borehamwood
Nicole Milinaire
Henry Kaplan
Harvey Bullock
Ozark Jubilee
The Perry Como Show
The Adventures of Rin-Tin-Tin
Truth or Consequences
Billboard
Helene Curtis Industries, Inc.
Mogen David

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