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Digital8

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different qualities from a good video CCD. The cameras also lost features generally appealing to a prosumer level customer. The 1999 TRV-310, for instance, has the 1/4" CCD, a 3.5" LCD screen, an f1.4 lens, variable shutter speed settings, manual focus, and other professional controls. The lens on a typical 1/6" CCD is f1.8, about 60% as fast as an f1.4. The TRV-310, has a 1/4" CCD with a pixel count of 460K and "effective count" of 290K. The larger CCD with fewer pixels allows a smaller depth of field for intentional blurred backgrounds in some situations unattainable with the 1/6" CCD. It also has greater light sensitivity, 1 lux vs. 7 lux for the 1/6" CCD (without Night Shot), and less sensor noise in low light conditions.
339: 395:.) This is likely a reflection of Sony's design and market objectives for Digital8 format: to serve as a lower cost upgrade path for current customers (from analog 8 mm), by leveraging existing manufacturing infrastructure of 8 mm video equipment, and offering a familiar media format but with digital capabilities. Furthermore, Digital8 was released some time after MiniDV, giving the rival DV format a lead in the professional market. 22: 129: 454:
to DVDs as well as facilitating computerized digital editing and storage as video files. Lossless digital editing can be achieved when utilizing the FireWire port between two similar Digital8 cameras. Digitizing legacy signals does not improve image quality, but the resulting files have highly accurate sampling of the source audio and video quality of the Video8/Hi8 original.
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digital audio track. Some models will play both NTSC and PAL recordings, others will only play their own native television standard. Analog recordings also lack timecode, so batch captures will not work. The digitized video signal can be transferred in the same way as native digital recordings, through the camcorder's
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Higher-end Digital8 equipment may minimize analog generation loss by offering the ability to playback and digitize legacy analog 8 mm Video8/Hi8 format recordings, but none will record in analog. There are limitations, audio playback is limited to the Video8/Hi8 analog FM soundtrack, not any PCM
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cable port, thus simplifying video file creation on computers equipped with a FireWire port and video capturing software, or FireWire equipped DVD recorders. The advantage of creating digital files using the camera's digital stream conversion is that the resulting files on the computer can be burned
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1998-1999 models only support Digital8 recording and playback at SP speed. 2000 and newer models added LP speed Digital8 recording (only supported on Hi8 tapes, not Video8 tapes). All models with analog playback can play Video8/Hi8 recordings made at either SP or LP speed. 2000 and newer models with
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Digital8 cassettes are identical to Video8/Hi8 cassettes and have dimensions of 95 mm × 62.5 mm × 15 mm. They are similar in size to medium-sized DV cassettes known as DVCPRO cassettes, which have dimensions 97.5 × 64.5 × 14.6 mm. Tape size is different too, 8 mm for Digital8 vs. 6.35 mm for DV. The
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cassette will store 60 minutes of Digital8 video (Standard Play) or 90 minutes (Long Play). There are 90-minute versions marketed specifically for Digital8, but these use thinner tape than the 60-minute ones. LP is model specific, such as the TRV-30, TRV-40, and others. Digital8 recordings can be
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Another example of these capabilities changing with pixel count may be seen in the TRV-150, 250, 350, and 351 Digital8 models and their TRV-118, 318, and 418 Hi8 cousins. Despite having the same size CCD and the same f1.6 lens, the lower pixel count Hi8 models permit a 1 lux low light rating as
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In the early years after Digital8's introduction, Sony sold a product line with coverage from entry level to high-end consumer. The more consumer oriented line uses a 1/6" CCD image sensor and the more prosumer line uses a 1/4" one. Both existed from the beginning, but the 1/4" CCD models were
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images. Most of the entry level and later models focused on features such as better quality still pictures (see below), off-loading the same via Sony Memory Sticks, and more programming selections. The combining of still image and video capture is now common, however a good still image CCD has
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indistinguishable A/V performance. The larger 8mm format is more robust, laying down wider tracks. Most, though not all, Digital8 camcorders can play back analogue Video8 and Hi8 tapes. As well as camcorders, Sony also released Digital8 Video Walkman portables, the GV-D200 and GV-D800.
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marketed a few Digital8 camcorders at the time as well. By 2005, the Digital8 product line catered purely to entry-level consumers. This is most likely because the larger, bulkier Digital8 cassette was perceived as an inferior technology, even though the Digital8 and DV formats offer
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cassettes, but this practice is discouraged in the Sony user manuals, and Hi8 metal-particle cassettes are the recommended type for Digital8 recording. Most Hi8 tapes sold after the introduction of D8 are marked for both Hi8 and Digital8 usage.
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Analog Hi8 video enjoyed widespread use in the amateur home video market, current affairs TV programs, and some professional news organizations. Digital8 remained largely a consumer or amateur product (Among the exceptions was the 2001 film
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Later Digital8 Handycams shared the same chassis, optics, and owner's manual with a range of analog Hi8 Handycams, although the CCD image sensor pixel count varied between the Digital8 (460K) and the Hi8 (320K) models.
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compared to the 4 lux of the Digital8 models. The Sony DCR-TRV730/828/830 (and the later DCR-TRV740/840), were the only Digital8 camcorders to be built with a 1/4.7-inch (4.5 mm) with advanced HAD (
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Digital8 is an obsolete format. By 2004 Sony, the format's original backer, was the only company still producing Digital8 equipment, and had no plans to develop new Digital 8 cameras.
372:(34 mm/s). A 120-minute 8-mm cassette holds 106 m of tape and can store 60 minutes of digital video. A standard DVCPRO cassette holds 137 m of tape, good for 66 minutes of video. 2035: 416:
analog playback also support DV Passthrough mode for capturing an analog video source directly into a computer without needing to record it to Digital8 tape first.
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Digital8 machines run tape at 29 mm per second, faster than baseline DV (19 mm/s) and comparable to professional DV formats like
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Although the 1/4" CCD models are fully capable of taking a still photo, that is a secondary function and they lack the Sony
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The models of Digital8 camcorders that are capable or not capable of playing back analog recordings are listed below.
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at the bitstream level. A Digital8 camcorder appears and behaves exactly like a DV camcorder when connected via a
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The Digital8 format is a combination of the earlier analog Hi8 tape transport with the digital
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cassettes are not interchangeable, and there is no adapter from one format to another.
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http://www.ebay.com/gds/8mm-Video8-Hi8-and-Digital-8-/10000000015349761/g.html
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eBay Guide authored by eBay user "dgjks6": "8mm, Video8, Hi8, and Digital 8"
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Digital8 equipment, a standard-length 120-minute NTSC/90-minute PAL Hi8
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To facilitate digital recording on existing Hi8 video cassettes the
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using the industry-standard DV codec, which means it has identical
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Magnetic tape-based consumer videocassette format for camcorders
2017: 2508: 2395: 2249: 2171: 317: 233: 155: 15: 271:, and introduced in 1999. It is technically identical to 1941:"Press Release - Sony Announces Digital8 Video Format" 289:. Digital8 equipment uses the same videocassettes as 2813: 2778: 2710: 2669: 2662: 2639: 2567: 2489: 2424: 2415: 2344: 2265: 2060: 2051: 239: 225: 215: 201: 189: 175: 161: 145: 135: 46:. Unsourced material may be challenged and removed. 2029: 349:The Digital8 format is identical to baseline 312:video head drum spins 2.5× faster. For both 8: 121: 2666: 2421: 2057: 2036: 2022: 2014: 342:Digital8 (largest) compared to MiniDV and 127: 293:Hi8 equipment, but the signal is encoded 106:Learn how and when to remove this message 459: 1932: 2630:CBHD (China Blue High-definition Disc) 120: 7: 2587:HVD (High-Definition Versatile Disc) 384:Hitachi VM-D965LE Digital8 Camcorder 44:adding citations to reliable sources 1943:. Sony Corporation. 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Retrieved 1966: 1961:Wilt, Adam. 1956: 1945:. Retrieved 1935: 1866:DCR-TR8000E 1826:DCR-TR7000E 1666:DCR-TRV730E 1606:DCR-TRV620E 1586:DCR-TRV530E 1486:DCR-TRV480E 1446:DCR-TRV461E 1426:DCR-TRV460E 1386:DCR-TRV430E 1366:DCR-TRV420E 1346:DCR-TRV410E 1332:NTSC Export 1312:NTSC Export 1266:DCR-TRV356E 1246:DCR-TRV355E 1186:DCR-TRV345E 1166:DVR-TRV340E 1106:DCR-TRV325E 1026:DCR-TRV285E 986:DCR-TRV270E 966:DCR-TRV265E 952:NTSC Export 906:DCR-TRV255E 866:DCR-TRV245E 846:DCR-TRV240E 806:DCR-TRV239E 786:DCR-TRV238E 766:DCR-TRV235E 692:NTSC Canada 646:DCR-TRV147E 626:DCR-TRV145E 586:DCR-TRV130E 566:DCR-TRV120E 478:Passthrough 456: 447: 434: 425:Memory Stick 422: 418: 414: 410: 397: 390: 387: 363: 359: 348: 310:helical scan 307: 294: 281: 253: 249: 248: 184:Helical scan 170:Helical scan 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 2780:Solid state 2618: 2006 2522: 1996 2432:Phonovision 2390:D6 HDTV VTR 2130:Philips VCR 1972:10 December 1886:All models 1846:DCR-TR7100 1806:DCR-TR7000 1786:DCR-TRV840 1766:DCR-TRV830 1746:DCR-TRV828 1726:DCR-TRV820 1706:DCR-TRV740 1686:DCR-TRV738 1646:DCR-TRV730 1626:DCR-TRV720 1566:DCR-TRV530 1546:DCR-TRV525 1526:DCR-TRV520 1506:DCR-TRV510 1466:DCR-TRV480 1452:PAL Export 1406:DCR-TRV460 1326:DCR-TRV380 1306:DCR-TRV361 1286:DCR-TRV360 1226:DCR-TRV351 1206:DCR-TRV350 1146:DCR-TRV340 1126:DCR-TRV330 1086:DCR-TRV320 1066:DCR-TRV315 1046:DCR-TRV310 1006:DCR-TRV280 946:DCR-TRV265 926:DCR-TRV260 886:DCR-TRV250 826:DCR-TRV240 746:DCR-TRV230 726:DCR-TRV220 706:DCR-TRV210 686:DCR-TRV203 666:DCR-TRV150 606:DCR-TRV140 546:DCR-TRV120 526:DCR-TRV110 506:DCR-TRV107 486:DCR-TRV103 220:Home movies 2849:Categories 2317:Betacam SX 2226:Betacam SP 2190:Video 2000 2070:Quadruplex 1947:2021-04-08 1927:References 1029:2005-2007 1009:2005-2007 265:camcorders 136:Media type 66:newspapers 55:"Digital8" 2821:Kinescope 2751:AVC-Intra 2718:CamCutter 2701:DVCPRO HD 2468:Laserfilm 2450:LaserDisc 2417:Videodisc 2354:Sony HDVS 2053:Videotape 295:digitally 202:Developed 180:mechanism 166:mechanism 2711:Tapeless 2695:DVCPRO50 2474:CD Video 2438:Ampex-HS 2402:HDCAM SR 2366:BCH 1000 2329:MPEG IMX 2323:Digital8 1905:See also 1883:Hitachi 451:FireWire 250:Digital8 240:Released 226:Extended 191:Standard 147:Encoding 122:Digital8 2829:(1950s) 2800:MicroP2 2721:Editcam 2663:Virtual 2515:MiniDVD 2503:MovieCD 2490:Digital 2335:MicroMV 2267:Digital 2244:S-VHS-C 2214:Betacam 2148:Betamax 2118:U-matic 2100:CV-2000 472:Region 400:Hitachi 344:MicroMV 80:scholar 2835:(1967) 2823:(1947) 2802:(2012) 2796:(2007) 2790:(2004) 2771:(2012) 2765:(2009) 2763:iFrame 2759:(2007) 2753:(2006) 2747:(2006) 2741:(2005) 2735:(2004) 2733:GBA-TV 2729:(2003) 2723:(1995) 2703:(2000) 2697:(1997) 2691:(1996) 2685:(1995) 2683:DVCPRO 2679:(1995) 2651:(2016) 2632:(2008) 2626:(2007) 2611:MiniBD 2607:(2006) 2601:(2006) 2599:HD DVD 2595:(2006) 2589:(2004) 2583:(2003) 2577:(1994) 2560:(2005) 2554:(2004) 2548:(2003) 2542:(2003) 2536:(1998) 2530:(1998) 2511:(1996) 2505:(1996) 2499:(1993) 2482:(1990) 2476:(1987) 2470:(1984) 2464:(1983) 2458:(1981) 2452:(1978) 2446:(1975) 2440:(1967) 2434:(1927) 2425:Analog 2404:(2003) 2398:(2003) 2392:(2000) 2386:(1998) 2380:(1997) 2374:(1994) 2368:(1992) 2362:(1984) 2356:(1984) 2337:(2001) 2331:(2000) 2325:(1999) 2319:(1996) 2313:(1995) 2307:(1994) 2301:(1993) 2295:(1992) 2289:(1991) 2283:(1988) 2277:(1986) 2258:(1998) 2252:(1989) 2246:(1987) 2240:(1987) 2234:(1986) 2228:(1986) 2222:(1985) 2220:Video8 2216:(1982) 2210:(1982) 2204:(1982) 2198:(1980) 2192:(1980) 2186:(1979) 2180:(1977) 2174:(1976) 2168:(1976) 2166:Type C 2162:(1976) 2160:Type B 2156:(1975) 2150:(1975) 2144:(1974) 2138:(1974) 2136:V-Cord 2132:(1972) 2126:(1972) 2120:(1971) 2114:(1969) 2112:EIAJ-1 2108:(1967) 2102:(1965) 2096:(1965) 2094:Type A 2090:(1961) 2084:(1961) 2078:(1958) 2072:(1956) 2062:Analog 1921:Data 8 1911:Video8 466:Model 463:Brand 370:DVCPRO 357:link. 327:Video8 228:  204:  178:  164:  82:  75:  68:  61:  53:  2745:AVCHD 2727:XDCAM 2689:DVCAM 2384:D-VHS 2378:HDCAM 2372:W-VHS 2360:UniHi 2238:S-VHS 2202:VHS-C 1869:1999 1863:Sony 1849:1999 1843:Sony 1829:1999 1823:Sony 1812:NTSC 1809:1999 1803:Sony 1792:NTSC 1789:2002 1783:Sony 1772:NTSC 1769:2001 1763:Sony 1749:2001 1743:Sony 1732:NTSC 1729:2000 1723:Sony 1712:NTSC 1709:2002 1703:Sony 1689:2002 1683:Sony 1669:2001 1663:Sony 1652:NTSC 1649:2001 1643:Sony 1632:NTSC 1629:2000 1623:Sony 1609:2000 1603:Sony 1589:2001 1583:Sony 1572:NTSC 1569:2001 1563:Sony 1552:NTSC 1549:2000 1543:Sony 1532:NTSC 1529:2000 1523:Sony 1512:NTSC 1509:1999 1503:Sony 1489:2005 1483:Sony 1472:NTSC 1469:2005 1463:Sony 1449:2004 1443:Sony 1429:2004 1423:Sony 1412:NTSC 1409:2004 1403:Sony 1389:2001 1383:Sony 1369:2000 1363:Sony 1349:1999 1343:Sony 1329:2005 1323:Sony 1309:2004 1303:Sony 1292:NTSC 1289:2004 1283:Sony 1269:2003 1263:Sony 1249:2003 1243:Sony 1229:2003 1223:Sony 1212:NTSC 1209:2003 1203:Sony 1189:2003 1183:Sony 1169:2002 1163:Sony 1152:NTSC 1149:2002 1143:Sony 1132:NTSC 1129:2001 1123:Sony 1109:2001 1103:Sony 1092:NTSC 1089:2000 1083:Sony 1072:NTSC 1069:1999 1063:Sony 1052:NTSC 1049:1999 1043:Sony 1023:Sony 1012:NTSC 1003:Sony 989:2005 983:Sony 969:2004 963:Sony 949:2004 943:Sony 932:NTSC 929:2004 923:Sony 909:2004 903:Sony 892:NTSC 889:2003 883:Sony 869:2003 863:Sony 849:2002 843:Sony 832:NTSC 829:2002 823:Sony 809:2002 803:Sony 789:2002 783:Sony 769:2001 763:Sony 752:NTSC 749:2001 743:Sony 729:2000 723:Sony 712:NTSC 709:1999 703:Sony 689:1999 683:Sony 672:NTSC 669:2003 663:Sony 649:2003 643:Sony 629:2003 623:Sony 612:NTSC 609:2002 603:Sony 589:2001 583:Sony 569:2000 563:Sony 552:NTSC 549:2000 543:Sony 532:NTSC 529:1998 523:Sony 509:1998 503:Sony 492:NTSC 489:1998 483:Sony 469:Year 366:DVCAM 287:codec 216:Usage 176:Write 87:JSTOR 73:books 2769:XAVC 2534:SVCD 2256:Ruvi 2106:Akai 2076:VERA 1974:2017 1898:N/A 1895:Yes 1878:N/A 1875:Yes 1872:PAL 1858:N/A 1855:Yes 1852:PAL 1838:N/A 1835:Yes 1832:PAL 1818:N/A 1815:Yes 1798:N/A 1795:Yes 1778:N/A 1775:Yes 1758:N/A 1755:Yes 1738:N/A 1735:Yes 1718:N/A 1715:Yes 1698:N/A 1695:Yes 1692:PAL 1678:N/A 1675:Yes 1672:PAL 1658:N/A 1655:Yes 1638:N/A 1635:Yes 1618:N/A 1615:Yes 1612:PAL 1598:N/A 1595:Yes 1592:PAL 1578:N/A 1575:Yes 1558:N/A 1555:Yes 1538:N/A 1535:Yes 1518:N/A 1515:Yes 1498:N/A 1495:Yes 1492:PAL 1478:N/A 1475:Yes 1458:N/A 1455:Yes 1438:N/A 1435:Yes 1432:PAL 1418:N/A 1415:Yes 1398:N/A 1395:Yes 1392:PAL 1378:N/A 1375:Yes 1372:PAL 1358:N/A 1355:Yes 1352:PAL 1338:N/A 1318:N/A 1298:N/A 1278:Yes 1275:Yes 1258:Yes 1255:Yes 1252:PAL 1238:N/A 1235:Yes 1218:N/A 1215:Yes 1198:Yes 1195:Yes 1192:PAL 1178:N/A 1175:Yes 1172:PAL 1158:N/A 1155:Yes 1138:N/A 1135:Yes 1118:N/A 1115:Yes 1112:PAL 1098:N/A 1095:Yes 1078:N/A 1075:Yes 1058:N/A 1055:Yes 1038:N/A 1032:PAL 1018:N/A 998:N/A 992:PAL 978:N/A 972:PAL 958:N/A 938:N/A 918:N/A 912:PAL 872:PAL 858:N/A 855:Yes 852:PAL 838:N/A 835:Yes 818:N/A 815:Yes 812:PAL 798:N/A 795:Yes 792:PAL 778:N/A 775:Yes 772:PAL 758:N/A 755:Yes 738:N/A 735:Yes 718:N/A 715:Yes 698:N/A 695:Yes 678:N/A 652:PAL 632:PAL 618:N/A 598:N/A 592:PAL 578:N/A 575:Yes 572:PAL 558:N/A 555:Yes 538:N/A 535:Yes 518:N/A 515:Yes 498:N/A 495:Yes 429:JPEG 316:and 314:NTSC 301:and 269:Sony 263:for 252:(or 243:1999 230:from 210:Sony 162:Read 152:NTSC 59:news 2794:SxS 2757:TOD 2739:MOD 2593:VMD 2558:FVD 2552:UMD 2540:EVD 2528:CVD 2509:DVD 2497:VCD 2480:VSD 2462:VHD 2456:CED 2444:TeD 2396:HDV 2293:DCT 2250:Hi8 2232:MII 2196:CVC 2184:SVR 2172:VHS 2154:IVC 1916:Hi8 1335:No 1315:No 1295:No 1035:No 1015:No 995:No 975:No 955:No 935:No 915:No 898:No 895:No 878:No 875:No 675:No 658:No 655:No 638:No 635:No 615:No 595:No 318:PAL 277:Hi8 254:Di8 234:Hi8 156:PAL 42:by 2851:: 2788:P2 2677:DV 2615:c. 2519:c. 2305:D5 2287:D3 2281:D2 2275:D1 2178:VK 2142:VX 1965:. 1892:- 1889:- 351:DV 284:DV 273:DV 206:by 154:, 2620:) 2613:( 2524:) 2517:( 2208:M 2037:e 2030:t 2023:v 1976:. 1950:. 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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Magnetic cassette tape
Encoding
NTSC
PAL
Helical scan
Helical scan
Standard
Interlaced video
Sony
Home movies
Hi8
digital recording
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