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seek out Danilo and convince him to return to Hanna, closely followed by their husbands, seeking to achieve the same purpose. The
Grisettes, Parisian cabaret girls, make a grand entrance, led by the voluptuous ZoZo. Zeta finds the brokenhearted Danilo, and as they argue, Hanna enters. Hanna, Danilo and Zeta separately bribe the Maitre'd to clear the room so Hanna and Danilo can be alone. Danilo sets aside his pride and asks Hanna to give up Camille for the sake of the country. Much to Danilo's delight, Hanna tells him that she was never engaged to Camille, but that she was protecting the reputation of a married woman. Danilo is ready to declare his love for Hanna, and is on the point of doing so when he remembers her money, and stops himself. When Njegus produces the fan, which he had picked up earlier, Baron Zeta suddenly realizes that the fan belongs to Valencienne. Baron Zeta swears to divorce his wife and marry the widow himself, but Hanna tells him that she loses her fortune if she remarries. Hearing this, Danilo confesses his love for her and asks Hanna to marry him, and Hanna triumphantly points out that she will lose her fortune only because it will become the property of her husband. Valencienne produces the fan and assures Baron Zeta of her fidelity by reading out what she had replied to Camille's declaration: "I'm a highly respectable wife".
638:"). When Danilo arrives, having found the real Maxim's empty, he tells Hanna to give up Camille for the sake of Pontevedro. Much to Danilo's delight, Hanna replies truthfully that she was never engaged to Camille but was protecting the reputation of a married woman. Danilo comes very close to declaring his love for Hanna, but stops himself from doing so when he remembers her money and his proud refusal to court her for it. Njegus produces the fan, which he picked up earlier, and Baron Zeta finally remembers that it belongs to Valencienne. He swears to divorce his wife and marry the widow himself, but Hanna stops him by declaring that she will lose her fortune if she remarries. At this, Danilo promptly confesses his love for her and asks Hanna to marry him. Hanna triumphantly accepts, adding that she will lose her fortune only because it will become the property of her new husband. Valencienne assures Baron Zeta of her fidelity by pointing out her reply to Camille's declaration of love written on the fan: "
610:. Valencienne agrees, writing "I'm a respectable wife" on it as a rejoinder to Camille's "I love you." Camille persuades Valencienne to join him in the pavilion so that they can say their goodbyes in private. This is of course the same pavilion where Danilo, the Baron, and Njegus have agreed to meet, and the latter, arriving first, locks the door when he spots people inside. Baron Zeta and Danilo follow, but Njegus quickly arranges with Hanna to change places with Valencienne. Camille emerges from the pavilion with Hanna, who announces that they plan to marry, leaving the Baron distraught at the thought of Pontevedro losing Hanna's millions and Valencienne distraught at losing Camille. Danilo is furious, and tells the story of a Princess who cheated on her Prince ("
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circulates the ballroom, rounding up ladies to claim dances and thin the crowd around the wealthy widow. Hanna, however, chooses the one man who is not apparently interested in dancing with her: Danilo, who immediately announces that he will sell his dance with Hanna
Glawari for ten thousand francs, with the proceeds to benefit charity. This extinguishes the remaining suitors' interest in the dance. After they have left, Danilo attempts to dance with Hanna, who refuses in annoyance. Nonchalantly he proceeds to waltz by himself, eventually wearing down Hanna's resistance, and she falls into his arms.
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into Maxim's itself, rather than the original theme-party setting, to take further advantage of the fame of the nightclub. Graves ad-libbed extensive "business" in the role of the Baron. Edwardes engaged Lehár to write two new songs, one of which, "Quite
Parisien" (a third act solo for Nisch) is still used in some productions. Lehár also made changes for a Berlin production in the 1920s, but the definitive version of the score is basically that of the original production.
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592:" ("There lived a Vilja, a maid of the woods"). Meanwhile, Baron Zeta fears that Camille will spoil his plan for Hanna to marry a Pontevedrin. Still not recognising the fan as Valencienne's, the Baron orders Danilo to discover the identity of its owner, whom he correctly assumes to be Camille's married lover. The two men, along with Njegus, arrange to meet that evening in Hanna's garden
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1016:. Although Parisians were worried about how their city would be portrayed in the operetta, the Paris production was well received and ran for 186 performances. In this translation, Hanna is an American raised in "Marsovie" named "Missia". Danilo was a prince with gambling debts. The third act was set in Maxim's. The following year, the operetta played in
230:(1902). Both stars were so enthusiastic about the piece that they supplemented the theatre's low-budget production by paying for their own lavish costumes. During the rehearsal period, the theatre lost faith in the score and asked Lehár to withdraw it, but he refused. The piece was given little rehearsal time on stage before its premiere.
175:, who was eager to produce the piece. The two adapted the play as a libretto and updated the setting to contemporary Paris, expanding the plot to reference an earlier relationship between the widow (this time a countrywoman) and the Count, and moving the native land from a dour German province to a colourful little
544:. Hanna Glawari, who has inherited twenty million francs from her late husband, is to be a guest at the ball – and the Pontevedrin ambassador, Baron Zeta, is scheming to ensure that she will keep her fortune in the country, saving Pontevedro from bankruptcy. The Baron intends that Count Danilo Danilovitsch, the
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lower than the original. Danilo and Hanna's hummed waltz theme becomes a chorus number, and the ending of the "Rosebud
Romance" is sung mostly in unison rather than as a conversation. In the Hassall version, the action of act 3 takes place at Maxim's. Valencienne and the other Embassy wives arrive to
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in a faithful
Hungarian translation. The piece became an international sensation, and translations were quickly made into various languages: in 1907, Buenos Aires theatres were playing at least five productions, each in a different language. Productions also swiftly followed in Stockholm, Copenhagen,
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to discuss Danilo's findings, as well as the problem of securing the widow's fortune for
Pontevedro. Seeing the fan, Hanna takes the message on it to be Danilo's declaration of love for her, which he denies. His inquiries regarding the fan prove fruitless, but do reveal infidelities committed by some
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Meanwhile, Baron Zeta's wife
Valencienne has been flirting with the French attaché to the embassy, Count Camille de Rosillon, who writes "I love you" on her fan. Valencienne puts off Camille's advances, saying that she is a respectable wife. However, they lose the incriminating fan, which is found by
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was first performed at the
Theater an der Wien in Vienna on 30 December 1905, with Günther as Hanna, Treumann as Danilo, Siegmund Natzler as Baron Zeta and Annie Wünsch as Valencienne. After a couple of shaky weeks at the box-office, it became a major success, receiving good reviews and running for
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The operetta has been recorded both live and in the studio many times, and several video recordings have been made. In 1906, the original Hanna and Danilo, Mizzi Günther and Louis
Treumann, recorded their arias and duets, and also some numbers written for Camille and Valencienne; CD transfers were
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was the principal founding state. Hood changed the name of the principality to
Marsovia, Danilo is promoted to the title of Prince, Hannah is Sonia, the Baron is Popoff, Njegus is Nisch, Camille's surname is de Jolidon and Valencienne is Natalie, among other changes. The final scene was relocated
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Danilo arrives and meets Hanna. It emerges they were in love before her marriage, but his uncle had interrupted their romance because Hanna had had nothing to her name. Though they still love each other, Danilo now refuses to court Hanna for her fortune, and Hanna vows that she will not marry him
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As the "Ladies' Choice" dance is about to begin, Hanna becomes swarmed with hopeful suitors. Valencienne volunteers Camille to dance with Hanna, privately hoping that the Frenchman will marry her and cease to be a temptation for Valencienne herself. True to his bargain with the Baron, Danilo
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was performed about half a million times in its first sixty years. Global sheet music sales and recordings totalled tens of millions of dollars. Its popularity influenced fashions and inspired merchandising and product tie-ins, from corsets to chocolates. According to theatre writer
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embassy counsellor Kromow. Kromow jealously fears that the fan belongs to his own wife, Olga, and gives it to Baron Zeta. Not recognising it, Baron Zeta decides to return the fan discreetly, in spite of Valencienne's desperate offers to take it "to Olga" herself.
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In addition to her own numbers, Günther took over Valencienne's " Ich bin eine anständ'ge Frau" as a solo, and she and Treumann recorded Camille and Valencienne's duet, "Das ist der Zauber der stillen Häuslichkeit". See: O'Connor, Patrick. "A Viennese Whirl",
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The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the
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On his way to find Olga, the Baron meets Danilo, and his diplomatic mission takes precedence over the fan. The Baron orders Danilo to marry Hanna. Danilo refuses, but offers to eliminate any non-Pontevedrin suitors as a compromise.
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The next evening, everyone is dressed in Pontevedrin clothing for a garden party at Hanna's house, now celebrating the Grand Duke's birthday in his own country's fashion. Hanna entertains by singing an old Pontevedrin song:
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conducting the "Grammophon Streich-Orchester"; it includes a considerable amount of the operetta's dialogue. After that, excerpts appeared periodically on disc, but no new full recording was issued until 1950, when
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That evening, Camille and Valencienne meet in the garden, where Valencienne insists that they must part. Discovering the fan, accidentally left behind by Danilo, Camille begs Valencienne to let him have it as a
616:)" before storming off to seek distraction at Maxim's. Hanna realises that Danilo's anger over her engagement to another man proves that he loves her, and she rejoices amid the general despair.
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The operetta originally had no overture; Lehár wrote one for the 400th performance, but it is rarely used in productions of the operetta, as the original short introduction is preferred. The
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is frequently revived in Vienna and is part of the Vienna Volksopera's repertory. The Volksopera released a complete live performance on CD, interpolating the "Can-Can" from Offenbach's
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1990:
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regrets the casting of a baritone as Danilo in both sets and prefers the 1958 Decca version. Among the filmed productions on DVD, the Penguin Guide recommends the one from the
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made in 2005. The first recording of a substantially complete version of the score was made of the Berlin 1907 production, with Ottmann and Matzner in their lead roles and
87:, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play,
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for another very successful run of 416 performances, and was reproduced by multiple touring companies across the US, all using the Hood/Ross libretto. It was produced by
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as Danilo. The operetta first played in Australia in 1908 using the Hood/Ross libretto. Since then, it has been staged frequently in English. It was revived in London's
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the previous year. Although Léon doubted that Lehár could invoke an authentic Parisian atmosphere, he was soon enchanted by Lehar's first number for the piece, a bubbly
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671:(Gustav Matzner as Danilo and Marie Ottmann as Hanna starred and, with the Berlin cast in 1907, made the work's first complete recording, including dialogue, for
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in 1923, running for 239 performances, and in 1924 and 1932. A 1943 revival ran for 302 performances. Most of these productions featured Graves as Popoff.
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of the embassy, should marry the widow; unfortunately for this plan, Danilo is not at the party, so Zeta sends Danilo's assistant Njegus to fetch him from
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state. In addition, the widow admits to an affair to protect the Baron's wife, and the Count's haven is changed to the Parisian restaurant and nightclub
1150:, has been reissued on CD in EMI's "Great Recordings of the Century" series. Among later complete or substantially complete sets are those conducted by
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starred in a brief 1969 revival. Revivals were mounted in major New York theatres in 1921, 1929, 1931 and 1943–1944. The last of these starred
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Glocken Verlag Ltd, London, published two different English translation editions in 1958. One English-language libretto is by
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Act 3 is set at a theme party in Hanna's ballroom, which she has decorated to look like Maxim's, complete with Maxim's
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for the leading roles. They had starred as the romantic couple in other operettas in Vienna, including a production of
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came across the play and thought it would make a good operetta. He suggested this to one of his writing collaborators,
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to keep her money at home, thus preventing economic disaster in the duchy. The play was soon adapted into German as
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1142:. A second recording with Schwarzkopf as Hanna was issued by Columbia in 1963; the other main roles were sung by
1032:, which was copied in many other productions worldwide. Best known as Danilo in the German version was the actor
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Milan, Moscow and Madrid, among other places. It was eventually produced in every city with a theatre industry.
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761:. The production ran for an extraordinary 778 performances in London and toured extensively in Great Britain.
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Kantor, Michael and Laurence Maslow. "Broadway: The American Musical", New York: Bulfinch Press (2004), p. 43
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mounted several productions from the 1950s through the 1990s, including a lavish 1977 production starring
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to compose the music, as he had a previous hit at the Theater an der Wien with a Parisian-themed piece,
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as Valencienne. It was sung in German, with abridged spoken dialogue. Loose sang Valencienne again for
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in capital cities around Australia during 1998 and 1999. A prologue was added featuring a narrative by
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1991:"Ernst Lubitsch and Nancy Meyers: A Study on Movie Love in the Classic and Post-Modernist Traditions"
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193:(1898). He composed a draft of the score, but it was unsatisfactory, and he gladly left the project.
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It omits "Das ist der Zauber der Stillen Häuslichkeit": see O'Connor, Patrick. "A Viennese Whirl",
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as Camille and English as Baron Zeta. In some performances, during the production's Brisbane run,
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2012:
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697:, no other play or musical up to the 1960s had enjoyed such international commercial success.
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Part of "The Merry Widow Waltz" is played by a music box and sung by the character Winnie in
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repertory company in New York City, commissioned Alice Hammerstein Mathias, the daughter of
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and a ballet introducing the earlier romance of Anna and Danilo. The production opened in
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1848:. Centre for the History and Analysis of Recorded Music, July 2009, accessed 11 May 2011
163:(1862) and was given several successful productions. In early 1905, Viennese librettist
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768:, where the royal family's surname was Njegus, the crown prince was named Danilo, and
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dancers). Valencienne, who has dressed herself as a grisette, entertains the guests ("
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adapted the operetta's music and composed additional music, for a three-act ballet.
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Various films have been made that are based loosely on the plot of the operetta
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The first production in Paris was at the Théâtre Apollo on 28 April 1909 as
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1947:
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2011:. The Complete Dramatic Works. London: Faber and Faber. pp. 135–168.
1967:
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The Ackermann recording received the highest available rating in the 1956
878:, based on the edition by Ludwig Doblinger, Vienna. The Park version is a
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performed the overture at Lehár's 70th birthday concert in April 1940.
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The embassy in Paris of the poverty-stricken Balkan principality of
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The adaptation renamed many of the characters, to avoid offense to
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until he says "I love you" – something he claims he will never do.
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First Secretary of the Pontevedrin embassy and Hanna's former lover
1946:, TabletMag.com, 30 December 2014, accessed 11 November 2016; and
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with Max Monti's company before Monti moved the production to the
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is holding a ball to celebrate the birthday of the sovereign, the
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483 performances. The production also toured in Austria in 1906.
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38:
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had mounted the opera 18 times by 2003. The first performance by
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might compose the piece. Lehár had worked with Léon and Stein on
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and the later EMI set under Matačić is highly rated by the 2008
1036:, who played the part thousands of times for over thirty years.
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1644:. Rodgers & Hammerstein Organization, accessed May 10, 2011
1391:"The Merry Widow Waltz" is a recurring theme in the 1943 films
791:
The first American production opened on 21 October 1907 at the
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989:
118:" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz".
30:
This article is about the Lehár operetta. For other uses, see
1720:, Royal Opera House Collections Online, accessed 27 May 2012.
1593:
Original theatre programme from Daly's Theatre, available at
1505:
of Naxos reissue of 1953 Ackermann recording of the operetta.
1929:, New York: Oxford University Press (1994), pp. 193 and 201
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as Zeta, Gallaher as Camille and Donaldson as Valencienne.
1832:
1751:. operadis-opera-discography.org.uk, accessed 10 May 2011
1957:. London Shostakovich Orchestra, accessed 4 January 2011
1483:
and the Creation of the Silver Age of Viennese Operetta"
214:
was finished in a matter of months. The theatre engaged
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The operetta has also been translated into Italian (as
2148:. Garden City, New York: Doubleday & Company, 1983
210:
melody for "Dummer, dummer Reitersmann". The score of
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378:
French attaché to the embassy, the Baroness's admirer
151:), in which the Parisian ambassador of a poor German
1968:"Between Heads: Thoughts on the Merry Widow Tune in
1384:'s favourite operetta) in the first movement of his
964:
Numerous opera companies have mounted the operetta.
2598:
2573:
2538:
2399:
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2272:
1601:, Miss Lily Elsie website, accessed 24 January 2016
1086:label released a near-complete version produced by
2062:Gold and Silver: The Life and Times of Franz Lehár
1146:, Gedda and Hanny Steffek. This set, conducted by
686:Gold and Silver: The Life and Times of Franz Lehar
519:Parisians and Pontevedrins, musicians and servants
1683:, Musicals101.com, 2004, accessed 24 January 2016
1465:. Musicals101.com, 2004, accessed 24 January 2016
1260:, was first performed on 13 November 1975 at the
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1562:
1560:
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1556:
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644:" ("I'm a respectable wife"). All ends happily.
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1666:
1492:, Academia.edu, 2014, accessed January 24, 2016
1450:
1448:
1446:
1230:With the permission of the Franz Lehár Estate,
2071:Penguin Guide to Recorded Classical Music 2008
1771:. Musicals101.com, 2006, accessed 28 July 2011
1581:, Musicals101.com, 2004, accessed 28 July 2011
996:in 2002, among numerous other broadcasts. The
2368:
2243:
1186:The Penguin Guide to Recorded Classical Music
8:
2138:(3 volumes). New York: Schirmer Books, 2001.
1540:: It was the first show to sell merchandise"
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721:in London, opening on 8 June 1907, starring
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2122:. New York: Oxford University Press, 1981.
787:in the original Broadway production (1907)
2173:International Music Score Library Project
1858:
1856:
1854:
753:was a replacement as the Maxim's dancer
272:
196:The theatre's staff next suggested that
125:
2640:
1803:O'Connor, Patrick. "A Viennese Whirl",
1799:
1797:
1795:
1793:
1442:
226:and a previous Léon and Lehár success,
1833:Sackville-West & Shawe-Taylor 1956
1736:, Teatro Comunale Giuseppe Verdi, 2014
1201:, recorded live in 2001, conducted by
823:starred in the 1944 production, while
1874:
1862:
1828:
1826:
855:. It ran for 322 performances at the
656:'s Neues Operetten-Theater, Berlin's
652:The operetta was produced in 1906 in
58:
7:
1514:
1067:released a set sung in English with
1008:French, German, and Italian versions
870:, which was adapted and arranged by
859:and returned the next season at the
2189:. L'Almanacco di Gherardo Casaglia
2136:The Encyclopedia of Musical Theatre
1268:. The ballet has been performed by
597:of the wives of embassy personnel.
1997:, March 2012, accessed 3 July 2014
1916:, ABT.org, accessed 22 August 2019
25:
1980:, May 2000, accessed May 23, 2014
1681:101 – History of a Hit: Part III"
1312:1934, US, black-and-white version
1134:in the other main roles, and the
831:led the 1958 cast and recording.
275:Roles, voice types, premiere cast
141:premiered a comic play in Paris,
2643:
2218:Clip from the Metropolitan Opera
1579:101 – History of a Hit: Part II"
32:The Merry Widow (disambiguation)
1927:Lorenz Hart: A Poet on Broadway
1272:, among other major companies.
1118:recording, produced in 1958 by
2146:Operetta: A Theatrical History
1658:Article on the history of LOOM
992:broadcast a production by the
635:Ja, wir sind es, die Grisetten
406:Pontevedrin embassy counsellor
1:
1614:, at the Stage Beauty website
1326:; new lyrics were written by
1285:Hungarian 1918 silent version
863:for another 32 performances.
705:In its English adaptation by
2393:List of operas and operettas
1846:"Decca Classical, 1929–2009"
1234:adapted the operetta's plot
901:, a year-round professional
803:. The New York cast starred
641:Ich bin eine anständige Frau
376:Camille, Count de Rosillon,
2197:Photos from productions of
1642:"Alice Hammerstein Mathias"
1546:, accessed 15 December 2021
1053:The Merry Widow discography
741:as Nisch, with costumes by
317:Count Danilo Danilovitsch,
60:[diːˈlʊstɪɡəˈvɪtvə]
2707:
2177:Casaglia, Gherardo (2005).
1632:, accessed 24 January 2016
1630:Internet Broadway Database
1376:" was ironically cited by
1050:
976:with a new translation by
613:Es waren zwei Königskinder
171:and to the manager of the
29:
2671:German-language operettas
2390:
2073:. London: Penguin Books.
2069:March, Ivan, ed. (2007).
1807:, October 2005, pp. 48–52
1612:"Gabrielle Ray biography"
1372:
1252:ballet, choreographed by
1029:Orpheus in the Underworld
640:
634:
612:
584:
517:
161:Der Gesandschafts-Attaché
111:
2064:. New York: David McKay.
2007:Beckett, Samuel (1990).
1948:"Saturday 18th May 2002"
1294:1925, US, silent version
899:Light Opera of Manhattan
2607:Yours Is My Heart Alone
2456:The Count of Luxembourg
2284:(1918 silent Hungarian)
2204:New York Public Library
2162:(in German and English)
2042:. London: Kyle Cathie.
1897:12 October 2007 at the
1380:("The Merry Widow" was
1270:American Ballet Theatre
1004:in London was in 1997.
941:appeared as Danilo. In
293:Conductor: Franz Lehár
253:Roles and original cast
27:Operetta by Franz Lehár
2563:The Count of Luxemburg
2555:The Count of Luxemburg
2440:Der Graf von Luxemburg
2089:Sackville-West, Edward
1890:The Merry Widow Ballet
1544:English National Opera
1463:101: History of a Hit"
913:staged productions of
894:
788:
717:became a sensation at
648:Subsequent productions
270:
265:on the frontpage of a
143:
134:
133:in act 3, London, 1907
89:
53:
44:
2681:Operas based on plays
2676:Operas by Franz Lehár
2209:IMDb search page for
2093:Shawe-Taylor, Desmond
1820:, October 2005, p. 50
1787:, October 2005, p. 49
1355:1962 Austrian version
1266:The Australian Ballet
1096:Elisabeth Schwarzkopf
1060:Bruno Seidler-Winkler
889:
793:New Amsterdam Theatre
779:
757:. It was produced by
446:Raoul de St Brioche,
392:the Embassy Secretary
260:
144:L'attaché d'ambassade
129:
90:L'attaché d'ambassade
42:
2547:Where the Lark Sings
2480:Where the Lark Sings
1886:Weinberger, Joseph.
1536:"An Introduction to
1477:Baranello, Micaela.
1373:Da geh' ich zu Maxim
953:appeared as Danilo,
911:Essgee Entertainment
907:Oscar Hammerstein II
861:New York City Center
851:and choreography by
2099:. London: Collins.
1877:, pp. 138–139.
1365:Cultural references
1232:Sir Robert Helpmann
1199:San Francisco Opera
1168:John Eliot Gardiner
1152:Herbert von Karajan
1136:Vienna Philharmonic
994:San Francisco Opera
984:production starred
966:New York City Opera
876:Christopher Hassall
801:Henry Wilson Savage
701:English adaptations
673:Deutsche Grammophon
669:Theater des Westens
589:, ein Waldmägdelein
506:Pritschitsch's wife
434:Bogdanovitch's wife
277:
261:Louis Treumann and
247:Vienna Philharmonic
234:Original production
173:Theater an der Wien
149:The Embassy Attaché
95:The Embassy Attaché
2611:The Land of Smiles
2520:Schön ist die Welt
2512:The Land of Smiles
1953:2013-09-28 at the
1944:Fling With Hitler"
1925:Nolan, Frederick.
1835:, pp. 401–402
1704:, 22 December 2003
1692:Kerner, Leighton.
1488:2016-03-21 at the
1324:Jeanette MacDonald
1298:Erich von Stroheim
1073:Robert Rounseville
998:Metropolitan Opera
897:In the 1970s, the
895:
874:. The other is by
789:
675:), and Budapest's
420:Pontevedrin consul
339:Baron Mirko Zeta,
273:
271:
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45:
2631:
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2464:Die ideale Gattin
2350:
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2187:30 December 1905"
2181:Die lustige Witwe
2168:Die lustige Witwe
2142:Traubner, Richard
2120:American Operetta
2118:Bordman, Gerald.
2080:978-0-14-103336-5
1970:Shadow of a Doubt
1966:Crogan, Patrick.
1942:The Merry Widow's
1938:Mostel, Raphael.
1888:"The Creation of
1769:101: Discography"
1747:Die lustige Witwe
1732:La Vedova Allegra
1660:, Musicals101.com
1481:Die lustige Witwe
1394:Shadow of a Doubt
1338:1952, US, version
1320:Maurice Chevalier
1160:Franz Welser-Möst
1158:as Hanna (1972);
1156:Elizabeth Harwood
1148:Lovro von Matačić
1041:La Vedova Allegra
1034:Johannes Heesters
939:Jason Barry-Smith
853:George Balanchine
709:, with lyrics by
688:, estimates that
524:
523:
460:Vicomte Cascada,
364:Baron Zeta's wife
267:piano–vocal score
239:Die Lustige Witwe
212:Die Lustige Witwe
185:Richard Heuberger
55:Die lustige Witwe
18:Die lustige Witwe
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1144:Eberhard Wächter
1065:Columbia Records
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1090:, conducted by
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986:Joan Sutherland
978:Sheldon Harnick
931:Helen Donaldson
915:The Merry Widow
847:, with sets by
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1401:and scored by
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1370:The theme of "
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1304:as Danilo and
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1262:Palais Theatre
1258:Desmond Heeley
1240:John Lanchbery
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1226:Ballet version
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1092:Otto Ackermann
1051:Main article:
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893:, London, 1907
821:Cyril Ritchard
747:Percy Anderson
733:as the Baron,
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719:Daly's Theatre
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385:Karl Meister
384:
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375:
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371:Annie Wünsch
370:
367:
365:
362:Valencienne,
361:
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355:
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344:
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334:
331:
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311:Mizzi Günther
309:
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302:(title role)
301:
297:
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288:
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283:
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268:
264:
263:Mizzi Günther
259:
252:
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233:
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225:
224:Der Opernball
221:
217:
216:Mizzi Günther
213:
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199:
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190:Der Opernball
186:
183:. They asked
182:
178:
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158:
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150:
145:
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139:Henri Meilhac
132:
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108:
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99:Henri Meilhac
96:
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82:
78:
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56:
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50:
41:
37:
33:
19:
2610:
2587:
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2304:
2296:
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2210:
2198:
2191:(in Italian)
2180:
2167:
2145:
2135:
2130:
2119:
2096:
2070:
2061:
2039:
2008:
2002:
1994:
1985:
1975:
1969:
1962:
1941:
1934:
1926:
1921:
1911:
1905:
1889:
1882:
1870:
1840:
1817:
1812:
1804:
1782:
1776:
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1537:
1531:
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1510:
1497:
1480:
1460:
1423:
1406:
1392:
1378:Shostakovich
1302:John Gilbert
1279:
1247:
1229:
1211:Yvonne Kenny
1203:Erich Kunzel
1194:
1184:
1178:
1176:
1166:(1993); and
1140:Robert Stolz
1124:Hilde Gueden
1120:John Culshaw
1116:stereophonic
1088:Walter Legge
1077:
1056:
1040:
1038:
1027:
1023:
1022:
1013:
1011:
963:
957:as "Hanna",
955:Marina Prior
914:
896:
865:
833:Lizbeth Webb
829:Thomas Round
809:Donald Brian
790:
781:Donald Brian
763:
735:Robert Evett
727:Joseph Coyne
714:
704:
695:John Kenrick
689:
685:
682:Bernard Grün
651:
623:
604:
580:
566:
562:
558:
554:
535:
518:
505:
491:
475:
461:
447:
433:
427:Fritz Albin
419:
405:
399:Oskar Sachs
391:
377:
363:
340:
318:
299:
244:
238:
237:
227:
223:
211:
201:
195:
188:
160:
148:
136:
103:
94:
54:
48:
47:
46:
36:
2666:1905 operas
2622:Anton Lehár
2617:Lehár Villa
2384:Franz Lehár
2342:discography
2259:Franz Lehár
2211:Merry Widow
2126:Gänzl, Kurt
2040:Opera on CD
2036:Blyth, Alan
1767:Merry Widow
1346:Lana Turner
1342:Technicolor
1328:Lorenz Hart
1318:, starring
1254:Ronald Hynd
1221:Adaptations
1217:as Danilo.
1195:Opera on CD
1128:Per Grundén
1102:as Danilo,
959:Max Gillies
933:as "Anna",
929:as Danilo,
919:Jon English
903:light opera
845:Jan Kiepura
739:W. H. Berry
711:Adrian Ross
661: [
513:Lili Wista
504:Praskowia,
455:Carlo Böhm
352: [
198:Franz Lehár
169:Viktor Léon
153:grand duchy
81:Viktor Léon
77:librettists
73:Franz Lehár
43:Franz Lehár
2660:Categories
2448:Gipsy Love
2018:0571144861
2009:Happy Days
1875:Blyth 1992
1863:March 2007
1818:Gramophone
1805:Gramophone
1784:Gramophone
1749:recordings
1701:Opera News
1433:References
1425:Happy Days
1306:Mae Murray
1244:Alan Abbot
1215:Bo Skovhus
1191:Alan Blyth
1108:Emmy Loose
1100:Erich Kunz
1098:as Hanna,
1047:Recordings
974:Alan Titus
951:John O'May
891:Lily Elsie
880:whole-tone
849:Howard Bay
766:Montenegro
723:Lily Elsie
707:Basil Hood
542:Grand Duke
538:Pontevedro
432:Sylviane,
285:Voice type
131:Lily Elsie
122:Background
2624:(brother)
2408:Kukuschka
2400:Operettas
2105:500373060
1515:Grün 1970
1344:starring
1078:In 1953,
949:in 1999,
943:Melbourne
868:Phil Park
755:Frou-Frou
626:grisettes
496:baritone
466:baritone
424:baritone
410:baritone
345:baritone
326:or lyric
165:Leo Stein
137:In 1861,
85:Leo Stein
71:composer
52:(German:
2609:" (from
2528:Giuditta
2496:Paganini
2335:(ballet)
2159:Libretto
2095:(1956).
2060:(1970).
2038:(1992).
1951:Archived
1895:Archived
1486:Archived
1422:'s play
1332:Gus Kahn
1308:as Hanna
1238:, while
1236:scenario
1174:(1994).
1084:Columbia
1018:Brussels
947:Adelaide
923:Brisbane
813:West End
797:Broadway
608:keepsake
594:pavilion
527:Synopsis
438:soprano
404:Kromow,
390:Njegus,
368:soprano
328:baritone
109:Song", "
65:operetta
63:) is an
2574:Ballets
2424:Tatjana
2223:YouTube
2029:Sources
1718:(1997)"
1300:, with
1209:, with
1193:in his
1122:, with
1094:, with
925:, with
654:Hamburg
630:can-can
601:Scene 2
577:Scene 1
550:Maxim's
396:spoken
306:soprano
181:Maxim's
67:by the
2691:Operas
2636:Portal
2565:(1972)
2557:(1957)
2549:(1936)
2531:(1934)
2523:(1930)
2515:(1929)
2507:(1926)
2499:(1925)
2491:(1921)
2483:(1918)
2475:(1914)
2467:(1913)
2459:(1911)
2451:(1910)
2443:(1909)
2435:(1905)
2427:(1905)
2419:(1904)
2411:(1896)
2308:(1952)
2300:(1934)
2267:(1905)
2185:
2103:
2077:
2046:
2015:
1503:review
1382:Hitler
1189:, but
988:, and
743:Lucile
474:Olga,
452:tenor
382:tenor
269:, 1906
177:Balkan
75:. The
2650:Opera
2599:Other
2539:Films
2324:Other
2273:Films
1438:Notes
1314:, by
1170:with
1162:with
1154:with
1112:Decca
980:. An
665:]
620:Act 3
587:Vilja
572:Act 2
532:Act 1
356:]
324:tenor
281:Role
208:galop
157:Count
114:Maxim
107:Vilja
97:) by
2101:OCLC
2075:ISBN
2044:ISBN
2013:ISBN
1348:and
1330:and
1322:and
1242:and
1130:and
1071:and
972:and
835:and
827:and
819:and
783:and
770:Zeta
745:and
725:and
218:and
83:and
2261:'s
2221:on
2134:in
1411:by
1357:by
1340:in
1296:by
1287:by
1082:'s
1080:EMI
1043:).
990:PBS
795:on
2662::
2202:,
2144:.
2128:.
2091:;
1993:,
1974:,
1853:^
1825:^
1792:^
1763:.
1698:,
1675:.
1665:^
1656:.
1628:,
1586:^
1573:.
1551:^
1542:,
1470:^
1457:.
1445:^
1126:,
1075:.
1020:.
749:.
713:,
663:de
552:.
354:de
101:.
79:,
2638::
2613:)
2605:"
2376:e
2369:t
2362:v
2251:e
2244:t
2237:v
2193:.
2183:,
2179:"
2107:.
2083:.
2052:.
2021:.
1972:"
1940:"
1914:"
1910:"
1892:"
1765:"
1734:"
1730:"
1714:"
1677:"
1595:"
1575:"
1479:"
1459:"
1427:.
1415:.
1388:.
1334:.
628:(
582:"
147:(
105:"
93:(
34:.
20:)
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